Journal of Al-Farahidis Arts

The writer Rashid al-Din al-Watwat is one of the most important
writers of the sixth century AH. He wrote for the kings of the Khwarazm
Shah state in the east of the Islamic Caliphate until his death. He is one of
the most prominent figures in Arabic prose and poetry in that century. He
contributed with his prose to leave his mark in Arabic prose. The research
included a pause in his biography, his name and his surname. And his
death, he was “Muhammad bin Muhammad bin Abdul Jalil... The research
dealt with the study of the poetic texts in his prose letters. It touched on
his prose texts and the poems he wrote during these letters, in addition to
the fact that some of his letters were complete poetic poems and others
were verses that appeared in folds. His prose letters, and Al-Watt has
citations of other people’s poetry that he uses in his submissions, referring
to the name of their author at times and at times not referring to them, in
addition to poetry that he composed, so the use was the most important
characteristic that characterizes him. Poets send writers in poetic uses in
their correspondences, and the benefit of this appears to be in strengthening
the creative text. The research was organized under the name Poetic
employment in the prose of the Bat. The research was divided into three
demands. The first was organized under the title of comprehensive and
explicit employment, and it was intended to bring poetry backing its idea
and inserting it in the context of the meaning of its message, conforming
to it and explicitly referring to its speaker. The second demand was labeled
with non-explicit employment and is called (blind), which is the inclusion
of the poetic text. He includes it in his letters without attributing it to its
writer, as if he composed it to agree with the meanings he narrates. The
third requirement came under the title of self-employment, which is a
type of employment carried out by the poet-writer in his use of his poetry
in his correspondences, so poetry and prose overlap in official or
Brotherhood correspondences in one literary artistic painting

The research showed the importance of the role played by the
Ottoman Sultan Bayezid I since he assumed power in the Ottoman
Empire, following the martyrdom of his father, Sultan Murad I, in the
Battle of Kosovo in 1389 AD, where Bayezid I followed a new policy
represented by eliminating the Turkmen emirates in Anatolia and annexing
them by force to the possessions of the Ottoman Empire. These emirates
often caused problems and strife before the Ottoman Empire during its
wars on the European front, and Bayezid succeeded in what he sought.
The Turkmen princes were waiting for the appropriate opportunity
to return to their emirates and be liberated from the grip of the Ottoman
Empire. The loss of the Ottomans to Tamerlane in the Battle of Ankara in
1402 was the appropriate opportunity that the Turkmen princes were
waiting for. Tamerlane revived the Turkmen emirates, whose political
independence had previously been destroyed by Bayezid.
After the Battle of Ankara, the Ottoman Empire entered into a civil
war, as the four sons of Bayezid competed for monopoly over the rule of
the state. After eleven years of war, Mehmed Çelebi bin Bayezid was able
to kill his three brothers and gain monopoly over the rule of the Ottoman
Empire, and it fell upon him to unify Anatolia and eliminate the Turkmen
emirates again. He succeeded in including some of them, but his death in
1421 AD prevented the completion of his project.
Sultan Murad II assumed power to succeed his father, Sultan
Mehmet Çelebi, who was able to eliminate most of the Turkmen emirates
and annex them to the possessions of the Ottoman Empire, thus reuniting
Anatolia once again, as it had been unified during the reign of his grandfather,
Sultan Bayezid