Al-Academy

The process of employing modern technology in a consistent manner is what the researcher is interested in, and the psychological role of the sound effect in enhancing psychopathic representations in cinematic characters, which had a wide resonance in the field of cinematic films, and after the predominance of digital technology in the production of contemporary films, the sound effect has a higher efficiency And a good level of advanced aesthetic and dramatic expression in film employment, so many directors resorted to this type of films by using various new and advanced techniques and technological programs in their industry, since the traditional construction does not achieve the dazzling that the viewer desires.

Accordingly, the researcher found that it is necessary to shed light on this topic due to its importance and research in it, so a title was chosen for it (the role of the sound effect to represent the psychopathic personality in the cinema), to include the methodological framework, defining the problem, its importance and the need for it, and defining the terms (sound effect, personality Psychopathy), and the theoretical framework included the first topic (the sound effect’s significance and concept),the second topic (the psychological dimension of the psychopathic personality in the cinema), and the third topic (the psychopathic personality from the sound semantics in the cinema), after that the researcher came out with a set of indicators that he adopted as tools for analyzing the sample And the framework concluded with previous studies.

The analytical descriptive approach took its approach, and an intentional sample that meets the research objectives, the American movie (Schizophrenia SPILT), directed by M. Night Shyamalan, produced in 2016, and the researcher relied on the indicators provided for the theoretical framework to analyze the sample, and took the scene as a main analysis unit in the research, and it was produced the study a number of results and conclusions, then conclude the research with a list of sources and appendices.

The tagged search (The aesthetic images in Mohammed Thanoun graphic) four chapters, Chapter I was concerned the statement of the research problem, the research importance and it’s needed, the goal of research in identifying the aesthetic images in the graphic of the artist's, the research limits, and identifying the most important terms, chapter II came with theoretical framework and included three chapters: chapter I was interested in the aesthetic concept. chapter II is the image aesthetic in the graphic, and chapter III is the artist experience, Chapter III specializes in research procedures: community, sample, curriculum, tool, and sample analysis. Chapter IV ended with results, including: dynamic research sample illustrated of the diverse and changing movement and the artist's ostracism and resentment from the rigid style. then the results included: He evokes the past in his artistic productions in structures of images aesthetic to remember his childhood by its social realism.

The techniques of contemporary Iraqi painting and their reflection on the productions of students of art education is an important subject in the field of painting at the theoretical and practical levels in academic study, whether theoretical or practical. Al-Iraqi is one of the arts with historical roots and a distinguished position among other artistic genres. Painting has received a sufficient level of development through the use of various contemporary techniques to advance it for the better.
The methodological framework included the problem of research and the need for it, and then the importance of research came in shedding light on the techniques of contemporary Iraqi painting, and the impact of these techniques on the productions of students of art education and the benefit that was reflected in their official productions. The research aimed to reveal the immediate techniques and their mechanisms, and the extent of their reflection on the productions of art education students. By stopping and defining terms?
The theoretical framework included two sections: the first: a historical introduction to contemporary Iraqi painting, its roots and beginnings. The second: contemporary Iraqi painting techniques. The research procedures included: The research community and the research sample included (3) official works,
The results and conclusions reached by the two researchers:
1. The techniques appeared strongly in all the art education students’ outputs in all samples.
2. The student relied on his imagination to produce new formal compositions.
3. The small number of textbooks on drawing techniques to be taught to students of the Department of Art Education.

The artistic process operates whether in general in all arts or specifically in one type of arts or one of the genres of arts types on the preoccupations of the pressing artistic references as the founder of the artistic work in the material formulations on the one hand and on the other hand as a translator to understand the artistic achievement in general and plastic art in particular and for the importance The researcher chose the title of her research tagged (the preoccupations of the pressing reference and its impact on the formations of postmodern arts).
The first chapter of the methodological framework deals with the problem of research, importance, objective, limits, and then terminology and its definition, and then the second chapter, which consisted of two chapters in the concept of the pressing technical references, and the second chapter dealt with the aesthetic preoccupations of the pressing technical references in the artistic achievement, and then the indicators of the theoretical framework, and then the research procedures that formed the third chapter With the analysis of the sample, and then the fourth chapter, the results and conclusions, and the most important results were: The reference system in general, and the pressing artistic reference, in particular, works to generate a different artistic achievement on the aesthetic and intellectual level, and the functional and intellectual preoccupations as an expressive aesthetic value for the artwork.
The most important conclusions: The expressive power as an intellectual value linked to the form is determined by the pressing artistic references as the mediator responsible for translating ideas from the invisible in the imagination of the artist to the visible in the material medium and then to the invisible in the mind of the recipient. And then the sources.

Theater is described as a form of human expression, and an important human necessity, through which the needs of individuals and societies are expressed, and an important mediator for the transfer of educational, social and intellectual dimensions. Hence, the importance of the child’s theater emerged as a guiding educational method that affects the child’s development educationally, emotionally, psychologically and socially through imaginative play that combines enjoyment and entertainment. The grotesque is one of the artistic methods that work to attract the attention of the recipient in theatrical texts that combine dissonance and contradiction in a dramatic act that combines the beautiful and the ugly, the honest and the false together as an expressive method for the theatrical text directed to the child. The first chapter (the methodological framework) dealt with the research problem that was identified in the following axis: What are the works of grotesques in children’s theater texts? The importance of research on the subject of grotesques is evident as it is a sensor that provides researchers and stakeholders in the field of children’s theater by shedding light on the concept of grotesques and its activities in his book the theatrical text directed to the child. Child . The researcher reached the most important results:
1-Presenting what is positive and negative in an objective manner within the drama of the theatrical text
2-The presence of animal and plant characters, which makes the text a kind of humanized plays

This research deals with one scene from the movie Romeo and Juliet, which is the balcony scene, due to the importance of this scene in the formation of the construction of the subsequent events of the movie.
The first chapter contained the methodological framework of the research, where the research problem was identified in how Zeffirelli dealt with the balcony scene in the play Romeo and Juliet and enriched it in the cinematic language with a comparison with the original text of the scene. In the balcony scene with comparative parts between the film and the text and the limits of the research that was limited to the film Zeffirelli and the translated text by Munis Taha Hussein.
The second chapter contained the theoretical framework and previous studies, where the theoretical framework included three sections, the first on Shakespeare and the Romantic Theatre, the second on Romeo and Juliet and the construction of the romantic play, and the third, Romeo and Juliet in the cinema.
The third chapter included the research procedures, where the researcher used the descriptive and comparative approaches and the research tool extracted from the theoretical framework and previous studies.
The fourth chapter contains the results, their discussion, and the analysis of the research sample, the indicators that the researcher reached. The fifth chapter included a summary of results, conclusions, suggestions, sources and supplements.

Intellectual and material displacement is one of the design strategies through many mechanisms and means, and depends on the idea of changing the shape within the internal spaces at times and has concepts related to the transformation at other times. And represented by the boxes for travelers, the research problem emerged through the following question: (What is the effectiveness of displacement in the formal structures in the interior design of historical sites), and the aim of the study is to reveal the reality of the use of historical internal spaces and to determine the formal displacement that occurs as a result of change and transformation, and it included two topics, the first topic Transformation and the effectiveness of formal displacement in the interior spaces and the second topic: the transformation in the interior design of public buildings. And other moral ones are linked to the historical space and the partial or comprehensive effects that occur on them that affected them differently through the preservation or the dismantling of the design system. in a different format.

By reading the book (Endless Forms Most Beautiful: The New Science of Evo Devo) by Sean B. Carroll, new horizons opened up about the nature of the formation of the living organism. Although he presented the idea that the artist was influenced by the material assets of nature in his holographic art formations, the new science of Evo-Devo (Evolutionary Developmental Science) provided models worth standing on when comparing the similarity of the formation of living organisms on the one hand, and the formation of works of art with holographic organic bodies on the other. But the excitement lies in the fact that the formation of living natural organisms is often driven by subtle intelligent mechanisms that are different from the mechanisms used by the artist in stereoscopic organic formations. Holographic art formation is carried out with preconceived schemes and perceptions stuck in the artist's mind, which is not necessarily similar to the tools of nature in shaping the body of a living organism. This study comes to address (the stages of production for the artist) more than it addresses (the final product) of the holographic artwork, in an attempt to imagine the extent to which the artist was involuntarily or involuntarily influenced by nature as recounted by Sean Carroll in writing, relying on scientific experiments in evo devo science. Based on the exceptional content in the book (Endless Forms Most Beautiful: The New Science of Evo Devo), this study comes to complement one of the building blocks of our perception of the artist's plastic abilities and the relationship of his holographic visual perceptions with nature, and explores the idea of formation and its growth beyond the final form of holographic artworks.

Meditationsuggetsthat the theatrical world and the receiptindicatethattherie a thread connection or relationshipbetweenthembecausetheateris an art thatfailsinto the abyss of the humanfield ,receivingis a practice thatisreffered to by corners of society and islocated in the context of thisfield. Thus, the relationshipbetweenalgeriantheater and the recepientissanctified by the nature of theaterwhichisbased on a social basis thatbuildsitsexistance and continuityfrom the recepient.Its impossible to imagine a real theaterthatwillbeestablishedunlessit’sassociatedwith an audience so one hand never claps to makesound. This connectionis the first phenomenonthatcanbecome accessible to all people and itremains the second phenomenonthatrequires the presence of motives and fundationswhenpracticingitthat id represented or shown in the cultural and cognitive balance thatallows the most important to interfere in the moment in which all forms of phenomenathat express the multiplicityof meanings for the recepient .
Fromhere, wedecided to present the problematic of this intervention in a sequencethat combines the beauty of reception in the algeriantheaterthenweconcentrateoursyudy on the play’ s recepientsuch as « STOP » written by Moammed Ben Guattaf in the seventies and welinkedit to the discussion of a hypotheticalrecepient and provinghislegitemacy .So, to whatextentMohammed Ben Guattafwas able to create a theatricalworkthat the recepientcompletesitsmeaning and proveshisexistance ?orhow can the Algerian theatertodayprove the legitemacy of the hypotheticalrecepient in the shadow of the so-calleddirect ?or in otherwordscanweconsider the hypotheticalrecepient a new recepientimposed by new theatrical’swork and dictated by the necessitythroughwhich the theatricalcreatorsearch for new one instead of the lost one .

Art education is one among the fundamental subjects for elementary school students, because it contributes to assembling learners’ personalities and developing their technical skills. For this reason, this research comes, which aims to understand the effect of the task groups’ strategy in developing the performance of elementary school students in art education. to realize the goal of the research, the researcher put the subsequent hypotheses:
-There is not any statistically significant difference at the amount (5%) between the typical many students between the experimental group that studied consistent with the strategy of task groups and therefore the control group that studied in keeping with the same old method that they obtained per the appliance of the observation form afterwards, and to verify the validity of the hypothesis, the researcher applied his experience On the 2 groups and using the achievement test (T-test), it had been concluded that the experimental group that studied with the task strategy excelled in its skill performance in step with the observation form prepared by the researcher, that the researcher recommends using the task strategy for its impact on developing technical skills.

The basic units that form the convergence of the systems of the dramatic image of women are units based on the mentality of the entire society and what it stores within its collective idea of a general composition about women and their issues and all the phenomena that affect their general formation, as the form and style in dealing with women’s issues developed through the stages of the development of art and theater From inception to our time now, the follower of the global theatrical path finds a different image of women in terms of dramatic formation and the general topic around which the event revolves. Studying and highlighting women’s phenomena and proposing ways to treat them were among the most important goals of many international or Arab playwrights The Iraqi theater, like other theaters, came to present and treat women’s issues, including the phenomenon of spinsterhood, how to treat and limit it, and shed light on all the reasons and causes that made this phenomenon spread recently among girls, especially Arab and Iraqi women in general. Towards the writers and directors of the Iraqi theater who dealt with this phenomenon in a dramatic manner directly. A play came and they lived a happy life written by Ali Abd al-Nabi al-Zaidi and directed by Kazem Nassar. And conclusions about the study of this phenomenon, especially in the Iraqi theater.

Given the importance of the phenomenon of bullying and its spread in the productions of animated films and the resulting impact on them, and the dominance of a large number of satellite channels that simulate different age stages and for both sexes. It is bullying others and their imitation of characters inspired by animated films with aggressive behavior that appears in them by imposing his authority by force on those who are weaker than him and in various methods that fall within the concept of bullying, and the interest of most satellite channels in this type of production that simulates different age groups, this research comes as an attempt A scientific method through which the researcher seeks to know the issue of the dramatic construction of bullying scenes in animated films and the drama embodied in their scenes by analyzing scenes from different samples in order to reveal them. Based on the foregoing, the research deals with an important aspect of the creative process in animation-oriented production, through the elements of the cinematic language, by identifying its expressive and semantic data. of job performance.

This study analyzes the features of historical and modern mosques in Jordan compared to that of Amman. The architecture of the Jordanian mosques reflects the images of great ancient empires and kingdoms of Europe and the Middle East. This has happened due to the geographical position of the country. From the studies of historians and archaeologists, comparative analysis of planning solutions, the use of plastics and decor of the facades of mosques, and the literature on the construction methods of the mosques allow us to conclude that age-old traditions have been preserved through the establishment of mosques in both the countries. Besides, the emergence of new features in constructing mosques has been observed. We find the influence of western architecture in the modern-day architectural designs of Jordanian religious establishments. Meanwhile, in the architecture of Amman mosques, a type of small temple is noticed, the volumetric-plastic composition of which is solved in an innovative way, not to resembling historical temples. In constructing mosques, Amman focuses on preserving the identity and spirituality of the mosques but adds new metaphors by ensuring multidimensionality of space and adopting the architectural designs of modern cities. Changes in the architecture of mosques happened due not only to new technologies and materials but, also to integrate with the processes of globalization and international cooperation of architects. We observe the construction of ancient mosques in both the countries combined both European and American architecture which reveals new images and possibilities of the architecture of the East.

This research is concerned with the study of (the aesthetics of structural relationships in Calligraphic formations) with what characterized configuration formations through the style and technical method in their construction, and the specifications it carries that enabled it to pay attention to building formations to achieve the overall ranges of formations and aesthetic differences, and through research, growth and study The survey that he obtained enabled him to pose the research problem in the first chapter according to the following question: What is the aesthetic of relationships in Calligraphic formations?
The importance of the research in achieving the aesthetics of relationships, which is a wide field according to the transformation of the constructive form, because of what the research carries in revealing the aesthetics of the constructive relationship in the Calligraphic formations written by calligraphers in (Iraq, Morocco and Syria) for the period from (1419 AH - 1998 AD), (1430 AH - 2008 AD), and the second chapter included two topics, the first is beauty in Arabic calligraphy, and the second is the aesthetics of constructive relations, and the third chapter included research procedures based on the descriptive analytical approach. According to the research tool represented by the analysis form, which included four pillars whose validity was supervised by a group of specialists, followed by the fourth chapter, which included results, conclusions, recommendations and proposals.

A collection of pictures of traditional Kurdish women's national clothing and contemporary clothing was collected. A visit was also made to the city of Sulaymaniyah and the city of Halabja to find out the foundations of traditional clothing for the Kurdish regions and the impact of contemporary fashion on traditional dress. Which represents the culture and regionalism and reflects the picturesque nature of northern Iraq, and in order to complete the study, the parametric measurements of the clothes were analyzed and the graphs of the dress and its accessories were re-drawn to understand and make a comparison between them to study the clear influences and changes and examine the possibility of benefiting from them in sewing contemporary fashion young women and ensure that they do not abandon their traditional dress.

Based on the theoretical ideas of E. Cassirer, a methodology is developed and an analysis of the painting work by J. Saleem, a representative of modern Iraqi painting, is carried out. While comparing the artistic programme of J. Saleem and the views of E. Cassirer, the methodological potential of the theory of the symbol for the art criticism analysis of the regional painting is clarified. Comparative analysis with the inclusion of the works of B. Buffet, B. Turetsky, J. Miro helps to see the multiple meanings of the same cultural symbol in thematically similar works of different years, created in different socio-cultural circumstances. The article shows that for regions with a shorter history (France, Russia, Spain, etc.), which have lost direct connection with the original myths in the process of civilization development, E. Cassirer's methodology can be applied only with significant amendments.

The investigative film is part of the documentary films and is considered one of the important films that have a high viewership by the recipient, which is of great importance in transmitting information and contributing to creating awareness of the community through the advertising function performed by the cinematic image, as the researcher addresses the concept of advertising and its development through the time stages. And advertising functions. Then the researcher dealt in his research with the cinematic technical elements that contribute to the success of the investigative advertising work, such as camera movements, music, sound effects, dialogue ... etc., which enrich the investigative picture with realism and the flow of information in a smooth and logical manner, creating an atmosphere of anticipation, tension and curiosity for the recipient.

The aim of this research is to identify how to employ the social imagination and its representations in the paintings of the students of the Department of Art Education. Students of the Department of Art Education in the light of this tool, and the researcher reached a number of results, the most important of which are:
1. The indicator of the social imagination in the excitement of the artist and the recipient, because the representations are embodied in forms within the painting and close to reality.
2. An artistic sample of the representational imagination and the creative imagination was found to be more than the imaginary imagination.
3. Individual symptoms related to the term.
4. The representations of the social imagination were able to focus on social values and reject archaeological values, eliminating the positive energy of the artist and the audience.
The research concluded with a review, recommendations and a list of references.

The current research dealt with the study of space compatibility and its role in enhancing the functional aspect of the design of the interior spaces of isolation hospitals by finding a system or format that is compatible with the nature of the changes occurring in the structure and function of the space system, as well as contributing to enhancing compatibility between the functional aspect and the interior space. Therefore, the designer must The interior is the study of the functional and spatial aspects as they are the basic aspects for achieving suitability, and through the interaction between the person and the place, the utilitarian performance characteristics are generated that the interior designer is interested in and tries to develop and give them the appropriate design fit. The research consists of four chapters:
* The first chapter: dealt with the research problem that was crystallized by the following question: “What is the role of spatial suitability in the process of change to embody the functional aspect of interior design?” The importance of the research is demonstrated by presenting a study necessitated by the necessity of raising the level of interior spaces, especially with regard to the issue of space suitability. The research also contributed to benefiting researchers and students regarding the results reached by the current research in the field of space suitability and confirming the functional aspect of interior design. The aim of the research is to clarify the role of adapting the interior space to the nature of the changes occurring in its systems and to confirm the functional aspect for which the space was designed. The first chapter also included the limits of the research (the objective limit, the spatial limit, the temporal limit) and the definition of terminology. The second chapter included the theoretical framework, which was divided into two sections, the first of which was: suitability, its concept, and its types. The second section was: the spatial organization of patient residence wards in hospitals.

Art is a language in which the artist expresses himself, his society, and the events he lives in, so new artistic trends emerged, so the artist no longer practices his art as required by any previous artistic rules. And the thoughts wandering inside him, which led him to the abstract method in which the artist tries to employ the elements of the artwork in a plastic construction through which he achieves the relationships of the abstract form through the rhythms of lines, colors, spaces, shapes and textures without these plastic elements having any connection with the visual reality.
The research aims to find a new vision inspired by the school of geometric abstraction to enrich the field of Saudi plastic painting. And to take advantage of the characteristics of the school of geometric abstraction to produce innovative paintings in the field of plastic painting. The research dealt with the geometric abstract school in terms of the concept, its origin, and its most important artists and works. The research community consisted of the total artistic productions carried out by the artist, as an intentional sample of artists who dealt with the geometric abstract school style was chosen in their artistic production. The researcher followed the analytical descriptive approach in tracking the literature related to the geometric abstract school, and the experimental approach in conducting the research experiment. The researcher reached the following results: 1- Introducing new visions from the geometric abstraction school with various techniques with distinctive rhythmic systems produced by the artist's thought and imagination through the geometric abstraction school method, which affected the flat plastic painting.2- Geometric abstraction is characterized by strong tools and elements such as: fragmentation, simplification, compositions, overlapping lines and colors, in addition to methods of repetition, vertical and horizontal perpendiculars, and oblique axes in a structural relationship.3- The artist was able to reflect his emotions on the lines, colors and tools he used to produce the artwork according to what he deems appropriate in the style of the geometric abstract school.

This research deals with the perceived and the imagined in the texts of Yusef Al-Sayegh, considering language as the most important source in literature and theatrical criticism, and given the importance of the subject, the researcher monitored many philosophical and psychological opinions and theories related to (the perceived and the imagined), and they were discussed and their compatibility with the Iraqi theatrical t As for the second chapter, where (the theoretical framework), it included two topics, and the first topic was about the concept of the perceived and the imagined, and the second topic was about Youssef Al-Sayegh and the structure of the theatrical text.
In the third chapter, where (research procedures), the researcher analyzed the text of the play (Desdemona) by its author (Youssef Al-Sayegh), and the researcher intentionally chose his sample by adopting the descriptive analytical approach.
ext. The research consisted of the following:
In the first chapter where (the methodological framework) that includes the problem of research and identifying the most important obstacles (the perceived and the imaginary) and their necessity in the Iraqi theatrical text, this chapter also included the temporal, spatial and objective limits of the research, and then concluded The most important terms used in the research have been separated.
In the fourth chapter, the researcher (discussed the results of the analysis) according to the objectives of the research, as he found that the Iraqi playwright can replace a number of words and sentences to produce the same meanings that the idea of his text aims for from a different text, as well as the possibility of injecting interpretable symbols ( perceived and imagined) In any play, it enables the recipient to receive it and remove ambiguity and ambiguity, if any, and then the researcher reached the conclusions and found that the production of meaning is easy for the recipient if the author succeeds in using the elements of the text in a proper use, just as the Iraqi recipient (the reader) simulates the forms (perceived and imagined). Allah) in correspondence through its symbols and meanings, and it is one of the tasks entrusted to the author of the theatrical text, and then the researcher confirmed the recommendations and proposals.

Traditional programs and the tedious and financially costly processes they require are no longer the best choice for content makers. The continuous development and development have led to the emergence of competitive software that offers capabilities that are more suitable for aesthetic needs, as it breaks down stereotypical frameworks from the familiar to the unfamiliar to be more suitable for graphic subjects in terms of dealing with the requirements of the digital content industry. Video for communication platforms, as it has more advantages than traditional software and the flexibility and high quality it offers at the level of the final product, All of this contributed to supplementing the image with aesthetic employments with data that meets ambition and moves away from monotony due to its close connection to society and lifestyle. Cap Cut is one of the most important developed programs that benefit digital video content makers and short film makers on the Internet due to its visual capabilities that enhance the expressive aspects of production processes. Meaning and finding unconventional formulations at the level of digital effects that are constantly developed and updated to enrich the image and make it aesthetically superior through the creative employment of the work maker.

In recent years, the means of communication have achieved a great generality that made them occupy, in a short time, the first ranks among the most widely used social networks in the world, due to the many services and advantages offered by this network to its users. It has led to a leap in the field of visual communication, especially since it relies mainly on the image Its dimensions make it a means of communication and transfer of ideas and meanings between the peoples of the world, and it also allows the inclusion of digital advertising content using multimedia with a degree of professionalism in other social networks, which allowed the various segments of society the opportunity to invest this network in their businesses of different orientations and goals. Especially with regard to the degree of digital maturity and awareness of the importance of these communication media among those in charge of the economic field in Iraq. Keywords (digital marketing, communication, promotion)

The research included four chapters that defined the theoretical framework of it in three sections and dealt with the following topics: (marketing foundations between the concept and objectives, the effectiveness of communication means and their transformations in the management of marketing and digital promotion, digital promotion and its impression on the user), then the research dealt with indicators from which the theoretical framework came out. As for the third chapter, the researchers dealt with the procedures that it carried out, which included the research methodology by choosing the descriptive approach for the purposes of analysis, adopting the intentional sample method in selecting the sample models, as (3) models were chosen from the research community with a rate of (60%) from the original community, then The fourth chapter is devoted to presenting and discussing the results and conclusions, as it came from them:
1. The communication means of digital marketing through advertising ideas gave influence and persuasion of the product through the offers and facilities provided by companies to enhance their marketing goals in a way that suits the user, and this appears in all research samples.
2. Achieved the effect of social networking pages, including Facebook, for companies to promote their advertisements in an effective and simple way to reach the user in the use of publishing and promotion. The research also included a set of recommendations and proposals, a list of sources, appendices, and an abstract in English

The purpose of the research is to describe and analyse the content of visual declarations directed at Saudi society in the light of the sociology of culture, to determine their subjects and to identify the main objectives of visual declarations and their cultural components, the study population consists of fixed visual advertisements, directed at Saudi society, the study sample was selected in an intentional way, numbering 50 ads, fixed during the 2016-2022 period, the research was based on the analytical descriptive approach, and the study sample content analysis card was designed, the study concluded that the promotion of commercial products and services is the most common subject, the contents of the most widely used visual advertising elements are (Arabic language, avoiding deception and misinformation, observing the political values of the Saudi society - advertisements free of phrases, and the indecent images - their compatibility with religious teachings), ratios decreased in terms of (taking into account the family values of the Saudi society - the ads fit with the customs, traditions and customs of the Saudi society - staying away from the transfer and translation of ads of other societies - not exaggerating and aimless costing - meeting the cultural desires and needs of the community - enhancing the ads for the cultural identity of the community), the most important recommendations preparing studies on the design of visual advertisements using the survey tool and knowing the opinions of society in terms of sociocultural, preparing studies on the methods of visual advertisements in the Kingdom in terms of aesthetic and design, developing advertising methods using contemporary tools that enable the user to interact with advertisement.