Al-Academy

This research entitled: "Artistic processing of Emotional Scenes in the Narrative Film" deals with how to process and embody those emotional scenes. As there are certain filmic elements that play an effective role in deepening the viewer's sense of the importance of those scenes, and that their presence in the film is necessary and inevitable, and cannot be dispensed because it forms an interconnected connection with the rest of the film's scenes, in addition to its dramatic and aesthetic value in the film in crystallizing the viewer's feelings and integrating him/her into the scene.
The research was divided into four chapters, the first chapter includes: the methodological framework, which represented the research problem, and brings the following question: What is the artistic processing of emotional scenes in the narrative film? The aim is to detect artistic processing of emotional scenes in the narrative film. The second chapter, covered theoretical framework. The first topic includes: the concept of emotion and feeling, the second topic: the artistic structure of the romantic scenes. The third chapter includes the research procedures and methodology and its performance, which are the theoretical indicators that come out from the theoretical framework. The research sample has included the narrative film (Malina starring the Italian actress "Monica Bellucci" and "Giuseppe Silvaro") screenplay and directed by "Gio Giuseppe Torrentor Re". The fourth chapter includes analysis and results .

The theatrical image represents one of the tools of communication with the other to create a communicative language that is produced and transmitted by the actor and his body through the theatrical space to convey the meaning in all its forms and types. The actor is concerned with the composition and construction of these images. My girl, the image is fragmented and multiple and different. Therefore, based on the foregoing, the researcher has divided his research into four chapters, representing the (methodological framework). First, the research problem, which is manifested in the following question (what is the structure of the fragmented image of the actor's performance? The Iraqi playwright), and secondly: the importance of the research, the need, the goal of the research, the limits of the research, and (theoretical framework) with two sections that included the first topic: the composition of the theatrical image / while the second topic came: the fragmented image of the performance of the Iraqi theatrical actor) and concluded with the indicators that resulted from the theoretical framework. The (research procedures) included an analysis of the research sample chosen by the researcher intentionally, which is represented by the play (Ahriman), while (results, discussion and conclusions), a set of results emerged that the researcher came out with:
1. The show activated the synthetic and intellectual image according to fixed and variable connotations that worked on broadcasting a set of functions by means of metaphor for the vocabulary through new symbols that can be interpreted, achieved by the performative act of the actor, while highlighting the functioning and moving of the meaning and its messages.

The research section tagged (Aesthetics of Abstract Expressionism and its Representations in the Artistic Products of Students of the Department of Art Education) into four chapters and it included in.
The first chapter: (the methodological framework) for the research, and the research problem is summarized through the question (what are the aesthetics of abstract expressionism and its representations in the artistic productions of the students of the Department of Art Education). In the products of students of the Department of Art Education).
The aim of the research was (discovering the aesthetics of abstract expressionism and its representations in the artistic products of the students of the Department of Art Education). As well as the temporal and spatial boundaries that were confined to the University of Baghdad from the year (2021-2022) and then defining the terms (beauty, abstract expressionism).
The second chapter included (theoretical framework) two sections, the first (aesthetics), while the second topic included (abstract expressionism) in addition to the indicators of the framework.
In the third chapter (research procedures), the research community included a group of artistic works accomplished by the students of the Department of Art Education within the year (2021-2022), and then chose an intentional sample of (4), and it included the descriptive analytical approach, and the research evidence also included a sample analysis form.

This research sheds light on the use of metal in the manufacture of jewelry, which is represented by ornamental tools in the period between the third and second millennium BC, in addition to the most important molds used in their manufacture. Man has been interested in metals since early ages, and was able to make tools that he uses in his daily life, especially jewelry. And the Syrian people got acquainted with the types of minerals, their characteristics, and how to deal with them. Minerals played an effective and prominent role in the economy of ancient Syria. Trade with those countries and secure their roads.

The use of symbols is considered an important part of visual expression since ancient civilizations till the present time, and detecting the significance of these symbols is a communication means between the artwork and the recipient. The current study aims to detect the clarification of the concept of symbolic connotations, and to detect their importance in the works of the artist Eugene Delacroix, through description and technical analysis, and trying to monitor the technical aspects of these connotations and using them in forming the artwork;

The study used the descriptive analytical approach for detecting and analyzing these connotations to reach results related to the research objectives. The research sample consisted of paintings of the artist's works during the period (1822-1837 AD), where the works were sorted according to the specified time period, taking into account the stages and transformations in the artistic style. The artworks were chosen as a purposive sample; The number of artworks reached (4), they represent two important stages for the artist: the European stage, and the Arab Maghreb stage.

The study reached several results, the most prominent of which are: the association of formative formulations in Delacroix's works according to the two artistic stages that he lived in Europe and Morocco. Also, the artist used in some of his works various symbolic connotations; the most important of which are: the conventional, explanatory and aesthetic connotations, which are among the direct symbolic connotations; The artist also used indirect symbolic connotations such as suggestive and probable connotations, and all these connotations have implicit meanings. Following the results of the study, the current study reached a set of recommendations, the most important of which are supporting the studies and researches associated to analyzing symbolic connotations in the local artworks.

The research presented the tagged (aesthetic and expressive characteristics in the works of Jean Dubuffet), so the research objective was: to know the aesthetic and expressive characteristics in the works of (Jean Dubuffet), and the research included four chapters. The aim of the research, the limits of the research, and the definition of terms. The second chapter included four topics. The first topic presented the aesthetic essence and style, while the second topic dealt with expressionism: approaches in concept and meaning.
While the third topic was preoccupied with presenting the aesthetic and expressiveness in the drawings of modernity and beyond, while the fourth topic dealt with: Jean Dubuffet and the experience of raw art. The third chapter was devoted to research procedures. In order to achieve the aim of the research, a number of results were reached in the fourth chapter, including:
1- The aesthetic and expressive characteristics were manifested in all samples of the sample, including: instinct / emotion / mood / violence / madness / vulgarity / ugliness / distortion / rebellion / audacity / research, experimentation and innovation.

2- The value of his works and his artistic experience was embodied through his interest and fondness for raw art derived from the products of children, insane, and prisoners. He considered primitive and popular art as a source of aesthetic value for him at the expense of all aesthetic and philosophical concepts, as shown in Model (1 and 3).

The integration of AI technologies is revolutionizing various aspects of the apparel and textile industry, from design and manufacturing to customer experience and sustainability. Through the use of artificial intelligence algorithms, workers in the apparel and textile industry can take advantage of a wealth of opportunities for innovation, efficiency and creativity.
The research aims to display the enormous potential of artificial intelligence in the clothing and textile industry through published articles related to the title of the research using the Google Scholar search engine. The research contributes to the development of the cultural thought of researchers, designers, merchants and the consumer with the importance of integrating artificial intelligence technologies in the fields of the clothing and textile industry to keep pace with technological change.
The research found that the number of results for articles published in Google Scholar in the period of time from (2016-2023 AD) amounted to 1724, and 523 articles were published at a rate of (30%), which is the highest percentage for articles published in Google Scholar, and it was the lowest period of time from 2016-2017 AD. 50 published articles (3%), and the research recommended conducting more studies in the field of artificial intelligence and its applications in the clothing and textile industry.

Fine art represents part of society's culture. The development of art was accompanied by the penetration of new worlds known as the fourth dimension. After art entered the boundaries of geometry and reduction; He began to break into the absurd, and the form and philosophy of art changed, moving from modernity to what came after it to contemporary. Transforming from a formal form into a symbolic form with philosophical implications linked to the light, audio and kinetic effects as they embody time, the concept became the master of the idea. The research aims to identify the concept of time and its types, then the philosophical concept of time and its reflection on contemporary art, through the analytical study of a selection of contemporary arts based on investigating the philosophy of time.

The research (The Aesthetics of Lumia Art in Contemporary Textile Arts: An Analytical Study) included four chapters, the first to explain the research problem summarized by the question: Does the art of Lumia achieve aesthetic values in contemporary textile arts?, and aims to: Identify the aesthetics of Lumia art and its applied uses in contemporary textile arts, within the time period (2013-2022). The third chapter included: research procedures and sample analysis (4) models according to the descriptive analytical approach, and the fourth chapter dealt with: results, conclusions and recommendations as well as sources.

The aesthetic contents of data visualization is one of the contemporary areas through which data scientists and designers have been able to link data to humans, and even after reaching successful attempts to model data visualization, it wasn't clear how that reveals how it contributed to choosing the aesthetic content as an input to humanize these models, so the goal of the current research is to use The analytical descriptive approach aims to identify the aesthetic contents in data visualization, which the researchers interpreted through pragmatic philosophy and Kantian philosophy, and analyze a sample of data visualization models to reveal the aesthetic entrances in them to explain how to humanize them. The two researchers reached several results, namely the application of ornamentation and geometric abstraction through the entrance of mathematical abstraction based on individual perception in Kant's philosophy of sublimeness. Community icons and inherited traditions were also utilized through the entrance of life events based on collective experience in pragmatic philosophy. Both approaches lead to Aesthetic excitement and a sense of pleasure due to its access to human realities.

Contemporary art has been widely affected by technology, and ceramics production is no exception. As an ancient art that originates from clay and other humble materials found in the ground, ceramics is considered one of the most adaptable art forms. Once it is realised how flexible ceramics as a material is, it can be easily altered into endless forms and shapes. Therefore, it is vital for ceramics practitioners to find a relationship between this wonderful material and the media of contemporary art, culture and modelling software or technology in general so that they can take their deformable art pieces to a whole new level. Such a relationship is worth investigating. Thus, for the purposes of this research, several ceramic pieces were identified using AutoCAD software to design authentic artworks with a contemporary look and feel. Throughout the research, these artworks will be examined from different perspectives. This will show in detail how art became not only a technical form or design but also a representation of expressive values stemming from diversity and unity. In this paper, the possibility will be discussed of experimenting with modelling software to develop traditional utensils into contemporary ceramic art by applying an advanced method of deconstruction. In addition, this paper will explain how technology is used to improve the quality of clay utilised in the production of art, producing a composite suitable to be formed, modelled, and dismantled in and through modelling software

The research aims to (identify the applications of pedagogy in art education), the research community included, art education for the primary stage, so the community consisted of (8) main areas in art education, either the research sample was chosen, two main areas (objectives, and content), and included the research methodology (descriptive and analytical), the researcher built the research tool represented (the validity form of the tool) and presented to a group of experts to indicate its validity as well as to measure its stability, To show the results, the researcher used the percentage, and the researcher recommended - modifying the curriculum every period of time, such as every four years, others.

The current study aimed to identify the role of the theatrical technical supervisor in developing and enhancing the skills of middle school students in Baghdad. The sample consisted of 73% of the original community of theatrical technical supervisors, randomly selected from those working in the first, second, and third educational directorates in the Rassafa and Karkh areas. The sample size was 32 theatrical technical supervisors. The study used a questionnaire to collect data on three axes: the cognitive skills developed by the theatrical technical supervisor, the voice and speech skills developed by the supervisor, and the body movement skills developed by the supervisor. The results showed that the theatrical technical supervisor plays a significant role in developing and enhancing the skills of middle school students in Baghdad, with body movement skills being the most developed, followed by cognitive skills, then voice and speech skills. The study recommends organizing training courses and programs for teachers to use the school theater as an educational tool, preparing a guide for school theater activities, and conducting further studies from the perspective of students to shed more light on the role of school theater in the educational process.

Some have considered the dialectic in form and meaning from different points of view, and dismantled them from each other, and this view is correct if we adopt according to the logic of Aristotle when it comes to dialectic, the dialectic of form and meaning has different aspects and does not share a single line in terms of conceptual meaning, the form is the appearance What the recipient sees with the help of cognitive tools, the content or content is the mental meaning, which in turn depends on his own tools, and to this extent this view is correct, and the intellectual content or meaning of the artwork or the human message that the artist wants to convey to the viewer.
The research included four chapters. The first chapter included the research problem, which was determined by the following question: How effective is the dialectic between form and meaning?
And the importance of research and the need for it 1- The mutual relationship between form and meaning helps to develop the artistic taste of the recipient through dealing with artwork and other artwork.
2- The dialectic in form and meaning contributes to the artistic taste of the recipient.
As for the goal of the research: The current research aims to define the dialectic of form and meaning in postmodern art.
And the limits of the research: 1- Objective limits: The current research is determined by studying (the dialectic in form and meaning in postmodern art) and all the products classified under this art according to its different raw materials and implementation techniques. 2- Temporal borders: (1959-2020). 3- Spatial borders: (Europe - America).
As for the second chapter, it included two topics. The first topic dealt with the dialectic between form and meaning, and the second topic included postmodern currents.
As for the third chapter, it included research procedures, and the fourth chapter dealt with the conclusions 1- The creativity and innovation of minimalist artists contributed to spreading this art in America and Europe, as it had its mechanisms, methods, and techniques at all artistic levels.
2- Leaving the familiar outside and diving deeply into the interior was a concept that minimalist art worked on in all directions, which led to a close relationship between form and meaning in this art.
Recommendations
1- Acceptance of postmodern art, especially minimalist art, as a systematic course in universities and related art institutions for its artistic, philosophical and scientific importance.
2- Enriching libraries with collections of books that document these artistic fields in proportion to the status of culture and art in the eyes of the students of these faculties.
Suggestions 1- A comparative study on the reciprocity of forms and meanings between postmodern art trends.
2- The interchangeability of form and meaning in contemporary Iraqi art

The current research aims to identify pictorial coding and its relationship to the aesthetic taste of art education students. The research community consisted of (10) plastic artworks, and (3) artworks were selected as a sample for analysis and decoding. With the aim of the research, the research tool was prepared as it consisted of an analysis form, and the researcher used statistical methods: Equation (Cooper) to find the percentage of agreement between the arbitrators and the equation (Scott) to calculate the validity of the tool, and the correlation coefficient (Pearson) to extract stability in the method of segmentation half. Shape formations and achieve encryption of the plastic image through decoding symbols, meanings, and the significance of shape, color, and artistic techniques. As for the most important conclusions: The pictorial coding led to the success of organizing the elements in a manner of high aesthetic value that prompts the recipient to communicate between the vocabulary of the plastic image and dive into the structure of the subject.

This current study explores the effects of virtual reality technology on industrial product development, specifically focusing on its influence on the visual, functional, and design aspects of these products. The research begins by addressing the research problem, which centers on the technological shift brought about by virtual reality in industrial products. Consequently, the research formulates the research problem, which raises multiple questions concerning the extent to which virtual reality technology enhances the functionality of industrial products. The study's significance lies in uncovering the applications of virtual reality technology in industrial products and understanding its impact on product design to enhance quality and user satisfaction. The study also defines the terms and concepts within the research scope, contributing to the theoretical framework.
To achieve the research objective, the researcher gathered key points for analysis based on the theoretical framework. The framework comprises three sections: the first section defines the concept of virtual reality technology in industrial products, the second section discusses the effectiveness of functional performance and user interaction with virtual reality products, and the third section reviews the impact of virtual reality technology on functional performance and structural design of industrial products. This review led to the identification of indicators as derived from the theoretical framework.
In the third chapter, the research methodology and sample selection procedures are explained. The sample was intentionally chosen from electronic computer manufacturing companies based on research objectives and methodology. A descriptive-analytical approach was adopted for the case study due to its suitability for the research topic. The sample included various electronic computer manufacturing companies.
The fourth chapter presents the results and conclusions drawn by the researcher. The chapter also encompasses recommendations, suggestions, and a bibliography

The topic of context is one of the important topics, which was mentioned as a concept in several fields and different fields, and there were many points of view that defined that concept.
He specified the title of the research (design contexts in the design of the interior space), as the research sought to identify the concept of context in the interior design of the spaces of sewing workshops. The research was divided into four chapters:
The first chapter, which consists of the methodological framework, the problem of research and the need for it, the importance of research, the goal and limits of research for sewing workshops for vocational schools from (2020-2021).
The second chapter: consists of previous studies and the theoretical framework of two topics:
The first topic: the concept of context in interior design.
The second topic: spaces for sewing workshops.
The third chapter: It consists of research procedures, and it is the research community. The descriptive approach was adopted in the sample analysis, which is considered one of the important research methods, in order to study phenomena, improve them, and solve problems. It diagnoses the phenomenon accurately to analyze the information and being the most appropriate with the direction of the research. At the end of the chapter, several results were produced according to the analysis form and the indicators of the theoretical framework.
The fourth chapter: includes the results, conclusions, recommendations and proposals reached from this research, the most important of which are:
1- A context is one of the main foundations for achieving meaning through simultaneous and sequential elements.
2- Poor proportionality in the scale of the space led to poor perception and assimilation of the components of the internal space

With a descriptive and analytical approach, it discusses the concept of phenomenology as an approach to seeing the aesthetics of ugliness as one of the concepts associated with the aesthetic experience in contemporary art designs, as it is the result of communication between artistic production and the recipient, which leads to creating a state of aesthetic pleasure. A phenomenological method is being used to uncover the aesthetics of ugly and to connect ugliness and beauty since ugliness in aesthetics incorporates beauty as a modern aesthetic vision from the phenomenological perspective.

The study investigated aesthetics as a phenomenon of perception, sensory knowledge, and the aesthetic response to the production of designs in contemporary art, represented by achieving a status of aesthetic pleasure, and the phenomenological approach can be applied to see the aesthetics of ugliness in contemporary design, and there is a relationship between the aesthetics of ugliness and the aesthetic experience in producing contemporary design, and it reached the possibility of applying the phenomenological approach to appreciation and criticism with an aesthetic vision of ugliness, by transforming the influence of phenomenological thought as a method into an aesthetic concept. To build the design for a more in-depth vision in a new analytical reading, and to have a merit in the study and production of designs that began with the art of the event and ended as digital art with technical effects, with its components (intentionality).

The current research studies (representations of metaphysics in the works of potter Jason Walker) a concept that refers to To a large extent, by conveying a sense of reality to the recipient by conveying ideas, contents, and connotations. A variety of center hit, dispersion, and rejection of everything that prevails, so our position on the closed text has shifted To the open text, through the role played by cross-pollination in the works of the potter (Jason Walker), which established a clear hypothetical vision of the image represented in the construction of the ceramic work and the thought that was embodied in that image represented by the nature of its unrealistic formations for those ceramic artworks. It is thus considered a logical alternative to shake the previous structures and to find New structures thanks to new technical installations.
The research included four chapters, the first chapter concerned the research problem and its importance And the need for it and the aim of the research (to know the representations of the meta virus in the works of Jason Walker), as well as included. Contemporary ceramic works by potter Jason - the chapter includes temporal boundaries for the period from (2009-2020) and Walker, which were completed in America, and the chapter also included a definition of the most important search terms. And he studied. The second chapter, the theoretical framework and previous studies, consists of two sections, the first section. It included (metaverse - cognitive), and the second topic was divided into two axes, the first of which dealt with (Artistic and aesthetic approaches in contemporary ceramics) The second axis dealt with. Contemporary (b- potter style Jason Walker), and the chapter ended with indicators of the theoretical framework and previous studies. The third chapter included the research procedures, as it included the framework of the research community and the adult.

This research is concerned with documenting and chronicling the art of NFTs art in the Saudi artistic cultural scene, the importance of which stems from the lack of scientific sources that document this field until the preparation of this research and aims to trace historically the emergence of the field of NFTs art in the Kingdom of Saudi Arabia in the arts sector through the experiences of Saudi artists. The most prominent events for the culture, arts and technology sector, and other Saudi sectors. The research dealt with the history of the emergence of the field of NFTs art, which extends from the history of digital arts, and reviewed the most famous works of NFTs art.
As a result of the technical revolution and the artistic movement that the world is witnessing in the direction of investing in digital arts, this movement has moved to the Saudi artistic cultural scene through the experiences of Saudi artists and emerged from the artist Rashid Al-Shasha’i, and after him the era of Al-Amoudi. As for the major Saudi sectors, the role of the Ministry of Communications and Information Technology and the Ministry of Culture, represented by the Visual Arts Authority, emerged for organizing conferences that paved the way for the emergence of this field in the Kingdom, followed by initiatives for the activities of some sectors to benefit from the technical capabilities of the field of NFTs art.

The achievements of the art that we know today are questioned due to motives that are contrary to what art knew before, including dramatic artistic transformations, which was called modern art.
Given the magnitude, complexity, and complexity of a topic like this, it was necessary to limit its topic to the origins of the motives for transformations among its first pioneers, and then to examine what resulted from that in terms of visionary data in formation and drawing exclusively, and through exploring that, we learned about the vitality of change from the art of its past.
By investigating the ruling contemporary philosophical concepts and their new standards and cognitive role in contemporary life, since these include new artistic and aesthetic values, it would have been more useful to take them into account in this research to understand the consistency between thought and art in the current era, including the motives for modernization as an approach at the hands of the first pioneers. In terms of the innovative methods, they created in the contemporary artistic experience.

This tagged research deals with the manifestations of femininity in Mahmoud Fahmy's drawings by studying and monitoring the presence and how women were represented in the drawings of the artist Mahmoud Fahmy. Through the drawings of the expatriate Iraqi artist, Mahmoud Fahmy, in highlighting the manifestations of beauty for women, which constitute a formal characteristic that appears through the body, and Fahmy depicts it in an atmosphere of realism at times and magical realism at other times, as the research consists of four chapters. Through the following question: Did femininity appear in the drawings of the artist Mahmoud Fahmy? The importance of the research is that it sheds light on the manifestations of femininity in the drawings of this artist.
The theoretical framework dealt with two sections, the first talks about the concept of femininity and the female in the ancient and contemporary arts, and the second section dealt with the artist Mahmoud Fahmy and his artistic style while coming up with indicators for this theoretical framework. From the artist's drawings, and the research concluded with the results and conclusions, including:
1. The woman's body and her femininity is the primary inspiration and basis for the focus of the work. It is the hero of the story and its inspiration for the artistic themes of the artist Mahmoud Fahmy.
2. Heritage, belonging, originality, place and neighborhoods are important characteristics of the artist Mahmoud Fahmy.
3. In addition to the conclusions, recommendations and proposals to reach the goal of the research, which is to identify the manifestations of femininity in Mahmoud Fahmy's drawings.

The research aims to identify the extent to which the theatrical and musical arts contribute to diagnosing and treating psychological problems among the residents of children’s villages in Jordan, and the methodologies adopted by the theatrical and musical arts to achieve this. It moves on to prove the theory that theatrical and musical arts have an impact on improving the psychology of the residents of children’s villages in Jordan by reviewing the theories and opinions that address the subject from a scientific point of view proven by experiences and expertise.
The research took place in the period between (2019-2020), and the spatial limits came within the (SOS) children's villages in Jordan. The importance of the research is to provide a frame of reference for researchers and specialists in treating children’s psychological problems using the arts, and the research can benefit those engaged in theatrical and musical art, including authors, directors, actors, critics, composers, singers...etc, as well as providing benefit to academic institutions concerned with theatrical and musical arts and psychological and educational sciences.

Color composition represents a homogeneous number of colors, and the designer seeks to reshape color in a new way that is different from traditional theatrical performances. Color, through its works, forms different spaces and expresses different and renewed ideas and visions. Color goes beyond its plastic functions with pigments and lighting, as it carries social, historical and geographical features and connotations, and color creates a special awareness among the recipient to indicate the content of the theatrical performance.
The research was divided into four chapters. The first chapter included (the methodological framework) and the second chapter included (theoretical framework), which included two sections: the first: the concept of color and its roots, and the second: the formation of color and its functions in the space of theatrical performance. The researcher extracted some indicators and data from the theoretical framework. The third chapter (research procedures) included the research community, research tools, indicators, sample observation, the descriptive analytical research method, then analysis of the research sample, a model of the play Blood Horse, prepared and directed, and scenography by director (Jabbar Jodi) and presented at the National Theater. The fourth chapter also included a presentation and discussion of the results, and the research concluded with a list of sources and references and a summary in English.

This research delves into the aesthetic approaches and representations within the realm of calligraphic compositions, with a specific focus on the Baghdadi School, under the tutelage of Yaqut Al-Mustasimi and his students. By examining the intricate relationship between concepts and their visual manifestations, the study seeks to elucidate the intrinsic meanings embedded in linear compositions and the textual representations that emerge from this dynamic interplay.
Narrowing the scope to the exclusive exploration of calligraphy formations within the Baghdadi School, the theoretical framework, presented in the second chapter, not only introduces the Baghdad school and Yaqut al-Mustasimi's biography but also delves into various aesthetic concepts, encompassing philosophical, literary, and rhetorical elements and their interplay with textual data and composition.

The world of the cinematic image is an artistically and dramatically integrated world, as innovative artistic visions emerge from it according to the secretions of reality containing realistic stories with social and psychological dimensions that develop rapidly and leave their mark on human reality. These events are treated according to the dual function of image and sound, through its concise and rhetorical tools. Which gives the structure of the image a text that is open to interpretation. The image, with its structural and performative capabilities, yearns to express psychological stories with severe and difficult effects, and exciting suffering that led to the tearing apart of the inner inner structures of the character and leaves its mark on reality. The cinematic image embodied those stimuli that led to the revelation of hidden connotations and phenomena that mimic reality. With an expressive artistic vision. Hence, the research problem presented was crystallized in the following question: What are the mechanisms by which nightmarish features operate in psychological films? To achieve the maximum possible benefit by extrapolating opinions to agree with the research objectives, the research therefore included the following topics: Introduction, which included the research problem, its importance, objectives, and limits, and then defining the terms. The importance of the research lies in the fact that it represents a knowledge addition for students of the Department of Cinema and Television at the College of Fine Arts. The objectives of the research were limited to revealing the mechanisms of operation of nightmarish features in psychological films.
As for the theoretical framework, it included two sections, the first dealing with the topic of nightmares in psychology. The second section dealt with the involvement of nightmarish features in the structure of the film. After that, the researcher came up with a number of indicators, which are what resulted from the theoretical framework.
The research also included research procedures that included the research method, the research community, the research tool, and the analysis unit, to be used in analyzing the sample represented by the film (The Book of Blood), so that the research concluded with a set of results and conclusions, the most important of which was the ability of this film to present a discourse based on structures. A complex narrative based on mysterious events that raise fear, anxiety, and horror. As for the conclusions, the film was able, through the work of its artistic systems, to present a nightmarish narrative that expresses fear, anxiety, and horror. The research was then concluded with a list of sources and a summary in English.

Technological development has had a major impact on the theatrical art in building and establishing visual presentation and employing modern technologies as one of the elements of expression, which prompted theater workers to respond to this development on the audio-visual level, creating new horizons for directors and discovering possibilities that they employed according to new visions that relied on experimentation and innovation. And freedom from the prevailing and traditional, and perhaps the use of digital computers has achieved remarkable success in embodying the formal model, controlling the movement of the actors, and the possibility of changing the scenery, as it completes the image to enter the stage of construction and effectiveness and carrying multiple connotations, which created a dialectic between the artistic and the technical in the formal construction. The research included an introduction chapter. To introduce the problem and the importance of research, then the theoretical establishment consists of two sections: the first section (the concept of the artistic and the technical), the second section (the dialectics of the technical and the artistic in formal construction). Then the methodological procedures were carried out, which consisted of analyzing the research sample, showing the play (The Café) and performing a play (Red Carpet), and after the analysis came up with a set of results, including:
Despite the services provided by modern technology and finding alternatives to problems in theatrical performances, in some performances it marginalizes the role of the actor, which is an essential and indispensable element.
Technology has become dominant in theatrical performances and has created a break with traditional doctrines, and there was an overwhelming desire on the part of the director and designer to use it to the point of exaggeration, which led to an adverse reaction among the recipients. Then he concluded this research with a list of sources and references and a summary of the research in English.

Interactive fusion is considered a modern means of communication used by the designer to convey ideas, as well as combining aesthetic pleasure for the recipient because of its flexibility in merging sound with images in order to deliver the advertising message, whether news or explanatory. The research problem can be summarized in the following question: What is interactive fusion in the design of electronic magazine covers? The importance of the research comes from the fact that it sheds light on the topic of interactive integration from an intellectual and practical perspective.
The theoretical framework covered two sections, the first being interactive integration, and the second section: designing electronic magazine covers, with indicators for this theoretical framework. The research procedures included the research community, research samples, and its tool. We followed by analyzing three selected models and concluded the research with results and conclusions, including:
1. Interactive integration into the advertisement contributes to attracting and arousing the recipient’s interest in the direction of the advertisement, as well as clarity and readability.
2. The diverse use of digital images and animation has a role in highlighting the interactive integration through the diverse color values and overall harmony within the design components.

While art presents different political representations that sometimes lead to indirect propaganda, there is another art with direct political propaganda that translates ideological perceptions with the aim of political promotion through graphic display and its influential artistic potential. This research aims to identify political propaganda representations in the contemporary graphic art. After reviewing the various theoretical opinions on the concept of propaganda and reviewing the history of art from this perspective, and after selecting and analyzing the research sample, the research concluded with a set of results and conclusions, including, that all arts are propaganda to varying degrees, and that they involve a certain goal and include a specific message or meaning, and that the political and ideological conflict produced propaganda graphic representations and produced their opposites in return.

The article analyzes the role of material not only as a technical medium for creating image but also as an autonomous semantically meaningful system of expression that provides the image with substance and shapes the identity of the artwork. We investigate how material became a central element of artistic expression, bridging the gap between visual image and sensory experience.
The study traces the development of material in visual art, from the dominance of representational forms throughout much of art history to contemporary abstraction, which redefined the artwork beyond traditional image. It highlights significant transformations in the use of material, particularly with movements such as collage and art brut, where material emerged as a decisive factor in creating visual and emotional impact. These shifts emphasize how material evolved into a core component of modern and contemporary art, shaping interactions between artworks and their audiences.
On a philosophical level, the study applies phenomenological theory to analyze how an artwork transcends its physical properties, engaging viewers in perceptual and cognitive experiences. We also consider the role of abstract elements like color, texture, and depth in redefining the artwork as an independent entity. This leads us to ask ourselves: can material be separated from image, or is it the foundation from which artistic meaning emerges and continues to evolve?