Journal of Al_Anbar University for Language and Literature

The Present paper tack les the study of popular plays through predecessors and pre- Islamic poetry. It deals with more than thirty popular plays which are employed by poets in their poetry at that time. That poetry was a research tool to know the name of the play and it's time. The treatment of the theme under study was exclusive to this period. It is worth noting that the names of most that plays have reached us. At the same time, the nature, identity and function of that plays remained hidden.However; we cannot deny the existence of those plays which are known by
their historians. But those historians do not take note of what document by poetry us if is revealed by the title of present paper. It seems that the reason behind that the poetry which is concerned with popular plays is not poetical.
It is very difficult for the poet to find a justification for using words like (ALKuthkutha) or (AL-Dujandah) and something like this. It is not strange to say that reason behind exclusion of those plays is that the plays are unknown

The critical precepts in Mudafar b. Fadel Al-Alawi"s book Nafdat Al-Arreeth Fi Al-Gareeth are a critical methodology to direct the poet in the right direction to set right his creative work and to be a model to be imitated. This paper exposes the faces of linguistic performance and the lapses of the ancient and modern critics and poet. Al-alawi tried hard to highlight them in order to avoid and abandon them because poetry is part of the linguistic system whose prosodic rules cannot be ignored or overlooked

The place in the novel is acquired of a great importance not less important than the rest of the items feature the other .Its the role completes the role of time in determining the sign of the novel, and it is the custodian of the events theater
conflict the characters and a geography of the novel and through it , the person gains his cultural , social and intellectual dimensions . this study is based on dealing with the place on two aspects : with the first the place and we decided to divide the space in which to( place anti-pet and place and space threshold is best suited to study
the place in the novel texts of Suna' Allah Abraham novelist and the second is interested with the study of description and its functions , types and functions and its role in shaping the intellectual and psychological side of the personality

The early critics who studied Arabic poetry from its inception concluded that material factors—considered a fundamental social need—were a powerful driving force behind poetic creativity. This insight emerged from their realization that there is a connection between emotional stimuli and artistic creation, as they traced creative work back to desires such as love, hatred, longing, passion, and anticipation. This awareness is reflected in Ibn Qutayba's interpretation of the motivations and stimuli behind poetry. Moreover, the pursuit of financial gain through poetry was not the original intent of poets; rather, it emerged later in the history of poetry under the pressure of necessity, poverty, and the aspiration for luxury and pleasures. This shift occurred after the decline of tribal loyalty and its diminishing influence on poets. Consequently, the phenomenon of using poetry for financial gain came into prominence.

The self or (I’m) is the focus of our personality , the body is the home of human with his submission to will and deepening the relation by awareness of the person to his body , its make him as recognized material to environ mint of the will . As the awareness of our body is correct , like the knowledge with it aesthetic value getting a lot of importance and admiration , then the body will join the self , in other meaning , become another (I’m) or its mirror , there for the difference by imaginate the humanity nature , make it invariable temporal and local , this make the human himself as where he found or make it variable with the difference of the human and its ability

The present paper addresses intertexuality for two aspects; theoretical and practical. The theoretical aspect presents a brief review of the concept of intertexuality for contemporary critics in the west and east. The practical aspect,
on the other hand, studies two samples of intertextuality namely; the religious and literary in the poetry of Ibn Al- Romi. In the practical aspect, the researchers have depended on recalling the literary & religious texts( as a part of cultural heritage) that interrelates with the original poetic text and its artistic and thought functions in the poetry of Ibn AlRomi, on the basis of our reference to the harmony among all these various intertextualities in the poetic context both in form & content

It is a problematic matter for lots of researchers and scholars to distinguish
between the types of verb (Zala) in the past, present and the origin. That is because the image of its past is one, although it, in fact, falls into three types. Each one differs from the other two at the origin of its substance, the remark of its middle letter (ayn), its present and the origin, and the misunderstanding caused by moving its remark , transferring or deleting. Then one present tense may co-occur in more than one of its types. This motivates the researcher to give the subject a special research collecting what is said in it, explaining all of its types attributing them to their substances and origins, showing the faces of participation and separation
among its types, and displaying the discord among derivationalists in some affairs, preferring what he sees as outweighing by the evidence, relying, at all, on the mothers of the sources .

He is Abū Saʿīd al-Sīrāfī, the son of ʿAbd Allāh ibn al-Marzabān. He is known by the kunya (nickname) Abū Saʿīd and is referred to as al-Sīrāfī, with the "Sīn" being pronounced with a kasra (/) and the "Yāʼ" with a sukun ), a reference to the city of Sīrāf. He authored numerous works, including: Explanation of Sibawayh's Book Al-Iqnāʿ in Syntax Al-Waqf wa-l-Ibtidāʾ (on punctuation and pauses) Shawāhid Sibawayh (Sibawayh's Examples) And other scholarly writings.Through the opinions of scholars, the stature and high rank of al-Sīrāfī are clearly evident. As Abu al-Ḥasan Muhammad ibn al-ʿAbbās ibn al-Furāt said: "Abū Saʿīd was an outstanding scholar, unmatched in the field of grammar, in particular."

Omani students of English encounter some Phonetic and Phonological problems reflected in the perception, identification and production of various English speech sounds. Most of these problems are related to the relatively
complicated orthographic system of English taught to Omani students at earlier stages of English language learning and to the inconsistent relationship between spelling and pronunciation of English and the differences between the sound system of Arabic and English. They often result in some pronunciation challenges for Omani students of English( hence OSE) with respect to consonants, consonant clusters, vowels, diphthongs and words used in connected speech. Omani regional differences also pose a serious pronunciation difficulty represented by first
language interference in the target language. This paper tries to account for the areas of difficulty and provide some suggestions and recommendations that could overcome the pronunciation problems in the oral performance of Omani students of English.