Al-Academy

The strategy of designing the covers of international magazines emerges as one of the expressive means that reflect the emotional and expressive aspects and employ them according to the spatial transformations and the struggles of globalization to usurp the intellectual, cultural, value and civilizational essence of man, which makes him vulnerable to psychological and spiritual alienation and becomes the abstract meaning of identity and culture, and the empowerment of cultural invasion and the control of consumer thought The contemporary globalist on the largest area and the globalization of the peoples of the world, and the study came in the first chapter: the general framework that includes the problem of the research to raise in our mind the following question: (What is the alienation of the visual in the design of the covers of international magazines?), The importance of the research lies in the study of the features of cultural, religious, political and social expression In the covers of contemporary international magazines and making their global covers a visual message related to cultures and values of authenticity and civilizational race at the global level. The aim of the study was to identify visual usurpation in the covers of international magazines. Alienation through the design idea) with indicators, and the third chapter included procedures The research and how to choose the research community and analyze sample forms, and the most important conclusions:

1- International magazines raise topics that raise controversy towards political, cultural, religious, moral and aesthetic alienation, through design elements as visual alienation that raises ideas and questions in the imagination of the recipient and the reader.
2- The covers of international magazines seek to be a means of visually alienating their design content by supporting different aspects that contribute to strengthening the material presented towards a self-visual culture that competes with globalized perspectives.

The current research aims to: (know the effectiveness of the harvesting strategy in the achievement of the students of the Institute of Fine Arts in environmental art.
- In order to know this effectiveness, the researcher put a main zero hypothesis and derived six sub-hypotheses from it. the usual way; As the research community reached (120) male and female students of the Fine Arts Institutes for the morning study in Baghdad. As for the research sample, it was chosen by the simple random method, and the number was (75) male and female students for the year 2021-2022 AD. The researcher applied a pre-knowledge test for the four groups of research to find out the level of previous experiences of students in the subject of environmental art. Teaching material vocabulary and objectives. After obtaining the validity and reliability of the test, the test was applied post-test on the four groups to see the effectiveness of the study plans according to the harvesting strategy.
Among the statistical methods used by the researcher: Kruskal-Wiles test for equivalence in precognitive achievement. Holsty equation to ensure the validity of the cognitive achievement test. Kauder Richardson (20) test for reliability of cognitive test. The discriminatory power equation to find the percentage of the number of respondents who answered correctly in the paragraph. Mann Whitney test to find differences between the two groups according to the sub-hypotheses.
- The results of the research showed that the students of the two experimental groups who studied environmental art according to the harvesting strategy excelled over the students of the two control groups who studied in the traditional way.
- The results also showed that there were statistically significant differences between the ranks of the students of both groups, the experimental males and the experimental females, and that the direction of this difference was in favor of the females of the experimental group who studied according to the harvest strategy.
Based on the results, the researcher concluded:
1. The harvesting strategy worked on transferring students from a state of direct reception of information to searching for it, and this is the opposite of the usual method.
2. The steps of the harvest strategy enabled the students to make qualitative changes in their thinking pattern, which helped them to distinguish the correct solutions and choose them from among many solutions.
The researcher recommends: presenting the educational material to the students in the form of problems that affect the life of the learner, and this encourages thinking and finding appropriate solutions to them

When a person found himself in a life he did not understand، he tried to create in his imagination powers and gods that tried to protect him from his ignorance of that world، and when he was reassured internally through those fantasy creatures when he made them the greatest protector and the source of his existence and his being، he began to weave myths and myths until he created his reality that he did not have. Any hint، and when we go back to the mechanism of embodying those myths، myths and fantasias in which he lived، we will find that the first building blocks were written on the walls of the caves in which he lived during that period. And when his thought developed and thus his expressive means developed، he began to embody this undisciplined fantasy through means that fit his era and his thought، which he tried to make it more in contact with the reality he lives in so that it is thus an analogy between that fantasy and the realism he lives in، and for this you see him continuing to develop his productions and weave them in a way The realistic and the fantasy blend in a form component that is in line with the recipient's awareness and horizon of expectation regarding the narrated material. Accordingly، the subject of the aesthetic employment of alliteration formed a central position in animated films، due to the fact that this type of films possesses undisciplined material in terms of the fantasy that it deals with realistically. Hence the research problem came as follows: (What is the aesthetic employment of realistic and fantasy anagrams in animated films?)

The current research (technical mediator in contemporary Iraqi painting) dealt with the concept of technical mediator in contemporary arts and its role in the qualitative transformation in art, the diversity of discoveries in technical media that artists use in their artistic achievement, and the extent of their impact on contemporary Iraqi painting, where the research problem was identified (what is The nature and role of technical media in showing works in contemporary Iraqi painting) and (What are the intellectual and aesthetic concepts of media and techniques as references for contemporary art in Iraq). The second topic dealt with technical media and their impact on the plastic arts, and the third topic focused on the technical medium and the mechanisms of its manifestation in contemporary Iraqi painting, and the third chapter, which included samples of the sample numbered (3), was a model representing the work of three Iraqi artists, while the fourth chapter included the results of the research. And conclusions, and sealed by the researcher sources and references.
Conclusions: -
1. Achieving visual creativity in artistic works by experimenting with contemporary media and techniques.
2. The clear influence of contemporary Western techniques, in the use of new non-circulated media, as a result of constant friction with the latest prevailing artistic trends.
3. Contemporary media and techniques are clearly influential in the Iraqi plastic achievement through the dismantling of forms, giving expression a dramatic dimension, and modifying the media from its relations to become self-sufficient, starting towards innovation and singularity in the constructivist style.
4. The Iraqi artist was tempted to experiment according to contemporary propositions, after he was tired of the traditional ideas and methods, which have become stagnant in a vicious circle.
5. The works of the three artists (Kuish, Abdeen, Bilal) were distinguished by the freedom to choose the appropriate media for their work, and to try to dialogue with the other through multimedia to convey the suffering of his people and the crises they are going through

The issue of communication and communication is receiving increasing attention in both contemporary studies and educational literature, and these studies emphasize the importance of studying communication within the classroom, which inevitably applies to the importance of relationships and tensions in the field of teaching art in particular because it is an emotional field that provides an opportunity for communication competencies and skills to be prominent and take Its wide scope, both among the students themselves and between teachers and students. The means of communication are the vessel in which the cultural relations and the commonalities between people revolve. The process of building relationships between students depends in many aspects on what they possess of these competencies and on the mechanisms of their work in the educational environment.

In this research, the researchers deal with communication, and then it is a communication process between students, which must be fragmented and highlighted in a way that allows it to be employed as an educational stimulus that contributes to achieving the greatest amount of the process of acquiring educational and technical experiences inside and outside the classroom, and in a way that contributes to the achievement of educational goals. To the fullest.
Studying the topic of research on studying the topic of study in exchange for research in the theoretical study is very beautiful in return for obtaining an opportunity in exchange for an opportunity to study in art education lessons, and horseback riding. Direct and descriptive about it.

This study reveals the impact of critical reading on viewers understanding and astatic judgment at artworks. And aims to find out the reasons and motives behind their issuing of these judgments towards artworks.
The study adopts the qualitative method as two pre and post interviews were conducted and analysed according to a thematic analysis method.
The results show that critical reading contributes to their understanding of the content of artworks and the message that the artist would like to convey to the recipient audience. and directs them towards the aesthetic judgment that is based on full understanding of the philosophical contents of the artwork, which, in turn, contributes to the development of artistic culture and artistic taste.
the study recommends the need to conduct studies and research similar to the current study in order to develop the recipients\' potentials to understand artworks and judge them.

Since its inception, the theatrical performance has been based on the principle of permanence, continuity, renewal and innovation in the structure of its visual elements. These innovations and the effectiveness of continuity cannot be achieved without searching for everything that is new and different at the level (form and content) in order to create an image with innovative and effective features in the theatrical discourse, and from Among the elements of the theatrical performance (theatrical costumes) that have been subject to variation since the beginning of the theater until now, and for this purpose, the current research was conducted with the question of the research problem: What are the variations of costumes in the contemporary Iraqi theatrical performance.
And (theoretical framework) the first topic: the concept of contrast in theatrical performance, the second topic: the different vision of theatrical currents, the third topic: the differentiation of costumes in form and content, and indicators of the theoretical framework.
The (research procedures) came from the research community and the research method: descriptive analytical or research sample (presentation of a play of revelations). The results came as conclusions, recommendations and suggestions, and the most important results are:
1- The events in different costumes are subject to the requirements of the idea of the play and its events, and this is what we find evident in all the costumes of theatrical characters (disclosures) in the characters (Al-Hajjaj, Aisha, and the servant).
2- Contrasting with costumes does not mean distortion and lack of clarity in their forms, but rather follow steps in design with scientific and applied dimensions that produce a different costume that is comprehensible and understandable. The search concluded with a list of sources...

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Schools and artistic trends derive their themes from artistic styles and styles as methods followed by the artist to express his themes embodied in the values of artistic and plastic elements as symbols and signs that can be described according to the type of art school and the extent to which the artist is influenced in employing them as a goal to achieve the plastic achievement in the painting, and from those vocabulary (human beings nature Life) as encoded messages that have an appearance and an interior, the appearance of which are forms, colors, formats and distributions of space and their interior meanings and semantics embody attitudes, events and circumstances that stem from the social depth and daily life and derive their components from those intellectual approaches to plastic art, including expressive arts, which simulate the insides of the artist and his sense of the direction of the surrounding subjects, and are presented in a formative style and an intellectual direction that has its aesthetic and semantic dimensions.

The philosophies don’t forgets the subject silence because it effecting in life human , the kinds artist don’t lost the silence , exactly the theatrical arts because if the actor don’t the select silence he is don’t effect in the audience , this study giving the important for active the select silence in Iraqis theatre , so this search composed of : the preface that composed of : the search problem , and important the search and need it , aimed the search , lines search it composed of the lines time , lines place , and lines subject , and the terms limited . the theatrical line that composed The second topic the first topic the silence in the philosophers, part , active the select silence in the theatre text. The Third topic active the select silence in acting the actor in the world . the measures that composed of analyse Romelos Theater and comedy seven days. the results composed of :-1- The selective silence of the emperor, his wife, and the vizier in the play Romilos had an effect on setting the rhythm of the theater . 2-the selective silence in play Romilos Help achieve The correct timing in the entry of the antique seller on the emperor . 3- the selective silence Responsible for achieving emotional memory, especially in the last scene of the emperor 4- The complete selective silence of the grandfather, his granddaughter and the stranger in the seven days Contribute to the development of the actor's presence and influence on the recipient . 5- The complete selective silence of the grandfather, his granddaughter and the stranger in the seven days help the actor Help the actor relax . 6- the selective silence After the funeral music in which he participated which he participated in the grandfather, his granddaughter and the stranger in the seven days that important for the actor on movement and diction. the conclusions ended this search with important dictionaries and the sources and the abstract.

The tagged research problem (the outputs of the written text in conceptual art) dealt with a comparative analytical study in the concept of conceptual art trends (land art - body art - art - language).

The study consisted of four chapters. The first chapter dealt with the theoretical framework, which was represented in presenting (the research problem), which raised the following question: What is the role of the written text in the transformations of the conceptual arts?

The first chapter included (the importance of research) and (research objectives) seeking to conduct comparative research in the written text within the trends of conceptual art as a moving phenomenon in art, and to reveal the variable written text in the trends of conceptual art. As for the limits of the research, it focused on studying the concept of the written text in the works of conceptual art trends and their outputs, by analyzing their illustrated works from the period 2002-2013 in Europe and America. The chapter also included (defining terms) The second chapter: which is represented by the theoretical framework, contains two topics: The second chapter: which is represented by the theoretical framework, contains two topics:

The first topic: an introduction to the concept of writing in the visual field. Conceptual art also dealt with the cognitive and artistic root. As for the second topic, it included: the written text in conceptual art

The third chapter (procedural framework): is concerned with research procedures, defining the research community and selecting the research sample from it, the number of which is (5) models, from the directions of conceptual art, then the research tool and sample analysis.
The fourth chapter: includes the results of the analysis of samples for each direction, then the results of the comparative analysis, conclusions, recommendations and proposals, and a list of sources and translation of the research summary in English

In the 20th century, the concept of "sarcasm" has relatively prevailed, and in this sense, it is a method in the art of conversation that wants to keep the question about the intended meaning, that is, "saying something and suggesting its opposite."
There are other concepts that indicate that sarcasm is saying something in a way that provokes the recipient of the statement an infinite number of different interpretations, with multiple readers of different interpretations. While the philosophy of irony stands by the standards of things, exaggeration or minimization, this manipulation takes place within the enjoyment. However, it's a method to present sharp criticism in an atmosphere of criticism that differs from generation to generation and varies from artist to artist.
Satirical art is a black comedy that reflects human pains and confusion and the phenomena of his life, and the satirical artist is the one who turns pain into astonishment and wants it to reach as a message. There are many contemporary artists who dealt with irony in social, economic, political and other topics.
Therefore, the research aimed to reach some of the applications that it proposes for contemporary arts. It helps art students and specialists in its aesthetics to see the subject of irony that expands in its emerging methods.

The concept of social graphic design is one of the most critical areas that highlight the designer's knowledge of social responsibility by employing design skills in community awareness. This study focused on defining social graphic design, the meaning, practices, and strategies for designing awareness posters. This study reviewed two examples of awareness posters that reflect the Saudi designer's practices. The results summarized that social graphic design is a concept not taught directly but gained from permanent practice in designing awareness posters that interact with community issues. The designer's understanding of his social events and their sensing in the visual form of a poster reflects the designer's social awareness. Social graphic design plays several roles and functions that significantly address and define societal phenomena, behaviours, and toxic habits in society. Therefore, it is essential to address the concept of social design in design research by interpreting its various theories and studies.

The study of cultural identity and its data in the designer’s work is considered a cultural nature to highlight the cultural identity and link it to the national culture of their country and society. It provides a reflection and translation of the society’s culture, traditions, social and economic dimensions, the natural environment, and scientific phenomena. Within meanings translated into a variety of methods, including expressive and realistic, which defines the designer’s relationship with his society and the national culture of his country and his connection with the civilization of the country.
The research problem came with the following question: What are the data of cultural identity in the work of designer David Gentleman? while the researcher identified four chapters for this study as follows:

The first chapter to clarify the methodological framework of the research, while the second chapter represented the theoretical framework and by two chapters: the first included the concept of cultural identity in graphic design, while the second topic included the diversity of identity in the designer's work, while the third chapter represented the research procedures, and the fourth chapter included the results and conclusions, including:

1. The designer's thought is formed from the cultural identity of his country and society, and therefore the designer has an important role in the image of his design product of the character.
2. The religious identity had a clear impact on the designer's style, which affected the process of artistic production of stamps.
3. The nature of the designer's interaction with his environment, with all its factors, reflects the achievement of an environmental identity (natural) in the character designs.

The research tagged (functional enhancement and its reflection on industrial product systems) focused on the possibility of enhancing industrial products in terms of form and functionality in a way that they are able to meet the needs of the user through the impact of technology and modern technologies on the functional enhancement of industrial products and their effectiveness in achieving formal and functional design variables, and producing products Industrial products are highly efficient and durable in order to improve them in order to meet the needs of the user, the transfer of technology between life forms and industrial products is desirable because the functional enhancement processes that occurred in general on industrial products by some designers developed human needs in a way that exceeded his expectations, which made The user lives in luxury in the use of products and shortens him a lot of time in the performance of daily tasks and the promotion of industrial products in proportion to the requirements of the contemporary user is necessary to meet the needs of the user, and the current research touched on a theoretical framework that includes three sections, we will address them successively.

The researcher used the experimental approach due to its suitability and the nature of the research problem. The research community was represented by the eighth-grade students in the Rozak Elementary Mixed School affiliated with the General Directorate of Education in Erbil / the center, for the academic year (2021-2022), the number is (96) students, and the research sample consisted of (63) male and female students, with (31) in the experimental group, and (32) in the control group, and (11) students were excluded by (5) students from the experimental group, and (6) students from the control group, as the excluded, are students who failed and were absent from the lessons, and accordingly, the research sample became composed of (52) male and female students, by (26) male and (26) female students, and to collect information, an achievement test was built for the subject the date, And then it was applied after the availability of scientific conditions in it, and the data were processed statistically using the arithmetic mean, standard deviation, percentage, coefficient of difficulty of objective items, coefficient of ease of objective items, discriminatory power of objective items, Pearson correlation coefficient, Spearman-Brown equation, Guttmann coefficient, The post-test for two independent samples, and the researcher concluded the following:
- The students of the experimental group, which is taught according to the strategy of dramatizing characters, excelled in the achievement test of history over the students of the control group, which is taught according to the method used in teaching.

This research is concerned with studying the representations of the event in the drawings of the ancient civilizations of the world, and the research consists of two axes, the axis of the theoretical framework, which included (the research problem, its aim, its limits, and the definition of its terminology).
The research aims to reveal how the event pattern was formulated by the artist on the surface of his visual achievement, and the limits of the search were spatial in the ancient civilizations of Iraq, Egypt, Greece and Rome, but the limits of the temporal research could not be determined because they were before birth, and objectively:
representations of the event in the civilizations of the ancient world This axis also included four topics The first: the event in the arts of ancient Iraq, the second: the event in the arts of ancient Egypt, the third: the event in Greek art, and the fourth: the event in Roman art, ending with the indicators produced by the theoretical framework, while the second applied axis was represented by the research procedures, namely (the research community The research concluded with the results and the most important sources that the researcher relied on.

This study deals with the subject of art criticism by using Erwin Panofsky's theory to analyze a few Saudi artists' works. The study aims to identify Panofsky's theory and provide criticism of some Saudi artworks using it. The importance of the study is that it enriches the field of art criticism in the Kingdom of Saudi Arabia and helps critics and artists in using Panofsky’s theory to analyze artworks.
The study sample consists of six artworks produced in 2021 by six contemporary Saudi artists. In the theoretical section, the study dealt with several topics; first, is art criticism, the second part presents Panofsky’s theory with its three stages, the final part deals with the beginning of Saudi art until present time and its sources of inspiration.
The study at first, used a descriptive approach to describe the artworks and forming the theoretical framework. Then the analytical approach for applying the theory in the analysis of artistic works.
The study concluded that Art Criticism is a very essential elements in influencing Fine Arts. Also, it helps artists to improve their methods. As for recommendations, it illustrates the need for updating art education curriculum, in addition to adding lessons in Art Criticism

Museum education is of great importance to an appropriate representation of museums’ collections and exhibits, including traditional fashion. Therefore, museum educators/curators need to be equipped with the most essential skills in their profession in order to adequately present the museum’s history and holdings. This could be achieved through specialized training programs. However, Arab countries are still behind in terms of museum education. Therefore, this article aims to shed light on this issue by assessing the knowledge and skills possessed by museum educators/curators and how training programs could affect them.

Theater is a renewed art until this moment, and it does not stray from its components from life and its spaces in general, but rather is derived from them according to characteristics and directions intended to differ based on finding other, more effective solutions, Therefore, the research entitled (Extractive treatments of the space between tradition and contrast in contemporary theater) consists of four chapters. The first chapter came under the title (the methodological framework). Where he dealt with the research problem and then the importance of the research and the goal of the research as well as the objective, temporal and spatial limits of the research, In addition to defining the terminology and then finding the procedural term that the researcher deduced through his reading of the sources, references and opinions he reached. As for the second chapter, entitled (Theoretical Framework), the researcher divided this chapter into the following sections:

The first topic: the concept of space in theatrical performance.

The second topic: Tradition and contrast in contemporary theatrical performance.

Then the previous studies and the results of the theoretical framework of indicators to conclude that chapter. As for the third chapter, entitled (Research Procedures), the researcher dealt with: the research community - the research sample - the research method - the research tools - the sample analysis entitled (women's playing). With regard to the fourth chapter, which is entitled (Conclusions and Conclusions), the researcher reached the results and then identified the conclusions he reached, and then put forward the proposals and recommendations, then a list of sources and references.

The current research dealt with the rapid development of industrial product design in recent times, and this development in the field of design led to the emergence of modern trends in many terms and theories to direct greater interest in the cognitive foundations of design and its relationship with the components of other natural sciences, and despite the impressive technological development, nature remains With its content of formative values and structural dimensions, it is the first source of inspiration and the source of all modern mathematical sciences and theories, as God made them tend towards organization to continue to provide us with endless inspiration. Hence, the fractional one, which is an important part of dedicating the design identity, as well as symmetry, complexity, self-organization and difference, and gives a new entrance and vision for the formation of forms characterized by complexity and of great importance to enrich the design process. The problem was identified by the following question: Defining the concept of fractionalism and its implications in the design of industrial products. The research included two important topics. We will address them successively.

Talking about the importance of the imagination in sculptural works has a role in shaping the collective memory and moving it, whether it is an artistic, social, religious or historical imagination. Because it documents the cultural heritage of any country through the structural structure of the sculptural form, and its connotations and symbols, which are considered an effective aesthetic image in the crystallization of various intellectual concepts and contents.
Therefore, the study aimed to know the employment of the popular imagination in the artistic works of the sculptor (Muhammad Ghani Hikmat), as well as to reveal the artistic and aesthetic features of the folklore and its reflection on its artistic style. And the references of the artwork, and in light of the above, the two researchers reached a set of results, the most important of which are: the ability of the artist, through the connotations and symbols inspired by the popular imagination, to bring back to mind the traditional stories and legends as a circulating collective discourse, and also the works of the artist who are aware of his cultural heritage reflect the extent of his ability to spontaneously narrate stories The collective popular imagination by adapting the material in an authentic and contemporary expressive artistic style, The sculptural edifices of (Muhammad Ghani Hikmat) appeared in a balanced manner through the mass with a regular rhythm, which gave the formative structure an expressive value in harmony with the space, and became a clear relationship with it.

The popular heritage is an important part of the culture, as it provides a fertile ground for the artistic work, including the customs and traditions it contains that can be inspired in the construction of artworks. Therefore, the Saudi artist seeks, through his artistic approach to the Najd show, to find a springboard for creativity linked to his national identity, relying on adherence to his identity and culture in facing the challenges resulting from development and openness to other cultures.The Najd Ardah is one of the important elements of the cultural heritage that has been associated with the conscience of the artist and the Saudi man throughout the ages. It was an important, rich and visually exciting subject that could be relied upon in his artistic formations. Accordingly, the research problem is determined in the following question: Is it possible to find a springboard for creativity in Saudi plastic photography by drawing inspiration from the Najdi Arda for the artist to deal with in his plastic production?
The research aims to identify one of the manifestations of Saudi culture represented in the Najdi Arda and to find a springboard for creativity in Saudi plastic photography by drawing inspiration from the Najdi Arda to be dealt with by the artist in his plastic production. The researcher followed the descriptive analytical approach in tracking the literature related to the Najdi Arda and analyzing the artworks related to it. The Najd Ardah is an important element that the artist uses to express in his artwork in a contemporary artistic style that aims to convey an idea or concept through the image, either in a reduced or abstract way. Al-Ardah Al-Najdiyya with its vocabulary is a strong influencer in presenting topics and stimulating the artist towards the development of the new in the way of presentation, style and technique of the artwork.

The aim of the current study is to investigate the effect of “the effectiveness of the mental visualization strategy in developing the artistic expression of the fifth-grade students in the subject of art education”. Choosing it as a field to apply the experiment intentionally, because the researcher is an educational supervisor at the school and is suitable for the application of the current research, and she chose the experimental design, as the sample size reached (73) male and female students, and the total number of them after exclusion became (60) male and female students divided into two groups, one of them (experimental). ) by (30) male and female students, and the second (control) by (30) male and female students as well, and the researcher rewarded the two groups statistically in the variables, gender, number, age, educational attainment of parents, the researcher identified the topics for the art education subject that she will teach during the period of the experiment, Teaching plans were prepared and drafted, and the plans were presented to a group of experts for the purpose of judging their validity. The necessary modifications were made and the plans are ready for implementation in the light of their opinions. For the purpose of developing the artistic expression of the students of the two research groups in the material that the researcher taught, the researcher prepared a tool and its validity was confirmed. And its stability, after completing the collection of the drawings of the fifth grade primary students, and the researcher used: - The test equation (T-Test), the Cooper equation, and the researcher used the (Pearson) equation. - test) two independent samples to find out the significance of the difference between the two groups, and the t-test (t-test) for two related samples to know the significance of the difference between the pre and post-test for one group. The members of the two research groups and in favor of the students of the experimental group who were taught according to the mental imagery strategy. The current study, the researcher concluded that teaching with mental imagery strategy increases the effectiveness of the development of artistic expression among fifth grade students in art education, and recommended the inclusion of teachers in training courses in teaching methods and active learning strategies, and suggested conducting similar studies to develop Visual thinking expression and spatial ability among students.

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The era after World War II witnessed a remarkable transformation in the formal structure of contemporary sculpture and demonstration techniques, with its new intellectual and cognitive frameworks full of rapid and successive changes of new artistic movements and trends that provided forms, formats, new relationships and different compositional systems that included simplifications, some of which tend towards complexity, so the current study aimed to identify the aesthetics of simplification and complexity in contemporary sculpture according to postmodern concepts, The problem of the research was to answer the following question: What is the aesthetics of simplification and complexity in contemporary sculpture, this research relied on the descriptive analytical approach being the most appropriate approach to achieve the goal of the research, the research sample (3 samples) were deliberately selected to suit the privacy of the current research, and the researchers have designed (analysis form) and the most important results reached by the researchers:
1. The complexity and the emergence of the conceptual character that gave aesthetic value to the products, As in the sample (3,1).
2. The material has a clear role in highlighting the aesthetic simplification in the study samples through the use of (stainless steel) material as shown in sample (1), and the complexity emerged through the ready-made materials such as cloth, paper, etc., as in a sample (3).

Interior design was affected by intellectual changes and digital technologies and developed with them through new design features. There is no doubt that the information age has a great impact on the speed of technological development, as it has become a part whose impact on the individual and his orientations in particular, and on the privacy of contemporary society in general, and because interior design is a reflection of the civilization of peoples and the spirit of These technologies have become an integral part of the interior designer’s tools to formulate a new thought in the design process that keeps pace with these changes, so design products that are not linked to clear intellectual rules and models appeared. And because the close relationship between technology and civilization as a duality expresses the extent of the development and upgrading of society at the level of the individual’s environment in particular and the social environment in general, it is necessary to focus on the characteristic of cyberspace and its impact on the privacy of society’s civilization and its implications at the level of intellectual and applied patterns in interior design.

The form of the body is an active and essential anchor in the history of the development of the individual in general, because of the diverse images it carries and rich contents, including what is subjective and objective for the individual himself, until it seemed to have an active and influential message despite the difference in his philosophy. We find it among Western and Arab philosophers and even in different religious philosophies, so that this is reflected in the experience of the theatrical and plastic artist, so that the body forms the basic material for his desire for renewal through research and exploration for everything related to the aesthetics of the body and its surroundings, so the current research was concerned with studying the aesthetic and artistic productions of the body in terms of And its employment by the director in the theatrical performance, so it contained four chapters: (The methodological framework) presenting the research problem that emerged in the following question: (How did the Iraqi director employ the actor’s body aesthetically in the theatrical performance? Then the researcher moved to the importance of research and the need for it, limits search .
The second chapter: which represents the theoretical framework, it included two sections: (The first topic: the aesthetic concept of the body). (The second topic: the aesthetic work of the body in the artistic achievement).
Then (the procedural frame) an analysis of its sample, the play (Remember, O Body), the work of director Muhammad Moayed. The research concluded with the researcher's findings, conclusions, recommendations, proposals, and a list of sources

Television art is Considerd the first of the audiovisual arts because it is the freest and creative in artistic construction and visual production. He does not seek only entertainment, but he crossed the thresholds of education, spreading awareness and addressing new and innovative topics, through his high ability to address topics that work in both artistic directions in art in its general form, which are (realism) and (impressionism), The artistic dramatic achievement has the ability to achieve the visions and fantasies of the artwork maker by physically representing his artistic image in this high-impact sensory medium. Visual and audio via the TV medium.

Sculpture began to move towards geometric shapes in sculpture since Cubism, when the Western artist returned all natural shapes to their geometric systems, such as the cylinder, cube, triangle, and square, under the influence of Plato's idealistic philosophy. However, Cubism did not leave the human form, but rather remained as it was, but with clear geometric formal systems... Then the structure of the engineering systems of these sculptural compositions of the Russian builders changed, and the sculptural mass lost its realistic shape and solidity, abandoning the human form. Then dispensation and abandonment of the realistic human form began to escalate and deepen in modern European sculpture at the hands of (Brancusi), and the development of interest in this effect at the hands of artists, as the shapes became repeated cubes and cross-shaped bars forming new geometric structures. The problem that deserves research is: Why did the sculptor turn to search for the most effective new geometric sculptural forms, thus dispensing with the human form? What is the intent behind it? These questions are considered a problem that deserves attention and research.
The research deals with how to be inspired by geometric shapes in modern European sculpture, which depends on the concept of the geometric shape with the development of artistic vision and the emergence of modern artistic schools and movements that dealt with constructive topics that bear the rules and laws of engineering, which began in the industrial revolution and the development of science and technology since the beginning of the twentieth century, which led to The emergence of a new content affected modern art, and artists began to synthesize geometric forms with membership. As for the social, intellectual and technological circumstance, it had a role in accelerating development and even disrupting it, as we notice that the emergence of meaning and modern forms gradually, as the artist faced difficulty in exposing them, and we can note that these changes What happens to content and form, especially in the arts, is due in its references to economic and social changes, and we will find that the new content will eventually be determined by the new forms.
This applies to nature, to society, and therefore to art. A lot of artistic movements appeared, especially in the twentieth century, and the content of these movements was purely geometric, plastic, looking for everything new and unique in the modern era, and starting to use these geometric shapes in the plastic arts and searching for art that is not devoid of the functional side and in line with that policy as well. Technical development and the emergence of materials commensurate with the intellectual discourse of the artwork helped them in this