Journal of Nabu

The current study focused on (the structural diversity of the human figure in contemporary Iraqi ceramics). The research contained four chapters. The first chapter dealt with the research problem, which was reviewed and summarized with the following question:
What is the structural diversity of the human figure in contemporary Iraqi ceramics? The first chapter also included a reference to the importance of research and the need for it, and the aim of the research (to know the structural diversity of the human form in contemporary Iraqi ceramics). With regard to the limits of the research, the time period between (1970-2020) was determined. As for the second chapter, it included the theoretical framework and previous studies. The first topic deals with the constructive diversity of the human form in ancient Iraqi art. The second topic includes two axes. The first is the structural diversity of the human form in contemporary art. The second axis: contemporary Iraqi ceramics (form and technique).
As for the third chapter, it dealt with the research procedures, during which the research community of (15) ceramic works, the research sample, the research tool, and the descriptive (analytical) research methodology were determined, and then analyzed the research sample consisting of (3) ceramic models, while the chapter was devoted The fourth is to review the results, conclusions, recommendations and proposals, and among the most important findings of the researcher in this research:
1. The sources and origins from which the representations of the human figure were inspired in contemporary Iraqi texts varied and multiplied.
2. The diversity in representations of human forms is based on the influence of contemporary Iraqi ceramics on the methods, techniques and forms of modern schools (expressionism, abstraction and realism) that had an active presence in contemporary Iraqi ceramic formation.
As for the conclusions:
1. The contemporary Iraqi potters were influenced by the ancient cultural heritage, which was positively reflected in their ceramic achievements.
2. Contemporary Iraqi ceramic texts were based on social, intellectual and cultural contexts, so the topics of the potters' achievements came to express the political, social and economic conditions and events that the potter lived and experienced, and that affected his thought and life.
The research ended with recommendations related to the subject of the study

The current research deals with the formulation of glass mixtures of oxides such as tin oxide, Sno2, an isomer, an alternative to silica and red iron oxide, Fe2o3, an isotope, an alternative to alumina and titanium oxide, Tio2, an isotherm, an alternative to silica, tin oxide, sno2, an isomer, an alternative to alumina, and black copper oxide, Cuo2, an isomer, an alternative to bases. Red Babylon, with a temperature ranging from (970-1200) m. Colored oxides (CuO), red iron oxide Fe2o3, cobalt oxide CoO, chromium oxide Cr2o3, red dye, blue and yellow dye were used. Most of the samples were successful in terms of application on the ceramic surface.

Fantasia is a fictitious and imaginary term according to the linguistic and idiomatic definitions that we will address in the body of the research. Fantasia has historical, civilizational and cultural roots, where myths, epics, folk stories and fairy tales were full of unbridled imagination and delusions, so they played a major role in the personal unconscious and the collective unconscious.
In theatrical discourse, fantasy is a literary and artistic imaginary genre that transcends all that is reasonable and logical, as in myths, epics, and fairy tales prepared by the writer of the text and the director of the theatrical performance, transcending real times and places. Thus, fantasy here gives the artist space to express what is inside him freely and at the same time be free from restrictions. Custom and heavy controls.
Hence, the current research focused on the study of fantasy and its representations in the contemporary Iraqi theatre. The research included four chapters. The first chapter included the research problem based on the following question: What is fantasy and its representations in the contemporary Iraqi theater? While the importance of research was manifested in revealing and reaching the results of fantasy in the Iraqi theater, the need for it came as it benefits specialists from authors, directors, and students of colleges and institutes of fine arts. The goal of the research included knowing fantasy and its representations in contemporary Iraqi theater. Philosophically and psychologically, the second topic dealt with fantasy in theatrical art, while the third chapter included the research community and the same research, while the fourth chapter contained results, conclusions, recommendations and proposals.

It dealt with the topic (the treatment in the works of the artist Yasser Al-Taei) and it included four chapters. The first chapter came with a statement and the importance of research and the need for it. The research was determined by answering the following question: What is the technical treatment used by the artist Yasser Al-Taie in his works? The importance and need for research lies in the fact that it paves the way to activate New studies concerned with technical treatment in the light of modern and digital science and technology for contemporary painting, happiness, the basis for (discovering technical treatments in the work of the artist Yasser Al-Taei), and then the limits of research and the most important terms. As for the second, it came in second place (technical diversity in contemporary painting), and the third topic dealt with (the experience of the artist Yasser Al-Taie). And the third one liked his production, which is the research sample, the research sample, the research tool, the methodology for analyzing the research sample, and the fourth chapter included the results of the research, including: 1- The three treatments in the works of Yasser Al-Taie involved the formulation of the raw materials for stenciling and airbrushing techniques, as in all samples. And then the following reviews: 1- The works of the artist Yasser Al-Taei focus on postmodern works to produce technical treatments that carry visual structures from his own philosophy. And then, effective, and suggestions, and then a list of references and sources