Journal Dawat

Alsahifa Al-Sajjadiyya has had a distinguished place in the Islamic heritage, as it is the second creative prose text after Nahj al-Balagha, because it contained a sober literary style and wonderful artistic images, as well as adding suggestive images on the topic to express the hidden aesthetic dimension in the text and draw the reader’s attention and what is doubtful about it The supplications of Imam Zain al-Abidin (peace be upon him) are a subjective, guiding, educational and preaching discourse, intending to guide and educate society on the true Islamic beliefs and morals, as well as to chart the correct paths for the right creation according to the contexts of that era and its data, and they were employed through special elements and methods, to breach barriers Authority, thus creating a hidden connection between himself and others, and the Imam invested in artistic photography because he was more involved in detail, contemplation and slowing down, and this indicates a sense of responsibility on the part of the Imam to the other for his guidance, as well as increasing the recipient’s ability to understand through interconnectedness and unity in his supplications, as he employed His outstanding ability in systems and casting, power of expression and beauty to put the meanings in their creative positions that absorbed their graphic images, and the Imam was fully intentive from the diversity of his connotations to give the recipient a choice. He is a god to shape it, and is unique in producing it from others, so that the matter reaches the recipient himself with every reading a new image is formed, interacts with its meaning and is affected by it

The research deals with Quranic expressions that have connotations related to astronomy and physics. Language is a tool for transmitting all sciences, and the researcher began with the meaning of (astronomy) in the introduction, in dictionaries, exegesis, scientific books, some books of philosophy, and the Bible. Then the choice fell on four terms to be four topics mentioned in the verses of the Noble Qur’an, the first of which was (the course Attributed to the sun; She balanced it with words that some of them counted as being synonymous with running, such as walking and swimming. As for the second word, which is (expanded) and its subject is the expansion of the universe and its Creator, the Almighty. It indicated the largest theory agreed upon by scholars in terms of the lack of agreement on the assumptions of astronomy, so it stated that the expansion of the universe has continued since the first composition of creation.
And the influence to heaven belonged to the third topic: In the Noble Qur’an an indication that he cannot influence the sky, then the last study was about the correction of the sky and the earth and their divisions, and what was said about it in astronomy, then the researcher mentioned the results of the research in the conclusion, and a list of the sources on which the research was based

The research aims to explain the process of producing the linguistic voice with what it needs from the components and the relationship of these components to each other, and the reference to moisture as a component that has an effect on the speech organs from two sides: the first is the need for these organs for moisture as a natural factor for their survival, and the second is the need for these organs for moisture on the side of Its production, which is the amount needed by these organs in proportion to the need of the voice and the associated confinement that the speech organs cause, resulted in the search for finding the necessary relationship of humidity in the production of sound, as it emerges as an indispensable component of the speech organs such as the tongue, teeth, gums, lips, or for the voice itself when air is its first component, and moisture is its second component. The sound outputs are mutually related with humidity to produce sound.

There is no doubt that the incomplete past reaction represented by (Was) in the Noble Qur’an has given it grammatical connotations not observed in studies of (familiar grammar), represented by measurements received by the Basrians, and others who imitate their measurement and walked in its light, ignoring their illuminations We framed it in our study with the concept of (Qur’anic grammar), with a precise concept, meaning: “The rules that are found in the Qur’an and are not included in the measurement of the majority of grammarians.” Rather, the bearing of that is loaded (abnormal, rare, wild, weak, etc.)
This, and what I seek to support in these papers revolves around a circle whose title is: (warding off any suspicion about the author and maker of the language from describing his linguistic methods in the sacred expression as abnormal and weak, and this is not appropriate for the divine self, which is audacity and transgression against it).
As a matter of enriching the Arabic language, we worked, as well as others, to move the wheel of phonemic grammar and push it head-to-head with the alleged measurements of the owners of the (old lesson). Definitely it’s asimplified glim came in the light of a grammatical Quranic study in precise concept entitled (Was) in the Quranic grammar from the point of view of Dr. Khalil Bunyan Al-Hassoun.

Perhaps the topic of (repetition in Alghaderiah speech) is one of the topics from which some concepts are sought, which have taken an advanced position in the study of stylistic phenomena, so the research concluded that repetition has been mentioned in this blessed speech or the human constitution of the divine guidance verbally repetition without meaning, meaning that repetitive speech It came in relation to what preceded it in terms of words or what followed - this is at the level of the sentence - as for verbal repetition in terms of verbs, nouns and letters, this was in terms of increasing affirmation and influencing the listener’s soul in both incitement and terror.

The words of this research will be subjected to a gentle disagreement between a group of our grammatical scholars, about parsing of the word (No No) in a stanza of the poet Jarir (114 AH). That’s opened by the narrations of this stanza and its explanation, and then convert to show their opinions to reach for what be thought it is the correct. Help from God.

The research concludes with an explanation of the way in which the grammarian or interpreter assigns the grammatical meaning of the tool. The meaning of the tool in one context may expand to more than one meaning, which indicates the existence of a selection of the meaning of the tool in a way that refers to a unique understanding, not limited by a specific rule, and upon induction we notice that The one who wants to define the meaning does not deviate from two types of issues that the researcher uses in determining the meaning, the first: the rule, the second: taking into account the context in its two types, verbal and denominator. we do not seek in this research to explain the points of disagreement in determining the evidence as much as the emphasis on the method used in determining it.
The research recorded its material from among a selection of tools in the book “The Parsing of the Noble Qur’an and its Illustration” by Muhyiddin Darwish, which is (if, to, except, minds, yes, S letter, no, L letter, when, without, what, and the W letter), and it was not Noting in statistical terms, including the meanings of the tools mentioned in this book, and what the researcher sees in referring to the observance of the two patterns in specifying the grammatical meaning of the tool reduces the selection of meanings that do not correspond to the rule or context with anything, but there must be a way to define the meaning according to a certain rule.

There are Arab poets who transcend the borders of their homeland to sing about the exploits and glory of the great nation by depicting its history and evoking its symbols, a manifestation that has become evident among poets who feel the need to defend the nation, preserve its gains, and reassure the integrity of its destiny, and perhaps this trend indicates a bold national spirit aiming to connect the present In the past and me in the other to unify visions and document the bonds of communication between the people of the same nation, and that this approach is possible only for those who have lived the pain of his nation and sensed its hopes and aspired to see what befalls it, and this approach in nocking at such subjects requires the fulfillment of its conditions for the poet to be an educated and aware of the history of the nation, and this is what we see in the Saudi poet Jassim al-Sihih, whose poetry collections tell us of a productive abundance and an abundance of knowledge indicating his ability to grasp this trend when he writes about Iraq and depicts it according to historical data identical to his reality.
The research is based on two axes, preceded by an introduction and a preapprehension and followed by a conclusion that summarizes the most important results of the research.

The basic tendency of literature throughout its development is the presentation of facts within the limits of daily life. Poetry is one of the forms of expression for a person. Poetry at various levels has a position of existence, and through this position features are defined, artistic and intellectual features emerge, phenomena are diagnosed.
About this poet And with the symbolism of his poem, “Own the future”, because of the renewed intellectual content in this text, so the study was entitled: (The symbol in a poem - Say Jidr and do not say Qidr). It contained three researches, the first was under the title of the symbolism of place and time. The second was religious and personal symbol, and th third was the symbolic image. Then the study ended with a conclusion that the symbol has a multi-faceted vision in this text, and goes beyond the apparent forms such as (Jidr) to the inner life such as (generosity), and it is not isolated from people, as the poet leans on the space of this text to transmit symbolic glimpses Elected (place, time, religion, personal), to give the text the desired symbolic energy, and then after that a list of sources and references.