TASLEEM JOURNAL

The aim of the study is to examine the blessed Quranic verses in which the word (orphan) is mentioned, to study them according to the concept of integrated pragmatics, to reveal the meanings contained therein by relying on the mechanisms of discourse analysis of integrated pragmatics, such as interest in context, intentionality, statement, and argumentation. Since integrated pragmatics revolves around integrating pragmatic issues into the core of semantic research, by focusing on studying the internal structure of the language, and what results from that use of this structure of meanings that differ according to the context of speech, the research adopted it as a method for analyzing the blessed verses, and it had a great impact in revealing the meanings of the discourse in the blessed verses, whether apparent or implied, by relying on the speaker’s intention, statement, and argumentation.

This research aims to analyse discourse at its highest levels in the Noble Prophetic Hadith, taking some of the sayings of the Prophet Muhammad, peace be upon him, as a model for study. This will be done by clarifying the components of each Hadith and the function of each part to reveal the meaning and symbolism of the text, using the methodological tools provided by grammar that assist in achieving that goal.
Thus, it reveals the characteristics of the eloquence of the Prophet  which are embodied in his sayings, sermons, and recommendations, not to mention the many aspects of the language's rhetoric that displayed precision and meanings, as well as the idea of selecting words indicative of multiple meanings. We will demonstrate in our research this rhetoric and eloquence through our grammatical linguistic analysis of some of his statements.

This study explores the generative trajectory of the Morning Supplication narrated by Imam Ali ibn Abi Talib (peace be upon him). This supplication is considered one of the most significant incentives for a servant to seek closeness to their Lord. It is widely recognized for its role in earning divine rewards, reforming the believer, instilling a dependence on God, and acknowledging the Creator's blessings.

The research will analyze the levels of the generative trajectory, which consist of the discursive level, the narrative level, and the deep level. These levels form the process through which meaning is generated, rather than focusing on the explicit meaning of the discourse itself. Thus, the analysis at the discursive level will address all the imagery, representational trajectories, and discursive formations. At the narrative level, the analysis will be confined to narrative programs and actantial structures. At the deep level, the analysis will encompass the semiotic square.

Allah Almighty has bestowed numerous virtues upon the Ahl al-Bayt, in addition to the knowledge He has granted them. Anyone who examines their sermons cannot deny their high level of eloquence and rhetorical depth. These sermons contain profound lessons, comprehensive admonitions, and invaluable wisdom, all conveyed through concise and impactful words that effectively serve the intended message.

This study, therefore, focuses on the formation of meanings in the speeches of one of the noble women of Ahl al-Bayt, Lady Fatimah al-Zahra (peace be upon her). Her sermons encompass a wide range of themes, with interwoven meanings that contribute to the depth of her discourse.

Fatimah al-Zahra (peace be upon her) demonstrated a high level of rhetorical artistry through the use of various stylistic and rhetorical devices that reinforced the intended meanings. Additionally, she skillfully incorporated Islamic expressions and structures, creating different levels of organization and composition. Her eloquent expressions, seamlessly connected, reflect a wealth of knowledge deeply rooted in Islamic culture, which significantly contributed to conveying the intended meanings.

This research, titled "Syntactic Coherence in the Sayings of Imam Hassan: A Textual Analytical Study" by Professor Dr. Muhammad Hussein Mahawi, aims to analyze samples of the sayings of Imam Hassan, classified as Hadiths and prose sermons, which represent a part of the rich linguistic heritage characterized by rhetorical and technical styles. This study is conducted from the perspective of textual coherence and its linguistic tools, to highlight the most important textual features that distinguish the style of this Imam, and to reveal the syntactic values in those sayings.

The prince of the faithful Imam Ali ibn Abi Talib (peace be upon him) said:
"We are the masters of speech; its roots are anchored in us, and its branches
flourish through us". This study aims to explore the most prominent
manifestations of textual strategy, which is one of the most significant
operational concepts in the theory of reception and influence, within this
blessed supplication. The study composes of an introduction, reason of
choosing the title, and the research problem, followed by an explanation
of the concept of supplication and textual strategy. It then proceeds to the
application of the strategy and finally the conclusion. The practical section
examines the introduction, intertextuality, antithetical dualities, gaps, and
rhythmic structure. It reveals that this textual strategy connects the textual
repertoire and organizes it in a guiding manner, making the recipient/reader
an active partner in the process of meaning production and,consequently,
the formation of the aesthetic subject. This aesthetic subject has endowed
the creative work with uniqueness and distinction, ensuring its immortality
over thousands of years. Additionally, it reflects the conscious intentionality
rooted in the rich doctrinal and faith-based principles of the Imam( peace
be upon him).

Pragmatics is an active intervention in the analysis of dialogues texts and speeches, in order to understand the conversational implicate and determine the implicit meaning.
This research studies the dialogue in the novel, the dialogue is one of the important form of communication it is the most reactive part in the literary work, it tries to read the “Sky Color Mask” based on the principles of pragmatics, so its analyzing some dialogues, and its defining the speech acts based on the context that contributes to understanding text meaning.
We suppose The novel is not just a literary aims to entertainment its calling for doing a job it’s called a speech act and it comes in multiple forms .
We finished the research with a conclusion in which the results of the research were recorded.

This paper seeks to expose the function of time in shaping literary asmar (evening storytelling) as a narrative genre. It examines the lexical meanings of the term “samar,” traces its semantic evolution and usage, and studies its transition to a technical term in the writings of the ancients, showing how its semantic features influenced the qualitative characteristics of this narrative form. The importance of this endeavor lies in the fact that critical studies have given particular attention to the maqam (context or setting) because of its role in defining the features and attributes of discourse. Since time is considered a central element of the maqam, this paper aims to highlight the presence of time—as the moment of narration—in asmar and to reveal the manifestations of this presence, which extend beyond the maqam to the structure of the narrative itself, transforming time into a “subject” or “material” of storytelling. The paper vets two narratives from One Thousand and One Nights: The City of Brass and Iram of the Pillars. Through analysis, it concludes that time, as maqam, shapes the unique features of this genre. It represents a time of retreat, relaxation, and an escape from the “seriousness” of the daytime, thus imbuing asmar with a fantastical dimension that is far removed from realistic experiences and elongated to match the duration of the night. Regarding time as the material of narration, the analysis finds that asmar often strives to represent ancient times and glorify their achievements, while simultaneously grappling with the moment of writing and the era of recording. These tales are imbued with philosophical, epistemological, and historical references that allow for the determination of their period of documentation.