Journal of Nabo

The current research (the use of discussion in art education and the improvement of the educational system) has been highlighted. The fundamental process of building a human being has been highlighted and at the same time a great deal of attention is being taken by all nations to measure their level of development. It is based on its outputs in gaining knowledge and experience contribute to the formation and rehabilitation of the learner in all aspects of vital, whether spiritual or psychological or aesthetic. The nutrition of learners in knowledge of educational situations provides an opportunity to practice cooperation and teamwork and stimulate the expression of opinion freely as well as the teaching of intellectual tolerance that is linked to the investment of different methods of teaching, which is a cornerstone of learning in art education. The problem was identified by the following question: Is the use of the discussion method to improve education and raise the level of knowledge of students of the Department of Art Education at the Faculty of Fine Arts? Followed by the importance and the objective and defined the terms and knew. In the framework of the intellectual, it dealt with the research (the method of discussion and the prospects for improvement) and then the discussion (the use of the discussion and its forms). The research reached a number of results: Information in general. Not to mention that it moved and removed from the learners and the coldness and stagnation in the pursuit of dialogue and discussion and research, which resulted in improved education

The research included four chapters. The first chapter contained the research problem that was determined by the following question: Was color used in the visual excitement of the impressionist and post-impressionist artistic achievement? The importance of the research included the following: - The current research shows the experience of one of the most important schools of modern painting and its relationship to the visual aspect in its artistic achievements. - The current research is useful to specialists in studying this type of research, especially the relevant institutions and students with specialization in the field of art history. As for the aim of the research, the current research aims at the following: Know the role of the visual excitement of color in the artistic achievement of the Impressionist and Post-Impressionist schools. The temporal and spatial boundaries: 1874-1910 AD - Europe. As for the fourth chapter, it included the results of the research, including: 1- The Impressionist painter in Impressionism and Post-Impressionism transcended all the mechanisms and artistic values that prevailed in the past with intellectual, artistic and scientific openness through his dealings with colors, especially the colors of nature and with a new technique. 2- The painter considered that color and its analysis is an expression of conscience, feelings, imagination and emotion, and here the perceptions of mind and sight had an important role in the completion of the Impressionist and Post-Impressionist artwork. Among the conclusions: 1- The drawings of Impressionism and Post-Impressionism included all natural forms of landscapes, people and other formations, where the focus was on work through color and not form, especially in the drawings that were in the first stage of the birth of Impressionism. 2- The scientific and technical discoveries in the field of colors had a great impact on the mechanism of work of Impressionism and Post-Impressionism clearly, especially the cognitive and aesthetic aspect and keeping pace with those developments. Among the recommendations:- The current research may benefit the specialized students of primary studies, so the study of color should be one of the vocabulary of the study curricula in the preparatory school.

This research is concerned with the study (the artistic image and its expressive features in new objectivity drawings )
Where the problem of the current research ended with the following question: What is the technical image and expressive features in the new objectivity drawings? The importance of the current research and the need for it is reflected as an attempt to explore the artistic image and expressive features in the new objectivity drawings, which allows those interested in this field and field to see the data affecting the nature of the artistic construction and its variety
The present study also aims to (reveal the artistic image and expressive features in the new objectivitydrawing
In addition, the most important terms in the title were reviewed and defined procedurally. The second chapter included three topics that dealt with the first two axes. The first included the content of the picture philosophically and psychologically. The second axis included the concept of expression philosophically. The third topic dealt with the features of the expressive image of the artist Max Beckman
The third chapter was illustrated on the research procedures and the sample samples were analyzed in it (5) technical pictures
1-The artistic image of Beckman has an expressive orientation
2-She expressed the artistic image of Beckman joining an active player Vdmthaha arduous and diverse and many of the human forms that tell and reflect the problems of society n
One of the most important conclusions
1-The artistic image is generally characterized by self-expression and structural vision, which joins elements and foundations within a diverse structural and aesthetic format
2-The artistic image and features were not intended to achieve beauty only, but to put forward the dimensions of intellectual, social, political and psychological.
The research also referred to a set of recommendations and proposals and contained a list of sources, references and annexes

When a person feels that his life is about to end and has changed for the worse, the warm and emotional mind calls for good memories of the past, to give him the impetus he desperately needs to deal with immediate challenges, and nostalgia has a psychological basis, called the term (nostolology), invented by the Swiss doctor Johannes Hoover (1867_1928) in the late seventeenth century, after noticing a group of wage Swiss workers, who were expatriates, suffering from common symptoms such as indigestion, insomnia, and irregular heartbeat, and it turned out later, that the main reasons were nostalgia and longing for Motherland.
The disclosure of the nostalgia has become an independent process, and a phenomenon in our contemporary Arab society. Personality, history, present and effectiveness within the structure of the theatrical text, as the authors dealt with Nostalgia at various levels, employing multiple nostalgic images in the subjects of their theatrical texts.

The theater is at the fore in the cultural and cognitive races with its educational and psychological treasures, and its aesthetic transmissions, to unveil the publicity of deviation polysemia with its complex semantic signs, which borrow human speech and form to make an impact on living people on the emotional, sensory, and educational levels, to contribute to the scientist’s contribution to his psychological questions. Man and the conflict of cultural patterns in a time of cracking local identity, with a colonial globalization that has undermined educational and psychological constants in order to displace them from their normal intellectual path and replace them with abnormal, rigid and desertified behaviors. The research included four chapters. The first chapter included the research problem and focused on the following question (what is the politics of personality deviation in contemporary Iraqi theater texts). The (temporal: 2014-2018) and (spatial: Iraq) and (objectivity: the study of the deviant personality and the understanding of its political meanings in the texts of the contemporary Iraqi theater) were defined, in addition to defining the following terms (polismia), (deviation) as a linguistic definition. idiomatically and procedurally
As for the second chapter (theoretical framework) it came with two sections, it concluded with indicators that resulted from the theoretical framework, as well as previous studies in which the researcher did not find a study close to the topic of his research. The perverted personality is included, and the second topic is Entitled: Personality Perversion in the Texts of the World Theatre, the third chapter is devoted to research procedures by choosing two theatrical models for analysis by the intentional method, namely the play (Romantic Encounter) by Ali Abdel Nabi Al-Zaidi and (the opposite side) by Ali Al-Rubaie, and they were analyzed using the descriptive-analytical approach, and the fourth chapter was determined to mention Findings, conclusions, recommendations and suggestions, and concluded the research with margins and sources.

The difficult political, social and economic conditions experienced by the Iraqi citizen constitute psychological pressures that are reflected in the psychological, behavioral and social aspects of the Iraqi society. Obstacles and considers university students the mainstay of the future, Those who have a great role in the process of building and developing society within the different disciplines studied by each student, which constitute an integrated system in the construction process, and that the interest in studying personality began since the thirties of this century until the present time, a significant increase, and this is evident from the increase in the amount of research published in psychological journals dealing with personality, As well as the issuance of large numbers of references and books about it, and as psychologists have tried since the beginning of the twentieth century to divide the human personality into multiple types and fixed patterns in a set of unified qualities that apply to all individuals who fall into it. This interest has appeared since antiquity, especially with Greek philosophers such as Hippocrates and Galen, where they linked the physical, moral and psychological moods of each individual with the aim of inferring from them his nature and qualities. Also, a number of researchers presented a theory about personality factors or patterns in which they tried to simplify the human personality into five major factors: extraversion, kindness, conscientiousness, neuroticism, and originality, despite their differences in language and approach to measuring the five factors, and they called the new scale the revised personality intelligence for neuroticism. Extroversion and openness, which consists of (181) items that were extracted by factor analysis derived from many personality intelligences, and )Costa and Macri( developed a list of traits that measure these and consists of forty traits, so the revised list contains eighty traits.

The researcher wanted to elucidate the function of creative formation in ancient Iraqi murals, however most published studies focus on their history and archaeology. field
The work is essential because it gives information on a fundamental facet of Mesopotamia's artistic creativity, notably Assyrian art. Identifying references for the artistic form of Assyrian paintings.
The study's theoretical framework is separated into two sections: the artistic genesis of ancient Iraqi paintings and Assyrian murals. The researcher used descriptive analysis to determine the aesthetics of ancient Iraqi murals. She evaluated three Assyrian mural samples.

The Assyrian artist used art to comprehend and tame his reality. Mural painting and its elements helped convey the world about Mesopotamia's glory and magnificence. Assyrian aesthetics stand out in the plastic proportions of the body parts to the total, which was generally 1/4, which imparted molded character and dignity. In terms of dynamic relationships, the Assyrian artist excelled by depicting the movement of animals' feet and muscles, as in the shape of a lion from the movement of his muscles and embodying them in a pattern that indicates the jump and attack on the king, the movement of the king's legs also in a ratio of 1/3, which indicates stability and physical and muscular strength.

the first chapter included the methodological framework of the research, the research problem was summed up by the question (Are the metaphysical data represented in contemporary Iraqi painting?), The current research aims that, it will contribute to clarifying the concept of metaphysical data, and benefiting from that in the achievements of contemporary Iraqi painting. As for the need for it, it can be summed up in: The novelty of the topic is that it is plowing in virgin areas of knowledge, so this study constitutes a knowledge addition to the Fine Library, which benefits students of colleges and institutes of fine arts. The aim of the research was to identify the metaphysical data in contemporary Iraqi painting. The limits of the research were: Spatial Boundaries: Iraq, Objective Boundaries: A Study of Metaphysical Data in Contemporary Iraqi Painting Products executed with different materials on different materials, Temporal Boundaries: 1953-2014 AD. While the research in its second chapter contained the theoretical framework and previous studies and consisted of two sections, the first topic was concerned with studying the concept of philosophical metaphysics and the views of philosophers and their philosophical theories that dealt with metaphysics, and the second topic dealt with contemporary Iraqi painting. As for the previous studies, by searching in Iraqi libraries and websites, I did not find a study approaching and the subject of the research. As for the methodological framework of the research in its third chapter, and after reviewing the published and available works of Iraqi artistic achievements and specific in relation to metaphysical data in contemporary Iraqi painting, the researcher collected as many illustrations as he could of artworks from books, the Internet, private collections of artists and the most famous and most famous works (50) Technical work to benefit from, covering the limits of the research and achieving its goal. As for the models of the research sample, the researcher chose the models of his research sample, which numbered two artworks from the framework of the research community, according to the opinions of a group of experts in the plastic arts in line with the goal of the research.

The establishment of the Iraqi Singing Ensemble came to perform many singing colors as well as to revive the Iraqi heritage in its various colors. At the beginning of its founding, the band began to pay attention to developing the Iraqi heritage song and redistributing it in a modern artistic style, and accordingly it implemented a large number of artworks from Iraqi heritage songs in a new style and distribution.
The band performed several types of artwork, and each type had a group of works, and the types identified by the researcher for the band are:
1. (Al-Muwashahat): After searching, the researcher found (29) of the muwashshahat that the band sang as in Table No. (1). the researcher chooses from among them two muwashshahs, and inserted their words as in Appendix (A).
2. The traditional song: The researcher counted (81) of the traditional songs performed by the band as in Table No. (2), from which he chose five songs and included their words in Appendix (B).
3. Religious supplication: The researcher found (7) of the religious supplications performed by the band as in Table No. (3). the researcher chose one supplication from them and entered its words as in Appendix (C).
4. The songs: the researcher chose (10) of the songs performed by the band as in Table No. (4), from which the researcher chose one song to include his words as in Appendix (D).

Arabic calligraphy، with its diversity of formations and calligraphic forms، and the diligence of calligraphers to create and invent forms that do not exist in nature، still raises many questions and opens wide fields of research and investigation to address its formal and creative structure. Optical.
Therefore، most of the designs executed on fabrics and fashion in general express Arab belonging and originality، did not depart from the Islamic spirit، which is a prominent feature in ancient Arab societies because it did not ignore the civilizational heritage that was filled with Islamic civilization. The arts in the Islamic society، and Arabic calligraphy has received a great deal of study، proficiency and development، so creativity appeared، as the Muslim artist found a purpose in Arabic calligraphy in all Islamic eras، especially the Abbasid era، which witnessed a lot of artistic development، which expresses the accumulation of experiences and skills، he used Arabic calligraphy In the early days of Islam for the purposes of decorating the walls of mosques from the inside and outside. Hence، this decorative art must actively participate in enriching the designs of Islamic fabrics and costumes because of its high compliance and aesthetically superior consideration and expressing the originality of the Arab spirit. The terms used، and the second topic included the theoretical framework. Which included the following topics: First: Types of calligraphic formations، Second: Decorative formations for Arabic calligraphy، and the topic of intellectual aesthetic taste for the art of decoration، Third: Symbols in the Islamic heritage As for the third topic، samples were presented for the latest Jalabiyas implemented in Dar Shabaad Fashion، which included vocabulary selected from The aesthetics of Arabic and Islamic fonts، then the most important results and recommendations were included، and finally a list of sources and references

The adjective for bullying, as it is, comes from an emotionally overpowering performance that seeks to overthrow the one who is Weaker as in the case of the animal (the tiger), and by the transfer of this characteristic to the human being, it takes the same efficacy and the same performance, as it is centered in himself to transform through it into a personality different from others, through which he seeks goals that are achieved at the expense of the one who bullies him, i.e. (the victim), so he took Bullying has different forms and different centers in the human self, from bullying in childhood to social bullying and then electronic bullying and through these variations, the concept has become focused and in it Studies dealt with research, investigation and diagnosis of its cases, causes and treatment, as the current research came in four chapters. The first chapter (the methodological framework) talks about the research problem that came according to the following question (how did the bullying mechanisms centered in the Arab theatrical text) and then the importance of the research and the need for it, as well as the goal of the research and the limits of The research that was determined between (2013 - 2019) to conclude the chapter with a paragraph defining and defining terms. As for the second chapter (theoretical framework) it may be from Two topics The first topic came under the name: psychological and social bullying, and the second topic came under the name: Bullying in theatrical personality, to conclude the chapter with the indicators that resulted from the theoretical framework, while the third chapter (research procedures) included the research community and the research sample then the research methodology and research tool to conclude the chapter By analyzing the research sample and finally the fourth chapter, the results were among the most important of them (every personality in which bullying is centered and hindered in its face by a normal personality that represents man and humanity). The search ends with margins and a list of sources.

The current research included exposure to the theme of discourse as a cognitive concept and its role in postmodern arts in general and the art of popular sculpture in particular and its accompanying development of the conditions of consumer society and the sculptor's feeling in creating his aesthetic discourse.
The research came in four chapters: the first of which is the general framework of the research and includes the research problem, its importance and the need for it, then the goal and limits of the research, and identification and definition of the most important terms contained in it. As a concept of expression in the visual field and how the sculptor transmits his speech in his works through the formal and content structure of the accomplished, as for the second study, it dealt with representations of discourse in folk art and the method of the sculptor's presentation of his speech. To the relationship of the current study with previous studies.
As for the third chapter, it included the research procedures based on the method of research in which the researcher adopted the analytical descriptive approach to analyze the sample content drawn from the research community, which included a group of works that the researcher reviewed from the global information network (the Internet). Which amounted to (5 models) for sculptural work as a sample for research, and the researcher relied on the indicators of the theoretical framework and the observation tool as a tool to analyze the content of the research sample.
As for the fourth chapter, it included the most important findings and conclusions reached by the researcher, and among the most important results she reached are:
1_ The speech was embodied as a performative act through the spaces of time and space as a technical method, as in Model (1), through the interaction between the sculptor and the audience that was achieved through the presentation of the work in the city space (the place), as well as the moments of the recipient's interaction with the work (time).
2_ The discourse was embodied through a retrieval mechanism represented in the memory of the audience to achieve the aesthetic act, as in Model (1), especially in the postmodern period in which the life of society became based on numbers, wars and consumption.
3- Through the sculptor's communication and the audience, the aesthetic discourse of the sculptural work is embodied as a popular art through the recipient's taste excitement, as in Model (1), by using the sculptor for contemporary technical outputs, employing colors and their overlaps with lines, and using it for everything that is circulating in the realities of lived life.

The current research adopted the theme (the technical variable in postmodern arts and its reflection on the products of my teaching of plastic arts), and the four chapters of the research came as follows: And ways to show it in the products of the works of the teaching of plastic arts. The chapter also included the objectives of the research, which centered on revealing the technical variable in postmodern arts and its reflection on the products of the teaching of the plastic arts department.
As for the second chapter, it included (technical techniques in post-modern arts, the topic, and technical techniques in the products of my teachers of fine arts), the third chapter included research procedures, the research community and its sample, the nature of the curriculum in it and the tool adopted in the analysis, and then the analysis of the sample (5) as a model. One of the works of plastic arts teachers accomplished by Iraqi plastic arts teachers at my universities (Babylon/College of Fine Arts, Basra/College of Fine Art) and the Institutes of Fine Arts in (Al-Qadisiyah-Baghdad).
As for the fourth chapter, it contains the results and conclusions of the research and their discussion, as well as recommendations and suggestions. Among the results are:
1- The artistic productions of the two teachers in the research sample are similar to those of the global contemporary movements through the use of the same techniques developed in the structure of artistic achievement, which represented one of the pillars of the concepts and deliberations of postmodernism, by introducing a group of (strange materials) from the artistic lexicon in the structure of his works, especially Employing materials, most of them from his environment, as simple, insignificant materials to activate their role based on representing a state of strangeness and novelty and evoking a kind of (shock, surprise and pleasure) in the structure of artistic achievements, such as (plastic boxes - pieces of cloth - paper clips - dry roses - masks).
2- The teachers relied on several contemporary technical techniques in completing the work, as the technique (collage adhesive) and the technique of casting and distillation appeared and embodies the introduction of unfamiliar things through the installation technique as well as the use of liquefaction technology and multimedia technology.

This research focuses on analyzing the narrative discourse and the vocabulary produced by culture systems that have become present in the literary discourse in general and the narrative discourse in particular, in the novel, and that amazing, enchanting, exotic - mysterious - expanding creativity, with its psychological lining of our societies that is re-read, discovered and sometimes exposed Undressing with the aim of revealing its implications, the novelist Ward Badr Al-Salam went through his novel experience and exposed the brutal practices of ISIS represented by the new political Islam and to complete his novel series (The Virgin of Sinjar) and (The Wonders of Baghdad). And tragic fates, as the narrative construction is not based on a particular personality as much as it is based on the event represented by the place. The novel exposes political Islam represented by ISIS terrorism and ISIS power in all its names and reveals the journey of searching for the missing daughter (Nashtman), but the truth is that the search was for a lost homeland that was challenged by greed, politicians and a sect of its sects That suffered the falsehood of power and the ferocity of an enemy that does not know the meaning of humanity.

Body language is the language of societies, as it is used to exchange information without using the language of the tongue. It is stronger than the influence of words. Even after writing, physical gestures remained an important form of communication. In light of this, the research was divided into four chapters. The first included
(the methodological framework) for the research, starting with the problem that ended with the following question: Is the symbol's form a major indication in Pina Bausch's performances at the level of the body? The study aimed to know the symbolism of physical performance in the performances of Pina Bausch. This chapter also included (the limits of the research) that were determined in time (1975-2008) and spatially (Germany, America). The chapter concluded by defining the terms and defining them linguistically, idiomatically and procedurally The second chapter focused on the (theoretical framework), which included two sections about me, the first section studying symbolism and concepts. The second is about studying the physical performance in the world show. At the conclusion of the theoretical framework, then addressing the resulting indicators The third chapter (research procedures) is represented by the research community and its sample, which were chosen in an intentional way. As for the analysis tool, the indicators that resulted from the theoretical framework were used and the descriptive (analytical) approach was used. While the fourth chapter included the research results as well as conclusions, recommendations and suggestions. The research concluded with the most important sources and references.

The first chapter contains the research problem, which raises the following question: Are there aesthetic approaches to formal and stylistic metaphor in contemporary Iraqi painting? The research aims to identify the aesthetic approaches to formal and stylistic metaphor in Iraqi painting. The second chapter contains the theoretical framework, which consists of the concept of metaphor philosophically and the topic The second is the movement of contemporary painting in Iraq. As for the third chapter, it contained research procedures from the research community and its sample, and the research method, as the researcher relied on the descriptive analytical approach. As for the fourth chapter, it contained the research results, conclusions, recommendations, suggestions, and conclusions
1- The formal and stylistic metaphor of the contemporary Iraqi painter is related to several references, namely Mesopotamian arts, Islamic art, folk art, modern and postmodern European art.
2- Both formal and stylistic metaphors constitute a relative presence in the total artistic experiences of the artists of the contemporary Iraqi painting movement.
3- The establishment of pioneering artistic groups in Iraq, during the fifties of the twentieth century, had a clear impact in consolidating the artistic identity of the Iraqi formation, according to a stylistic vision with multiple artistic features.
4- The cognitive and intellectual systems of the modern European painting currents contributed to the crystallization of stylistic visions for Iraqi artists, during the stages of missions and fellowships for those European countries.
5- The metaphor did not constitute a pressure factor that prevents the artist’s creativity and thus the movement of the contemporary Iraqi painting movement towards stagnation and backwardness. Rather, it formed a basis for his launch towards continuous modernization and renewal.
6-The factors of western technical excellence had an impact on the shift of the contemporary Iraqi artist to the modern artistic trends

The body has reached a prominent stage in the formulation of theatrical discourse in its contemporary forms, and has even entered the field of writing itself, at the hands of the theatrical absurdity, and what they distinguished in their texts from including the engines of postmodernism, and their vision of contemporary man, and it was for (Jacques Derrida) and his proposals in deconstruction. An interaction through which one senses the extent of the bonds between him and what postmodernism went to in its statements, and because the dissolution of the origin, the margin and other data constitute a factor that reached the variable in revealing the image of the contemporary man.
Because of the importance of this topic, which has become its presence in the crossroads reached by contemporary man in general, and theatrical personality - as a human model - in particular - the researcher's interest came in formulating the title of the current research, and this research has been studied as follows:
The first chapter - the methodological framework, which included posing the research problem that was built on the following question: What role does the duality (body - deconstruction) play in formulating the transmissions of the contemporary theatrical text? It was also pointed out, the importance of the research and the need for it, and the goal of the research, which was linked to the following: revealing the relationship between the body and deconstruction in the texts of contemporary theater, especially those of them belonging to the requirements of the postmodern theater.
Then the limits of the research were explained, and the definition and definition of its salient terms.
As for the second chapter, it included the (theoretical framework) and was based on two topics:
- The first topic: The first topic - in the dismantling of man
The second topic - the body and deconstruction in the contemporary theatrical text:
Then the theoretical framework was concluded with the research indicators, to move in the third chapter to (research procedures), which were based on the analysis of the research sample, represented by the text (Waiting for Godot) by (Samuel Beckett). Then come out with the most prominent results and conclusions. Finally, a list of sources and references.

The research includes four chapters. The first chapter deals with the research problem identified by the following question: - What is the concept of psychological time of the character in the presentation speech? The importance of the research and the need for it shed light on the importance of the psychological time of the character in the presentation show. It is useful to students and workers in the theater department. The aim of the research is to identify the psychological time of the personality in the presentation speech. The research is determined by studying the psychological time of the character in the presentation speech in the Iraqi play (Muttar Saif - Ali Abdul Nabi Al-Zaidi), which was shown in (2012 AD). The chapter concludes with a definition of terms.
The second chapter (the theoretical framework) included two sections. The first topic (the concept of time in psychology) and the second topic (the psychological time of the theatrical character) concluded the chapter with the indicators that resulted from the theoretical framework and previous studies.
As for the third chapter, it included the research community and its sample, which the researcher deliberately chose to match the research topic, problem and objectives. As for the research method, the researcher relied in the tool on the indicators of the theoretical framework.
The fourth chapter contains the results, including:
1-The character of the wife dealt with all the tools on stage to embody a psychological time based on past events (such as the mirror - her husband's jacket - the perfume bottle - and the cassette tape).
2- The lighting reflected a psychological time that the character dealt with, and it was clear through the darkness of all parts of the stage, except for the areas where the character was present.
This chapter also contains conclusions, recommendations and suggestions, then a list of sources and references.

The research included four chapters dealing with the first chapter (the research problem) represented in the following question (what are the functions of visual techniques and the method of treating them in the contemporary Shakespearean theatrical performance presented in Iraq), and within the limits of time (1995-2000 AD) and spatial in Baghdad, while the second chapter included two chapters The first was concerned with the study of visual techniques in the Western Shakespearean theatrical performance, while the second was about Arab theatrical experiences that employed visual techniques in Shakespearean performance, while the third chapter included the research community and the intentional selection and analysis of the sample represented by my presentation (Othello in the Kitchen) by Sami Abdel Hamid and (Macbeth ) for the reform of the cane. The fourth chapter came with the results, including (the sample models crossed the traditional presentation space in an effort to show the presentation in an experimental manner), then the chapter concluded with conclusions, recommendations and a list of sources.

The current research consists of four chapters. The first chapter of the research included a definition of the research problem, which was determined by answering the following question: - The importance of the research and the need for it. The aim of the research was determined as follows: What are the representations of surrealism in the products of Western feminist art? The aim of the research is to know the characteristics of surrealism in contemporary feminist art. The researcher has identified the most important terms included in the research. The second chapter included two topics: The first topic: the origin and development of surrealist art . The second topic: surreal feminist creativity . As for the third chapter, it contained the research procedures and included the research community, sample selection and analysis, which amount to (5) samples of the products of contemporary feminist surrealist painting. The fourth chapter contains the most important results and conclusions, and the most important results are: Surrealist artists use their personal images to express their private and feminist issues in general, given that the female form is suitable for self and social expression. Surrealist artists tend to draw realistic forms, as they are more capable of expressing feminist concerns than abstract forms and more influentia on the recipient. The most important conclusions are: Surrealist artists tend to exaggerate female images and focus on the features of female faces to show the features of beauty in them.