Journal of Al_Anbar University for Language and Literature

The ignorant poet in lamentation sought to draw the ideal image of the lier through the good qualities that were known in his life and the adhesion of those values by representing the call of the poet to the sons of that society to follow that path to win the mention of the good that immortal after death, and this philosophy was based on poems Lamentation and immortalized the owners of those noble positions forever.

This research deals with the impact of events on the Andalusian society in the philosophical and intellectual poet vision. The means of luxury, singing, the excesses wine drinking has spread in the Andalusian society which led to the preoccupation of people and the exploitation of enemies for that. The result of that was erupted internal and external conflicts, which had a significant impact on the vision of the poet philosophical and intellectual. The Andalusian poet found that religion needed to be supported, the fighter needed to be encouraged, the courageous won a war and
the people might leave the countries because of it. Therefore, the poet supported, encouraged, lamented and cried, in addition to the poverty that had spread which was affected his philosophy which appeared clearly in his poems.

This study investigates the features of the spectrum in Andalusian poetry, attempts to identify its image, how it is employed by the Andalusian poets in their poems and poems, and what they carry of their hearts' evils and their concerns. He concluded that the poets of the Andalusian era used the use of the spectrum to express their
condition Psychological, social and emotional, as they have multiple indications in employment, and were able to create a new fertile reality to escape it, and this new reality they resort to counter the reality of the curse and deprivation that they live in their day.

This research attempts to study the phenomenon of citation and inclusion in the poetry of Sanadin ibn al-Khatib, who read the poet's body knows the richness of these two phenomena in his poetry. Therefore, he mentioned the different styles of quotation and inclusion in his poetry, by standing at the following axes:
. Text citation
Modulation quotation
Reference quotation
Inclusion has been distributed in his poems between the inclusion of the Prophetic traditions and the inclusion of the notice of the ancients and their images and their assistants, as well as includes the ancient Arabic proverbs and colloquial examples in Andalusia.
This research concluded that Ibn al-Khatib's relationship with heritage has a close relationship. He continued with him in all his forms and types , taking from him what gives his poetic experience and influence, showing his proficiency and his ability to deal with cultural heritage.

The research aims to study the morphological detective at Al-Ja'abari in his book Jameela the heads of the observatories in explaining the Aqila tribe of poems, uncovering the sources of his morphological culture and the details of the mabahith he studied. The research reached results, most notably his attention to structure and
the morphological formula, meaning, Discuss and explain them

Expressive Executions and the Performance of Evil Character in the Theatrical ShowThis paper is about the practical executions of the performative expression done by the actor in the theatrical show to convey the intellectual, social, and aesthetic meaning to the audience. The evil character is a composite character in performance and interaction on the stage. It expresses the performative activities and technical skills. It is associated with special cases related to specific mental conditions and is applied practically into movements executed willingly under antistimuli where the actor is supposed to have the ability to create new sensory or mental images registered in human consciousness on the principle of transforming the impressions gathered from reality and re-shaping them aesthetically inside the
show in such a way as to allow the the societal culture to rearrange the awareness via this character which is deeply rooted in the depths of Mankind and his myths, religions, and popular and cultural heritage to grasp the their hidden meanings.This paper tries to answer the following query: how can the actor execute his performative
techniques and how can the audience decipher meanings and understand and communicate with them. The paper is divided as follows: the problem , significance and limitations of the paper, explanation of the concept of evil character, the theoretical framework which consists of two sections: the first section is about the evil character and the views on it (philosophical/dramatic narration) whereas the second section deals with the expressive execution in the work of the actor and the way to establish its performative techniques. The researcher came out with some
indicators that can be used to analyze the sample of the study. An analysis of Faust play as a sample was conducted then. The following results were arrived at: the movements and gestures of the actor and the the portrayal of his body shape as a multi performative and skill build-up. It is a projection on the intellectual, psychological, and social level of the character. It also contribute to enhance the dramatic action and push it forward. The amount of movement and the gesture flux is a shaping system that uncovers the coded meanings. A bibliography of the sources of the paper is given at the end of the paper followed by an Arabic and English

There is no doubt that the linguistic phenomena on different language levels are extremely important. These phenomena (semantic interference phenomenon in names between masculine and feminine). It is a phenomenon that must be concerned by Scholars and researchers because of their great impact in Arabic language deficits statement and indicate some of the rulings , since this search comes more from the knowledge of the Arabic language is the language pedagogy , As well As enter into questions of semantics . As well
As grammar and lexicons.

The paper aims at investigating the poetic images of “I” in the poetry of Alibin gahm and expressing them artistically within their humantic charistristics which have been differing with his poetic experiement .This hassled to appear adistinction in situaticns .Thus’that distinction is dueto the poet’s poion of view in dealing with the everyday life and its changes through out tow searches ; The first one sheds light on the broken of theseif in front of others whereas,the second shows the other where the pride and dignity.

The study aims to follow the contextual interpretations of the recipient, and what he can carry on directing the metaphor; mediated by the two sides of the similar relationship on which the metaphor is based.
The first thing that comes to mind in this study is that the metaphor in which the metaphor took place may have more than one direction, but with different considerations: one of which is what we assumed from the exchange of the two ends of the metaphor, which is contrary to the metaphorical metaphor to the machine and
vice versa. Especially when it has more than one connotation within the context, which leads to different metaphor from nomination to abstraction, and vice versa. In both cases, they are borrowed in one home.
The metaphorical locality may be changed by changing its orientation, as is the case with multiple meanings before entering into a specific context, including the metaphorical metaphor. As well as in some structures, whose implications influence the direction of metaphor, as in attribution of "additive and additive". In both cases,
they are borrowed in two heterogeneous homes.

This paper is based on the study of the Potential artistic of Mani Elmowaswss' poetry. The researcher depends on modern approach to detect the creative aspects in this poetry through the diagnosis of stylistic outstanding features and then determine. The aesthetic meanings inherent in his texts. This cannot be only by stylistic lesson as a main approach in the detection of those meanings. This study comes with three sections. The first part is the aesthetics of voice building and we stand in the second with the aesthetics of the structural construction and its
effects in terms of rendering the poetic text richer and achieving certain semantic features by employing a group of structures that have formed a significant stylistic feature in his poetry. The third section is examining the aesthetics of poetic image and the knowledge of the different aspects influencing in the formation of the image
and its relation with the poetic text to grasping its deep structure, in addition to exhibiting its semantic and psychological features .

The view of theatre as a religious framework used for preaching has been demolished with the appearance of globalization. Theatre is no longer exclusive to moral themes which are enacted on stage. Recently, it becomes an inseparable part of human life which interacted with the immediate human issues such as immigration, multiculturalism, racism, and unexpected social deterioration. The present paper is an attempt to shed light on David Edgar’s Testing the Echo (2008) which manifests various challenges that confront immigrants and the British theatre in the 2000s as well

The present research attempts to explore a syntactic analysis of coordination in English and Arabic languages. It tries to examine the usage and the meaning of coordinators in both languages from a syntactic point of view. This study focuses on showing the form and the function of coordination and subordination conjunctions in both English and Arabic languages. Conjunctions are items that combine (parts) clauses with each other. They are words which are used to associate two or more expressions simultaneously. Coordination refers to the linking of words by means of
coordinating conjunctions. Subordination is used where the units being linked are not equivalent.