Basrah Arts Journal

The current research aims to address the constructivist approach in the analysis of sculptural products, being an approach that differs from other analytical and tion with an inextricable creative approaches in its fundamental associatechnique, which is the reconstruction of the sculptural product to highlight its functions through two basic processes, namely truncation and synthesis, that hey perform is, the truncation of the functional parts of the thing to reveal how ttheir functions, and the extent of their impact on the whole, and then the synthesis of these parts after discovering the laws of their movement in each organic, and analyzing Rules related to its various overtones and regulations. Thus, it has become necessary to ask the question, can the sculptural product be read and analyzed, whether it is prominent, stereoscopic or assembled through the constructivist method? se of the In order to deal with this research, the researcher considered the uconstructivist method in the analysis of a sculptural product that was intentionally chosen as a model to apply this method to it. The present study in the first section dealt with the concept of the constructivist method, which after on and maturity is fundamentally different from the formal method, its formatidown to the proposals of Levi Strauss and what he confirms the difference between formality and constructivism in terms of separation between these two dable, while the content is nothing more aspects because the form is understanthan a remnant devoid of the function value. The second section dealt with the constructivist approach as a critical approach, where constructivism works to e, and these links are study the links that regulate the elements of the structursubject to laws that control the construction of the relationships that bind them, they are characterized by stability, although the elements may change, but the relationships remain the same. The research then addressed the indicators adopted by the constructivist approach and the following:Analyze each building into its molecules that make up it, in order to 1. reveal the objective relationships that bind it to each other, and then that is superior to the reconstruct it into the construction of each new one previous construction and more advanced than it.2. Determine the direction of the process of analysis and installation of each building.
3. Discover the essences behind each building, which are relationships and them.nothing else higher than In the third section, he touched on the use of the constructivist method as an analysis (horse analytical method and the choice of a sculptural model of movement) by the sculptor Jawad Salim, where it was found to come up with t concluded the research, including the movement of the a number of results thaenemy shown in the form, is inspired by the ancient Assyrian forms, where there is more than one movement of limbs in the sculptural forms completed t's inspiration for these ancient in that period, which is an indication of the artisforms within the concept of civilizational inspiration and reformulation in a modern way. As well as the qualities of the modern futuristic school that called the genius of for the embodiment of the movement in form, thus crystallizing the artist by linking these historical periods in an expressive way

The theatrical text book determines the rhythm of their characters drawn on paper according to a set of data they derive from the environment around them, in addition to other factors, including those related to intellectual maturity, awareness, and culture, and some of it has to do with social class. Naturally, the rhythm of the persona in the texts of the poetic theater in its high language and poetic image differs from the rhythm of the persona that simulates what is realistic in the texts of the prose theater. From this point of view, the researchers chose to study (the rhythm of the persona in the poetic theatrical text) due to the lack of studies that dealt with poetic plays compared to the studies that were concerned with prose theatre (Ibn Al-Ali) is a model in its first methodological chapter. In addition to the inclusion for linguistic, idiomatic, and procedural definitions of the concepts (rhythm and personality) as keywords. As for the second chapter, a brief historical overview of the texts of poetic theater in the Arab world, where the first topic, with its three axes, was presented with (the concept of the rhythm of personality philosophically, psychologically, and psychologically). And the second topic came to study (the rhythm of personality in the international and Arab theatrical text). As for the third chapter (the author procedures), the authors took an analytical sample from the theatrical script for (Ibn Al-Ali) for the types of characters and their references. And since the indicators, the theoretical framework, and the play’s manuscript are a tool for them in analyzing the sample according to the descriptive-analytical method. In the fourth and final chapter, eight results of the research sample have been discussed in detail, where their results have been followed by three conclusions, and this study ends with references to the current work and its sources .

Is the theater of the educational activity in the field of education which makes it an important means of education that you enter in the frequency gauge of esthetic social which contributes to the development to the child mentally socially , psychologically it is an important source of knowledge that society and depends on the character of the hero .Which has a large role through the characteristics that he possesses and should take in to account the nature of the different age stages because it is intrinsically linked to the hero from his early years these characteristics make him convinced and able to influence .The search may be for chapters and the first chapter in clued the problem of the search and its importance and the need for it , the problem of the search is determined in the answer to the question, which is the characteristics of the character of the hero in the performance of the educational theater also included the goal of the search to identify the characteristics .The second chapter contained the theoretical framework which contained two researchers, the first dealt with the character of the hero in the educational theater sealing the theoretic cat framework with indicators while the third chapter ( research procedures ) dealt with society , sample and research sample and the fourth chaplet contained the results and conclusions and ends with the list sources .

Theatre is considered as the art that most evokes surprise, magic and beauty, and all of these are interpreted by the dramatic show. Its real form is a unity that includes a group of related elements that constitute a group of relations that identifies the reactivity of each element. And the development of the dramatic art; on the artistic and aesthetic levels, are responsible for employing various types of aesthetics in the cymographic space, besides other aesthetic and artistic techniques that add distinctive musical and referential dimensions. So, the aesthetics of the picture carries a reference that promotes the artistic value of the dramatic show. The current study consists of four chapters. The first includes the problem of the study, its importance and the need for it. The problem of the study is identified by answering the following question: How the aesthetic employment of the actor’s performance was achieved in the shows of Anas Abdulsamad? The aim of the study also includes the identification of the aesthetic s of the actor’s performance in the shows of Anas Abdulsamad. The limits of the study were devoted to the dramatic shows of Anas Abdulsamad. Then the chapter wends with identifying the terms and defining them procedurally. The second chapter includes the theoretical frame which itself contains two sections; the first deals with the aesthetics of the dramatic performance, and the second deals with the modernization of the dramatic picture, then it is ended with the indicators. The third chapter contains the procedures of the study, which include the community of the study, and the tool that the researcher uses in analyzing the sample of the study. As for the fourth chapter; it includes the findings, the conclusions and the bibliography .

The problematic of the current research revolves around studying the applications of neutrality in contemporary Iraqi sculptural ceramics, and it includes four chapters as follows:
The first of them in the general framework of the research contained the research problem in which the contemporary sculptural ceramics were shed light and the research problem was determined by answering the following question: Are there applications of imitation in contemporary Iraqi sculptural ceramics? As for the second chapter, which is the theoretical framework for the research, it includes three topics: The first topic - the concept of immanence. The second topic was - applications of immanence in plastic art. While the third topic came - contemporary Iraqi ceramic sculpture (entrance). Then, in its theoretical framework, the second chapter resulted in a set of indicators that the researcher benefited from in guiding her analysis of the research sample. While the third chapter includes the research procedures, which are the method used and the research community in addition to the research sample and the tool used in the analysis. Then the analysis of the samples was followed by the results and conclusions, the most important of which were :
. 1The immanent analysis constitutes a pattern of logical reading regardless of the variety and difference of the visual texts, because this type of immanent analysis examines the internal conditions controlling the formation of the meaning of the text and its intention far from what is external .
. 2The immanence depends in its work in two parts, the first of which is an activity that refers to everything that is statically present in an object (static vision), and the second of them refers to what comes from a being expressing its original nature (dynamic vision). As normal as for sample (2).

Interrelation and analytic of the literary subject is prepared by the speech in Arabic language by setting up next short theatric play for young children with the preposition of puppet designs and besides on the longest of an advertisers and animal figures in presentiment a creative achievement for young children with a group of community groups orphans and dropouts. This phenomenon is not new but it has such dimensions and its impact on the behavior of young children regardless of degree depriving then. theater and any meaningful library and artistic activity seeking to strengthen young personality children and be the small one is the basic building block for the family and society it I the royals of the care interest. Islam has enjoined the orphan and its care and sponsorship of the orphan recommend by the heavenly laws. The child and the young need attention in on atmosphere the family to preserve its identity from being torn and destroyed in its infrastructure the child in society is a bond socio. Educational brings the father and mother closer and through pursuit of the treatment and enriching the theater and brides preaching and awareness being a lesson in a subject watching and applying for the fifth year students are shown the extent to which they benefited from the theatrical. Performance and its inclusion in it the school girl plan is something that puts us all together in front of appositive indictor for female students applying the way of the development of educational work in the field during its application in school and graduation as societies don’t advance and progress nations only build the family and the child but in ways dealing with reality and its negatives as the young need expression the one who expresses his disgusting feelings and because he is one of the advantages of free active and authentic expresses of what you yearn for the soul and the soul adores it combines seriousness and play and between need and desire need for knowledge and desire for some absurdity the embodies at some of what swarm the soul human kind is source of question and a curiosity of knowledge that can only by achieved by breaking the barrier of silence experience and discovery. The impact of the environment adds a psychological factor to the behavior of young children the children are inside the house and the school the school builds his future life which is more need of care interest and the resetting psychological impact on inside it and due to the importance of the topic the researcher choose a kind of type of interactive theater for children from the age of five to eighteen she was chosen as a puppet theater and brides as a training and entertainment lessen for them benefiting from the participation of a fifth grade students in the fiche watching. Applying and the rest of the stages and sections in dramatizing the curriculum and the researcher followed by the experimental method and defined the method logical frame work of the first chapter and the second chapter the puppet and puppet theater speech and image and their impact on young children and children with the in discolors of the theoretical framework. The third chapter relater research procedures and the sample was chosen a theatrical text within the search community and presenting an entertaining text speech that contains wisdom and exhortation embrace the imperfections of reality between children and an accurate diagnosis and methods of treatment and the rest are her worked on formulating the results and contusions recommendations and list of sources.

The current study came under the title of the duality of presence and absence in the work of Basra artists, and it included four chapters: Chapter One (the general framework of the research) in which the research problem was reviewed and then dealt with the importance of the research and the need for it to determine the limits of the research, followed by a list of terms that were identified As for the second chapter (the theoretical framework of the research), it included three sections: the first topic: the philosophical concept of presence and absence, the second topic: presence and absence in European painting, and the third topic: presence and absence in Iraqi painting, and the third chapter included (research procedures) in which it was identified The researcher, the method, the research community, its sample, the user, and the tool used in analyzing the sample models. She reached a number of results and conclusions, the most important of which are:
1- The duality of presence and absence can help us accept the duality of interpretation.
2- A distinctive marriage between more than one school and style, such as symbolism and expressiveness, with a subjective character, so that its features appear from the artist’s voluntariness of color and his ability to use tools.
3- The indicative movement of the event, despite the abstract appearance of the painting, is manifested through the duality of presence and absence in bold and brief color climates of formal formations.
4- The dialectic of presence and absence works in its transition between spaces and archaeological sites to enhance the feeling of belonging to the place with its interrelationships.
The conclusions are:
1- Presence and absence are a debate with open borders.
2- It is based on reciprocal relationships such as (absence) relationships, which represent the structural aspect of language, and consequential relationships are (presence) relationships.

The effectiveness of the speech released by contrast dialectical left by studies post-colonial in the artistic and literary fields, which work their owners to disclose methods of dominant discourses, created by colonial eras in her speeches colonial cultures when peoples that occurred under colonialism, so the work of a group of students of the speech colonial , to find letters and contrary to anti-colonial speech in order to clarify the problems left behind by the cultural dominance of the peoples, and specifically in the work to erase the cultural features or marketing of Western ideas that do not fit in with people's lives, Including Arab nations, including Iraq from nations that have been colonization has appeared in the art scene number of theatrical performances, which discussed the cultural threat left by colonialism on the Iraqi cultural scene and affects the cultural and intellectual aspects of the Iraqi citizen, so this paper presents an attempt to study these offers in light of the speech and its effectiveness in contrast to the dominant discourses revealed.

This thesis study the technical diversity of the products of Pop Art Art is located in four chapters, devoted the first chapter to a statement of the research problem and its significance and purpose and limitations and to identify the most important terms contained therein, where he addressed the problem of the research subject of technical diversity and its relationship to the art of Pop Art, which represents a model distinct in show patterns of consumer culture (folk) that prevailed in the United States, he is depicted Zhnih and consumer environment, and involves a lot of intellectual and structural Ironically, as a result of manifestation mechanisms functioned according to data actor technique.What distinguishes the stylistic visions of the artists of Pop Art, which exaltation of properties Aladharrih artistic and aesthetic techniques that have been used in the expression of cognitive psychological nature trail, loaded card Find modes of technology is familiar, Art is produced in any material located in the reach of the artist. So was Pop Art Art techniques care of things ephemeral, cheap, neglected, Almstalmh, traded, which prompted the artist to the popular practice of many types of visual production, as well as the diversity of raw materials and materials technology, media, printing and advertising.And demonstrated the importance of research in the possibility of monitoring the technical diversity of the products of pop art on the level of shapes, materials and media, and paves the same time to open up research to address the aesthetics of technical given in the art of postmodernism, the research aims (revealed technical diversity of the products of Pop Art art) and define the artistic productions completed from (1960-1975.)And included the second chapter on the theoretical framework on two themes: Me first study the technical diversity in the arts of postmodernism) The second topic was concerned with (study Aladharrih characteristics Art Pop Art), The third chapter singled out procedures for the search, either the fourth quarter has included findings and conclusions

The present research tackles the study of The Islamic Carpets in the Depictions of Persian Manuscripts ( Khamsat Nizami as a model). It is divided into four chapters. The first chapter explains the problem of the research, its importance and the need for it, determining the most important terms contained therein, and we talk about the study of Islamic carpets contained in the depictions of Persian manuscripts. First of all, we have to answer some important questions related to the possibility of relying on manuscript illustrations as the essential source for studying carpets in Persian manuscripts, the most important of which is, do the carpet drawings contained in manuscript illustrations represent the real designs of Iranian carpets? Was the photographer familiar enough with these designs to implement them accurately in his images? As for the second chapter, it deals with the theoretical framework and it contains two sections. The first points out the emergence of Islamic carpets in Iran, the decorations executed on Iranian carpets, and the types of Iranian carpets. The second part mentions the centers interested in the production of Persian carpets, while the third chapter includes the research procedures, including the research community and the research sample, the research tool and the analysis of the research sample, whereas the fourth chapter is concerned with the results, conclusions, recommendations and suggestions

The research included exposure to the study of formal theory and its applications in abstract sculpture, since the adoption of this type of sculpture as a basis in its work .
The research came in four chapters, the first of which included the general framework of the research starting with the problem of research, its importance, its purpose and its extended limits from 1931 to 1953, and then defining and defining the most important terms in it.
The second chapter included the theoretical framework of the research, which included two sections, the first came under the title of the concept of formal theory, the second topic included the technical and intellectual reflection of formality in abstract sculpture.
From the theoretical reading in the two sections, the researcher came out with a set of indicators in the analysis of the research sample.
The third chapter included the research procedures based on the research methodology in which the researcher adopted descriptive analytical method to analyze the sample content derived from the research community, which included a collection of works that the researcher learned from the relevant sources and the Internet to pick a sample representing The research society), in an intentional manner reached (5) sculptural works, which adopted the researcher theoretical framework indicators and observation tool as a tool to analyze the sample content.
The fourth chapter included the most important findings of the researcher and the conclusions that came out of the most important results:
1-The center of formal discourse in sculptural achievements is (man), which represents the basic value in the work of art and this applies to all sample models.
2-In the aesthetic dimension, the shape of the relationship between mass and space took shape. The structure of the sculptural form is in the structural argument between the mass and its spaces, as is shown in Figs. (1), (2), (3) and (5) .

Grotsk is a technical practice implemented by the artist and writer for an intellectual and aesthetic purpose at the same time, which is to deliver her speech to the recipient through a shocking technique with its strangeness and miraculous Ness. Ironically and close to the concept of ugliness, it is a technical style associated with many schools of art and literature, such as French and German romance, and because it is a subject of mixing with literature and formation , meaning that with this rejection and plastic displacement by proposing pictorial representations with discordant formal structures in gender and gender, but it does not depart from the aesthetic proposal according to the fact that beauty does not require its presence in realistic forms, and the research included four chapters, the research included the research problem according to the following question: How does grotesque appear in contemporary painting? The importance of the research, its need, goal, limits and definition of terminology, and the second chapter included the following sections: The first topic: the concept of grotesque and its extensions, and the second topic: manifestations of grotesque in European painting, while the third chapter included identifying the research community and its sample of (5) artworks by international artists, to obtain Including the fourth chapter with a number of results, namely:
1- The artworks with a grotesque tinge demonstrated the distortion and displacement of realistic images by exaggerating the drawing of bodies, positively and negatively (dwarfing, gigantic, and amplifying) to transmit a satirical message within the black comedy as in the entire models
2- The concept of the grotesque was linked to the mythical framework and the employment of superstitious forms of more than one form and with different material races, as in all models

The research entitled (The Kurdish Composers and their Role in the Iraqi Song / Ahmed Al-Khalil as a Model) deals with what have been offered by the Kurdish composers who used to work in the General Establishment for Broadcasting and Television in Baghdad. Many Kurdish musician worked for the establishment as players and composers such as such as (Fouad Othman), (Rida Ali), (Ahmed Al-Khalil) and (Ibrahim Al-Khalil), etc. The composer Ahmed Al-Khalil played an important role in composing music for many Iraqi songs, and in addition to his Kurdish mother tongue, he composed music for many songs in Arabic. He had also discovered a number of Iraqi singers who have become well-known stars in the music scene... The Kurdish composer (Ahmed Al-Khalil) has also contributed for more than forty continuous years to presenting various melodies for different voices and themes. The researchers believe that this composer deserves study and analysis of his lyrical works, together with his efforts and his role in the Iraqi song march since the fifties. Thus the researchers gave a title to their research (The Kurdish Composers and their Role in the Iraqi Song / Ahmed Al-Khalil as a Model). The theoretical framework of the research includes two sections, the first of which is the Iraqi song procession from the thirties until today. The second topic deals with the lyrical melodies presented by the Kurdish composer (Ahmed Al-Khalil) in different ways, topics and time periods. As for the third chapter, the researchers will analyze some of the tunes, leading to his role in the march of the Iraqi song. In the fourth chapter, the researchers review the results and conclusions they reached…in addition to documenting the recommendations, suggestions, sources, and appendices.