Journal of Arabic Language and Literature

Conversational language is considered an effective and essential tool for communication and influence, as its effective contributions are evident in the construction of speech events and the achievement of communicative purposes. Pragmatic linguistic studies, through their various forms, have witnessed a direct focus on the speech act, presupposition, and signals, passing through dialogic allusion. Without exploring the depths of the personal and psychological positioning that is embedded in the communicative rhetorical structure, especially the dialogues of the supporters of Al-Hussein (peace be upon him) , with all its historical contexts and deep psychological dimensions, to represent a unique reading in understanding how to build the identity of the speaker and his communicative discourse together in its exceptional moments, so there was a need for a new communicative reading that takes into account the discourse of the supporters of Al-Hussein (peace be upon him) ., revealing in analyzing the texts in a way that depends on the brilliance of the speaker’s discourse and the culture of the recipient at the moment of self-revelation and his dissolution in the pride and challenge in supporting the Muhammadan religion.

Objectives: This study aims to examine the pattern of textual coherence both theoretically and practically through an analysis of the poetry collection Harf al-Sujud by the poet Adeeb Kamal Al-Din. The analysis is conducted at the levels of poem themes, poetic segments, and the events embedded within them, in addition to the study of intentionality, time, and place. This approach seeks to reveal the mechanisms of textual coherence and their role in achieving poetic unity and semantic cohesion.
Methodology: The study adopts a descriptive approach to collect and analyze theoretical information related to patterns of textual coherence, alongside an applied statistical method employed on the poems of Harf al-Sujud. This methodology aims to identify patterns of coherence and to measure their presence and distribution within the poetic texts.
Results: The findings indicate that all patterns of coherence—namely theme, segment, title, intentionality, time, and place—operate collectively to produce coherent and integrated texts. Textual coherence within the collection enhances a deeper understanding of the mystical and spiritual dimensions of the poems and reflects the poet’s deliberate attention to techniques of textual construction and coherence.
Conclusion: The study concludes that the patterns of textual coherence in Harf al-Sujud by Adeeb Kamal Al-Din function in an integrated manner across multiple levels, from theme and segment to title, intentionality, time, and place. These patterns interact to create cohesive and unified poetic texts that organize events, images, and ideas within a logically structured and harmonious framework.

The nominal sentence is a living linguistic phenomenon. Within its structure, "Inchoation" (Al-Ibtida') represents the "speaker's intention," while the "Construction" (Al-Bina') embodies their "ultimate goal."
This study transcends traditional pedagogical grammar—which often stops at the formal parsing of the subject (Mubtada') and the predicate (Khabar)—to perceive the nominal sentence as a "communicative strategy." This is because the speaker does not merely describe reality but rather imbues it with the quality of "permanence" (Thubat). Intention, here, is the "spirit" that grants grammatical predication (Isnad) its communicative legitimacy. Accordingly, the study seeks to analyze the structure of the nominal sentence in terms of its components, functions, and mechanisms of meaning production. It further describes how the nominal sentence is strategically employed to achieve specific objectives within diverse speech situations.

This research discusses God Almighty's praise of Himself in the Holy Quran, linking the verses in which He praises Himself to two elements: the eloquence of structure and the aesthetics of expression. This is done according to the three branches of rhetoric: semantics, eloquence, and figures of speech.
This research aims to clarify the meaning of praise and God Almighty's praise of Himself, connecting it to the verses specifically dedicated to praising Him. It also aims to explain the elements of structural eloquence based on linguistic styles and elements of semantics, and to reveal the manifestations of aesthetics in the linguistic expression within the fields of eloquence and figures of speech.
The research is divided into three sections: the introduction, which discusses the concept of praise in the language; the first section, which discusses the eloquence of expression; and the second section, which discusses the aesthetics of structure. The research reached several conclusions, most notably the presence of rhetorical devices in the verses in which God Almighty praises Himself, and the presence of elements of artistic beauty, which enhances the impact of these verses on the recipient and gives them a sense of linguistic beauty appropriate to the subject matter.

The grammatical tool (Kalla) has received the attention of most grammarians and linguists, as it is a tool for a harsh deterrent response, and a response to what preceded it from the contexts, and also as a tool for alerting and receiving what is coming from those contexts; it is never absent from speech and it can never be dispensed with.
If we were to examine the extent of this word’s role in speech and its details, we would find that it has great importance. As will become clear through this study, it encompasses many speech situations without which the context is not complete or fully realized. Since it is originally intended for deterrence and rebuke in its linguistic basis, it was necessary for it to be in the Meccan Qur’an, and in that there is consideration for the condition of the addressees, and what is appropriate to their nature and arrogance, where there are strong words that strike their ears and fill their hearts with fear of the One and Only Lord, who did not beget nor was begotten and there is none comparable to Him, and that is one of its characteristics.
In addition to its brevity, this tool is a word that carries many meanings and evokes numerous connotations that open up the field of interpretation. In any case, it is generally estimated in conjunction with what precedes it; thus, it confirms and reiterates the content of what came before. If its content, which may be clarified by contextual clues, indicates what comes after it, then it serves as a warning and a prelude to what follows.
For this reason and others, it has been the subject of numerous studies. Therefore, the matter requires serious research that reveals the contexts in which this tool is preferred, uncovers its secrets, and explains its implications. I hope this study will be a step in this direction, and that other studies will follow; for the words of God's Book are inexhaustible, and the gifts of His revelation are limitless. Praise be to God, Lord of the Worlds..

This study examines lexical items related to femininity in Qur’anic discourse through a semantic approach that investigates the relationship between lexical meaning, contextual usage, and exegetical interpretation. The study is based on the premise that lexical meanings in the Qur’anic text are not confined to their dictionary origins; rather, they are reshaped according to contextual and textual structures within the discourse.
The research analyzes a selection of key lexical items associated with femininity by drawing on classical Arabic lexicons and Qur’anic exegesis, while also benefiting from cultural reading as a supportive interpretive horizon that remains within the limits of the text and its context.
The study concludes that these lexical items display semantic flexibility and multiplicity, and that their interpretation requires attention to the interaction between lexical origin, contextual function, and exegetical guidance within the integrated structure of the Qur’anic text.