Journal Dawat

A scientific experiment that was conducted: (1) Conducting a systematic approach to the practical application of what students of academic research intend in the light of (Theory Context) and (2) a contemplative view among those who presented this theory in the ancient fundamentalist lesson of Arab scholars, and what names a simple development that were introduced to it, attributed to (Europeans and Orientalists) sourcing this, and I mean some of them, for that theory, and recognition by others of it.

But as soon as we move the work in systematic lines and not on specifics, between poetry, prose and sacred speech, we find the emergence of these terminological embellishments, and this is of course what the modernists who worked the theory in different contexts did not pay attention to it more than those who presented it in advance from (the fundamentalists) They were satisfied with mere endoscopy, and only warning.
The vitality of this theory despite its inception lies in its implementation in many human (different disciplines), and I would not exaggerate if I say even non-humanity, as it is still giving a lot in the secrets of its initial concepts. Therefore, we decided to shed light on a brief study, and at the same time useful for students of academic research in the linguistic and non-linguistic lesson; This came in the title: ((Contextual Theory between Beginning and Modernity: A Descriptive Study.

There is no doubt that semantics is one of the broadest linguistic sciences. Because it seeks to memorize meaning, all trends and approaches intertwine and overlap for the sake of this exploratory function and research practice, and the study of language in its usage dimension in shadowo of stopping on the processes of the communication, interaction,and messaging. It’s a developed and changeable process doesn’t stop in a line. And the presuppositions and implicit in the Qur’anic text is an illuminating sign, and a clear indication of the miracle of the Qur’anic text.

The saying context and the denominator context have big effect in explaining these prepositions and implicit, context represents an exploration sign in the hidden and un spoken text

This research aims to work on the discourse of introductions in a range of Sufi sources, and this discourse is part of a broader discourse, which is the discourse of thresholds, Or what is known as “text thresholds”. The introduction of books - in general - has special importance; Because it reveals the mind of its creator and his method of presenting ideas and how to treat them; Therefore, it was considered a parallel text to the text that promotes a statement of the details, details and subtleties of ideas.
Since the introduction is a contract between the writer and the recipient, we will find that the writer does not only stop at the limits of the reasons for writing, but also wants to lure the recipient into the circle of his intellectual and belief system, and then win his submission and surrender.
Accordingly, the introduction was a persuasive, focused discourse or an effective argumentative starting point before entering the text of the book. Hence this research, tagged with “The Rhetoric of the Introduction in the Sources of Sufism, argumentative Reading”, noting that argument is an essential pillar of rhetoric in its broad concept.

This study attempts to address an important topic of Arabic grammar, we find that it took a good space among the commentators And it is “The Deletion Objection of the Tool According to the Exegetes until the End of the Sixth Century of Migration.” The commentators were reviewing this viewer for a semantic purpose, as the deletion objection only comes for the sake of meaning, and because the subject of the deletion objection is very large in the books of interpretation, the study was satisfied with the deletion objection of the tool and three tools only.

The research attempts to monitor the use of (Quranic) in the literary texts published in the newspaper (Sada Al-Rawdatain). Because this newspaper pays attention to this type of text, and it is a reading of one of the important textual properties, which is a color of intertextuality, but the nature of the textual correlation distinctive from the intertextuality in its wide term, because the Holy Qur’an has the authority to influence the rest of the texts, it is influential and unaffected, and the research came as a field to reveal the nature of textual activities and their mechanisms in this aspect. We monitored four kinds of employment they are: directed Quranic that’s not converted, directed Quranic that’s converted, non directed Quranic that’s converted, and indicative Quranic.

The argument colors a strategic communication that aims th effect the other an persuade him, it is a communicative system that contains language data with external contextual cues.
From this point of view, this study sought to combine two modern theories that analyze texts to show the accuracy of weaving, and the splendor of beauty: (argument and communication), argument is human action aims to persuade depend on the weighted mental bases.
There is no doubt that the texts of Imam al-Sadiq (peace be upon him) have a high argumentative power. The receiving arguments in his will to Unwan AlBasry are arguments builds the living reality, because his value is in the addresser himself that we can consider it as an important argumentative introduction employed in a achieving several results, and from here the task of the will is demonstrative, while the task of citing the Qur’anic texts is illustrative, which is something that gives the recipient great pleasure and recognition of the hypotheses presented and the inference of the texts received.

The research rooted for two Arabic terms, namely, the living letter and the dead letter, which were popular among Arabic scholars from AlKhaleel and beyond, but I did not find a significant impact for them among the modernists, especially those interested in phonetic terms, so I tried to root them in grammatical heritage. The grammarian, starting from Sibawayh’s book to the tenth century AH, and the most important finding of the research is that the sounds of Arabic among the ancients were divided into two main parts: live (silent), which is movable, and dead (voice) static, which are: Alif, Waw and Yaa, which are two modes, and the two fricatives are attached to them; Because they are still, and they have

characteristics that I discussed: in survival and omission, eloquence and substitution, dwarfing, and inclination, and the most important of these characteristics is that the living voice is stronger than the dead, so the latter is subjected to omission, evocation, substitution and immersion; Because of its weakness, while the first is stronger, so it is stronger and more capable of resisting transformation and change.
The research showed the error of the scholars of Tajweed by dividing the sukoon into living and dead with detailed evidence.

The linguist (Austin) developed his famous theory of verbal verb theory to form the basic nucleus around which the deliberative approach revolves, followed by his student (Searl) to complete On his hands this theory and ripening, which is that every (saying) is (an action), and this action can be achieved and perform an achievement in reality if it is uttered, and this achievement varies in strength, impact and performance according to the meanings carried by the executing act and the accompanying verbal aids, This theory is based on the principle of intent that must be taken into account while carrying out the informative communicative process, in addition to taking into account the reporting process itself represented by the two parties to the communication, namely the speaker and the recipient and the cultural, social, psychological, historical and other conditions surrounding them and the reporting process.

Satire in the Arabic dictionaries from the satire that satirizes any insult by numbering of defects ((from here it becomes clear the error of the Arabic dictionaries that spoil satire by insulting in poetry)).
Yet, satire must be based on the principle of equal status between satirist. It seems that the word satire has a sensory meaning that has evolved into the usual meaning. This purpose has remained prominent throughout the ages ((because we are a people who have been enamored with this fondness for verbal eloquence)). In any case, satire, especially the satire of the self, remains reprehensible. The noble prophet said ((Don’t say l am afraid of myself but I measured myself)). Some poets refer to this type of poetry (self satire) ((It is if a person finds himself insignificant and is not worth anything. All that is above the dirt is dust, and thus the satire is mixed with lamentation)) and thus the four purposes become two purposes)) This and that the poets who satirized themselves were similar in their characteristics and their social and moral situations, some of them mixed satire with irony. This is what is called masochism in psychology. As for modern self-satire, it has become inclusive of one’s satire and life, and some have refrained from repressing themselves with stinging satire.
God help

This set of texts and letters in the names of hours and times, which are short messages, no long than per page, but the value of these messages that collected the names of hours of fluorescence Books, and dictionaries, and the names of times are few in number, so I saw that it is important to collect, verify and publish them as a group, because of their smallness on the one hand and their resemblance on the other.

After literary criticism was looking at the aesthetics of literary texts, a new trend appeared - called cultural criticism - calling for research and diving into the hidden concepts under the cover of aesthetics, cultural criticism is all the ideas and beliefs that the literary discourse broadcasts between the folds of the aesthetic texts, and by probing the depths of the literary discourse; To search for the cultural patterns hidden under it, it needs active characters, who transmit those patterns through their discourse, so we chose Sudif bin Maimon (d. 146 AH), the black Abbasid poet who was killed by the Abbasids, because of his confrontation with the authority, confronting them directly, and speaking out his love for their enemies; A topic for research in his poetic discourse on the political patterns, which were distinct and apparent in his poetic discourse, to express a firm belief and true belief in those patterns that he wrapped in the apparent aesthetic.

The research is an attempt to reveal the critical effort of Dr. Mohsen Etemesh by referring to his critical writings that touched the literary text in general and poetic in particular Through which he was able to reveal his critical vision by setting the conditions and limitations of the critical procedural process, a vision that started from the text and returned to it, as the text has the focus of study and research.
The research also revealed the method of Dr. Mohsen Etemish in dealing with the literary texts specially the poetic, so criticism is based on objective and methodological foundations, in which originality and modernity met, hence the specificity of his critical approach. He looked at the literary text as a creative text, but - as we said - according to theoretical limitations and procedural requirements.

Quranic stories are characterized by a number of features that make them unique and remarkable. Among these are reality, credibility, wisdom, and morality. In addition to that, Quranic stories often manifest two types pf events and happenings. The first is a related to the life of the past nations. The second exhibit the main aspects of prophets and messengers lives, in that it highlights their lives fine details, their miracles and merits as well as their nations beliefs. Lady Mariam’s story (pbuh) is one of the immortal Quranic stories. It has the elevated narrative structure elements of events, characters, plot establishment basis (dialogue, narration, and description, in addition to settings represented by time and place) with elements of metaphysical powers.
These elements are semented and distributed over the dimensions of the Quranic text embodied in the Quranic text of lady Mariam’s story. Such a distribution has endowed each with a main function whose absence would disturb the equilibrium of the structure and semantics of the story since the objectives and goals that this story seeks to materialize are the ones which define the story presentation mechanisms, the ways to crystallize and generate events systematically to make it such a productive story where the main themes should be highlighted. Among the most important themes that glow with meaningful and anesthetic denotions deep from the story of lady Mariam (pbuh) is the theme of conflict between the hegemonic characters in the story (lady Mariam’s people) and reason represented by Mariam (pbuh) and those who have stood by and supported her who represent the divine support embodied in the soul of Jesus (pbuh) and Gabriel (pbuh).