Journal of Arabic Language and Literature

Indirect verbal acts and their relationship to dialogue necessitations
Women 's communication book as a model
This study aims at the importance of indirect verbal action and its relation to the meaning of dialogue.
Indirect linguistic verbs are a set of vocabulary words that do not serve an achievement purpose in a direct form، because the nature of language rejects it، or that social custom is responsible for the nature of the achievement، and then take a specific appearance that is far from the direct image، explaining the achievement power of this type of speech acts Be beneficial from the deliberative lesson in general and verbal acts in particular.
The selection of the book of women's communications to Ibn Tayfourkher evidence of the inclusion of this type of acts of speech because of the elements of rhetoric give great importance to the levels contained in the requirement of speech are (speaker، addressee، and communicative intent)، hence the research finds that indirect verbal acts are characterized by their contribution Effective to create a close relationship between the dialogue and the intent of the speaker، so as to reveal the clarity of significance and indicate the implicit meaning behind the dialogue

In this study, we try to search for the extent to which Arab thought represents the categories of modern language sciences, most of which have been developed away from the Arabic language, and to search for the extent of its flexibility and voluntariness to apply this type of curriculum to it without leading to the production of an Arabic language from the language with which Arabs have dealt over centuries. I thought, to what extent were Arab linguists influenced by Western linguistic theories? The duality of vulnerability and influence constitutes a civilizational phenomenon that has marked the history of the concepts of sciences and crafts, and is between different cultures, nations, and historical episodes in varying proportions and in a value manner, and it takes patterns and multiple faces, confined between expansion and constructive systematic criticism.

This research deals with the complaint in the poetry of Ibn Al-Hajjaj Al-Neely, who is a great poet, but his luck in studies is few. His poetry was an honest mirror of life in the fourth century AH, a century that was characterized by conflicts, contradictions and divisions. These disturbances resulted in various types of poverty, injustice, corruption and the domination of rulers. Ibn Al-Hajjaj's poetry came as it depicts for us the manifestations of complaints about this era and this turbulent society. The research came in an introduction that talked about the conditions of that era, and two chapters, the first studied the biography of the poet, and the second dealt with the most important contents of the complaint with Ibn Al-Hajjaj, and it includes the complaint of poverty, time, informers, workers, veils, and gray hair, and the research concluded with a conclusion containing the most important results.

The indirect verbal act of others is characterized by a secondary meaning in itself that contradicts the apparent meaning, which needs to be alert, focused, and the realization of the mind to know and reach it. The answers of Imam al-Salam were full of this type of verbal action, The Imam, peace be upon him, often mentions something in his answers and wants something else, due to the nature of the context or the place and the use of the actions to be consistent with him in order to inform the intended purpose.

تهدف الدراسة الى رصد مقولات الخطاب النقدي في القرن الرابع الهجري وعلاقتها بالمتلقي، وتمييز جمهمور المتلقين، إذ اضحى مفهوم المتقبل الضمني الكامن داخل التراث النقدي حاضراً في الخطاب النقدي، كما سعت الدراسة الى رصد الجمهور الواقعي الذي خصه بعض النقاد بالحجاج التقويمي من خلال الوقوف على المقدمات الحجاجية لمدونة نقد الشعر

Cohesion is one of the most important issues raised by modern linguistics, and one of The most important issues that have received attention from Arab and Muslim scholars, and also preoccupied orientalists as well, even those of them who saw that the Qur’an is an incohesion and incoherent book and thus loses the most important textual foundations. From here this research came to reveal the miraculous cohesion in the Qur’an through two aspects: Theoretical and practical. Cohesion is called linguistics tools in one text, which is divided into two types: formal and semantic. The first one includes grammatical and lexical cohesion. These tools connect the sentences together in the text in terms of meaning and cause the cohesion between the elements of the text in order to differentiate them from the group of scattered sentences and phrases. Among the many linguists’ opinions, Halliday and Hassan presented several factors for the cohesion of the text, including grammatical and lexical factors. The grammatical factors themselves are divided into substitution, reference, ellipsis and conjunctions.
This paper studies the conjunction that are divided into four branches: the additive, the causal, the inverse and the temporal, with an integrated approach, and then it applies the additive conjunction in the story of the Prophet Moses (PBUH) in Taha and Al-Qasas surahs and analyzes it to study how this story is coherent according to the additive conjunction.
“Waw” is more frequent than other letters that represent this type of connection. This letter is used between sentences and words when there are similarities or contradictions between the two sides of the conjunction, and since the story of the Prophet Moses (PBUH) narrates the conflict and struggle between right and wrong, so we can consider the content of this story as contrasts, which connects all this story in these two surahs.

The research revolves around the significance of the morphological units and the statement of the formulas of buildings and their conditions in the Qur’anic text, a stylistic study in what distinguishes the Qur’anic text from the system of saying and its prose. There is no doubt that each morphological formula has a function that distinguishes it from the other, in terms of significance. Because the diversity in the use of morphological weights for the single root in the Holy Qur’an, despite the convergence of the context and meaning leaves no room for doubt that the diversity is intended for an honorable purpose and a nice joke.
The research presents mental and textual evidence in weakening the opinion of the absurdity of the multiplicity of some morphological forms in the Arabic language in general and in the Qur’an in particular. We came across examples of those formulas, which some of them thought were of the plurality from which no semantic benefit was hoped.

The thresholds are one of the most important elements of the "parallel text" that has attracted the attention of critics and scholars at the present time. Because of its suggestions trying to decipher texts. The research tried to show the purposes of the title threshold and the initiation threshold in "Maqamat al-Zamakhshari and Ibn al-Jawzi" as a common literary genre in the Abbasid era. Lattice threshold address. As for the second: it came under the title of “The Threshold of Initiation” poetry. Then the epilogue followed them

This critical reading sheds light on the aesthetic and cognitive structure of the poem “Al-Khimar” by the poet Hassan Al-Amrani, which was inspired by another reading of an old text by Victor Hugo. A reference mentality similar to the reference structure carried by Hugo's poem ninety-two years ago! Despite the transformations and changes that societies have undergone during all these years, there are some intellectual models that have remained. This symbolic employment is an important factor for receiving the text for the audience of readers, and therefore This study is based on studying the form and content, and diving deep into the text to absorb and analyze it.

The current research chose two of the greatest poets of the contemporary vertical poem, namely Jassim Al-Sahih from Saudi Arabia, and Aref Al-Saadi from Iraq, to study the diversity of their vocabulary and the relationship of their ideas and affiliations with that. So the research studied their hair models based on Johnson's method. and The aim was to know the effect of the poetic purpose and contemporary issues in the Arab world on the diversity of their vocabulary, and how it is distributed in the text of a poet from Iraq and another from Saudi Arabia. After application and analysis, the study concluded that the purpose of Al-Sahih's spinning, and its focus on flirting and conveying modern descriptive meanings, made the total percentage of vocabulary diversity rise to (77.16), but Al-Saadi’s commitment to mentioning the suffering of his country, Iraq, and his standing on the people’s pain made the total percentage of the diversity of his vocabulary is less compared to Al-Sahih's one, and it reaches (0.68).

The study aimed at analyzing the opportunities for distance virtual Arabic education according to the opinions of teachers and students (grammar and literature subjects as an example) in the holy city of Karbala, and to reveal statistically significant differences in the analysis of opportunities according to the variable of gender and years of experience. The descriptive approach was followed, and a questionnaire was applied to measure the opportunities facing distance learning on a sample consisting of (289) teachers (150) teachers, (139) schools, and (400) students (187) males and (213) females. On schools in the center of Karbala Governorate. The results showed that the measure of opportunities that can be analyzed and invested when teaching the Arabic language from a distance came to a medium degree. The research recommended investing the results of the current research, which referred to analyzing opportunities in teaching the Arabic language in a virtual way from a distance according to the opinions of teachers and students of grammar and literature for the third intermediate grade in order to improve the performance of these platforms more effectively in the curricula of the Arabic language, and the rest of the disciplines and other fields of science.

Dr. Kamal Abu Deeb See The principles of separation and connection in the phyletic poetry are based on the length and limits of the vertebrae, on the part and then on the line, and the section and line are defined by rhyme and the end of the house. The rhythm of prose is based on the separation and connection of a different pattern created by the semantic dimension of the extension of the soul, and the pressure resulting from the ripples of experience and reading and the internal movement of the poetic dialect The rhythm is one of the most poetic manifestations signed in the literary text, and this is our research to study in the literary article written by Arab poets During the second half Nei of the twentieth

One of the known truths that the arabic syntax had passed through several stages, many skillful proficient grammatical scientists had appeared during a long historic voyage.
Abu Ali al-farisy was one of these, and accordingly this research came to introduce the most important issues concerning the (sentence) has as one of the most prominent topics dealt with by the grammar studying.
it was from these issues is a sentence authored and a coalition of their parts, classified into types, get to know the foundations of this classification, addressed to reference the time to it, sites which the sentences is fill, and their meanings, and studying the positions which had al-farisy special effort in directing and interpretation of the problem of them to agree to rules enacted by grammarians for the sentence construction,or depart from these rules sometimes, and taking a new unique opinion

The poet Hassan Bin Thabit was affected by the Pre-Islamic 'Jahili' environment in which he had lived a long era of his life before he became a Muslim starting with the Migration of Prophet Mohammad (PBUH) to Yethrib, the home city of Hassan. This 'Jahili' era influence appeared in cultivating his talent and concentrating his vision towards the universe and people around him. One of those images was nature and its figures like the mountains, rivers, night and day, and others .., as well as the images of the animals which were mentioned in that poetry and became a rich resource to produce the artistic image, not neglecting the plants nature, including the trees, flowers and gardens the poet used in his themes of description, love and satire. Then, those themes decreased, as the poetry had characterized with the voidance of themes of love, rhapsodizing about and mention of woman which the poets avoided for the new religion did not encourage such subjects that were so familiar in the 'jahili' poetry.
So, focusing upon Hassan's Islamic poetry reveals the characteristics of the new religion spirit and teachings that represent the poets belief in the new Message and dedication and commitment to the new moralities. These aspects are the essence of this study including analyzing the poetic images due to the sharing based on two images taken from different eras.

Sound deviation is one of the significant sound arrangements in Hadiths. It is also one of the phonetic phenomena which entails a change in one of the boundaries of the verbal unit. The divination can occur either initially, internally, or in a final position. This work has detected several types of sound deviations in the Hadithes including initial deviation, internal deviation , and final deviation. The sound deviation can be represented by a change of a whole sound or only one feature of a sound. Deviation is usually used by the text creator to indicate some semantic aim that the creator wishes to convey.