Basrah Arts Journal

The study included five chapters that began with the introduction, which included : the problem of research and then its importance, and then the researcher formulated three goals to achieve the title of the research and then determined the limits of his study and then defined the beautiful linguistically, idiomatically and procedurally, after that he included the literature of his research through four investigations, and the researcher did not find a previous published research study. As for the researcher's procedures, they are experimental related to the art of painting, as the research community included the same experimental models, numbering five paintings, whose ideas were derived from the approaches to the saying of Sayyida Zeinab (I saw nothing but beautiful) From the results: 1-The beautiful comes from the mental essence of belief, while its aesthetic impact is deduced for Sayyida Zeinab (pbuh) from the past of Al-Hussein (pbuh), his present and the future status of his testimony. 2-The beautiful is an existential necessity as an energy of attraction that Allah has singled out for his creatures, no matter how cruel the existence is. From the conclusions: 1-The research revealed that the beauty Husseini can be expressed in a variety of artistic media. 2-The study showed that the beautiful on two places apparent and essential and deductive judgment of the abundance of knowledge.

This research explores the interaction between Arabic language practices and interior design elements in shaping the cultural and experiential dimensions of traditional cafés in Bahrain and neighbouring countries. As café culture thrives, these spaces serve as cultural hubs blending heritage and modernity. The study identifies a significant research gap in understanding how language and design collectively impact café experiences. Using a mixed-methods approach, the study examines iconic Bahraini cafés such as Haji Café and Lumee, analysing the symbolic use of Arabic in menus .and document analyses reveal how these elements create authentic and immersive environments, enhancing cultural connection and customer satisfaction. Findings emphasize the role of Arabic in effective communication and the preservation of cultural identity, while design elements foster comfort and nostalgia. This research offers valuable insights for café owners, designers.

Western art has always depicted provocation and ugliness in its various manifestations, from the late Renaissance and the paintings of the Dutch artists Bosch, Bruegel the Elder, and others to Romanticism and the Spanish artist Francisco de Goya's legendary painting (Saturn Devouring His Children), to the paintings of the Impressionists, including the painting of the artist Edouard Manet (Lunch on the Grass), and the obscene works of writers that were prevalent in both Flaubert and Baudelaire, as well as the paintings of the artist Lautrec that depict women in public baths, to Pop Art that depicted vulgarity, seduction, and sex, such as the paintings of Warhol and Lichtenstein, and the comic books of girls and Richard Hamilton that depict nudity and the life of American consumer reality, to the images of the transgender performance show at the Olympic Games in Paris and the imitation of the painting of the artist Da Vinci (The Last Supper) in a provocative manner that sparked a wave of controversy and disapproval, reaching modernity through the applications of artificial intelligence represented in the production of the vulgar in the contemporary image

Cinema was one of the arts whose mechanism was invented after the invention of electricity in the nineteenth furnace, which was able to those in charge of directors, producers and theorists to provide everything that serves human thought through the films that they directed after that, and the Montage mechanism was one of the artistic elements in cinema, It is as a mechanism for the fragmentation of the film through cutting and pasting, and for suspense and fun served the development and sophistication of cinematic art, and cinema evolved as a literary, cultural and intellectual genre for man, and the theater is much older than cinema, but it benefited from cinema and employed montage to contribute to the provision of conflict between the characters in the theatrical text, so their resort to montage in the text and thus in the theatrical presentation is an intellectual endeavor for the author and the director, that each experience of art experiences takes a form and a special direction required by nature A person who confronts the presentation of a text or a theatrical performance or presents a cinematic film, and constitutes the text

Just as the data of scientific and technological development have affected the field of life, they have also affected the renaissance of cinematic art, especially in giving a new vision in the art of film on the one hand, and the technical development of the elements of cinematic language that were liberated from its classical rules on the other hand. From these developments, the element of color received its share in a way that enriched the visual image aesthetically, psychodramatically and expressively. From here, the research problem presented crystallized in the following question: What are the ways of color working in fantasy films? To achieve the maximum possible benefit after extrapolating opinions to agree on the research objectives, the research included the following axes: Introduction, which included the research problem, its importance, objectives and limits, and then defining the terms. The importance of the research lies in the fact that it represents a cognitive addition to the students of the Cinema and Television Department at the Faculty of Fine Arts. The objectives of the research were limited to revealing the color occupations in fantasy films. The theoretical framework included two topics, the first of which dealt with the significance of color, while the second topic dealt with the occupation of color in the fantasy scene. After that, the researcher came up with a number of indicators, which resulted in the theoretical framework. The research also included the research procedures that included the research methodology, the research community, the research tool, the research sample, and the analysis unit, to be used in analyzing the sample represented by the movie (Warcraft). The research concluded with a set of results, the most important of which is the dominance of color as a basic value in the fantasy narrative structure, which came according to the process of colors for the makeup of the fantasy character. As for the most important conclusions, one of them is considering color as an aesthetic and expressive value in the dramatic narrative structure. The research concluded with a list of sources and a summary in English

Some designers and architects have explained that the process ofIntertextuality isLink betweenHeritage elements with a modern twist FIt is a creative process in which the designer relies on his free will to enrich his design achievements. Given the nature of thisFor spacesFor its focus on the culture of society and its adherence to the popular heritage of Baghdad..To lead usthisTo the title of the research titled "Intertextuality and its aesthetic reflections in interior designThe research consists of four chapters: Chapter One: Addressing the research problem that crystallizedBy wondering,What are the mechanisms of intertextuality that reflect the aesthetics of interior design??The research objective included: ATo reveal the reflection of the beauty of intertextuality through the design vision of interior spaces..The importance of the current research is evident.BecauseHighlights the most important pillars of intertextuality and its aesthetic reflection in design by experts.This is what the objective boundaries of the research were represented in, while the spatial and temporal boundaries were determined.In a study of intertextuality and its aesthetic reflection in restaurants with a traditional character in Baghdad, on both sides of Karkh and Rusafa, since 2023 AD.The second chapter represented the theoretical framework that specialized in studying the mechanisms of intertextuality in interior design and architecture, in addition toBeauty strategy in the intertextuality methods of the design product As for the third chapter: The research relied on the descriptive approach in analyzing the research samples (comprehensive survey method) for the entire research community according to the justifications explained by the researcher for the research analysis and its analysis. As for the fourth chapter: It included the results and conclusions that were reached from this research, as well as the theoretical design proposals, recommendations, and a list of sources and appendices