Journal of Arabic Language and Literature

The research study personal life unique personalities Alihuzah academic, Dr. Sheikh Abdul Hadi al-Fadhli, as added to the Arab library quite a few books that enrich schools Arabic for mothers books and shares the views of many in the field to facilitate the way, schooled by Aftahalh science and scientists times each of the mark Mustafa Jawad, Dr. Ibrahim al-Samarrai, exceeded his writings Alnnif and sixty composed between the book of several volumes, and a booklet of several leaflets, published his research several magazines between the eastern Arab world and the west, move between Iraq and Saudi Arabia, Egypt and settled in Saudi Arabia, died and was buried there, professor at the grammar and offers from the University of Cairo mark researchers praised by the Immortals and studied on his hands many, the world of Fadel and author of witty was diligent to seek a permanent aspiration to knowledge, critic, again, well-informed did not call note, but wrote it so doing became the protruding of our time, but the bigeye was Matzlaa, Shiite sheikh was but a symbol of Shia and note flags set of his books translated into English and adopted for teaching in British universities, Oh God, that you had been injure from you and you may have missed it myself, and God is the source of strength.

The study dealt with this study in the project of drawing on the seashore, and this study began in the project of drawing on the seashore. Letter, word and sentence. Then we studied the rhyme in light of the phonemic frequency and the rhyme in the light of the syntactic movements, phoneme and alliteration. As for the internal music, it is for the poet’s selection of his vocabulary and its compatibility in terms of “the harmony of letters and their combination, presenting some words to each other, and the use of secondary language tools with a special artistic means. statistical.

The poem "Song of the Rain" by Al Sayyab is regarded a fine example of modern poetry in Arabic literature. There are a number of researches on the literary sources of the poem, but they do not seem to be adequate or particularly convincing. This research paper is a humble attempt to open a new path towards discovering the literary sources of Al Sayyab's poem. After shedding light on the literary features in the poem and comparing it with some of the poems of P. B. Shelley, we show that Al-Sayyab has been influenced by Shelley in many of his poems. In most studies dealing with the life and poems of Al-Sayyab, he is thought to be inspired by T.S. Eliot in this poem. However, according to the assertion of many researchers, there is little, if any, accord between the poetic images and the contents of al-Sayyab and Eliot. The poetic method employed by Al-Sayyab is not been probed well; this paper, thus, tries to shed light on this gap. This is especially important for a number of reasons. This poem is considered as influential on many contemporary Arab poets, as they considered it as the best example of modern tendencies in Arabic poetry. The poem partakes of ambiguity and complexity as hallmarks of poetic modernity. Inquiring into the poem's sources of inspiration could shed light on such ambiguities. Adopting the French method for comparative studies, we show that the influence of the English poet on the Iraqi poet in writing "Song of the Rain" can be verified though Al Sayyab manages to create his own unique poetic world

The research examined the semantics of the compositions of the ordered sentences mentioned in the divan and stood on the most important indications of these methods: such as the interrogation, which in most of it was not intended to answer a question that the speaker was ignorant of, as much as it came out with metaphorical meanings required by the position, and the style of the matter that was mentioned in different ways, then sometimes it is (obligatory and obligatory); This is true, and at other times it is removed for rhetorical purposes, and these images also apply to the prohibition, as well as from the methods that the divan abounds in, which is the style of the call, which has many styles and connotations, and the style of wishful thinking that indicated it (if only.

This research deals with "emphasis in the Hadiths" a grammatical study, through the Book of the Hadith Mosque of Jerusalem, with the aim of reaching out to know the compositions of the various grammatical affirmations in the Hadiths, as well as the sculptor, and to indicate the different aspects that are mentioned in the hadiths for each The composition and extent of its association with linguistic contexts, this research has taken great importance for its handling of the hadiths in one independent study through the book "The Mosque of Hadith al-Quds", which is the emphasis "grammatical study", where neither the sculptor nor the researchers addressed it independently, and has been used The inductive statistical analytical approach to the subject matter of the subject matter, and in its conclusion presented the most important results and recommendations.

This study aims to present what the Arab novel reached after it broke its monotonous framework, and embodied in a different written structure that amazes the recipient and calls for many questions and interpretations. The world of imagination in an effort to break the monotony that prevailed in the novel, as well as conveying the political, social and religious issues that he is unable to confront, making it a mask that the writer camouflages from his true destination
The importance of this study lies in the fact that it is an elucidation of a prominent phenomenon that swept the Arab narrative, and has become a feature of its most prominent features. It has adopted basic references for citation, which included Arab novels that varied according to the extent of the Arab world, exceeding (20) novels, refereed research articles, university theses, and specialized websites.

Deviation analysis in criteria and templates is one of the major issues in contemporary stylistic research. There are different interpretive forms in Nahj al-Balaghah that have deep semantic implications. Deviations from the main ways of interpretation as metonymies, metaphors, and ironies are the most important forms of substitute defamiliarization in Nahj al-Balagha. The research employs a descriptive-analytical method and a library technique to analyze the semantic implications of this kind of defamiliarization in Nahj al-Balagha. The research results show that the explanation and explication of meaning, the drawing of abstract meanings in tangibly and materially, brevity observance, exaggeration in the meaning, and persuasion of the audience are also the most important reasons for the substitute defamiliarization desecration in Nahj al-Balaghah.

Syed Qutb lived a fruitful literary life. This literary and critical life began with poetry in the twenties of the twentieth century. It continued to write stories and literary criticism in the forties of this century and after. This life did not last on a single pace, but rather changed with the intellectual and political life of a writer, especially when Sayyid Qutb turned to Islamic literature and realism. And then we see that before the forties he belonged to the romantic literary school and then to Islamic realism. And between these two periods, he oscillated between the schools of romance and realism, while at times he came close to realism, and sometimes he moved away from it. The thinking writer excelled in combining them and adopted the same literary specifications - such as the style of imagination, subjective and literary experience, and attention to details - to complete his literary works and to build his critical ideas. We find him approaching his romantic imagination to realism, and his realistic experience approaching romance. The attention to details makes him pay attention to the romantic, imaginative details at times and the details of his real daily life at other times. Soon, Islamic realism took root in his ideas and literary works, and its influence was clearly noted in his intellectual, literary and artistic stances. It is necessary to shed light on his literary works and his critical views anew, to monitor these commonalities and to identify the distinctions of his Western and Islamic realism before and after the forties. This life, full of unique intellectual and literary experiences, is what made us search for this topic, and the method of research is historical, using the descriptive-analytical method.

This study seeks to understand the extent of artistic effectiveness of the poet Shaker Hadi Al-Tamimi by studying one of the characteristics of that effectiveness, which is the poet's vision of the other and how he views the world in his poetry as a structure that must be accurately described. The last local, the last Arab, and the last international

This study deals with the technique of narrating the taboos in the Arab fiction narration. For that, a novel for a female-novelist was chosen as a field of study, especially after transcending the limits of the implicit and explicit taboos and the strict social traditions. The novel discussed the taboos and the prohibited limits, and revealed the visible and invisible images of taboos beyond the narrative.
The study is limited to the narrative product of the Syrian The female author “Fatima Khaddour” as a model, represented in her novel “Coitus the Death”, which was a reflecting mirror of the Syrian circumstances during the last war, which was deteriorating the political, economic, social, and religious situations. What has been achieved from this, is to motivate the intellectuals, writers and novelists, especially the women, who are motivated to follow a careful strategy in violating the forbidden trinity: Politics, Religion, and Sex, and revealing what is related to it of the visible and invisible of cultural patterns in the world of the taboos

The character in the novel "Mikneset Aljannah" adorns itself in many appearances and there are two reasons for this. One could be called an objective cause and the other could be an artistic cause. Both of them pave the way for this phenomenon. Generally, this novel refers to the young writer's talent and was therefore able, with his experience, to have a famous title in the Iraqi novel.

The personality movement in the narrative is organized in three quarters. The first is a contract between the hero and himself, or between him and his community, in order to achieve an aims that he wishes or to make up for an individual or social loss . The second is to pursue this goal, the third is the movement of the hero between communicating with his world and separating from him during his or her quest, which ends with success, failure or open prospects

This research monitors the effect of intonation in determining grammatical structures and their connotations in the blessed Surat (Maryam), as it is one of the most important phenomena surrounding the utterance, and it has solved many linguistic semantic problems related to sounds and contexts.
According to its patterns, the correct pronunciation picture is determined for the precise significance, and the intonation in the Holy Qur’an, and the intonation in its performance are directed towards one goal, which is the vocal excitement of speech music through the tonal variations in it, so that their effects in the meaning of speech become clear afterwards.
The research adopted the text analysis method to clarify the effect of intonation in determining the types of grammatical structures and their connotations, and benefited from sources and references whose classifications varied