Journal of University of Babylon

The decoration is one of the elements of theatrical performance that possesses a dimension that establishes to communicate the theatrical presentation of the composition to the environment in which the character lives. Decorative design requires high cultural knowledge and know-how from the designer. Therefore, the research summary came on four chapters. The first chapter mentioned the research problem, the importance of research and the need for it, the goal of the research, the limits of research and the definition of terms. As for the second chapter, it contained the theoretical framework with two researches (the first: an introduction to design aesthetics and the second: theatrical decor and aesthetic performances And its developments (then the indicators that resulted in the theoretical framework, and in the third chapter), the research procedures and the research community consisting of 6 plays and the research sample, which was (Macbeth), were directed by Dr. Salah Al-Qasab. Clear, and this director relied on the scenography of the design of the decor and its expressive tools, which were depicted in a rhetorical picture of aesthetic dimensions that were entrenched in the recipient’s memory. And the conclusions. The meanings intertwined with each other finally expressed the aesthetic value of the offer.

This study examines Humanitarian Propensity and its Representations in the Global Theatrical Text that appeared in important temporal junctures beginning with the Renaissance in which the period of humanity appeared and which reached its peak in the sixteenth century, through the seventeenth century, and the eighteenth century (The Age of Enlightenment) And, up to the nineteenth century، and elegant of the twentieth century, which witnessed two world wars brought ruin to humanity.
research results:
1. Humanity respects the multiplicity of cultures and religions, the difference of languages, color and nationalities.
2. The theatrical text is a human speech that speaks in the name of every person in the world.
3. Dramatic writers believe in social issues and human freedom, and their goal is directed towards man، wherever he is.
4. The theatrical text became an expression of the tragedy of modern man in the twentieth century, a person of fear, hunger, anxiety and surrender، a man of emptiness, pain and loss.
5. Man is the most important thing in existence, and openness to the other is the essence of humanity.

This research deals with the concept of the soul and the soul from the perspective of the Holy Qur’an. The research also stopped at the concept of the soul in the Holy Quran، indicating the implications of this concept and its effects on human existence, and the relationship of the soul to the soul in terms of convergence and separation.
The research concludes that there is a distinction between the soul and the soul from the perspective of the Noble Qur’an, and this is what no philosophers or thinkers of the preceding Qur'an have turned to.

This research seeks to reveal the presence of the fasting and breakfasting in the Arab heritage from a pragmatic perspective which is concerned about the speaker, addressee, situation, or context, by applying it to texts from the Holy Quran, hadith, poetry, and prose. The research is also interested in revealing the fasting and breakfasting dichotomy from a semiotic perspective of the language by applying some examples.

Ibn Aqeel explained of the Alfiya is an explanation that collecting between the abridged and the long explanation. Where he in some places was increasing the mention of opinions while in the other cases, he just mentioned the explanation of the Acrostics in a brief general explanation. However, he proves in the Alfiya matters his opinion and opinions of those who have followed their doctrine in an attempt to object to what the regulator has done using words that showed the strength of his objection to the recitation of the Alfiya and he give a reason for his objection in different ways, such as that it is contrary to the public and it is contrary to Sebwayeh's opinion, or that his phrase is incomplete and needs clarification Relying on logic in it.
And by following the grammaticalness issues that Ibn Aqeel objected it could be determined the methodology in his heuristics for statement his objection. For one time, he used a heuristics linguistic and the methodical heuristics for one time to infer evidence, and in the third time it was an investigative heuristics, thus the research was had a balance between Ibn Aqeel's objections to Ibn Malik's opinions and Ibn Malik's opinions in his other books, and then in the Alfiya's explanations books to find out the heuristics of Ibn Aqeel linguistic and contextual and others.
Ibn Aqil was following a different approach in the issues of the book, so we find him sometimes explains of what was found in the text a purely grammatical explanation, and sometimes we find him checking the text and try to stand on the influences that influenced the Ibn Malik in taking an opinion, and the third case we find him adhering to his own doctrine and trying to impose it on the text of Ibn Malik. And in a fourth case we find him researching in the ancient texts before both of them to find out the opinion that he considers the most appropriate either because one of the scientists had adopted it or the fact that the doctrine taken by Ibn Malik is contrary to what he sees Ibn Aqeel true.
By using a number of sources to discuss the objections that found to the enormous books and the works of Ibn Malik and its explanations and explanations of Alfiya.

This research studies the intent speech and its interpretation system in the poem of the conversational mask of the poet Abdullah Al-Bardouni, with the aim of exploring this modernist type of poetic mask in expressing intentions, especially in the poem of the column on the many restrictions surrounding its speech in the light of the multiplicity of conversation partners and its upper and lower levels, then the most important and crucifixion The study is to analyze the discourse and arrive at a strategy to represent the intention in it and propose a system for its interpretation from a deliberative point of view based on the criterion of competence, reasoning, Text thresholds ,capillarity , context, discourse, action and accomplished.

Competitive speech acts are one of the language functions that have been classified by Jeffrey Leech in 1983 in the Theory of Speech Acts. The present study compares Competitive speech acts in two languages: English and Arabic. It investigates the points of similarity and differences of Competitive speech acts in the two languages. It aims at describing, analyzing and comparing Competitive speech acts in English and Arabic due to their importance in any conversational exchange between two or more people. It also aims at comparing Competitive speech acts between the two languages by defining them, showing their syntactic, semantic and pragmatic aspects. The study hypothesizes that Competitive speech acts are found in both languages. It explains Competitive speech acts of asking, begging and ordering through giving and explaining the syntactic, semantic and pragmatic aspects of each competitive act in the two languages. The major findings of the study are that Competitive speech acts are found in English and Arabic. In English, Competitive speech acts have been classified clearly by Leech as one of the language functions that are very important in understanding the speech act theory. In Arabic, Arab linguists take this classification of Competitive speech acts and apply and study it in their language where there is a great attention in the study of speech act theory by Arab linguists.

This research paper studies Al-Jusi's critical thought as one of the well-known Arabic critic in her book "The Trends and Movements in the Modern Arabic Literature". The book is a dissertation, which is conducted to hold the PhD in the seventeenth of twentieth century. Al Jusi studied the modern Arabic literature, its poetry, the political, social, cultural effects that surround it, its shift, and she has read it deeply and widely. The researcher handles the book through reading, analysis. The researcher tries to grasp the critical vision of the author according to three sections. concepts, notions, terminologies, and visions. The third section deals with the applied critical thought in the reading and analysis, etc .
Trends and Movements in the Modern Arabic Literature". Al-Jusi's

Functional groups are a concept that Abdel-Wahab El-Messiri worked on and developed, and considered it an explanatory model for many social, economic and cultural phenomena, and this research deals with the issue of functional groups from a specific angle, which is the nature of their view of values in light of studying the general characteristics of these groups, or analyzing how the value system relates to social entities through The study of the functional groups model. Here, too, the concept of functional groups is employed as an explanatory model. Abdul-Wahab El-Messiri wanted to explain through it the nature of the relationship of the value system with social and cultural frameworks and their transformations. social and cultural frameworks and their transformations.

We have dealt with Paul Ricœur three types of ego, which are the fossil ego, the ego, and the infallible ego. In the first: we dealt with his stance on the Freudian ana and the arrows of his criticism directed at him because he was past. Because he is not aware of the multiplicity of signs, signs and future signs, because he has always been in the past, leaving the childish past's desire to control the analysis.
We discussed with Paul Ricœur in his critique of Husserl Alana's body intention, which is an attempt to dismantle and raise the Husserli consciousness to reality. The self-lived experience is separate from its subject and transcendent by its pure awareness of the subject and cannot be reduced to a body-object because that negates the other selves. Anna's awareness is part of the reality experience and is partial and must interact with other groups in the exchange of discourse.
As for the irrational Alana, it is an interpretative attempt by Ricœur to criticize the idea of sin and the symbolism of evil in religions, to dive into its historical dimensions and to search the roots of its ideas and the circumstances of its circumstances to verify the meaning of its existence as a discourse full of contradictions and imperatives that do not express the meaning of the human self. Sin seems like a moral concept and its aim is to maintain the relationship between the self and the other.

Sufism represents a stage of religious awareness rooted in the human self, as it is a form of worship that seeks the divine self and found its echo in theatrical discourse. The extension of its thought and its interference in the theater is not strange. The current research contains four chapters. The first chapter deals with the research problem represented in the following question:
Did the brilliance and independence of Sufi thought as an intellectual current extend the theatrical discourse with new interpretations and spaces that gave it an added aesthetic dimension?
The chapter also included (the importance of research) by shedding light on the study of benefit and the work on the subject of Sufism in theatrical discourse, and the chapter also contained (the aim of the research), which was limited to identifying the radiance of Sufism in the theatrical discourse and included the chapter on the limits of research that were defined in the period (1983-) 2012) and spatially, the theatrical performances presented in (Iraq) and (Jordan). As for thematically, the study focused on Sufism and its shinning in theatrical discourse.
As for the second chapter, it included the theoretical framework and previous studies and included two topics. The first concerned with the concept of Sufism and its references and crystallized this concept and introduces it, while the second dealt with the Sufi performances in theatrical discourse and the mechanism of its brightening. The chapter focused on previous studies and their discussion and indicators that resulted from the theoretical framework
While the third chapter included (research procedures) represented by the research community and its samples that were chosen in an intentionally based manner based on the theoretical framework indicators by being an analysis tool within a descriptive (analytical) approach and viewing the performances so that the two theatrical performances were analyzed (Tawasin and Nuriyyah), while the fourth chapter came with the results and then concluded Chapter of conclusions, recommendations and proposals.

This research studies both regional and international variables and their impact on regional balances، and the researcher has selected her evidence from the real events in the Arab zone from regional variables that were represented by the popular movements، the Arab revolutions، and the regional crises that emerged from 2011 until 2019، while shedding light on the external interference، whether regional or international in the Arab affairs، and the exploitation of the state of Arab chaos to further penetrate and control the Arab region، thus creating a state of regional imbalance that makes it easy to penetrate and control the Arab region as a whole، and the region’s failure to reach any stability that would affect external interests in the Arab region or make any of the forms of elevation for the Arab nation as a whole.

Short selling is one of the trading methods that allow the investor to take advantage of market downturns without having to wait for the decline to end to enter the market. Selling is defined as when the investor sells financial assets such as stocks, currencies, etc. without owning this asset, but rather borrows them, and then repurchase them when the price in the market falls, and thus he can achieve profits represented in the difference between the selling price and the purchase price.

This research represents an abridged reading of the intellectual nature during the first Hijri century in order to read the scientific thought influenced by the political discourse emanating from the theories of governance. Perhaps it can be a true reflection of the ideas of the Middle Ages according to the civilized contact emerging in the Levant. This doctrine was the beginning of the emergence of various other doctrines and deviations. At the same time, the religious philosophy emanating from the Christian and Jewish religions had a clear impact in this regard. This doctrine became a political path that singled out the Umayyads at that stage.

This research deals with lexical cohesion, which is an important aspect of text analysis in modern linguistics, which participates with others in showing the text of the text by referring the linguistic elements to other elements within the text. Lexical accompaniment and repetition and this is what the study tried to prove in the sermons of women in Islam.

This speech presents a research about sound repetition of AL-Ghadeer poets in twelfth century of hegira calender. This research deals with AL- Ghadeer pledge of allegiance(Bayat AL- Ghadeer)with all its effects and impressions in spirit.This event has support poets in this era put this day in the most beautiful phrases and expressions، The work and poetry expresses their adherence of AL- welaya thait Allah has granted to the commander of faithful AL- Emam Ali (peace be upon him). Their choice of sound repition style which expresses the importance and specialization. That AL-welaya cant be undertaken by anyone except. AL-Eman Ali (peace be upon him). AL- Ghadeer pledge of Allegiance considers the most important issues in Islamic history.

After a not-so-short tour with Al-Jawahiri in revealing the features of the formation of women's discourse, in order for us to capture the truth of creativity, which the poetic text enjoys according to aesthetic technical criteria, it performed a semantic function that the poet sought to deliver to the recipient, according to his intellectual, cultural and emotional premises, the diversity of the mechanism and the difference The performance in convincing the recipient, who was placed in his hair, and in the midst of that many results emerged, we mentioned part of it at the end of each topic of each chapter, and we can record the results of this tour as far as we approached his hair with transparency and honesty.
The movement of discourse in the poetic achievement of the jeweler, departing from the dominant traditions that reveal a growing movement within the space of the poetic text, which is embodied in the color and significance of the connotations, is depicted to reflect the dimensions of persuasion vision regarding a subject within its relationship to its reality, performing a semantic function, affirming the presence of the woman and her ability to Express her feelings and feelings according to the priority of expression in the ability to manifest and appear; To create an internal system, with a growing creative movement within the poetic text, which is compatible with images of reality and for the woman's body and a desire to her playing through the body.