Journal of Nabu

This research is concerned with studying (Fear in the Products of Alaa Bashir), and it is located in four chapters, the first chapter / methodological framework of which is devoted to clarifying the problem of the research, its importance and the need for it, and the goal of the research, which was limited to recognizing fear in the products of Alaa Bashir, within the time period between (1995 - 2009) drawings And planning and sculptures, and the chapter ended with defining the search terms. As for the second chapter/theoretical framework, it included three sections about me, the first of which dealt with the concept of fear in psychological studies, and the second topic dealt with fear in historical Iraqi plastic art, while the third topic dealt with the characteristics and artistic visions of the Iraqi artist Alaa Bashir, and the second chapter ended with the indicators of the theoretical framework and previous studies, as it included the most important things that the theoretical framework brought in terms of indicators and concepts. (Content Analysis), which was chosen in an intentional way with (4) models. The researcher adopted indicators that resulted from the theoretical framework of the research as a tool for analyzing the artist’s completed works, which resulted in the results and conclusions of the research. She answered the goal of the research and presented the recommendations and suggestions in the fourth chapter of the research and summarized as follows:
1- The emergence of fear of the unknown and metaphysics in the products of the Iraqi artist (Alaa Bashir), as well as the fear of inevitable death through his adoption of drawing the shape of the crow always in his artworks as a symbol of death, as well as by drawing the artist himself fleeing towards the lower left corner of the artwork to indicate For the eternal eternity of the tragedy of conflict. And also the use of blocks in drawing the mass of the sky and the mass of the earth the underworld, and the use of dark, dark, gloomy colors at the bottom of the work, which is the dominant and dominant color in his artwork and on the contrary, he puts the color of light at the top of the work, as well as through his drawing of a desert, remote and lonely land in strange, dreamy and lonely places, as The fleeing person's face is pale, weak, and frightened. He looks back and not forward with a turbulent movement in a constant look at the crow who is always watching him. As we note in a sample (1) of the research sample.
2- The emergence of fear from the other human being from the human race and from the society in which the artist lives from displaying the image of a naked woman stripped of all things and rights involved in herself as if she is in a child in her mother’s lap for fear of the other and his traditions, authority, injustice, cruelty and his destruction of the human self, as well as the artist used The picture of the room is the narrow place defined by walls from all sides, as if it were a prison for a person and his freedom. As in model (3( .
Conclusions:
1- The artist Alaa Bashir relies heavily on his imagination and his psychological state and the visions and images of his subconscious psychological interior, in which there are many sediments of the buried past, but rather, there are old images sunken in the ancient past of ancient human visions.
2 - Images of fear often live in the artist’s visions and imagination, and most of them carry fears, fear of many things, especially from the idea of death, which is completely dominated by the point of obsession and terror from the idea of the end, especially since it has many creative and distinctive advantages on the technical, scientific, cultural and cognitive levels, Therefore, he fears for himself a lot, which is a very normal characteristic of creative people who know the value of their creative selves and its difference with the rest of mankind.

Metaphor takes a great place in artistic culture as it is part of the aesthetic and conceptual values, and it combines in the same composition two different cultural worlds, the world of culture borrowed from and the world of culture to which the artist belongs. Since postmodern art is based on the principle of reproduction, the work of art is always, and in principle, a work that is reproduced, within the patterns of postmodern culture. Therefore, the researcher summarized his research problem, which revolves around the investigation of metaphor in the formation of postmodernism, through the following question: What is the formal metaphor in the formation of postmodernism?
The research was divided into four chapters; the first chapter included the definition of the research problem, its importance and the need for it, the research objective and the limits of the research, as well as choosing and defining the terms contained therein.
As for the second chapter, it was divided into two sections (metaphor reading in the concept, and metaphor in contemporary European art). It also includes indicators of the theoretical framework and previous studies. While the third chapter included the research procedures and the fourth chapter included the results of the research. The results reached by the researcher are:
1. The formation of postmodernism was characterized by openness and the borrowing of any given knowledge by recalling previous or contemporary art forms.
2. The principle of reproduction represented a postmodern feature and value acquired by the artist by trying to create new systems by borrowing forms that had already been completed, to work on reproducing them by employing them in a new work.
This chapter also included the conclusions of the research, including:
1. The change in aesthetic values led the postmodern artist to borrow previously produced forms, because what the artist is looking for is not innovative novelty, but rather to arouse surprise and shock for the recipient.
2. Nostalgia for the past, by relying on the artistic accumulation, had a role in borrowing forms of previous arts, and transforming them into an organized creative work that carries new characteristics.
It included recommendations, the most important of which are: Continuous updating of the curricula of fine arts studies, as there is no systematic book that talks about contemporary art, except for the effort made by the teaching staff. It also included the proposals, the most important of which is: a study of the connotations of metaphor in conceptual art.
Then comes after the fourth chapter: Index of sources

The present study aimed to identify the correlation between the Art Appreciation and the “big five personality traits” in the students (female) of the College of Education Al-Dilam at Prince Sattam bin Abdulaziz University in Al-Kharj and to specify the differences in the light of the variables of specialization, study level and the area of residence.
The descriptive correlative approach was used to search for the relationship between the variables of the study. The study tools like the scale of Art Appreciation prepared by the researcher and the scale of the Big Five Personality Traits prepared by (Salat et al., 2018) were applied on a sample comprised of 205 female students from the College of Education – Al-Dilam in the Academic Year 1443 AH / 2021 AD. The students were randomly selected.
After processing the data statistically, the study concluded that there is a statistically significant inverse correlation between the Art Appreciation and the “big five personality traits” as well as there are differences in personality traits among female students of the College of Education in Al-Dilam.
The results revealed that there is a high level of Art Appreciation among female students of the College of Education in Al-Dilam and that there were no statistically significant differences due to the variables of the study. Also, it is possible to predict the degree of Art Appreciation according to the degrees of personality traits. In light of the results, the researcher made a number of recommendations and the most important of which is to conduct such studies that pay attention to identify the level of Art Appreciation and its relationship to the personality for the students and in different educational stages.

The researchers studied the effectiveness of using distance education in the educational situation from the viewpoint of the teaching staff in light of the Corona pandemic, and the importance of research emerged in shedding light on the Corona pandemic and its symptoms and prevention and the extent of its impact on the work of the educational institution as it reveals the effectiveness of the use of distance education in the Faculty of Arts Beautiful from the point of view of the teaching staff, the aim of the research was to know the effectiveness of the use of distance education in the context of the emergency Corona pandemic, as the research studied what the Corona pandemic is in the first topic, while the second topic has studied the concept of distance education, its pros, pros and most important obstacles, the research community consisted of ( 25)My teaching at the Faculty of Fine Arts University of Babylon is determined by the time period of the academic year (2019-2920), and the researchers used a content analysis method and reached many results, including the use of distance education in the College of Fine Arts for the needs of those wishing to learn in light of the Corona pandemic, and the conclusions were The most important of them is that the classroom system is one of the most effective applications used in the educational process in the Faculty of Fine Arts.
The researchers also recommended several recommendations and proposed studies and proven sources.

With the development of the needs and necessities of the individual and the group in a world of conflict and competition over natural resources, art takes its position as one of the effective and influential solutions in relieving pressure on those resources and contributing to their perpetuation, and from that a problem was identified in the first chapter.
The research in the first chapter raises the following question: What is the role that art plays in promoting sustainable development? In order to reach the desired results, the research objective was determined by recognizing the role of art in promoting sustainable development. As for the limits of the research, it included studying the relationship between art and sustainable development for the period from (1983-2022).
As for the second chapter, it included an in-depth study of the concept of sustainable development in general, with a historical tracing of the concept's development.
As for the third chapter, it dealt with the relationship of art with society and its role in portraying and changing the behavior of individuals and society in a positive way, while the fourth chapter included procedural applications of the relationship between art and sustainable development without a detailed explanation of that relationship coupled with illustrations to clarify that.
As for the fifth chapter, it represented the results of the research, recommendations and suggestions. The research reached a number of results, the most important of which are:
- Art contributed to the development of strategies and programs for good and sustainable environmental management and the eradication and alleviation of poverty through the creation of investment opportunities and the promotion of the idea of the creative industry as a method of development.
- The concept of sustainable development showed an integrative aspect, as economic, social and environmental developments go hand in hand and affect each other.
- The relationship between art and learning on the one hand and sustainable development on the other takes an integrative form, because art and learning play an active role in upgrading the capabilities, knowledge and skills of individuals.
Through the findings of the research, the researcher reached a set of conclusions, the most important of which are:
1- Art is a cognitive system that enjoys more freedom than the accumulated knowledge that is imbued with pure sciences, and ends with logical solutions, and this means that art in itself is development.
2- Art constitutes and activates the changing dynamics as a tool for solving the individual’s struggle with himself first and with his social, cultural and natural environment secondly.
In the light of this study and its results, the researcher concluded a set of recommendations, including:
1- Establishing specialized centers concerned with studying environmental changes and ways to address them by scientific methods, in order to contribute to enhancing the population’s awareness of environmental problems and then bring about the appropriate change in the needs and priorities of society.
2- Establishing specialized technical centers aimed at supporting the creative process and building technical capabilities and skills to enable the target to possess innovation tools, which helps to provide job opportunities and thus contribute to the eradication or alleviation of poverty
To complete the research requirements, the researcher suggests conducting the following research:
1- Art and its role in promoting social ecology.
2- Print advertising and its role in promoting the concept of development in society.

This research is concerned with studying (The Uniqueness Of Islamic Ceramic Topics In Iran) and it is divided into four chapters.The first chapter is devoted to explaining the research problem, its importance and the need for it, its goal and limits, and defining the most important terms contained therein.
As a research problem, it dealt with Iranian ceramics and the topics related to it, which included two questions: (Do Iranian Islamic ceramic dishes have unique topics?), (What is the specificity of these topics and the most important features of their uniqueness?), The importance of revealing an important aspect of the history of Islamic art , which shows some observations for scholars in the field of specialization. As for the goal of the research, it was to reveal the unique features of Islamic ceramic subjects in Iran, and the time period was defined as (The tenth and eleventh centuries AD).
As for the second chapter, it included the theoretical framework that came with two chapters, the first was concerned with studying the topics commonly used in Iran, and the second topic was focused on studying the technical technique in Iranian ceramics.
And the third chapter, it was devoted to research procedures and defining his community and his sample according to objective bases, and the researcher relied on the most important indicators that resulted from the theoretical framework in analyzing his sample after it was selected and within the descriptive analytical approach, and the research dealt with (five) samples divided over the time period.
Finally, the researcher reached several results that are consistent with the research objective, the most important of which are:
1- The pictorial composition of subjects in the ceramics of Iranian Islamic art does not work on the principle of sharp symmetry, but there is an opposition that does not depend on the similarity between the sides of the opposite elements.
2- There is a structure of transformation in the human form in the subjects of Islamic Iranian ceramics.
3- The themes of ceramic dishes were characterized by giving the person and his body a center in the structure of formations and making him the axis around which the rest of the assets, elements and vocabulary revolve.

Fabrics are consumables of value (utilitarian, functional, communicative, aesthetic) that are affected with the rest of the other arts. They take from the neighboring arts its constituent elements, and are considered one of the necessary human requirements that cannot be dispensed with, in addition to having an important role in addition to other means. In achieving many goals, including advertising, where advertising is one of the important visual means of communication, and fabrics can represent an advanced communication medium, as it is an art that increases day by day due to our need for its effects, and its goal is to convey a certain idea to the recipients, and to achieve the aesthetic, communicative and promotional function in a clear and understandable way.
The designer of fabrics produces vitality through his formations and the method he adopts, which expresses the expressive and functional energy that is most interactive and renewed with life. The design idea is at its best.
Through this, the researcher found that fashion fabrics can be used as a means of advertising communication (influential, directed, expressive) that enables the fabric designer to build a purposeful visual design idea to achieve aesthetic and communicative utilitarian goals with an advertising message and keep pace with the development in various fields. On this basis, the research problem was determined on the following question: - (What are the artistic methods of advertising in the space of fashion fabrics?).
Through the indicators of the theoretical framework that the researcher came out with, a set of results were reached, the most important of which are:
1. The method of displaying the advertisement helps in changing the appearance of the costume, while achieving the proportion and proportionality between the advertisement and the space of the costume.
2. Achieving the contrast between advertising and fabrics. Clarity of interdependence and unity in fashion
3. The suitability of the advertisements used with fashion, achieving aesthetic, functional and communicative values, as well as helping the techniques used in displaying and printing advertisements to attract attention.
The most important conclusions were:
1. The effectiveness of the balance between advertising and the dress space was achieved in the elected models, with the clarity of the advertising design units employed on the space of the uniform structure.
2. The emergence of diversity in materials and uses of advertising design formation with formal vocabulary, which expressed the idea of prints on the space of the structure of the costume. The design nature showed an aesthetic dimension through the relationship between the advertising vocabulary and the structure of the costume, through the culture of the fashion designer

The art of Islamic decoration. (Calligraphy, Arabic calligraphy, geometric, vegetation) is one of the most important types of applied arts that accompanied the Muslim artist in various fields of industries that he produced, such as metal and pottery vessels, swords, warrior shields, horse harnesses and others. This art was accompanied by the most general architectural evidence, such as ancient mosques, palaces, forts and large castles.‏
The Islamic decorative arts are divided from the design point of view into designs based on geometrical vocabulary, vegetal designs, and written designs: Arabic calligraphy. Islamic architecture has embraced this art to decorate its internal and external walls, entrances and exits using various materials of stones and others. However, what concerns us in this study is the use of this art in the textile product. Specifically: the covering of the Kaaba; We have shed light on the study of the remarkable decorative richness of the covering of the Kaaba ((the black dress that covers the body of the Kaaba)) by studying and describing the lines of the decorations of the dress of the covering of the Kaaba during the reign of King Salman bin Abdullah, specifically dated (1436 AH / 2015 AD) for the curtain of the covering of the Kaaba.‏‏

The research problem is summarized in the following question:
What are the features of a high level of ambition through the characteristics of teenage girls' drawings? The researcher adopted the following null hypotheses:
1- The level of ambition scale does not achieve the psychometric characteristics of psychological scales that make the scale valid for screening adolescent girls with a high level of ambition and those with a low level of ambition.
2- There are no features of the level of ambition in the drawings of adolescent girls at the level of significance (0.05), and the research aimed to
1- Diagnosing adolescent girls with a high level of ambition and those with a low level of ambition according to the (Bin Ghadhafa Sharifa-2013) scale. The aim of the research was to verify the validity of the hypotheses by answering the following question
A - Does the level of ambition scale have good psychometric properties so that it is an appropriate measuring tool for diagnosing adolescent girls with high level of ambition and those with low level of ambition
2- Revealing the features of the level of ambition through the characteristics of teenage girls’ drawings. The aim of the research was to verify the validity of the hypotheses by answering the following questions
1- What are the features of the high level of ambition through the characteristics of the drawings of teenage girls.
2- What are the features of the low level of ambition through the characteristics of teenage girls’ drawings?
3- What are the features of the level of ambition in the drawings of teenage girls in general?
The research was limited to the students of the fourth year of the year at the age of 16 years in middle and secondary schools in the center of Babil Governorate, for the academic year 2020-2021, the research community was corrupted (160) female students. The sample was tested in a random manner and at a rate of (50%) of the original community.
1- A tool for measuring the level of ambition to diagnose adolescent girls with high level of ambition and those with low level of ambition. The researcher has adopted a scale (Ben Ghadhafa Sharifa, 2013).
2- A tool for analyzing teenage girls’ drawings prepared by the researcher, using previous tools and experts’ opinions
After diagnosing adolescent girls with a high level of ambition and those with a low level of ambition, analyzing the fees of each of them and comparing them through the use of the semantic medium, it became clear what follows that there are features of the level of ambition in the fees of adolescent girls
Several conclusions were reached
1- Continuous-looking lines
2- The colors are varied in their brightness
3- Inaccuracy in coloring
4- Shapes of a geometric nature
6- Shapes of a nature with abundant details

This study includes four chapters it's about a study (the working mechanism of the theatrical workshop and its outputs inside the show the reality and dream presentation by director Mokhaled Rassem namoja). How does it function, too? The research's significance was shown by the fact that it (which encourages the growth of workshops produced for performing arts and is recognized as an important tributary in attracting new generations) and its necessity were both made clear (opens new horizons in the definition of the performing workshop system that turns into a show and the possibility of its employment, which contributes to the production of new qualities of the ideas belong to the contemporary arts of presentation). The research's spatial and temporal boundaries were set at a model that was presented in Baghdad in (2015). A presentation on the level of mechanism and operation, such as spatial space, the art of daily narrative, self-generation, investment, and construction, which all contribute to the installation of a performance belonging to contemporary performing arts that seek to formulate ideas that adopt various concepts in the course of research, investigation, and innovation in the formation and composition of the arts of presentation that are concerned with addressing issues It advances civilization and social life in a creative method that is distinguished by depth and simplicity so that the presentation reaches the greatest possible audience of who actively participate in the event-building process, and The researcher developed a number of theoretical framework indicators, the most significant of which are (montage techniques, cutting and pasting, trimming and shedding , for the performer's text sequences to be present and effective in the formation and installation of the general presentation line in the workshop proposals that turn into presentation), and the third chapter, which is (procedural framework), was finished. Using a sample called (Reality and Dream) offered by the performance producer for the workshop (Mokhaled Rassem) at the Experimental Theater Forum in Baghdad in 2014 as a guide for doing an intentional analysis of the sample, The workshop that transforms into a presentation revealed new jobs suggested by the exercise in which the performer as a text is far from the readiness of literary texts and directors' scenarios. The fourth chapter contained the most significant results, and the conclusions were the most significant (the workshop that transforms the presentation gives an ample space of freedom and democracy in choosing topics that contribute to the exploration of performance patterns and models characterized by novelty, diversity and reliance on biography).

The movement and voice of the actor lead to symbols that are important in that they achieve or do not achieve a level of communication with the recipient, the abundance in them is like a decrease, the result comes in the form of confusion and cut off my communication and through the researcher’s follow-up to a large number of theatrical performances, the person with this problem, the title of the research was: (Excessiveness The symbolic performance of the Iraqi theatrical actor), and the researcher identified: the symbolic excessive in the performance of the Iraqi theatrical actor as a target for his research. It included two sections, the first: the meaning of the symbol and its importance, and the second was entitled: The symbol in the theater, and the chapter concluded with the most prominent indicators that resulted from the theoretical framework. Which he reached through analyzing the sample and counting it as an expression to determine the conclusions of his research, which showed that the extravagance of symbols makes the connotations scattered arbitrarily.

The current research discusses the artists' form and imagination of the image of the Tower of Babel through the achievements of contemporary artists influenced by historical sources and myths that spoke about the Tower of Babel and its symbolism through historical and religious references, and research. The question was: What are the representations of the image of the Tower of Babel in contemporary art? The importance of the research lies as a study that benefits researchers in the field of art history. The aim of the research was determined as follows: Get to know the image of the Tower of Babel in contemporary art. The research adopted a descriptive approach in the method of analysis to reach the results through the analysis of five samples representing the images of the Tower of Babel for the achievements of contemporary artists. The hadith and the grandeur of the Tower of Babel denote the seduction that haunts the human mind and makes it forget the path to guidance, integrity and obedience to the Almighty Creator. The edifice of the Tower of Babel represents a miraculous engineering achievement that challenges human capabilities, mental capabilities and tools to become an immortal architectural icon through time.

The technological revolution, which began with great prosperity since the second half of the last century, is one of the most important results of the great development of human consciousness and thought. .
The computer is one of the most important manifestations of scientific and technical progress that has dominated the world. Rather, it has become the language of the age that serves various fields of life. The computer has become one of the most important goals of society towards achieving a better future, due to its wide capabilities in using multiple methods and methods of output, which led to the emergence of new ways of thinking. Contemporary creators formed visual and symbolic data that affected the structure of thought, culture and art. The computer is one of the bridges between art, science and technology, and it is an inevitable development of technology.
The process of producing high-quality modern fabrics has become an important pillar for the design organization based on production, and here we single out the fabric designs as one of the printed means of communication, as they represent an important gateway to the success of the design work, given the mental and cultural pleasure it provides to the recipient, affecting his daily needs and various directione . In the second topic, the research talked about digital technology, attraction and design structure, as well as the most important factors of visual attraction, and then touched on the software for designing digital women's fabrics, and also talked about the most important aesthetic effects of digital technology. Then the research came out with the most important results, conclusions and recommendations

The current research, under the title (Aesthetic values in the use of ceramic tiles in building facades), is divided into three chapters. While the importance of the research study is embodied by studying the efficiency of the aesthetic values of ceramic tiles, as well as documenting and enriching the knowledge aspect of aesthetic requirements and emphasizing the importance of producing ceramic tiles with guiding efficiency.While the research study aims to reveal the efficiency of aesthetic values in the use of ceramic tiles in the facades of buildings, as for the limits of the research, it was determined through the objective aspect of studying the efficiency of aesthetic values in the use of ceramic tiles in the facades of buildings, while the search limits included the spatial limit of the facades. Buildings through illustrations and the time limit for the time period 2013-2022 AD, as well as defining many scientific terms, while the second chapter included the first topic, which dealt with a number of topics, the most important of which is the aesthetic values of ceramic tiles.As well as the importance of showing the aesthetic values of ceramic tiles in contemporary architecture. As for the second topic, its main title was the technique of using ceramic tiles on the facades of buildings. The third chapter was devoted to defining the topic of research procedures represented by the research methodology based on the descriptive analytical approach. As for the research community, it relied on the method Intentional selectivity, while the fourth chapter included extracting the results of the research, and as the researcher addressed within the fourth chapter recommendations, future proposals, as well as the proposed design, and finally, the research study included a list of Arabic and foreign sources in addition to the annexes and the study summary in English.

The implicit is one of the technical - rhetorical - literary methods, taking when working on several aspects and names, including - the subconscious, the hidden hidden meaning - the deceiver, the hidden meaning, the silence about it. The (transformed) show, especially in one of its most prominent visual techniques (theatrical costume) - as a reading text, carrying in the folds of its forms, colors, lines, decorative formations and structural elements - formative of transcendental meanings - a phenomenon and one-sided intentionality behind which hidden meanings and intentions are hidden - its interior is multiple. The researcher accessed it by searching its hidden meanings, filling its blanks – its blanks, decoding its codes, signs, connotations and moral references – from the meaning – and through the above – the process of searching and reading generated in the recipient (the researcher) aesthetic pleasure and pleasure through swimming and diving in the space of the outfit and its moral implications. . The research dealt with four chapters, the first of which deals with the research problem centered on the following question: Does the theatrical costume as an accidental format carry implicit, hidden meanings that lie behind its designs, materials, shapes, colors and decorations that allow the researcher to question and read it according to its theatrical contexts, especially in the intentionally selected research sample (air mail) written by: Moaz Youssef and directed by: Adel Taher. While its importance was manifested in the study of the implicit and its aesthetics, read and realized in an important element of the theatrical performance, which is (theatrical costume), while its goal was specific to identify the aesthetics of the implicit in the fashion of the contemporary Iraqi theatrical performance. As for its limits, it was limited to Iraq / Baghdad - Al-Rasheed Theater 3/4/2001, by studying the aesthetics of the implicit in the costumes of the (air mail) show, the intentionally selected sample, and the justifications mentioned in the third chapter. As for the second chapter, the researcher paused in it to study the aesthetics of the implicit in theatrical fashion, then the previous studies and their discussion, and concluded with the indicators of the theoretical framework. While the third chapter (procedural) included analysis and reading of the implicit in the fashion of the chosen sample intentionally, while the chapter concluded with results, conclusions, recommendations and suggestions, and a list of sources and references. The most important results are:
1. The implicit in the elected/analyzed sample needed a typical reader (researcher) distinguished by the ability to decipher its ciphers, fill in its blanks, and reach what was silent about it in his speech, especially the meanings that need continuous interpretations because it came full of connotations and multiple meanings, both apparent and hidden.
2. The process of searching for the implicit meaning in the fashion (air mail) relied on the references, principles and customs of the recipient, which are different from one recipient to another.
3. The uniform in (air mail) endured the tribal, dimensional and post-post reading.
4. The presentation gives the researcher the opportunity to enter the space of interpretation by searching for its implicit meanings that the presentation carries with all its elements, especially the audio-visual - technical, foremost of which is fashion and its structural - formative elements.

The current research is summarized by studying the "psychological dimension of humanistic theory and its reflection in postmodern arts".
The research included four chapters, the first of which dealt with the research problem, which was determined by (what is the psychological dimension of human theory and its reflection in postmodern arts). The body - and surrealism - graphic art), and the limits of the research were limited to Europe and America for the period from 1967-1984.
As for the second chapter, it includes two topics, the first: the theory of human origin and importance, and its relationship to psychology, and the second topic: the concept of postmodernism and touching on some contemporary trends (body art, surrealism, graphic art).
As for the third chapter, it included the research procedures - the research community, which included models from postmodern currents (graphic art, surrealism, body art) from 1967-1984 after a framework for the research community was established due to the large number of (15) models, and they were chosen The research sample was randomized by (3) models.
As for the fourth chapter, the researcher came up with a set of results as follows:
1. Bringing realistic shapes out of their sensory space to the imagined by placing them in an organized building based on what the artist’s expert eye picks up by employing sensory objects with new plastic formulations that lead to a shocking effect on the viewer and a sense of astonishment and movement.
2. Emphasis on the philosophy of action. The subject is not research in metaphysics, but rather research in issues of the current political and social reality within the lived plan, which stems from the needs of society, which leads to difference and pluralism, which is linked to the unexpected, such as events that occur suddenly.
The most important conclusions :
1. Shifting the traditional patterns and replacing them with irrational and unexpected attempts.
2. The researcher concludes the clear reflection of the humanistic theory on postmodern art. By emphasizing the emotional side, rebelling against the political reality and addressing this reality as a way to reach the fulfillment of needs and achieve the goal.

It has become recognized that modern technologies have entered most areas of contemporary life, including cinema, television and the media, and it has become necessary to benefit from them and their data and discoveries in the manufacture of films, series and programs. Accordingly, this research studies (the mechanism or method through which these modern technologies are employed in the structure of cinematic films, series, television programs, and media materials, especially those directed to children), because this segment represents a high percentage of viewing, receiving and interacting with what is shown, whether in cinemas. Or via satellite channels or through social media on the Internet in general, as well as the importance of studying the nature of modern technologies in the material presented for this important segment. The research will include three chapters, namely:

The first chapter entitled (The Methodological Framework) reviews the research problem, its importance, the limits of the research and its objectives, and defines and defines the most important terms or key words contained in the title and body of the research, while the second chapter carries the title (The theoretical framework and previous studies), it contains three topics:
First / Fictional films directed at children. It provides an overview of the role of feature films directed at children and their social importance, and the dramatic formulation of those films according to the different age stages of children.

Second / The concept of digital technology in cinema: It includes an explanation of the most important modern technologies, whether in devices or software for photography, lighting, montage, graphics, decorations and other vocabulary of the film, television and media production process.
Third / Animation Origins and Development: Through this topic, we review the emergence of animation and how it has kept pace with the technical developments that cinema has witnessed since its inception to our current era (the era of digital technologies). In this topic, we also dealt with the research sample and analyze it.
As for the third chapter, it presented the results and conclusions that were drawn from the second chap

The research includes four chapters. The first chapter includes the methodological framework for research and the research problem centered in the following interrogative:
• What is the character of Satan and represented in the theatrical text (the new Faust as a model)?
While the importance of the research and the need for it came towards the current research interest in shedding light on the personality of Satan and its representation in the theatrical text (the new Faust as a model).
The aim of the research is to know the character of Satan and its representation in the theatrical text (The New Faust as a model), while the limits of the research were limited to the text of the play (The New Faust) spatially (Egypt) for the time period of 1967.
The chapter concluded with a definition of terms and a procedural definition, which is "an evil being who is out of God's obedience and is considered the embodiment of evil.
As for the second chapter, the theoretical framework and previous studies, it included three sections. The first topic concerned me with studying the personality of Satan in the heavenly religions and how the three religions (Judaism, Christianity, and Islam) dealt with it, and the second topic was concerned with studying the personality of Satan in the theatrical text and how the character of Satan appeared. The chapter concluded with the indicators that resulted from the theoretical framework and previous studies.
As for the third chapter, it included the research procedures, which is the research community, and the research sample that the researcher chose in an intentional way in line with the research topic, its problem and its objectives. The new Faust as a model), as for the research method, the researcher relied on the descriptive approach (content analysis), and the researcher relied on the indicators that resulted from the theoretical framework.
As for the fourth chapter, it contains only the results
1. The playwright is aware of the personal dimensions from the religious and social aspect.
2. The demonic character moves more than other characters because they have goals they want to achieve.
And then the chapter included conclusions, recommendations, and suggestions, then a list of sources, references and appendices.

This research is concerned with a study (Compatibility between the ergonomics and the contemporary digital design strategies), and it is formed in four chapters.
The research problem dealt with the topic of ergonomics and contemporary digital design strategies, which were determined by answering the following question:
- How can the ergonomics affect contemporary design strategies?
The importance of research was evident in that it represents a new method in the emergence of modern technologies that give the designer multiple dimensions to reformulate his designs. The researcher has found that there is a necessary need to write the research, as it is a contemporary subject and has links with contemporary design
The research has a goal that is to identify the development of ergonomics and its impact on contemporary digital design strategies, and to benefit from the ergonomics as one of the primary pillars on which modern and contemporary trends depend on design.
As for the research limits, it was limited to studying the development of the ergonomics and its impact on the contemporary digital design strategies executed by various techniques for the period from (2019-2022) in (Ukraine- Japan- Hungary- Russia- and Poland). The most important basic terms have been reviewed, which are (Compatibility - Ergonomics - Design Strategies).
The second chapter included the theoretical framework, and it contained two sections: the first section was interested in studying (the development of the concept of ergonomics), while the second section was interested in studying (strategies of the process of design and contemporary technological orientations). The theoretical framework has ended with a set of indicators.
The third chapter was concerned with research procedures that included the identification of the research community and the selection of an exemplary research sample amounting to (5) samples, and then the sample analysis.
The fourth chapter included the results of the research, conclusions, recommendations and suggestions, then the list of sources.