Abstract
The importance of this study lies in the archological digging of three layers of the Iraqi poet yassin Taha Hafidh\'s poetic text, in order to reach the beauty of place mixing
The three layers are as gollows: The first one is the artificial layer is being treated through pasting, the second is the intermeolial layer is being treated through pasting, the second is the intermeoliate layer and is being treated externally with the place appearance. The third, the deep one, is melting in the text blood and giving it new characterstics .
The research is dealing with the third layer as it is the critical way that is begging the passionate place which is completely poetic to get the beauhy of place through melting in the text and using place in the environ ment in an artistic conscionsness to rearrange places to get the text energies and nourish it with new blood.
The three layers are as gollows: The first one is the artificial layer is being treated through pasting, the second is the intermeolial layer is being treated through pasting, the second is the intermeoliate layer and is being treated externally with the place appearance. The third, the deep one, is melting in the text blood and giving it new characterstics .
The research is dealing with the third layer as it is the critical way that is begging the passionate place which is completely poetic to get the beauhy of place through melting in the text and using place in the environ ment in an artistic conscionsness to rearrange places to get the text energies and nourish it with new blood.
Keywords
تأتي مهمة هذه الدراسة في الحفر في طبقات ثلاث للنص الشعري للشاعر العراقي ياسين طه حافظ وصولا إلى جمالية المكان في تداخلاته وهذه الطبقات الثلاث هي: الأولى - الطبقة السطحية ويتم التعامل معها بطريقة الساقية ، والثانية - الطبقة الوسطى والتعامل معها خارجياً مع مظهر المكان، والثالثة- الطبقة العميقة، وهي طريقة الانصهار في دم النص وإعطائه صفات جديدة .