Journal of Arabic Language and Literature

This research considers above subject on the base of Perlman and Titica\'s theory. Reasonings of the study make readers to surrender, silence and affirmation. The aim of research is, considering bases of reasoning about Kharazmi\'s letter to Neyshabur\'s shiietes and studies common grounds between writer and readers. Prosedure study is discursive pragmatics to reveal writer \'reasoning structure and then it demenestrates, how reasoning convinces readers and effectiveness degree on them. This study revealed that Kharazmi has used different reasons efficiencyly. Among these cases,logicoid reasonings with its two important subsets such as antithesis and comparison reasoning. The other reasonings are based on reality structure and also those show values and common cases between writer and readers. The writer has used many common grounds between himself and reader such as reality and the truth. These realities include applying values about introducing characters and their things, hictoric evidence and religious and literary cultures without getting help metaphor, simile, allegory, myth and symbol. The research demenestrated Kharazmi\'s high confidence to the realities, is a main factor of his access to addressed aim, that is, effectiveness on readers about defence from truth and chastiesment adversaries;however it hasn\'t allowed him latitude in creation of images. Furthermore, the writer has insisted on characters and their functions, so much. In addition, because judgement about people in different situations and by various people differs, therefore degree of effectiveness of these kind of reasonings is poor; while using logicoid reasons about other kinds of reasonings are more effective that Kharazmi in applying it has not been strong

The researcher seeks to shed light on some linguistic vocabulary that is commonly used by some eminent professors, and this error often occurs in the halls of scientific discussions of dissertations (master’s and doctoral) and various scientific forums, so that the student who has been mistaken by those who make mistakes cannot respond or express his opinion. in the matter.
The biggest problem is that I have seen some specialized professors, when they hear this mistake and its alternative is mentioned to them, they do not research the scientific issue to build their convictions. Rather, they think highly of the one who made a mistake and was correct, so they take from him an acknowledgment of what he said and an implementation of his opinion without scrutiny. The research places some erroneous examples in the scientific scale to reveal the truth. Is this mistake based on scientific and objective standards or something else? After the researcher presents the most important theoretical foundations from which the correct person draws his correction, and the incorrect person deduces from their loss his mistake among the ancients and moderns, such as the loss of hearing, analogy, and the like, which modern usage can be corrected in light of.

Modern developments in recent centuries in the arena of literature have proven that traditional Arabic rhetoric has not kept pace with these developments. Scholars of Arabic rhetoric have divided into three categories: the first is a group that preserves the rhetorical heritage, and the second is a group that rejects the heritage, and the third category calls for modernizing traditional rhetoric by preserving its entity. But this researcher was not satisfied with these paths, and did not see any good in them. Rather, he chose a fourth method, which was to outline the features of a new rhetorical project, bypassing traditional rhetoric because it had already died and was no longer fit for revival. This project is not imported from the West but rather stems from the core of the origins of Islamic thought. The researcher derived the principles of this project, which called: “The Theory of the Art of Rhetorical Statement,” from the general Sunnahs in our monotheistic cosmic vision. The research starts from the descriptive analytical method to answer a main question, which is: How can a new rhetorical project that stems from the laws of the universe and the rules of the outside world be formulated through the monotheistic cosmic vision? The research led to clear results in changing the course of analysis of literary texts, the most important of which is: the balance between the degrees of beauty in the words of the literary text and the degrees of beauty in the world of the universe

The creation of the religious and Islamic poet caused the poet Abdel Moneim Al-Furtousi to turn to the most obligatory and idealistic poetry, and he was in keeping with the great poets who were known for their commitment and steadfast statements of truth such as Al-Kemit bin Zaid al-Asadi and Duabel Khuzaei and many others, The artistic aspect was in the poetry of Abdel Moneim Al-Fartousi, as he used the artistic styles of simile and metaphor that represented the art of personification and metaphor, and other artistic styles that had an active and important influence on the recipient.

This paper aims to examine the coexistence of AI and human ingenuity in the storytelling process, drawing on insights from computational creativity, collaborative frameworks, and ethical implications, as the intersection of AI and storytelling has ushered in a transformative era, reshaping the landscape of narrative creativity. The discussion addresses the inspiring role of AI, the challenges of emotional understanding, the ethical dimensions, and the ongoing iteration of AI algorithms. As AI has become an integral tool in the storyteller’s repertoire, this article provides a comprehensive examination of the implications, challenges, and possibilities that arise in the dynamic interaction between AI and the art of storytelling. Using qualitative and quantitative approaches.
This article using qualitative and quantitative methods, investigates the multifaceted impact of artificial intelligence on story writing, and while investigating the impact of artificial intelligence on story writing and literary criticism, it introduces the most famous novels and stories produced with the help of artificial intelligence and provides an example, mentions a very short story produced and criticized by the linguistic pattern of Gemini.

A dictionary, even if it appears in a non-complex form, has a system that controls its structure and methods for making based on two main origins: collection, which is concerned with the corpus from which the dictionary maker draws its linguistic material, and composition, which is concerned with the ways of arranging and defining those materials and facilitating access to their meanings; by defining signifiers and signifieds.
This paper is an attempt to trace the origins of collection and composition in “Alwasit Dictionary” through a critical study of the two families (ʻ b s) and (ʻ b ṭ); By tracing the origins of its corpus in its five introductions, and the absence issue of entries compared to other dictionaries, as well as delving into the composition issue by tracking the deficiencies in its arrangement or the proficiency demonstrated by its maker, and likewise the definition issue and comprehensive descriptive language contining examples, tags, and semantic arrangement.

1. Objectives:
• Identify the importance of metaphorical contrast and introduce it as an artistic style in Al-Mutanabbi's poetry.
• Studying how Al-Mutanabbi uses metaphor and employs it in creating contradictions between meanings and creating images of opposite paradox.
• Analysis of the art of stabilization and its impact on creating symbolic images in Al-Mutanabbi's poetry and its role in finding the color paradox.
• Identify the symbolic connotations of the most common colors in Mutanabbi's poetry and analyze them artistically.
2. Methodology: The descriptive, analytical, rhetorical approach of Diwan Al-Mutanabbi was adopted, which emerged in:
• A careful analysis of Al-Mutanabbi's poems to reveal examples of metaphorical antagonism and tanning.
• Study the use of these methods in different contexts such as spinning, praise and satire.
• Identify the symbolic connotations of colors in Arab culture.
3. Results:
• The research proved that metaphorical antagonism and stabilization of the most important artistic methods used by Al-Mutanabbi and employed in influencing the recipient.
• These styles contributed to achieving the proportion of opposing meanings and had a prominent impact on Al-Mutanabbi's poetry and the aesthetics of his images.
• The research highlighted the importance of color as an artistic tool to express different meanings in multiple ways.
• The research showed the diversity of symbolic connotations of colors in Al-Mutanabbi's poetry , which created a great richness in his poetry.
4. Conclusion:
• Al-Mutanabbi used metaphorical antagonism and stabilization to enrich his poetic experience and deepen its impact on poetic imagination.
• Metaphorical contrast and stabilization are prominent arts in Arabic rhetoric, and their impact was manifested in poetic rhetoric.
• Color is a distinct artistic tool used to express different meanings in poetry.

Objectives: Translation focuses on showing the meaning and the language (idea) placed in the context of the text. Since the text can contain many levels of meaning, such as the lexical meaning, the sentence meaning, and the textual meaning, it is necessary to study it from the perspective of these levels, so that the translated text is characterized by vitality and associative strength in the verbal and spiritual level of the vocabulary. Structures, phrases and sentences.
Methods: This research, by relying on the descriptive-analytical approach, addressed the definition of the types of meaning subject in the three translational units (the singular, the sentence, and the text), drawing on the data of modern linguistics. The research aims to seek the help of interpretations provided by modern linguistics in order to determine a moral level that can be more accurate and useful during the translation process.
Results and Conclusions: The results showed that the accuracy of the translation when focusing on the textual meaning is more than its accuracy when focusing on the grammatical and lexical meaning, and this leads to the vitality of the target translated text and the achievement of the associative strength between its sentences. It was also found that interest in the relationships of text sentences in translation was more accomplished in realizing the textual meaning and more important than interest in vocabulary relationships in each sentence of the text that constitutes the sentence meaning

This research study examines the Qur’anic concept of the word (Siddiq) according to the methodology of using the Qur’an to interpret the Qur’an, because words in the Qur’anic expression possess different meanings than their meanings outside it. The scope of this study was restricted to the Holy Qur’an and it followed the word Siddiq in it, observing its particular examples whose designation as“Siddiq” was affirmed by the Qur’an, as a specific group described in the Qur’anic expression with the use of this word. These are: Idris, Ibrahim, Yousuf, and Maryam (peace be upon them). The study then follows the commonalities among them, which caused the Qur’an to confer this characteristic on these particular individuals, to finally arrive at the Qur’anic meaning of the word (Siddiq) through this query, and then answer the research question concerning the meaning of the word (Siddiqin) in the Qur’anic verses 4:69 and 57:19, where the word came to give a general meaning. The study excluded the Prophetic Hadith and other narrations attributed to the Prophet’s Family and others, because this will be the subject for a separate study in the future.

Writers in the pre-Islamic era relied on quotations from the texts of poetry that preceded them. Because of its rhetorical implications, grammatical integrity, until the Holy Quran came. So, they were influenced by his precise texts and they invoked its meanings in their writings and poems. In addition to adding a religious image to these poems, to find acceptance among Muslims and those who are influenced by conscious intellectual texts, which was presented in its most beautiful form in the Holy Quran. Some poets relied on direct quotation; by employing a verse or part of it or they rely on the modified quote by slightly changing the words of the Quranic text without affecting its essence. This is what can be observed in the poets of Najaf profusely. Which made their poems to be in accordance with the Qur’anic idea and the starting point from which the texts came. Which makes the recipient and listener interact with the poetic text.

The novel and contemporary narrative criticism, with its various literary, cultural, and semiotic names, have motivated me to study the Iraqi feminist novel, since this novel has an important and prominent presence in the Arab and international narrative narrative scene in general, which required studying it from a very ambiguous angle. The Arab critic is accustomed to studying the significance of the linguistic aspects and what It relates to language and its tools, reveals its deep secrets, and explains multiple reasons for the results expected from its study.
The tendency to study the themes of the Iraqi narrative in light of the semiological criticism addressed in the novel Tashari by the expatriate Iraqi novelist and journalist Inaam Kachaji, which mainly deals with issues that relate first to the issue of the component The honorable and ancient Christians in Iraq, with the antiquity of its successive civilizations and the liquidation of their existence through a spatial hierarchy, as well as what relates to women and their conflict with men, as well as the issue of alienation and identity conflict in light of the political, cultural, and social fluctuations that Iraq has been exposed to that have touched the Iraqi self, which requires studying all of these phenomena through a systematic approach. Semiological criticism and reliance on sociology as the appropriate approach for such a study.
Semiology, as a critical method, is based on deconstruction, analysis, and synthesis, so that this study methodology results in a semiotic reading based on signs based on signs, symbols, and icons that indicate the manifestations of those emotions (such as love and hate, fear and security, space-time, And personality) represents the arbitrary, contradictory dualities that it represents, partly dealing with what Iraqi society was like in the forties and fifties, until the seventies of the last century.
This study was conducted in light of the descriptive analytical approach, while the analysis of the texts was in accordance with the semiological approach.
This study aims to reveal the new concept of emotion in Tashari's novel using the semiological criticism approach. As well as revealing the connotations of emotion, its signs and signs, in Tashari’s novel from the perspective of the semiological criticism approach.