Journal of Nabu

The image has witnessed several artistic transformations in the modern era, as designers now possess a great digital technology in order to improve their designs, and this has greatly affected the creation of new concepts of cultural and human knowledge, so the image today has become a transmission of information with great speed and accuracy and to a wider audience, and this has affected its employment and how to deal With it in the cover structure, as it includes visual installations with intellectual and semantic content affecting the inside of the magazine cover, it acts as a catalyst to attract more sales, so that the cover has become the design identity of the graphic accomplishment and the functional and aesthetic attraction factor first from which the nature of its orientation and the style of its designers in producing meaning emerges Within the cover space of the contemporary technical art proposals.

The current research deals with (the economic conflict and its effects on commercial advertisements) as an eternal existential fact that appeared associated with the nature of man and his changing social reality and the continuous interaction with its economic (reciprocal and commercial) aspects, and it investigated the effects of that conflict on the reality of commercial advertising. Which included four chapters, the first chapter included the research problem, the importance of research and the need for it, and the goal of the research: Identify the economic conflict and its effects on commercial advertising. And limitations of search and define terms. As for the second chapter: it contains the theoretical framework in two topics: the first topic: the conceptual conflict, and the second topic: commercial advertisements between effects and applications. It also included indicators of the theoretical framework. While the third chapter includes the research procedures represented by the research community, the research sample, the research tool, the research methodology, and the analysis of the (4) sample, a commercial advertising model.
The fourth chapter included the results of the research, conclusions, recommendations and proposals, and the most important results that the researchers reached are as follows:
1. The reality of economic conflicts and the challenges they are witnessing are caused by the pursuit of wealth (money) and the increase in the power and authority of economic activity as a basis for the development of contemporary production tools, given that advertising activities are the main catalyst and promoter of the physical product and its marketing, because of the renewed ideas and features that these visual designs carry Contemporary.
2. The activities of economic conflict have risen in advertising designs, with the prevalence of the practices of domination of energy and natural resources due to their outstanding importance in the sustainability of human life and proving his will. The designer has strengthened the use of visual vocabulary at the level of organizing the typographic elements (pictures, drawings and colors) with their expressive connotations in addition to To the power of the content content.
As for the most important conclusions, they were as follows:
1. Contemporary advertisements, with their renewed intellectual and visual design approach, showed the signs of the socialist regime's relentless pursuit of global economic systems through its penetration into commercial, political, cultural, and informational activities, giving it influence, power, and bolder policies at the international and regional levels.
2. The real essence of advertising scenes embodies the inevitability of economic conflict at the international level and its relationship with the consumer, as it forms the true basis for all daily activities through many material causes that a person rushes behind. The riches that have enabled global regimes to establish themselves on the international stage.

Man has sought since ancient times to find an explanation of the natural phenomena that surround him, and he thought that there were hidden forces lurking behind them so he tried to appease them and express his perceptions of those metaphysical forces by drawing and sculpture. Within the development of human intellectual, models of those metaphysical forces appeared on stage in Greece Like the gods and superstitious beasts, including the guard of the underworld gate (Cerberus) three heads dog or the legendary beast of the city of Thebes in the legend of (Oedipus). By the diversity of the speech of these characters, and from this point of view, the researcher wanted to study the speech of the totem character in the Iraqi theatre. This was a statement problem of study, while the researcher in chapter two studied the totem personality in the sciences of anthropology and psychology and the speech of the totem character in the global theatre, then indicators of theoretical framework and previous studies. While the attention in the third chapter focused on the analysis of the play “Al-jumjuma” (the skull) and speech of the totem character in this play which written by the Iraqi writer (Hussein Rahim) and directed by (Abbas Ali Abdul Ghani). Thereafter, there searcher in the fourth chapter cames with a set of results and discuss them then conclusions and recommendations in the fourth and final chapter.

The project was designed to study The Psychological and social data in paintings of disabled children. It is consist of four chapters; the first was devoted to study problem, its importance, its need for, its limited and its goal, the problem of study is deal with the negative socials perceptions toward the special needs kids, the negative people impression towards disabled children presents a barrier to enabling disabled people to adapt, this lead to behavioral deviations from social standards like delinquency, crime, deviation from customs and traditions, lack of respect or forming social relations or doing social skills and lack of self-reliance or inability of observe order, customs and traditions of society. In addition to disruption of performance and adaption to the environment and dependency and non-association with society and belonging to the family and friends without permanent supervision and direct in their needs. The problem of the current study answered the following questions:
1- What are the psychological data of children with disabilities.
2- Dealing with social data and biological aspects.
The importance of the study was to know the contribution of study to enrich the scientific and educational content in relationship to the issue of disabled and related factors, the second chapter contains the theoretical framework consisting of two subject , the first section deals with the foundations of social theory, the second section deals with the characteristics of childrens drawings. The third chapter is concerned with the study procedures, where the study community, including the available models in specialized sources, books, magazines and the Web, A sample of four children with disabilities was selected. The study method is the descriptive analytical approach and the researcher in the study tool based on the theoretical framework indicators in the analysis of the sample. The study came out with a set of results, the most important of which are:
1- Drawings of children with disabilities were based on simplicity in style and ease of lines, despite the mobility disability and difficulty holding pens and not being able to draw property.
2- Show us the love of disabled children to express themselves through drawing.

The present work deals with( Realism in the painting of the students projects of art eduction department) , college of fine Arts . the work is divided in to Four chapters. Chapter One deals with the problem , value , aims , limits of the research and definitions of related terms . The problem of the research is stated in the answer to the following question : what is the influence of realism on the students projects of Artistsic Education Depagrtment ? the value of the study and its importance lies in the fact that it is a scientific study which investigates reality to produce artistic works characterized by art and beauty as far as form color and subject are conceened. it develops students abilities educationally and artistically . It also provides the libraries and students of art with information about one of the most important school of plastic art in the past and present . the research also aims at discovering reality in the drawings of fourth year students of artistic education. Chapter tow discusse the aretical back ground which includes three section . section One studieeconcelipt of realism and its growth . section tow deals with the to most import ant artists of realism. Section three studies the procedures , the population , methodology, tools and samples analysis . chapter four includes the results obtained :
1- the students of artistic education benefited from the topics of their real life situation to produce their paintings and etpress their social and environmental reality through sample 1,2 and 3.
2- the Arabic and Iraqi environment is rich with multi- enviroment real topics some of which are moumtainus others are related barren area . there are also situation , based on profession and traditions which influence the reality of students works through samples 2 and 3 the research ended with conclusions , suggestions and reterences .

The research (Counter- Binaries and their Representations in the Iraqi theatrical message) included four chapters. The first chapter included the research problem that centered around the following question: (What are Counter- Binaries, and what are their Representations in the Iraqi theatrical message?), And the importance of the research that was attributed to the refugee study (Counter- Binaries), as it did not have previous studies, especially in the theater field, as well It benefits students of fine arts institutes and colleges in identifying the different and different aspects of (Counter- Binaries) in the Iraqi theatrical discourse , The aim of the research is to identify (Counter- Binaries and their Representations in the Iraqi theatrical message), and boundaries were defined: temporal (2010), and spatial (Iraq), and objectivity: a study of the topic (Counter- Binaries and their Representations in the Iraqi theatrical message - The play Shadows a model ), in addition to procedural definitions Of terms in the title of the search . As for the second chapter (theoretical framework), it included two topics, in addition to mentioning the indicators that resulted from the theoretical framework. The researcher dealt with in the first topic: (Counter- Binaries in philosophical thought), while the second topic was covered by the researcher in it: (Counter- Binaries and their Representations in the Iraqi theatrical message). The researcher devoted the third chapter to the research procedures, in which the research sample was defined, and it included The play( Shadows) a model , prepared and directed by (Haitham Abdel Razzaq), was chosen intentionally, and taken as a model in the analysis, and the researcher adopted the (descriptive) method in the analysis The sample, depending on the nature of the current research. The researcher concluded at the end of this research to mention the results that filtered from the analysis of the research sample, the conclusions, then the list of sources.

Conceptual and spiritual activities that were represented by the dualism of magic and the Jin, semantic of the parapsychology by which the legendary philosophical concept and religious layout in the ancient human culture.
Forms of dualism of magic and Jin are bases of historical heritage and fictional literary for the ancient Mesopotamia culture and become a main pivot in the religious rituals and moving cultural layout over human mind's eras and its' multi worlds. Problem of the research is embodied by the following inquiry : Did the dualism of magic and the Jin form a main, central and subjective pivot in the Iraqi theatrical texts?
The research aimed to discover the dualism of magic and the Jin and representations in texts of Iraqi contemporary theatre.
The research was limited with texts of Iraqi contemporary theatre for the period (1994-2003).
Second chapter included the theoretical frame and included two sections, first one : philosophy of magic in human communities while second section was about representations of magic and Jin in theatrical literary texts.
Third chapter included research procedures including population and its' sample which was analyzed and getting the research's results by it, it was first play : Fi Aly Al-Hub, by ( Falah Shakir), second play : Nahb Al-Jana, by Khazal Al-Majidy, they were been picked by intentional method because it meet the aims of research, depictive method was used in analyzing samples by using indications of theoretical frame.
Fourth chapter included results, conclusions, recommendations and suggestions.
Most important results were:
1- Dualism of magic and the Jin is one of the main basis of legendary structure of Iraqi theatrical shows.
2- Powers of magic and Jin correlates with super power break the reality by cumulative phantasy of common legendries and believes over time with fictional, public and miracle stories.
3- Play character lives with a universal alienation by getting away from human world and enters the spiritual world.

The playwright Fernando Arbal is one of the glowing writers in Spain. The present then, and each text of its structural components adopted by the author, and thus may form on each author a great task in the drafting of the text and achieve the goal to which it is launched. Which is characterized in the majority of ideas based on the concept of panic and the depth of its work philosophically, socially and psychologically to address the man in the midst of wars and dreamer freedom that the writer considers the goal that they ring for himself, all this is born on the basis that the theater is the door that reveals the truth and paints another life by an influential act Thus, the current research has four chapters so that the first chapter contains the methodological framework that concerns the research question as follows:
• How and how does the concept of panic reflect in the texts of Fernando Arababal?
Then the goal of the research and the importance of research and the need for it and then moved the chapter to define the terms linguistically and idiomatic and procedural definition.
In the second chapter, which contains the theoretical framework has been divided into three research, namely.
1 - the first topic: conceptual panic: - (panic philosophically, socially, psychologically).
2 - the second topic: panic in the drama of the absurd.
3- The third topic: the life and references of Fernando Arabal.
Then previous studies and indicators produced by the theoretical framework.
In the third chapter, the researcher relied on a community of (21) theatrical texts.
The fourth chapter, which is the chapter of the findings, conclusions, recommendations and proposals reached the researcher to a number of results, the most important.
1. Arbal puts his personalities in the face of their destiny to provoke panic and salvation at the same time.
2. The author Arbel recognizes the relationship between man and man, man and power so it is not always wrestling with power.
Conclusions The researcher identified ten of them
1. Panic is a key source and engine for Arababal characters.
2. The humanity of the texts of Arbal and universal themes gave him a non-local dimension.
Then came the researcher with a set of recommendations and proposals.

The current research is concerned with studying the plastic significance of animal ornamentation in the art of Islamic ceramics, through the study of decoration and stylistic diversity and the accompanying circulation and reception of aesthetic. In order to achieve this mission, we relied on models of Islamic ceramics from the Fatimid era whose shapes are compatible with the concept of the studied significance. Therefore, the research included four chapters. The first chapter dealt with the research problem, which centered on the following question (What are the most important philosophical and plastic connotations of animal ornamentation in Islamic ceramics?). The first chapter deals with the importance of research, the need for it, its goal, its limits, and the definition of terms.
As for the second chapter, it included the theoretical framework through a study of the philosophical and plastic connotations of Islamic ceramics, which ended with the indicators that the researcher concluded, while the third chapter included the research procedures represented by the research community and the research sample that amounted to (4) an artistic model.
As for the fourth chapter, it concerned with the research results, conclusions, recommendations and suggestions.
The plastic connotations appeared within the textual dialogue of the ceramicist, in a large way, expressing their interaction and coherence, which was not without aesthetic connotations.

Since the theater is based on two interrelated dualities, which are entertainment and education, the mechanism of the actor’s engagement in the children's theater differs somewhat from the adult theater and has a specific peculiarity, and the difference is not in that dualism, but on the level of subtraction in how the actor’s tools work and in communicating the information, so the research included two topics, The first is the teaching methods and the characteristics of receiving in the child's theater, in which the researcher addressed the important means and methods for communicating the information to the child as well as the first principles of the characteristics of receiving in children. Roles through the mechanism of the functioning of tools representative audio ones and motor and how the actor with an audience of children, the researcher came out a set of indicators and procedures Seat- research community and appointed by intentionality and analysis being bear the characteristics of children's theater, then the results and discussion, conclusions, recommendations, proposals and finally the list of sources

The current research (the designs of plastic murals in the spaces of the Faculty of Fine Arts / Babylon University) dealt with four chapters. The first chapter included the problem of research which began with the following question: Are there designs for the plastic ceramic walls in the spaces of the Faculty of Fine Arts? Came to urge art scholars, connoisseurs and critics to provide a knowledge base on the ceramic wall art in general in the Faculty of Fine Arts, as well as the study of design units and their relationship to each other to remove ceramic murals as it is now. The aim of the research was to identify the ceramic designs of the Faculty of Fine Arts / Babylon University. The ceramic murals installed on the walls of the corridors of the Faculty of Arts / University of Babylon with time limits from 2015 to 2018.
The second chapter dealt with the theoretical framework and included two topics: the first: the design, its elements and its organizational structure, and the second is a historical overview of the murals in Iraq (the carved and glazed murals). The third chapter was the research procedures. The research community consisted of (20) (4) wall paintings as a sample. The researchers took a descriptive approach as a method of analysis. As for the fourth chapter, it contains the results and conclusions reached by the two researchers.
Results: -
1- Plural formation at the vertical and horizontal levels plays a large role in the formation of mural designs as in the sample sample (1, 2, 3,4).
2- The texture has a great role in making structural variations in the mural designs at the visual level, which ranges between soft and rough and between them as in the sample sample (1, 2, 3, 4).
The conclusions:-
3- Design structural units intersect with each other to create diversity at the level of each mural.
4- Abstraction has a great role in shaping the design of each mural of the sample murals
The search ended with a list of margins and sources.-

Redundancy is considered as of the expressive styles which enforces meanings and deepens semantics, and promotes the value of the dramatic show which were treated by the Arabian and European rhetoricians critics. What is meant by redundancy is mentioning a movement or an utterance and their meanings in other situations rather than the place where they are mentioned before. Redundancy in literary text means to mention something one time after another, and in this way it adds unique musical and semantic dimensions, so the redundant picture bares a new meaning the moment it is repeated.
The research consisted of four chapters. The first included the problem of the study, the importance of the study and the need for it. The problem was identified by answering the question: how redundancy was employed in the show of body theatre. While the limits of the study was restricted to the dramatic shows that are presented in the college of fine arts. The chapter ends with identifying the terminologies and define them procedurally.
The second chapter included the theoretical frame of the study which itself included two sections. The first talked about the concept of redundant function. The second dealt with redundancy in the international dramatic show. Then the chapter ended with some factors the most important of which are .
The third chapter dealt with (the procedures of the study), the community of the study and the tool of the study that was used by the two researchers in analyzing the two samples of the stud As for chapter four; it included the findings which we will mention the most important of them, ending the research with the bibliography .