Journal of Nabu

Search Summary
The study dealt with the reality of e-learning in Iraqi universities. It aimed to know the degree of availability of electronic education infrastructure and the degree of knowledge of faculty members in universities regarding the requirements of using e-learning (as well as knowledge)
The study sought to achieve its objectives through the distribution of a questionnaire to the members of the teaching staff at the University of Babylon / Faculty of Art Education / Department of Dramatic Arts and the Department of Art Education. The sample of the study reached 110 members of the teaching staff. The results indicated that the electronic learning infrastructure is still lower The average score was (2.57) of the grade scale (5).
The degree of knowledge of the faculty members of the requirements of e-learning was high and the average of the calculation (3.76) of the scale of degrees (5), and the degree of practice of faculty members in Iraqi universities for e-learning was a medium level and the average arithmetic 3, 43.
The research recommended:
 Increasing support for universities to upgrade the infrastructure of e-learning.
 Universities take upon themselves the follow-up of the introduction of e-learning in their programs and follow-up implementation by faculty members.
 Universities should take the requirements of e-learning when choosing faculty members.
 Preparation of programs aimed at teaching staff members to develop their expertise and training in the practice of e-learning.

Abstract:

Modern technology and media have entered in the different fields of life, by the favor of the technical and scientific development, so it was a compulsory matter to let the stage making use of this scientific development plus the quick rise that overwhelms different types of knowledge, modern technology and how to enter it in the techniques of stage's shows have a big impact on and important role in in boosting philosophy of stage show's speech, in addition to add a type of aesthetic to the identity of the show, the role of providing the acting performance and the character of the actor with a positive due to ensuring of aesthetic and sensual, psychological, mental and a feeling to do the performance, plus to the performance matching and what it supplies of ideas, cultures and aesthetic philosophical creatures, this modern technology will have a role of supporting the actor and presenting his role in a deeper and high effectiveness.
Hence this research comes into four chapters:-
First chapter tackled with theoretical frame, including the research's problem that was concentrated on the following query: what is the role that modern technology plays in the acting performance when applied in the processes of stage show ?, importance of research was embodied in describing this research of shedding the light on possibility of employing the modern technology and the role that it plays of providing the acting performance by an artistic and aesthetic energy, also includes the aim of research which is identifying the role of modern technology and possibility of developing skills of actor's performance when be used, also this research includes the limits of research: spatial limits was Iraq- Babel, time limits were the period of (2003-2010), subjective limit was studying the employment of modern technology and it's role in development of acting performance, this chapter was ended with specifying and identifying the terms.
The second chapter tackled with the theoretical frame includes two sections, first one concerned about studying a historical view about acting performance, while the second section was dedicated to study the communication means and technology of teaching and learning, the chapter was ended with most indications that resulted from the theoretical frame.
Third chapter dealt with research procedures including the population of research of (5) stage shows contain the employment of modern technology, also included the research sample that consisted of (2) stage shows, they are the play of (Taer Al-Rooh) and (Kristal), also included the research tool, methodically and analyzing the sample.
Fourth chapter included results, conclusions and list of references.

Summary Everything in the universe has a symbol or a sign or a sign or icon denoted by a label or title to reflect its shape or content. In order not to lose the content and characteristics of the content and thus all of this has become a cognitive name verbal and verbal.
The titles differed by form and content, including overlapping between humanities and non-humanities and sensory material, ideal and spirituality, as well as existentials, including partially or completely overlapping, and the animal share in the title and verbal or textual overlap of similarity and spacing and approach sometimes expressive or non-expressive, so the title was associated with the theater text like Other literary, since the entry of the animal to the literature of the old years because it is an extension of mythology has been the animal nomenclature of the interface of many texts that can only be understood by going into the depths of the souls because of their thoughts, attitudes and feelings Thier to Mahalha assets of known and familiar and strange and mysterious, which required to study to find out the implications of these names and the necessity that made them the basis of many texts such as the play (frogs) of Aristotle Vannes or psychological or political indications such as (monkey hair) by O'Neil Eugene or (The fate of a cockroach) to Tawfiq al - Hakim as well (bird of happiness) to Qasim Mohammed.

Research Summary
Throughout the ages, art was able to translate the relationship between man and the forces of nature and the earth to represent them according to an artistic structure that carried many data, indications and values, including what were associated with intellectual visions such as religion, beliefs and myths related to that according to the organization and purposeful cultural artistic formations derived from its environment to express and communicate the meaning, and this allowed Through pluralism and diversity in the formal formulation, so that the diversity of the viper will generate the processes of modification and change to bear these pottery forms, including the animal produced many indications and symbols, in addition to the functional value that granted it a distinctive character to it than the rest of the arts of ancient civilizations, For this reason, the current research included four chapters: the first of which included the research problem, which arose from answering the following question (What is the extent of the modifications made by the artist in animal pottery forms for their artistic and intellectual functioning) and also includes its importance and need for it and the goal that means (know Modifying the animal forms executed on the ancient Iranian pottery) and its limits, and defining the terms mentioned therein.
As for the second chapter, it included two topics, the first (the concept of modification - its types and mechanisms of its work) and the second (artistic methods of ancient Iranian pottery) up to the indicators of theoretical framework and ending with previous studies.
Whereas the third chapter included research procedures, including the research community, the research approach (descriptive and analytical), the research tool (indicators of the theoretical framework) and the research sample of (4) a technical model.
As for the fourth chapter, it included the results, including:
1-Some of the urgent necessities and needs of the human person formed intellectual pressures that he sought to achieve through modification such as fertility, development, abundance, sex, and other things that were believed to be achieved through the presence of an intimate relationship between him and those natural and unseen phenomena, and this was reflected in the artistic approach and thus achieved the goal of its production.
2--Modified models carried significant, symbolic, symbolic intellectual dimensions that differed in artistic formulations.
3- The alteration of the ancient Iranian artistic pottery achievement stimulated memory and imagination growth to deepen the visual sense of the artist in producing fictional exotic faux animal pottery forms by removing them from their perceived reality to their symbolic significance.
The conclusions also included:
1- Most of the modified ancient Iranian pottery forms are of an intellectual nature (magic, mythological, religious, ritual, political) and with different techniques and artistic styles.
2- The absence of individualism and subjectivity in the Iranian civilized achievement and the emergence of collective benefit in religious thought, belief and practices.
Then recommendations and proposals, and the search ends with a list of sources, title and summary in English.

Abstract :
Accordingly , this thesis tackles (Synthesization in the performance of a representative of the group - continuous exercise space - the play), and it has four chapters , the first chapter dealt with (the systematic framework),which concerned me with the research problem that was defined by the following question: What is synthesization in the performance of the representative of the continuous exercise space team ? The importance of the research and the need for it came in that it benefits specialists and workers in the field of developing the performance of the actor, laboratories and theatrical workshops, the field of dramaturgy of the actor's performance, and the art of performance in institutions and colleges of the fine arts. The aim of the research is to identify synthetics in the performance of a group representative - the continuous exercise space - the play. And then the time limits of the research that extend for the period from (2004 - 2016) , and the space in (Baghdad / Iraq), and the subject limited to a study (synthesization in the performance of the representative of the theater (continuous exercise space)), then concluded the chapter by defining the terms and their definition.
The second chapter (theoretical framework) included two topics, the first topic concerned me with a study (synthesization) from an epistemological and technical aspect, while the second topic concerned me with a study (the mechanisms of production performance in the continuous exercise space group), and the chapter concluded with the indicators that resulted in the theoretical framework.
The third chapter (procedural framework) was devoted to defining the research community and the research sample, as well as the chapter included the research methodology and research tool, and the chapter concluded with an analysis of the play presentation (I apologize my professor did not mean) to the director of the group (Haitham Abdel Razzaq), which was chosen intentionally.
As for the fourth chapter, it included the results, conclusions, recommendations and proposals, and then a list of sources and references.

Abstract:
Man has long aspired to find an equal relationship with the invisible forces that control his machinery, which are not subject to the laws of his physical world such as the goddess, superstitious beasts, ghosts, elves, goblins and other paranormal figures, and the speech of the theater in its beginnings was not far from including such super-characters, starting with the classics such as the ghost in the play of the Persians (Aeschylus) and the God Amphitruo, which manifested itself in the image of man and descended into the human world to get what he wants in the play entitled the main character (Amphitruo) by the Roman comedian author (Plautus) passing through Shakespeare and the Renaissance era, which included a group of metaphysical characters in his plays such as the magical fairies in the comedy "A Midsummer Night’s Dream" and other examples of unforgettable characters throughout the long history of theater.
The current research included four chapters, the first chapter addressed the problem of research, which was the question of: What are the manifestations of the metaphysical personality in the Arab theatrical Scripts? it also included the importance of the research, which was manifested by highlighting the fact that it is a philosophical cognitive achievement that deals with the beginning of a topic related to the study of human interpretation of hidden metaphysical worlds, and the need for research lies in highlighting one model of non-human figures in the discourse of the Arab theatrical script, and the goal of the research summaries : identify manifestations of the metaphysical character in the Arabic theatrical script. The first chapter concluded by defining the terms and defining them procedurally.
The second chapter (theoretical framework) included three sections, the first (the philosophical metaphysical character), the second section (metaphysical manifestations of the metaphysical character in the universal theatrical script) and the third section (the pictorial transformations of the metaphysical character in the Arabic theatrical script) the second chapter concluded with the most important indicators of the theoretical framework.
The third chapter included the research community, the research material and method and the sample analysis, which included the script of the play "Cry of Death" to conform to the research objective.
The fourth chapter included the results of the research and the conclusions followed by the proposals, and the study ended with a list of sources and references.

Abstract
The current research deals with the study (the effect of light and shadow and their representations on European photography) and its role in art practice for art students in general, planning material and colors in particular, and what contributes to revealing the aesthetic expressive values of dramatic scenes in European photography through the works of artists and the added experience And knowledge for art students, its followers and connoisseurs.
The current research contains four chapters: The first chapter included a presentation of the research problem, and the research problem was defined by the question: What is the effect of light and shadow and their representations on European photography? As well as presenting the importance of research and the need for it. As for the aim of the study, it lies in: Knowing the effect of light and shadow and their representations in European photography, as well as the limits of research, and defining terms.
The second chapter included: the theoretical framework, which contained two topics. The first topic included a study on (artistic light and shadow), while the second study studied (the aesthetic expressive value). The theoretical framework.
As for the third chapter, it included the research community, which included (30) artworks, and the research sample that was selected in the systematic random way, which amounted to (3) artworks, for each of the Renaissance, the modern era, and postmodernism, and the research methodology based on the descriptive approach. (Content analysis), research tool, statistical methods, and analysis of sample forms.
As for the fourth chapter, it included the results, conclusions, recommendations and proposals and the results of the research came as follows:
1. The effect of light and shadow appears clearly on the fields of expressive value of all kinds, so the main light source (natural source) appears in different ages as the highest frequency and proportions, and the highest in the era of modernity and postmodernity with the same iterations and proportion as in the sample models (2,3) and the local light source appears That is, the industrial figure in the home was the highest in the Renaissance as in the sample (1(
2. The effect of light and shadow in the expressive value appears through its function, in its suggestion of anthropomorphism and the third dimension, to appear as the highest percentage in the Renaissance, as in the sample model (1), and then gradually relinquish to the era of postmodernity and contemporary, either from its second function, which is Highlighting of the total type is equal as a percentage in both the Renaissance and Modernity as in the sample models (1, 2) and with the same percentage preceding the partial highlighting in the Renaissance, modernity and postmodernity equally, as in the sample models (1, 2, 3) as for a function The third light and shadow is to hide the details, so it stands out whenever we head up towards postmodernity as the highest percentage as in the sample model (3(

The expressive media has multiplied for a person from the beginnings of his life, where representation and diagnosis were an important phenomenon in his life without knowing that because the representation expresses his material and psychological needs, and from here the importance of representation in the human life started as an important communication method that has its characteristics in the level of the influence and influence process, after which a concept developed Acting until it became an important phenomenon to express the ritual movements of the limited place and environment, leading to the emergence of the feature of acting in theatrical performances according to advanced stages in the directions and theatrical doctrines to be a creative artistic method subject to multiple methods of artistic direction Since the acting and theater began in the open arenas without being in the Italian box theater, to get to know the level of specificity of the representative performance in the open theater space, because this trend is close to a person who is not specialized in his workplace and presence, and from here the researcher tried to choose the title of his research tagged ( The characteristics of the representative performance in the open theater space) The research started from the hypothesis of the following question to the problem of his research (was the actor in the Iraqi visual theater able to identify the characteristics of the representative performance in the open theater) to determine his goal in the detection and identification of the characteristics of the performing performance in the open theater space. The researcher discussed in the theoretical framework that included two topics: the first (the concept of representative performance) and this topic included the concept of representative performance across modern schools from recipients and Kobo and others to get to know the specificity of the concept of performance and its diversities as the second topic came under the title (characteristics of representative performance in the open theater space) then Theoretical framework indicators to be a sample analysis tool chosen by the researcher in the third chapter to be intended to distinguish their occurrence as an open spatial event that expresses the specificity of their occurrence up to the fourth chapter. Results and conclusions are proven by the sources and references of this research

Abstract
The aim of the research is to uncover the impact of the art of painting on the development of aesthetic education. The research community consisted of (137) students of the fourth stage / Department of Art Education of the Faculty of Fine Arts / University of Babylon for the academic year (2017-2018) and the total sample of the research (66) students and students of both sexes. The researcher has adopted the (Graves Scale) to measure the aesthetic taste named after its author, which contains (32) numbered plates, and in each plate there are two pictures encoded with two letters, and what is required is to choose the best, most beautiful and best of the person in relation to his taste, and the researcher presented the paragraphs of the scale to a group of experts to express their opinion By the appropriateness and validity of each of its paragraphs, he has obtained the truthfulness and agreement rate (100%). The scale was applied to the sample and the statistical means were used the arithmetic mean, the law of standard deviation, the (T - Test) test to measure the statistical significance and the (Cooper) equation: to calculate the validity of the tool and the Pearson correlation coefficient. A significant difference appeared between (male) students and (female) students.

Research Summary

One of the director's duties is to diagnose the obstacles within the theatrical work system, and the first of these things is the actor and to achieve interaction and achieve aesthetic pleasure, he studies the psychological dimension of the actor and his knowledge of the causes of suppression and his motives and thus treating them in the right ways so that the destructive obstacle of the novice actor turns into the capacity of his construction to evaluate the theatrical work and reach it to the fullest degree and for that The researcher divided his research into four chapters, which are the first chapter: the methodological framework for the research, and it includes: The research problem centered around the following question (What is the mechanism that the director follows to discover the obstacle and then address it?). Then the importance of the research and the need for it, then the objective of the research, then the limits of the research: temporal from (2018-2019) spatial (Iraq) and objectivity and finally defining terms and procedural definition. Either the second chapter (the theoretical framework) included two topics, the first concerned with the study of psychological problems and their reflection on the performance of the actor, and the second was the obstacle for world directors. The chapter was concluded with the indicators that the theoretical framework resulted. As for the third chapter, it included the research procedures, samples, the tool and the method of research. One lesson was chosen for the representation subject as models to study the mechanism of dealing with obstacles that impede the performance of the actor. The first phase included two classes (a) for the teacher (Abbas Muhammad Ibrahim). The fourth chapter contained the results reached by the researcher. The most important of them are:

1. The harsh social conditions such as the family's neglect of its members create a state of non-confrontation and thus create a psychological obstacle for the actor, so the director works to raise the confidence of his representatives to turn it into positive energy.

2. Involving the actors in theatrical play, which is a healthy condition, so that the actor merges with the group to remove the obstacle.

3. Laughter, whether by launching a joke or an exercise in laughter, produced a cathartic state, which in turn removed the actor's obstacle and replaced it with a positive energy. The chapter also contained a set of conclusions and then anchored the sources

Research Summary

Abstract of the research the study dealt with the of symbols drawn in logos designs and their role in achieving visual ,functional ,and intellectual content communication because they transmit meaning and represent ideas as they are abstract and abbreviated symbols and indicate expressive indications capable of conveying the message as visal signs reaching the recipient with clarity and ease to perform the functional and aesthetic purpose Because of its role in embodying meanings and concepts through a simple and expressive picture ,activity or planning, the first chapter included the problem of research in the science of employing appropriate sympls for the entities with th right image and the research problem addressed the following question:-What is my job? There are icons drawn in the designs of lraqi logos ? As for the search ,it included either the goal of the research in revealing the employment of symbols drawn in the designs of lraqi logos.Spatial and temporal search boundaries were defined in the logos of Baghdad restaurants the year 2018 Asfor th second chaptr , the previous studis included the theoretical framework and its indicators. The sand and the typrs of symbols (as for the second topic) concept of the logo , the characteristics of the logo design and the shapes that contribute to the design of the logo then the third topic included theological units ,expressive formulas and theoretical framework indicators, while the the third chapter includes afee Sresearch methodology, adescriptive analytical approach that suits the current study and the research community, which included eleven restaurant of excellent grade in Bagdad) and ensure that the fourth quarter results, whichhave exceeded the resrarchr.