Fine Arts

The tagged research dealt with (aggressive behavior in the image of a person and his representations in graffiti art - Jean-Michel Basquiat - as a model), the first chapter of which included the research problem, the importance of research and the need for it, as well as the aim of the study, then the first chapter ended with defining the terms, while the second chapter, which It dealt with a presentation of the theoretical framework in two sections, the first topic dealt with: psychological dimensions of aggression in humans: concepts and applications, while the second topic explored: approaches to aggressiveness in the productions of graffiti art
The third chapter included the research procedures, as after defining the general framework of the original community, five models representing the research sample were chosen, as well as preparing a content analysis tool, after achieving both the apparent validity and reliability of this tool to be ready for application in its final form to analyze the research sample models. As for the fourth chapter, it contained the results and conclusions of the research, which included:
1- The nature of the shapes in Basquayat’s drawings is characterized by disorganization, as they are scattered and dispersed, characterized by imbalance, which indicates the presence of disturbances, tension and anxiety in the human personality in his drawings, and that the shapes are characterized by distortion, deficiency, lack of integration, and are not devoid of destructive and undermining features to entrench the concept of aesthetic ugliness. The relationships between these separate forms and parts are not connected, which confirms the ineffectiveness of the main character with the.

Emotion is the flow of life and its formula that nourishes the soul and the soul, and it governs us through the act of feelings, and leaves its impact and touches on all the details of life. Passion in most cases is clear to all living organisms and it comes as a reaction to a certain event. For a person, it is sometimes phenomenon and sometimes some people seek to hide behind several masks, such as perseverance or the motives of the interest. In the field of artistic expression, this concealment occurs and the emotion between the formations of artistic work and its abstract or expressive
symbols or the problems of that, which requires evoking the queen of analysis and interpretation to reach his state The mystery, where the researcher summoned his research tools to get to know the tendency of emotion in the ceramic achievement according to the various features that you draw that constitute the solution point of the research problem that the researcher presented through the following question: Can the researcher know the features of emotional tendency in contemporary Iraqi ceramics. The research may have included several Classes represented the thick road to solve the search problem, which Is ;
 The first chapter (the general framework of research) has been presented to the problem of research and the need for analogy and then its importance and its goal)

Through the different ages, the theater was able to be an essential image in the formulation and concepts of human life through the book of theater in the form of texts and theatrical performances. It is influenced by its positives and negatives and the creation of an environment conducive to decent human life.
While the importance of the research was manifested: its description as a study of the concept of deprivation and its psychological and social dimensions in the contemporary Iraqi theatrical text and how the playwright adopted this concept and projected it on the characters of the play and traced its dimensions, effects and implications emanating from its consequences, while the research aims to identify the concept of deprivation and its psychological and social dimensions in the contemporary Iraqi theatrical text .
It is necessary to refer to the limits of our research in terms of temporal terms, which were (2007) either spatially in Iraq-Baghdad, and the chapter was concluded by defining the terms. The procedural definition of deprivation was: Those necessary and necessary things that are prevented from a person as a result of force majeure, whether it is a special circumstance or an external one that is imposed on it, followed by disruption, abstraction, a lack of sensory

The Islamic decoration is a mirror that reflects ideal aesthetic images for all kinds of arts, as the decorative achievements contain all the elements of composition for plastic arts, including shapes of all kinds, geometric, botanical, and natural, as well as colors of all kinds, major, secondary, and derivative, and the rest of the other elements.
The research included four chapters. The first chapter contained the research problem, which was determined by the following question
Did the shape systems contribute to the aesthetic construction of Islamic decoration?
The importance of the research included the following:- Tracking the developments of shape systems in Islamic decoration and the extent to which these systems contribute to the existence of an ideal aesthetic standard for decoration.

Dealing with the current research (structural displacement in potter of the ancient Babylonian era) and its intellectual and conceptual works in the art of ancient Iraqi pottery The research contained two chapters, the first chapter included the research problem, which multiplied by answering the following question:
What is the compositional displacement in pottery of the Old Babylonian period?
To answer this question, it was necessary to develop a specific goal that leads the research to achieve an answer to the question and come up with relevant results, so the goal of the research was to identify the structural displacement in pottery of the Old Babylonian era.
The researcher has developed the limits of his research, the first objective limits: pottery works, pots, pottery tablets, pottery sculpture, seals, pottery compositions, either temporal boundaries: the old Babylonian era, either spatially it was determined by (ancient Iraq)

Reduction is an invitation to employ basic forms and urges separation and attribution of the functional value of the elements at the expense of complexity, diversity, overlap and exploration for meanings and implications in the plastic painting.
Reduction is a creative act that the artist uses to embody his artistic painting. The manifestations of formal reduction are clear in the artists’ works by dispensing with many details in form and content. This appeared clear and evident in the works of graphic artists, the subject of our current research.
(Aesthetics of shorthand in the products of contemporary graphic Olisa Dzhurayeva as a model).
The first chapter dealt with the problem of the research through the following question: (What are the aesthetic features of shorthand in the artist Oleya Dzhurayeva graphic products?) and addressed the importance of the research and the need for it, as it is one of the important topics that the researcher tried to focus on and identified as follows:- Attempting to shed light on the graphic artistic achievement For a different region from our cultures and artistic trends and unprecedented with a field study in our Iraqi graphic art reality, which is a special experience for the artist (Oleysa Dzhurayeva ).
The aim of the research focuses on (discovering and recognizing the aesthetics of shorthand in contemporary the Ukrainian artists .
Then he delved into his theoretical framework through two sections, the first of which was (conceptual reduction).
As for the second topic, the researcher focused on the artist (Olysa Dzhurayeva as a model) through the title of the topic under the name (The artist Olysa Djurani, her life and artistic stages).

The research includes a study (the aesthetics of design and organization in the paintings of Iyad Al-Husseini) and it included four chapters, the first chapter was devoted to clarifying the research problem, its importance and the need for it, the research objective and its limits, and identifying the most important terms contained therein.It dealt with the aim of the research (knowing the aesthetics of design and organization in the paintings of Iyad Al-Husseini(.
The second chapter was concerned with the theoretical framework and previous studies, where the theoretical framework included two sections, the first topic being design and organization in contemporary thought, the second topic being the artistic and stylistic references in the work of Iyad Al-Husseini.
The third chapter included the research procedures, the research community, the research sample, the research tool, the research method, and the analysis of the research sample amounting to (3) model. As for the fourth chapter, it included the research results, conclusions, recommendations, and suggestions. Among the results reached by the researcher:
- The aesthetic design and organization appeared in the paintings of the artist (Iyad Al-Husseini) through his work on the elements (line, shape, color, mass and space) and relationships with visual attraction to produce an aesthetic with an organized pattern according to his stylistic vision, as in all samples of the sample.

Particularly in the twentieth and twenty-first centuries, modern and current civilizations were fundamentally shaped by modern and technological advancements, which also had a significant influence on every area of modern man's existence. The twentieth century saw significant advancements in the domains of engineering, architecture, and interior design thanks to the quick growth of contemporary technology and the quick development of computer programming.
On the other hand, contemporary advancements in the technical and technological components of architecture and interior design have significantly altered both the material and social aspects of human life.
With the advancement of technology and its quick spread around the globe, architectural and interior design styles have altered from the past; contemporary designs are distinguished by the simultaneous and even superior emergence of visual aesthetics. As a result, by using current technology in these areas, it will give designs and a suitable and pleasant atmosphere for consumers and users, and on the other hand, because of the benefits that these technologies offer, it will help rationalize energy use.
In order to improve the effectiveness of interior designers in the Kurdistan Region, the current research intends to expose the theoretical and practical features and their concepts in the modern approaches utilized in the interior design process. The researcher used a descriptive analytical technique to inquiry, study, and analysis to accomplish this objective. The study of the theoretical framework was covered in the second chapter, along with the definition of techniques, the role of modern technology and computers in the design of contemporary and modern interior decoration, and the improvement of the efficiency of interior designers in the area through familiarity with these aspects. The third chapter, which covered the research methods. In the fourth chapter came the presentation and discussion of the results, then the list of sources and margins.

This research is concerned with the study of the design behavior of the decorative form of Islamic painting and how the artist can fomulate the decorative form through the procedures he takes to render its forms according to the theme of the picture. The researcher divided the research into four chapters. Decorative art of Islamic photography ?
The second chapter, which consists of two sections, is as follows: in the first section, the types of decorative forms, and in the second section, the design behaviors. As for the third chapter, the researcher analyzed the works of some works according to the descriptive analytical approach In the fourth chapter, he reached result including :
1- Taking overlapping genders and merging them formally as a design act to highlight forms that have expressions that are appropriate to the subject and its content.
2- The artist sought to innovate and develop decorative forms through their responsiveness and design acceptance, in an attempt to break the monotony and enrich the content that stimulates the recipient to understand the form..
3- It embodied the formal exaggeration in achieving the effectiveness of visual attraction, and the use of visual dominance embodying the center of domination over the rest of the parts to form a focal point of visual polarization that transfers the eye of the recipient to the rest of the elements..

This research deals with the study of representations of the unexpected in contemporary global sculpture, through the reading act of works with an unexpected orientation, which is one of the aspects that have an active role in supporting the communicative process between works and the recipient of all kinds after relying on the process that leads to interpretation and interpretation of these works after revealing Cases of ambiguity and phenomenon behind the symbols and semantic signs that contemporary international sculptors guarantee to their works through the unexpectedness that includes any of the sculptural construction elements through the execution technique and the method of presentation according to the sculptor’s desire and what he finds of ways closest to the sculptural orientation, which achieves distinction from other sculptors The research included four chapters, the first chapter of which was meant as an introduction to the general framework of the research, so it contained the research problem that sheds light on contemporary global sculpture. As for the second chapter, which is the theoretical framework for the research, it included three topics: the first topic - the transformations of the unexpected, and the second topic was - the unexpected in Arabic sculpture, but the third topic was the unexpected in contemporary global sculpture Then, the second section resulted in its theoretical framework, a set of indicators that benefited the researcher in directing her analysis of the research sample, while the third chapter included the research procedures, which are the method used, the research community and the tool used in the analysis, and then the analysis of the samples that was followed by the results and conclusions, the most important of which were:.
-1The unexpected appeared through the formal compositions and contexts, and the aesthetic value that enables them, represented by the strange forms through which the recipient is shocked, which is the exaggeration of volumes.
-2Unexpectedness is represented in the forms in which the exotic character emerges in terms of the composition of the materials or in terms of the use of different materials in the formation of the sculptural work.
-3The new forms appeared in the contemporary sculptural productions in an aesthetic way through the sculptor's style, culture, capabilities and ideas within the sculptural work.