Abstract
This thesis study (representations of the environment in contemporary Iraqi porcelain) which is located in four chapters, the first chapter included a presentation of the research problem, which summed up to answer the following questions: Do you have affected the natural environment in the products of contemporary Iraqi artist?
And how to represent it in artistic influence outcomes? The aim of the research is known representations of the environment in contemporary Iraqi porcelain. Find study identifies representations of the natural environment in contemporary ceramic works (murals, dishes, carving Vhari) and in Iraq for the period (1982-2007) to determine the most important readings and stylistic shifts in the natural environment processors in contemporary Iraqi porcelain.
The second quarter included a theoretical framework which included two sections Me first concept of the environment, while the second dealt approaches the natural environment in the contemporary ethnic porcelain.
The third chapter dealt with research procedures which are from the research community consisting of (50) model casserole, and to ensure that the research sample
(5) and ceramic works of selected deliberate manner and by 5%.
The fourth chapter FD included research and conclusions results and foremost of which is: 1. of the features representations of the natural environment in the products of contemporary Iraqi porcelain nesting species or natural environmental vocabulary plant Kalmferdh and the environment river and animal single as shown in the sample (1.5) for the production of aesthetic data are overlapping neighboring structures.
2 .Some natural environmental vocabulary appeared realistic simulation of the form, or close to it (fish, rock) as in the samples (4.5), and others appeared in the abstract and as a reducing in the samples (Palm, Water Bird) (1,2.3).
The most important conclusions remind Mayati: 1-characterized Iraqi ceramic texts contemporary take signs and symbols abstract natural environmental vocabulary with symbols that come close to reality, even relatively, and thus the height of creativity reached in brainstorm and topics taken potter Iraqi Almasr.2- that affected deliberate Iraqi potter contemporary multicast intellectually and continuing with data in the formal questioning by the technical achievements of the environmental and cultural influences and then beat her portrayal of coding,and conduct and interpretation of my mind and this is what came in the creative texts all.
The research was the development of the recommendations of a special hall where the products of artists progress in general and ceramics in particular so as to provide for students abreast of constant and continuing with technical productions. As proposals came studying representations of the natural environment in the contemporary ceramics. And then of sources and references
And how to represent it in artistic influence outcomes? The aim of the research is known representations of the environment in contemporary Iraqi porcelain. Find study identifies representations of the natural environment in contemporary ceramic works (murals, dishes, carving Vhari) and in Iraq for the period (1982-2007) to determine the most important readings and stylistic shifts in the natural environment processors in contemporary Iraqi porcelain.
The second quarter included a theoretical framework which included two sections Me first concept of the environment, while the second dealt approaches the natural environment in the contemporary ethnic porcelain.
The third chapter dealt with research procedures which are from the research community consisting of (50) model casserole, and to ensure that the research sample
(5) and ceramic works of selected deliberate manner and by 5%.
The fourth chapter FD included research and conclusions results and foremost of which is: 1. of the features representations of the natural environment in the products of contemporary Iraqi porcelain nesting species or natural environmental vocabulary plant Kalmferdh and the environment river and animal single as shown in the sample (1.5) for the production of aesthetic data are overlapping neighboring structures.
2 .Some natural environmental vocabulary appeared realistic simulation of the form, or close to it (fish, rock) as in the samples (4.5), and others appeared in the abstract and as a reducing in the samples (Palm, Water Bird) (1,2.3).
The most important conclusions remind Mayati: 1-characterized Iraqi ceramic texts contemporary take signs and symbols abstract natural environmental vocabulary with symbols that come close to reality, even relatively, and thus the height of creativity reached in brainstorm and topics taken potter Iraqi Almasr.2- that affected deliberate Iraqi potter contemporary multicast intellectually and continuing with data in the formal questioning by the technical achievements of the environmental and cultural influences and then beat her portrayal of coding,and conduct and interpretation of my mind and this is what came in the creative texts all.
The research was the development of the recommendations of a special hall where the products of artists progress in general and ceramics in particular so as to provide for students abreast of constant and continuing with technical productions. As proposals came studying representations of the natural environment in the contemporary ceramics. And then of sources and references
Keywords
ceramic composition
contemporary Iraqi ceramics
environmental thousand
Natural Environment
Representations
Abstract
ﻭﺍﻟﺫﻱ ﻴﻘﻊ ﻓﻲ ﺃﺭﺒﻌﺔ
)ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ(
ﻫﺫﺍ ﺍﻟﺒﺤﺙ ﺒﺩﺭﺍﺴﺔ
ﻴﻌﻨﻰ
ﻓﺼﻭل،ﺘﻀﻤﻥ ﺍﻟﻔﺼل ﺍﻻﻭل ﻋﺭﻀﺎ ﻟﻤﺸﻜﻠﺔ ﺍﻟﺒﺤﺙ ﻭﺍﻟﺘﻲ ﺘﺘﻠﺨﺹ ﺒﺎﻻﺠﺎﺒﺔ ﻋﻥ ﺍﻟﺘﺴﺎﺅل ﺍﻻﺘﻲ:ﻜﻴﻑ ﺘﻤﺜل ﺘﺄﺜﻴﺭ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﻨﺘﺎﺠﺎﺕ ﺍﻟﺨﺯﻓﻴﺔ ؟ ﺍﻤﺎ ﻫﺩﻑ ﺍﻟﺒﺤﺙ ﻓﻬﻭ ﺘﻌﺭﻑ ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ
)ﺠﺩﺍﺭﻴﺎﺕ،
ﻭﺘﺤﺩﺩ ﺍﻟﺒﺤﺙ ﺒﺩﺭﺍﺴﺔ ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺃﻋﻤﺎل ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ
ﺍﻟﻤﻌﺎﺼﺭ.
ﺼﺤﻭﻥ، ﻨﺤﺕ ﺨﺯﻓﻲ( ﻭﺍﻟﻤﻭﺠﻭﺩﺓ ﻓﻲ ﺍﻟﻌﺭﺍﻕ ﻟﻠﻔﺘﺭﺓ (2007-1982) ﻟﻠﻭﻗﻭﻑ ﻋﻠﻰ ﺍﻫﻡ ﺍﻟﺘﺤﻭﻻﺕ ﻭﺍﻟﻘﺭﺍﺀﺍﺕ
ﺍﻷﺴﻠﻭﺒﻴﺔ ﻓﻲ ﻤﻌﺎﻟﺠﺎﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ . ﻭﺘﻀﻤﻥ ﺍﻟﻔﺼل ﺍﻟﺜﺎﻨﻲ ﺍﻻﻁﺎﺭ ﺍﻟﻨﻅﺭﻱ ﺍﻟﺫﻱ ﺍﺸﺘﻤل ﻋﻠﻰ ﻤﺒﺤﺜﻴﻥ ﻋﻨﻲ ﺍﻻﻭل ﺒﻤﻔﻬﻭﻡ ﺍﻟﺒﻴﺌﺔ، ﻓﻴﻤﺎ ﺘﻨﺎﻭل ﺍﻟﺜﺎﻨﻲ
ﻤﻘﺘﺭﺒﺎﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ .
ﻓﻴﻤﺎ ﺘﻨﺎﻭل ﺍﻟﻔﺼل ﺍﻟﺜﺎﻟﺙ ﺍﺠﺭﺍﺀﺍﺕ ﺍﻟﺒﺤﺙ ﺍﻟﺫﻱ ﺘﻜﻭﻥ ﻤﻥ ﻤﺠﺘﻤﻊ ﺍﻟﺒﺤﺙ ﺍﻟﻤﺘﺄﻟﻑ ﻤﻥ (50) ﻨﻤﻭﺫﺠﺎ ﺨﺯﻓﻴﺎ ،
ﻭﻋﻴﻨﺔ ﺍﻟﺒﺤﺙ ﺍﻟﺘﻲ ﺘﻀﻤﻨﺕ 5) ( ﺍﻋﻤﺎل ﺨﺯﻓﻴﺔ ﻭﺍﻟﺘﻲ ﺍﺨﺘﻴﺭﺕ ﺒﻁﺭﻴﻘﺔ ﻗﺼﺩﻴﺔ ﻭﺒﻨﺴﺒﺔ %5 . ﺍﻤﺎ ﺍﻟﻔﺼل ﺍﻟﺭﺍﺒﻊ ﻓﺩ ﻀﻡ ﻨﺘﺎﺌﺞ ﺍﻟﺒﺤﺙ ﻭﺍﺴﺘﻨﺘﺎﺠﺎﺘﻪ ﻭﺍﻟﺘﻲ ﻤﻥ ﺍﻫﻤﻬﺎ-1: ﻤﻥ ﻤﻼﻤﺢ ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﻨﺘﺎﺠﺎﺕ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ ﺘﺩﺍﺨل ﺍﻷﺠﻨﺎﺱ ﺍﻭ ﺍﻟﻤﻔﺭﺩﺍﺕ ﺍﻟﺒﻴﺌﻴﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻜﺎﻟﻤﻔﺭﺩﺓ ﺍﻟﻨﺒﺎﺘﻴﺔ ﻭﺍﻟﺒﻴﺌﺔ ﺍﻟﻨﻬﺭﻴﺔ
ﻭﺍﻟﻤﻔﺭﺩﺓ ﺍﻟﺤﻴﻭﺍﻨﻴﺔ ﻻﻨﺘﺎﺝ ﻤﻌﻁﻴﺎﺕ ﺠﻤﺎﻟﻴﺔ ﺘﺘﺴﻡ ﺒﺘﺩﺍﺨل ﺍﻟﺒﻨﻰ ﺍﻟﻤﺠﺎﻭﺭﺓ . -1 ﻅﻬﺭﺕ ﺒﻌﺽ ﺍﻟﻤﻔﺭﺩﺍﺕ ﺍﻟﺒﻴﺌﻴﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻤﺤﺎﻜﺎﺓ ﻟﻠﺸﻜل ﺍﻟﻭﺍﻗﻌﻲ ﺍﻭ ﻗﺭﻴﺏ ﻤﻨﻪ )ﺍﻻﺴﻤﺎﻙ،ﺍﻟﺼﺨﻭﺭ(، ﻭﻅﻬﺭ
ﺍﻟﺒﻌﺽ ﺍﻻﺨﺭ ﺒﺸﻜل ﻤﺠﺭﺩ ﻭﻤﺨﺘﺯل ﻜﻤﺎ ﻓﻲ ﺍﻟﻌﻴﻨﺎﺕ)ﺍﻟﻨﺨﻠﺔ ،ﺍﻟﻤﻴﺎﻩ، ﺍﻟﻁﺎﺌﺭ.(
ﻭﻤﻥ ﺍﻫﻡ ﺍﻻﺴﺘﻨﺘﺎﺠﺎﺕ ﻨﺫﻜﺭ ﻤﺎﻴﺄﺘﻲ : -1ﺍﺘﺴﻤﺕ ﺍﻟﻨﺼﻭﺹ ﺍﻟﺨﺯﻓﻴﺔ ﺍﻟﻌﺭﺍﻗﻴﺔ ﺍﻟﻤﻌﺎﺼﺭﺓ ﺒﺎﺘﺨﺎﺫ ﺍﻟﻌﻼﻤﺎﺕ ﻭﺍﻟﺭﻤﻭﺯ ﺍﻟﻤﺠﺭﺩﺓ ﻟﻠﻤﻔﺭﺩﺍﺕ ﺍﻟﺒﻴﺌﻴﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻤﻊ ﺍﻟﺭﻤﻭﺯ ﺍﻟﺘﻲ ﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻟﻭﺍﻗﻊ ﻭﻟﻭ ﻨﺴﺒﻴﺎ ،ﻭﺒﻬﺫﺍ ﻓﻘﺩ ﺒﻠﻐﺕ ﺫﺭﻭﺓ ﺍﻻﺒﺩﺍﻉ ﻓﻲ ﺘﻤﺜل ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻤﻥ ﺨﻼل
ﻁﺭﺡ ﺍﻻﻓﻜﺎﺭ ﻭﺍﻟﻤﻭﻀﻭﻋﺎﺕ ﺍﻟﺘﻲ ﺍﺘﺨﺫﻫﺎ ﺍﻟﺨﺯﺍﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ.
-2 ﺍﹶﺜﺭﺕ ﻗﺼﺩﻴﺔ ﺍﻟﺨﺯﺍﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ ﺍﻟﻤﺘﺭﺍﺴﻠﺔ ﻓﻜﺭﻴﺎ ﻭﺍﻟﻤﺘﻭﺍﺼﻠﺔ ﺒﻤﻌﻁﻴﺎﺕ ﺸﻜﻠﻴﺔ ﻓﻲ ﺍﺴﺘﻨﻁﺎﻕ
ﻤﻨﺠﺯﺍﺕ ﻓﻨﻴﺔ ﺒﻔﻌل ﻤﺅﺜﺭﺍﺘﻬﺎ ﺍﻟﺒﻴﺌﻴﺔ ﻭﺍﻟﺤﻀﺎﺭﻴﺔ ﻭﻤﻥ ﺜﻡ ﺘﺠﺴﻴﺩﻫﺎ ﺒﻀﺭﺏ ﻤﻥ ﺍﻟﺘﺭﻤﻴﺯ ﻭ ﺒﺘﺼﺭﻑ ﻭﺘﺄﻭﻴل ﺫﻫﻨﻲ
ﻭﻫﺫﺍ ﻤﺎ ﺠﺎﺀ ﻓﻲ ﺍﻟﻨﺼﻭﺹ ﺍﻻﺒﺩﺍﻋﻴﺔ ﻜﺎﻓﺔ. ﻭﺠﺎﺀ ﻫﺫﺍ ﺍﻟﺒﺤﺙ ﺒﺘﻭﺼﻴﺎﺕ ﻭﻫﻲ ﺍﺴﺘﺤﺩﺍﺙ ﻗﺎﻋﺔ ﺨﺎﺼﺔ ﺘﻘﺩﻡ ﻓﻴﻬﺎ ﻨﺘﺎﺠﺎﺕ ﺍﻟﻔﻨﺎﻨﻴﻥ ﺒﺸﻜل ﻋﺎﻡ ﻭﺍﻟﺨﺯﻑ ﺒﺸﻜل ﺨﺎﺹ ﺒﻤﺎ ﻴﻭﻓﺭ ﻟﻠﻁﻠﺒﺔ ﺍﻁﻼﻉ ﺩﺍﺌﻡ ﻭﺘﻭﺍﺼل ﻤﺴﺘﻤﺭ ﻤﻊ ﺍﻟﻨﺘﺎﺠﺎﺕ ﺍﻟﻔﻨﻴﺔ .ﺍﻤﺎ ﺍﻟﻤﻘﺘﺭﺤﺎﺕ ﻓﺠﺎﺀﺕ ﺒﺩﺭﺍﺴﺔ ﺘﻤﺜﻼﺕ
ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻤﻌﺎﺼﺭ. ﻭﻤﻥ ﺜﻡ ﺍﻟﻤﺼﺎﺩﺭ ﻭﺍﻟﻤﺭﺍﺠﻊ .
)ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ(
ﻫﺫﺍ ﺍﻟﺒﺤﺙ ﺒﺩﺭﺍﺴﺔ
ﻴﻌﻨﻰ
ﻓﺼﻭل،ﺘﻀﻤﻥ ﺍﻟﻔﺼل ﺍﻻﻭل ﻋﺭﻀﺎ ﻟﻤﺸﻜﻠﺔ ﺍﻟﺒﺤﺙ ﻭﺍﻟﺘﻲ ﺘﺘﻠﺨﺹ ﺒﺎﻻﺠﺎﺒﺔ ﻋﻥ ﺍﻟﺘﺴﺎﺅل ﺍﻻﺘﻲ:ﻜﻴﻑ ﺘﻤﺜل ﺘﺄﺜﻴﺭ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﻨﺘﺎﺠﺎﺕ ﺍﻟﺨﺯﻓﻴﺔ ؟ ﺍﻤﺎ ﻫﺩﻑ ﺍﻟﺒﺤﺙ ﻓﻬﻭ ﺘﻌﺭﻑ ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ
)ﺠﺩﺍﺭﻴﺎﺕ،
ﻭﺘﺤﺩﺩ ﺍﻟﺒﺤﺙ ﺒﺩﺭﺍﺴﺔ ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺃﻋﻤﺎل ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ
ﺍﻟﻤﻌﺎﺼﺭ.
ﺼﺤﻭﻥ، ﻨﺤﺕ ﺨﺯﻓﻲ( ﻭﺍﻟﻤﻭﺠﻭﺩﺓ ﻓﻲ ﺍﻟﻌﺭﺍﻕ ﻟﻠﻔﺘﺭﺓ (2007-1982) ﻟﻠﻭﻗﻭﻑ ﻋﻠﻰ ﺍﻫﻡ ﺍﻟﺘﺤﻭﻻﺕ ﻭﺍﻟﻘﺭﺍﺀﺍﺕ
ﺍﻷﺴﻠﻭﺒﻴﺔ ﻓﻲ ﻤﻌﺎﻟﺠﺎﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ . ﻭﺘﻀﻤﻥ ﺍﻟﻔﺼل ﺍﻟﺜﺎﻨﻲ ﺍﻻﻁﺎﺭ ﺍﻟﻨﻅﺭﻱ ﺍﻟﺫﻱ ﺍﺸﺘﻤل ﻋﻠﻰ ﻤﺒﺤﺜﻴﻥ ﻋﻨﻲ ﺍﻻﻭل ﺒﻤﻔﻬﻭﻡ ﺍﻟﺒﻴﺌﺔ، ﻓﻴﻤﺎ ﺘﻨﺎﻭل ﺍﻟﺜﺎﻨﻲ
ﻤﻘﺘﺭﺒﺎﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ .
ﻓﻴﻤﺎ ﺘﻨﺎﻭل ﺍﻟﻔﺼل ﺍﻟﺜﺎﻟﺙ ﺍﺠﺭﺍﺀﺍﺕ ﺍﻟﺒﺤﺙ ﺍﻟﺫﻱ ﺘﻜﻭﻥ ﻤﻥ ﻤﺠﺘﻤﻊ ﺍﻟﺒﺤﺙ ﺍﻟﻤﺘﺄﻟﻑ ﻤﻥ (50) ﻨﻤﻭﺫﺠﺎ ﺨﺯﻓﻴﺎ ،
ﻭﻋﻴﻨﺔ ﺍﻟﺒﺤﺙ ﺍﻟﺘﻲ ﺘﻀﻤﻨﺕ 5) ( ﺍﻋﻤﺎل ﺨﺯﻓﻴﺔ ﻭﺍﻟﺘﻲ ﺍﺨﺘﻴﺭﺕ ﺒﻁﺭﻴﻘﺔ ﻗﺼﺩﻴﺔ ﻭﺒﻨﺴﺒﺔ %5 . ﺍﻤﺎ ﺍﻟﻔﺼل ﺍﻟﺭﺍﺒﻊ ﻓﺩ ﻀﻡ ﻨﺘﺎﺌﺞ ﺍﻟﺒﺤﺙ ﻭﺍﺴﺘﻨﺘﺎﺠﺎﺘﻪ ﻭﺍﻟﺘﻲ ﻤﻥ ﺍﻫﻤﻬﺎ-1: ﻤﻥ ﻤﻼﻤﺢ ﺘﻤﺜﻼﺕ ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﻨﺘﺎﺠﺎﺕ ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ ﺘﺩﺍﺨل ﺍﻷﺠﻨﺎﺱ ﺍﻭ ﺍﻟﻤﻔﺭﺩﺍﺕ ﺍﻟﺒﻴﺌﻴﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻜﺎﻟﻤﻔﺭﺩﺓ ﺍﻟﻨﺒﺎﺘﻴﺔ ﻭﺍﻟﺒﻴﺌﺔ ﺍﻟﻨﻬﺭﻴﺔ
ﻭﺍﻟﻤﻔﺭﺩﺓ ﺍﻟﺤﻴﻭﺍﻨﻴﺔ ﻻﻨﺘﺎﺝ ﻤﻌﻁﻴﺎﺕ ﺠﻤﺎﻟﻴﺔ ﺘﺘﺴﻡ ﺒﺘﺩﺍﺨل ﺍﻟﺒﻨﻰ ﺍﻟﻤﺠﺎﻭﺭﺓ . -1 ﻅﻬﺭﺕ ﺒﻌﺽ ﺍﻟﻤﻔﺭﺩﺍﺕ ﺍﻟﺒﻴﺌﻴﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻤﺤﺎﻜﺎﺓ ﻟﻠﺸﻜل ﺍﻟﻭﺍﻗﻌﻲ ﺍﻭ ﻗﺭﻴﺏ ﻤﻨﻪ )ﺍﻻﺴﻤﺎﻙ،ﺍﻟﺼﺨﻭﺭ(، ﻭﻅﻬﺭ
ﺍﻟﺒﻌﺽ ﺍﻻﺨﺭ ﺒﺸﻜل ﻤﺠﺭﺩ ﻭﻤﺨﺘﺯل ﻜﻤﺎ ﻓﻲ ﺍﻟﻌﻴﻨﺎﺕ)ﺍﻟﻨﺨﻠﺔ ،ﺍﻟﻤﻴﺎﻩ، ﺍﻟﻁﺎﺌﺭ.(
ﻭﻤﻥ ﺍﻫﻡ ﺍﻻﺴﺘﻨﺘﺎﺠﺎﺕ ﻨﺫﻜﺭ ﻤﺎﻴﺄﺘﻲ : -1ﺍﺘﺴﻤﺕ ﺍﻟﻨﺼﻭﺹ ﺍﻟﺨﺯﻓﻴﺔ ﺍﻟﻌﺭﺍﻗﻴﺔ ﺍﻟﻤﻌﺎﺼﺭﺓ ﺒﺎﺘﺨﺎﺫ ﺍﻟﻌﻼﻤﺎﺕ ﻭﺍﻟﺭﻤﻭﺯ ﺍﻟﻤﺠﺭﺩﺓ ﻟﻠﻤﻔﺭﺩﺍﺕ ﺍﻟﺒﻴﺌﻴﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻤﻊ ﺍﻟﺭﻤﻭﺯ ﺍﻟﺘﻲ ﺘﻘﺘﺭﺏ ﻤﻥ ﺍﻟﻭﺍﻗﻊ ﻭﻟﻭ ﻨﺴﺒﻴﺎ ،ﻭﺒﻬﺫﺍ ﻓﻘﺩ ﺒﻠﻐﺕ ﺫﺭﻭﺓ ﺍﻻﺒﺩﺍﻉ ﻓﻲ ﺘﻤﺜل ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻤﻥ ﺨﻼل
ﻁﺭﺡ ﺍﻻﻓﻜﺎﺭ ﻭﺍﻟﻤﻭﻀﻭﻋﺎﺕ ﺍﻟﺘﻲ ﺍﺘﺨﺫﻫﺎ ﺍﻟﺨﺯﺍﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ.
-2 ﺍﹶﺜﺭﺕ ﻗﺼﺩﻴﺔ ﺍﻟﺨﺯﺍﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ ﺍﻟﻤﺘﺭﺍﺴﻠﺔ ﻓﻜﺭﻴﺎ ﻭﺍﻟﻤﺘﻭﺍﺼﻠﺔ ﺒﻤﻌﻁﻴﺎﺕ ﺸﻜﻠﻴﺔ ﻓﻲ ﺍﺴﺘﻨﻁﺎﻕ
ﻤﻨﺠﺯﺍﺕ ﻓﻨﻴﺔ ﺒﻔﻌل ﻤﺅﺜﺭﺍﺘﻬﺎ ﺍﻟﺒﻴﺌﻴﺔ ﻭﺍﻟﺤﻀﺎﺭﻴﺔ ﻭﻤﻥ ﺜﻡ ﺘﺠﺴﻴﺩﻫﺎ ﺒﻀﺭﺏ ﻤﻥ ﺍﻟﺘﺭﻤﻴﺯ ﻭ ﺒﺘﺼﺭﻑ ﻭﺘﺄﻭﻴل ﺫﻫﻨﻲ
ﻭﻫﺫﺍ ﻤﺎ ﺠﺎﺀ ﻓﻲ ﺍﻟﻨﺼﻭﺹ ﺍﻻﺒﺩﺍﻋﻴﺔ ﻜﺎﻓﺔ. ﻭﺠﺎﺀ ﻫﺫﺍ ﺍﻟﺒﺤﺙ ﺒﺘﻭﺼﻴﺎﺕ ﻭﻫﻲ ﺍﺴﺘﺤﺩﺍﺙ ﻗﺎﻋﺔ ﺨﺎﺼﺔ ﺘﻘﺩﻡ ﻓﻴﻬﺎ ﻨﺘﺎﺠﺎﺕ ﺍﻟﻔﻨﺎﻨﻴﻥ ﺒﺸﻜل ﻋﺎﻡ ﻭﺍﻟﺨﺯﻑ ﺒﺸﻜل ﺨﺎﺹ ﺒﻤﺎ ﻴﻭﻓﺭ ﻟﻠﻁﻠﺒﺔ ﺍﻁﻼﻉ ﺩﺍﺌﻡ ﻭﺘﻭﺍﺼل ﻤﺴﺘﻤﺭ ﻤﻊ ﺍﻟﻨﺘﺎﺠﺎﺕ ﺍﻟﻔﻨﻴﺔ .ﺍﻤﺎ ﺍﻟﻤﻘﺘﺭﺤﺎﺕ ﻓﺠﺎﺀﺕ ﺒﺩﺭﺍﺴﺔ ﺘﻤﺜﻼﺕ
ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺨﺯﻑ ﺍﻟﻤﻌﺎﺼﺭ. ﻭﻤﻥ ﺜﻡ ﺍﻟﻤﺼﺎﺩﺭ ﻭﺍﻟﻤﺭﺍﺠﻊ .
Keywords
:ﺘﻤﺜﻼﺕ،ﺍﻟﺒﻴﺌﺔ ﺍﻟﻁﺒﻴﻌﻴﺔ، ﺍﻟﺨﺯﻑ ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻤﻌﺎﺼﺭ،ﺍﻟﺘﻜﻭﻴﻥ ﺍﻟﺨﺯﻓﻲ،ﺍﻟﻑ ﺍﻟﺒﻴﺌﻲ