Basrah Arts Journal

Nature has been a communicative relationship with human since he foundhimself
among its laps. This interaction has led him to look for solutions and paths that
creates a possible human life full of art and beauty.
The artist / man was the creature that dealt with nature, as he owns that special
thing called mind. From this point the start begin by the artist; the theatrical one in
particular by dealing with the natural components which are the basic unit for the
artist.
According to these conceptions, the current research (The aesthetics of
performance in Environment theater) dealing with the efforts of actors and the
artistic and aesthetic data in this type of theater represented by the aim of the
current research to check the aesthetic data of the theatrical actor in the Iraqi
environment theater.
The researcher clarified his theoretical framework through two sections: the first is
"The beginning thoughts of the environment theater". While the second section is
titled: global experiences in the environment theatre.
The researcher concludes that:
1- the different spatial space is turned to a container of performance consists of
the actor/s and receivers who participated in the artistic and aesthetics show.
2- Actors presented their performance tools; the acoustic and physical performance
according to the acting necessities and the open space of the show that does not
include any sound effects, lighting or theatrical decoration.
3-Teamwork dominates the show which produced a cooperative performance
pattern as a result of high flexibility and awareness to control the group distribution
on the different spots of the theatrical show.The research has concluded with a list
of the most important research resources and references .
Key words
-The aesthetics of performance
-The environment theater

The arts overlap with an interrelated and accelerated chain. And then rebelling, seeking
new ideas, to challenge and innovate from previous art references, methods dare to life,
society, politics, industry and technology. And reached the limit to exceed the boundaries of
the painting and exhibition and the recipient, to challenge the art itself. After the integration
of time and space in the world of formation with its related material consequences, today
refuses to submit to one work and one goal to describe a new technique of technical skill
looking at the relationship between a set of elements and activate them between things. In
an innovative context that includes space, the ocean and the public. And to employ the
place according to all its potential and potential meanings. To display art in which plastic
arts merge with other structures that are adjacent and contradictory. To establish standards
and technical facts. This was a prerequisite for the emergence of the art of installation as
an existing method, which may be able to end the pursuit of modernity to escape from the
ideal world and end the conflict with life.The art of composition is an artist's art or as
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defined by the artist. It may be executed at an unexpected location. Both at home and
abroad. An artistic form with origins in the art of the event, appeared in the 1960s. It is the
construction or assembly of materials and influences, which occupy and affect its
surrounding environment. And is presented for a temporary period either in an exhibition or
in a non-technical context. And the nature of the work make the presence of the recipient
materially inside the work to interact within the whole scene and explore the different
meanings.
The current research (the system of formality and technology and their impact on
contemporary art) is an attempt to uncover and define the formal and technical system in
the structural art and the diversity of the display spaces of the formal and technical system
in synthetic art. The advantages and references of what is based on the work surface for
the purpose of understanding the causes of these problems and ways to reduce them
through what this research through its joints to lead us to achieve a thorough
understanding of what is going on in the synthetic art by understanding the causes of these
problems and the disparity and the mechanisms of interpretation and system Working with
those works of art.
The researcher sought in the first chapter to present the problem and the importance of the
research and the methodology used in it and then identify the research objectives which
are the disclosure of style and performance and the intellectual and structural implications
of the system formal and technical in the art of installation. In the first part of the second
chapter, the researcher focused on the formal system in contemporary art, the
technological system in contemporary art and the organizing systems of the structural art,
to reach the most important result of the theoretical framework as indicators that represent
the bases upon which to access the analysis and then extract its results.
The third chapter dealt with the trend towards analyzing the technical works of the artists of
structural art and their mechanism and operating systems, which included the identification
of the research society and its sample (4) samples that were deliberately selected through
procedures and justifications for starting the analysis through analytical descriptive
approach.
In the fourth chapter, the results were discussed according to the theoretical framework of
the indicators and to achieve the research objectives. Through the results of the analytical
study, the researcher concluded a number of results, the most important of which are:
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1.The formal and technical systems of the exhibition space, exhibition walls, floor and
ceiling, with the introduction and assembly of different materials, with the actual receiver's
contribution to the work of the presentation of forms that are not bound by the boundaries
of the reference of material references that are compatible with the system of thought and
senses for visual work required to be completed on the presence of the recipient in
samples all of them.
2. Adoption of formal systems on concepts of fragmentation, disassembly, nihilism,
tampering, consumerism, marginalization, anxiety, fear, sex, and alienation in sample (1)
and (3)
3. The adoption of structural art on temporary forms that may end with the expiry of the
presentation shall be based on immediate references and may differ from the references
adopted by the sample recipient (4

The named research “ The female identity in cinematic enumeration in the
Iraqi feature film “ looks for a very important subject which is that the cinematic story
of Iraqi cinema has never given the females their equality until the current day
except in rare situations, The female were never given their performance space to
show that it’s a humanitarian importance in the movement of the Iraqi society, and it
was never given a good nation look but only shown as either the Mother, sister,
Wife and so on, while the female has participated in every war. The research
problem : which could be held under this question ? What are the capabilities that
could make the story enumeration show the female national and humanitarian
identity in the Iraqi cinematic movies? This research like other research’s
contains:1st methodical framework; 2nd chapter : The theoretical site; 3rd chapter :
The methodology of the research; 4th chapter : results, Conclusions and
References.

Your beliefs in the war world in the Arab world on the Iraqi memory, imagination
and psychological, a little accomplished my beauty is? Contemporary Iraqi Kelly
carried Moroccan aesthetic and intellectual characteristics
The search for yourself came in the first to search for yourself. To express in the
aesthetic field and similar work in the field of project infrastructure What to do in the
field of sculpture
In the third chapter of the program of searching for materials in the global social
network (the Internet) and empowering the wisdom of the research and employment
community a sample constituted in an intentional manner where (5 models) for his
sculptural works
The fourth chapter was the most important findings and conclusions
1_The analysis of the sample of the current research sample sculptor Mutasim alKubaisi the subject of the war on his country Iraq with a critical political vision
(satirical criticism) through the activation of the satirical discourse in the structure of
.his sculptural work in all models of the research sample
2_the artist employed the theme of war through the form (war) to be a military code
of soldiers and military equipment. It also emerged in most of the samples of the
.research sample
3_carrying sculptural vocabulary of artists Kubaisi speech expressive, criticism, to
. your vectors, forces directed by the two tissues teachers)

Popular heritage is one of the impertart tributaries of the art in general and
the theater in particular especially the theater directed at the childers. Which
has long been employed by the writer in their.texts theatrical in all forms and
methods, to welcome the new generation and definition of heritae and history
and employment in the text and then in the presentation directecl to this
important segment .
This researeh may consist of four chapters, the birst chapter deat with
problem of hesearch and its importance and the need forit . the problem of
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research was determined in answering the questioni how was the popnlar
heritage used in texts of the childrens theater . the limits of the research were
limited to the texts of the childs investment theater for the popnlar heritage
composed and prepared by the drama writers , the chapter ends with
definition of terms and their procedural definition.
The secand two topies , the first dealt with the concept of folk heritage and its
type , and the secand studied the employment of the popular heritaye in the
texts of the children s theater , canclusion the theoretical framework with in
dicators .
The third chapter contains the nesearch procedures that included the
communily , sample and research tools and then Gnalysis of the sample of
the research but the fourth chapter in cluded trae results, conclusions and list
of sources .

The variables played a major role in the transformations of the art map,
which included a conceptual philosophical thought of changing the dominant
culture. This transition to modernity and beyond took on an important role in
the structure and concept of artistic work. Philosophical ideas created modern
values compatible with contemporary values. , But at the same time weave
something of symbolic aesthetic sense changed the nature of art due to the
change of the concept of time, the art of the classic concept to the concepts
of modernity and beyond, and in a special philosophical format, so abstract
expressionist art is an attempt to translate the sensory image we see not
Because the artistic form has become the introduction of a group of ideas
because the most artistic trends in modernity and beyond sought to transform
the concept of art from constant to variable and from this to the idea that is
intended to express it and the integration of philosophical theory in art which
is the pillars of postmodern art that transformed the classics of the arts The
ancient to the modernist arts, including abstract expressionism.

The current research targeted the impact of the visual teaching strategy in the
development of the skills of middle school students in art education through
:verifying the validity of the following hypotheses
1-There is no statistically significant difference at the 0.05 level between the
.two groups (control - and experimental) in the tribal skill test
2-There is no statistically significant difference at the 0.05 level between the
.two groups (control - and experimental) in the post - skill test
The Jumana High School in Baquba was chosen as the sample of the study
by 96 students with two divisions for each division (48) students, and a (A)
.experimental unit and (B) were selected
The researcher prepared a measure of the performance of the students and
the skill of ten paragraphs
After applying the experiment on the sample of the research and conducting
the test before and after and after analyzing the results using t-test, the
:results showed
The experimental group exceeded the control group. The researcher presented
a number of conclusions, recommendations and suggestions in light of the
results of the research

The Department of Musical Arts is one of the most distinguished sections in the world
due to the rise of this art perfection and pure beauty. Some philosophers have classified it
as the first rank in the fine arts, while this art has declined in recent years. This research
will examine the motives that made the student away from this art and study, and the goal
of the research to find out the measure of motives of the student submitted to study the
competence of music and its view, and followed the researcher approach description and
the results of the study showed that. There is a weakness in the psychological, educational
and forced motives of the Students of the first stage in the music arts department at the
University of Basra (2018-2019). The researcher recommended the following things in
brief teaching the student music in schools that precede the stage of joining the Faculty of
Fine Arts Department of Music.

In Basrah city, many sculptures occupied its central course upon the
willing of its pundits to perpetuate its scholars and pioneers , the most of
which is characterized by direct impression of realism , this attempt
succeeded since its merge but is failed considerably upon events of
2003. No criticism writing was observed in the field of plastic art beyond
these fails... Should that the Artists ? from other external factors formed
. stresses on the artist? In Basrah City