Basrah Arts Journal

1

The Cultural Identity of Nigerian Theatre in the Post-Colonial Era: Wole Soyinka's Theatre as a Model

Farazdaq Saadi Salem

Pages: 5-22 Arabic

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2

Spiritual Motives for Infinity in Islamic Art

Tawfiq Naim Sahi, Ali Sharif Jabr Al-Sarayfi

Pages: 23-39 Arabic

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3

Intersubjectivity between the actor's performance and the elements of the theatrical performance

Haider Khalaf Muhammad, Ali Abdul Hussein Rahma Al-Hamdani

Pages: 41-49 Arabic

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4

Aesthetic transformations of the body in contemporary global ceramics

Mayada Mohamed Assi, Oras Jabbar Suhaim Al-Badran

Pages: 51-62 Arabic

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5

Oppositional binaries and their representations in contemporary global formation

Murtadha Shaker Khalaf Al-Atbi, Baha Abdul Hussein Majeed Al-Lami

Pages: 63-74 Arabic

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6

The dramatic character in the duality of identity and difference, the play by Karuk as a model

Marwa Makhlef Mankhi, Hassan Abdel Moneim Al-Khaqani

Pages: 75-86 Arabic

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7

The sign, the signifier and the signified in Iranian ceramics

Haider Ali Mohsen Yousef Al-Nasser, Sabah Ahmed Al-Shaya

Pages: 87-103 Arabic

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8

Hegemony and its effects in life and art

wala\' rahim hamzat alhamuwdi, Rula Abdul-Ilah Alwan Al-Naimi

Pages: 105-117 Arabic

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9

Urban sign pragmatics

Raghda Akram Sobeih, yasin wami nasir

Pages: 119-133 Arabic

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10

Representations of the objective equivalent in Jaafar Taoun's drawings

Mustafa Hamed Salem, Azhar Dakhel Mohsen

Pages: 135-146 Arabic

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11

Representations of Frankfurt's critical theory in modern European painting

Aseel Intisar Hashem, Azhar Dakhel Mohsen

Pages: 147-159 Arabic

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12

The duality of mother and child in contemporary European sculpture

Maysaa Abdul Amir Abbas, Ali Abdullah Aboud Al-Kanani

Pages: 161-176 Arabic

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13

The discourse of renewal in contemporary Iraqi ceramics

Ali Hussein Nasser Al-Batat, Rula Abdul-Ilah Alwan Al-Naimi

Pages: 177-190 Arabic

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Articles in This Issue