Journal of Al_Anbar University for Language and Literature

The narratee is a relatively new field of study in contemporary narrative
theory. The narratee was long neglected in the study of fictional narrative. It
was considered as merely a recipient of the narration. There are various types
and categories of the narratee in fiction according to the few studies of this
essential element of narrative fiction. This study seeks to uncover the status of
the narratee in Radwa Ashur\'s historical novels with particular reference to its
connection to the narrator and reader.

This is a study of the internet websites dedicated to the study of
Jahilite literature, online sources, and the types of electronic texts and
sites. It also presents a criticism of a selection of these online texts. These
texts are classified according to their methodology. An attempt is made
to suggest certain ways to benefit from these texts and studies in such a
way as to fulfil the dictates of scientific validity and achieve a maximum
benefit from the massive amount of knowledge provided by the
internet to Arab scholars.

The modernization thought in European literature in general, and in modern
French poetry in particular, is embodied by the revolution against foundations of
both classical and romantic era which were dominated in the literary and culturally
scene for several centuries. That modernization had its manifestation through the
interaction of various literary doctrines which carried the banner of change,
revolution, and then rejection all modes that became a pattern from time to time.
Among these literary doctrines that considered modernized during that past times,
there are Symbolism, Dadaism and Surrealism.
In the current research paper, I concisely present the characteristics of these
intellectual movements and schools and look for the horizon of modernization act
through foundations of each movement or school. Moreover, I also provide the
reader with multiple poetic examples that modernity intellectual appearances of
symbolism; Dadaism and Surrealism are reflected in them. Finally, I try to explain
the reasons, whether implicit or explicit, for the continuity of Surrealism that is
undoubtedly considered as a philosophical and epistemological attitude, rather than
a literary or artistic school.

This papers aims at reading on of the Jordanian poetry Hussein Rasheed
Khress poems within the interpretation of the structure modes. In order to reveal the
cultural aspects and the cultural harmonies that were made by the poet to achieve
his aims .The poet was very interesting to writing the double poems by using the
technical of the semantics ,textually , narrative methods to write the long dramatic
poem with a lot of sadness emotional tunes .The beginnings of the poems take the
poet into the lands of tallest poems in order to help the reader to understand the
meanings.

This paper seeks to shed lights on the nature of some elements of theatrical
staging and their all-important role in the production of meaning. Th

Symbolism is an inspiring tool and is one of the most outstanding ways of
illustrating the poetry. The contemporary poet with his diligence tries it to explore
the underlying rhetorical langue usage maybe the peril which threatens the
symbolism are the clichés that rotates round the signified subject therefore with
repetitive use of clichéd symbolism it turns in to a usual and simple language feature
which becomes mechanical, like the overused and dilapidated similes in rhetorical
language that there is no need to delve into the underlying meaning. And the
concept is crystal clear. In this regard symbolism loses its originality and authenticity
and technical value. An important out come of this research will be a comprehensive
viewpoint about clichéd symbolism and the epidemic use of it by the contemporary
Iraqi poets and the method used in this work is descriptive-analytical analysis.

After Eslams emergence in Arabian Peninsula Iranian with Kurds
welcomed and accepted it with open arms. They could have sign effect and
obvious impact on the Arabic Lliterature along side with being influence
from Quran resources. Ebn Hajeb Nahvi and Mosa Kateb Baghdadi and
Ahmad Nahvi and Abo Hanife Dinevari and many other the past scholars
such as Ahmad Shoghi and Ghasem Amin and Mohmmad Kurd Ali and
Jamil Sedghi Zahvi and Marof Rasafi are the contemporizes whose their
father migrated to Arabic lands and became famous there.
Iranian Kurds scholars – specially contemporaries have given
incomparable services to Eslam and Arabic language and they have
attempted to extend Eslamic ideas among their people .They have1
established scientific circle in Kurdish cities to the develop Arabic and Eslamic
knowledge witch among them we can name Allame Molla Abdola Bitoshi and Allame
Molla Ahmad Nodeshi and Ostad Baba Mardokh Rohani and Ostad Badiozaman
Sanandaji and Erfan Sanandaji and Sheikh Habibollah Modarese Rohani Kashtari.
Sanandaj which is one of the oldest Kurdish cities is the cradle of great scholars had a
special position in serving Eslamic and Arabic literature.
Ostad Badiozaman Sanandaji and Erfan Sanandaji and Sheikh Habibollah
Modarese Rohani Kashtari are among scholars and famous genus people in this city
with contemplation and literature survey on the works of these scholars especially
famous Jimie from Ostad Badiozaman Sanandaji in Arabic and Kurdish and his
Persian literature.

Many men of letters believe that imagination is vital and the only decisive factor
that gives meaning to any literary text ; thus meaning is restricted to creative
imagination only . This belief , however , is no longer held since it relegates the role of
reality in shaping the meaning . Indeed, human interaction that springs from the real
situation is also critically vital in deciding the meaning of the text. To conclude, both
imagination and reality and significant in deciding the meaning of any literary text;
they are actually inseparable.

Intertextuality is a term first introduced by French semiotician Julia Kristeva in the
late sixties. In essays such as "Word, Dialogue, and Novel," Kristeva broke with
traditional notions of the author's "influences" and the text's "sources. Al Gvahry
period coincided with internal conflicts and Colonial struggles As a poet he could
not Unresponsive himself into the social problems of his country Because he gives
to this poeme Qur'anic concept . Intertextuality Technique in his poems include
the following types: direct Intertextuality , indirect Intertextuality ,consciousI
ntertextuality, and the subconsciou Intertextuality.The research aims to Examines
the intertextuality Technique its meaning and its forms to detect the Technique of
overlapping texts at the end of the article Th e researcher Defines the
intertextuality effect in thealgvahery pomes.