Al-Academy

Dialogue is one of the pillars of character building in the television series, through which it is possible to identify the most important characteristics and traits of the personality, in addition to its ability to reveal the most important problems at all levels. The following: (How does dialogue contribute to enhancing the traits of the alienated personality?). It therefore aims to identify the effectiveness of the dramatic dialogue in enhancing the traits of the alienated personality represented by (powerlessness, isolation, meaninglessness, objectification, non-standardization and rebellion). (The traits of the alienated character, and the second is the psychological function of the dramatic dialogue), to extract from them the main indicator that will be based on the analysis process for the sample that was represented by the series (Will).Its alienation, if this feature coincides with other elements of the narrative that allow it to be sensed. The most important conclusions reached by the research were: that the alienated personality is aware of the state of alienation in which it lives, which is confirmed by its dramatic dialogue. While the research concluded with recommendations and suggestions, and then a list of sources and references on which it was based.

Advertising is an important and influential tool in various commercial operations, as it represents a means of communication that depends on influencing individuals or society as a whole, working on a link between the producer and the consumer, so the importance of advertising appears in two dimensions, the first is economic represented in its role in achieving economic growth for the facility, while the social dimension lies in its role By influencing the behaviors and ideas of individuals, and from here it appears to us the importance of formulating, organizing and designing the advertising message that advertising agencies resort to in their advertising campaigns. Orientation, definition, and raising the level of the advertising message for local products and their acquisition?

While the goal of the research was determined in revealing the visual appeal and its reflections in advertising design, and the theoretical framework was concerned with two sections, the first topic touched on the characteristics of visual appeal and the formation of discourse, while the second topic touched on the visual appeal in commercial advertising, and in the third chapter, two research models were described and analyzed , based on the paragraphs of analysis deduced from the theoretical framework, and the resulting indicators, and included a presentation of the results reached by the researcher, including:

- Relying on the characteristics of advertising organization by stimulating desires and arguing with the subconscious mind to entice it to the recipient, so that the characteristic of suspense is present and develops motivation.
- Focusing on the brand and its color value in all samples to show the identity of the product, its characteristics and advertising characteristics, with the possession of that visual identity, the visual appeal in which is an attractive and interesting appeal that achieves attention and excitement in all samples

The problem of the research came through the following question (what is the effectiveness of active design in contemporary industrial products), and it emphasized the importance of research to make society with its members in a positive state of activity, and what can help the industrial product design to achieve this, but the goal of the study is (determining the characteristics and principles of design Active and its effectiveness in the industrial product), and the study was determined by industrial products related to daily, recreational and sports activity, The researcher relied on a form to determine the axes of analysis for the sample models, in order to reach the results of the research, the most important of which are: Realize the principles of active design by finding structural and organizational features and adapting to the context of use

The subject of the tagged research (becoming and integration of the film in postmodern cinema) is summarized by studying the transformations and complementarity of the film in light of the emergence of the concern of postmodernism. Then the need for it, as well as the objectives of the research and clarify its limits, as well as its importance. Then the transition to the theoretical framework, which included two sections, the first topic was entitled: Postmodern Cinema Formation and Completion, while the second topic was entitled: Paradox in Postmodern Film.

After completing the theoretical aspect, the research concluded with a number of theoretical framework indicators that were adopted as a tool for analyzing the sample, then the research procedures came, represented in the analysis of the research sample, which is the movie (New York Stories) directed by: Martin Scorsese to come up with the results of the analysis and then the conclusions and recommendations, then came the list of sources and margins

The architecture of the richly decorated mosques demonstrated that the Islamic culture is one of the most significant and greatest civilizations in the history of humanity. The plant decorative units are one of the key areas in which the Muslim artist excelled. As a result, he created various plant forms that he took from nature, which led him to invent the arabesque art consisting of plant motifs with curved and rounded lines or wrapped between them. These shapes with curved borders include leaves, twigs, and flowers. Buildings and artefacts from the nineteenth century AD have this shape. they achieved their objectives during the twelfth and thirteenth centuries. There was another kind of vegetable decorative unit, made up of stems and flowers drawn in arranged geometric patterns. This sort of design, which deviates from the standard in Islamic art and takes on a form more akin to that of nature, was particularly popular in Persia. The types and shapes of flowers vary, as well as the shapes of the leaves, their edges, or their miniatures. The artist also painted more plant branches with circular and spiral curves, leaves, and flowers emerging in a geometric artistic relationship in which repetition, contrast, symmetry, and overlap, which is distinguished by a hint of modification and inspiration. This later influenced art schools in the architectural decorative unit methods. Do not construct from nature

The formal integration of the interior spaces in general and the commercial spaces of the watch shops in the large commercial centers in particular is the goal that the designers aim to reach in order for the interior space to become successful in terms of the design idea and its characteristics. Implementation mechanism. One of the reasons for achieving formal integration in the interior spaces of watch shops is the requirements of the design that must be available in these spaces to reach a state of formal integration between the interior and the exterior so that the space becomes fully integrated in all respects. Because of the aforementioned reasons for dealing with the research, through four chapters: The first chapter included the research plan and its problem, which was summarized in the following question: (What are the design requirements that must be available in the interior design? Shop spaces that sell watches as commercial spaces require formal integration)? The importance of the research, its objective, the objective limits, the spatial and temporal limits of the research were also highlighted, and the most important terms mentioned in the research title were identified. As for the second chapter, it included previous studies and the theoretical framework, which included two parts. The first dealt with formal integration into the interior spaces. As for the second, it dealt with the internal commercial spaces in all its details, in addition to the results of the theoretical framework in terms of indicators. As for the third chapter, it was devoted to the research procedures, as the researcher relied on the descriptive approach in analyzing the selected samples and models. The fourth chapter also included the results of the analysis and the conclusions obtained in light of the research objective, recommendations and proposals. and a list of sources and appendices.

The need for an intellectual understanding of the context from many aspects' dictates understanding the ways through which the graphic designer walks in simulating the intent of the design process and elevating it to levels of communicative perception that leads to communicating the idea to the recipient, and it is thus a need closely related to the context, if it is historical. Culturally or socially, and between the mechanisms of selecting and operating the elements and units of the graphic and design achievement. On this basis, the role of context in graphic design can be studied.

The research included four chapters, the first chapter of the research problem and the need for it, and the aim of the research was (discovering the role of context in graphic design), and then the importance of the research. As for the second chapter, it included the theoretical framework, and it may consist of two chapters, the first is (the concept of context and its types), and the second chapter is (context in design), and then the third chapter (research procedures), as the researchers adopted the descriptive approach as a way to analyze the content, based on what emerged The theoretical framework of the indicators, and then the research sample was intentionally chosen, for models of global slogans, to achieve the goal of the research, and then the research came out with results and conclusions, including:

1- Following the historical context in designing logos resulted in belonging to the inherited ideas of each time period and embodying them within their temporal transformations, and this appeared in the two models.
2- Employing shorthand treatment, specifically in the first model, led to achieving ease of reception.

The decoration structure in calligraphy painting is one of the variables that characterized the structure of the calligraphic composition due to the artistic, aesthetic and expressive properties of the letters of the Arabic calligraphy, which are represented by flexibility, compliance and the ability to form. Therefore, the researcher defined his problem by asking the following question: What is the decorative structure in the calligraphic painting? The study aimed to reveal the structure of the ornamentation in the calligraphy painting, while the researcher dealt with in the second chapter three sections, the first (the ornamental concept and meaning) and the second topic (the structural characteristics of the Arabic letter in the calligraphic calligraphy painting) and the third topic (the aesthetic foundations in the calligraphic calligraphy painting) and then Indicators of the theoretical framework and previous studies, while the third chapter dealt with the research procedures, where the researcher adopted the descriptive analytical approach of the research community and sampled it by 10%. (The ability of the Arabic letter and its response to formation contributed by employing it to produce calligraphic lettering paintings with lunar structures) and then recommendations to benefit from the results and findings of the research to support researchers, scholars and specialized colleges, and the researcher suggested a study (the formal significance of the trapping effect in the lettering calligraphy painting).

The formal diversity in designs is achieved by creating shapes and lines with a distinct movement pattern, which are preceded by mental processes. The greatest source of diversity in design in general and industrial design in particular is the creation of multiple directions for the completion of designs and the diversification of intellectual proposals for the design idea. The human activity that takes place around us in various fields of life takes place due to the diversity of movement in the form of the design product and its effectiveness through the dynamic diversity in the form, which differs in the methods of designing and showing it. He invents material value as a distinct artistic product that he owns A specific form or system that serves the recipient and is influenced by the control of the composition of the product to shape its shape and achieve the functional and aesthetic purpose in its construction in order to highlight the expressive ideas that the “designer” would like to communicate to the recipient. Thus, the first chapter included the question of the problem in the following question:

What is the effect of kinetic diversity on the formal variables of the industrial product?
Depending on its limits: Objectively: kinetic diversity and its effectiveness in the formal variables of industrial product design spatially: the Internet and temporally: 2010-2020. On the theoretical framework and previous studies according to the following division: The first topic included: the concept of movement and movement diversity and its effectiveness in design.

The second topic included: dynamic diversity and its relationship to the external appearance of the industrial product. Then finish with the theoretical framework indicators.
The third chapter contained the procedures, including:

The research community, which is a group of industrial products with diverse motor performance in the design of the external shape, as it was determined in (20) models deliberately selected through the Internet for the period between (2010-2020) due to its suitability to achieve the goal of the research.

The research sample included industrial products with motor performance of the formal variable, for which (2) samples were chosen from the comprehensiveness of the research community. He devoted his approach to the descriptive analytical approach for the purpose of obtaining valid results.
The researcher analyzed his samples and summarized a number of results and conclusions, including:

The formal variable of the kinetic design pattern came in a different way than the traditional designs, as in Model No. (1), as well as employing modern mechanical elements for the formal variables, especially Model No. (2).
2. The formal vocabulary in the design of the product was determined by the ease of changes in form and function, within the determinants of the formal organization of the product, as in model (1,2), as it is considered a preliminary foundation for the effectiveness of constructive relations in the general formation of the kinetic system of the product's shape.

This study is targeting the new developed materials and techniques and how they were affected by the scientific and technological developments that contributed to revelated new and varied developed materials and techniques. And from the artist’s formulation by using the materials and techniques and through its embodiment and sensor the values, artistic and aesthetic standards by breaking from the familiar in aesthetic contemporary way.
The studies on questioning what’s the role of The New Developed Materials and Techniques in exposing the aesthetic of the art work?

This study is to show the aesthetic of the art work through the new developed materials and techniques. Which was based on descriptive analyzing method and highlighted as the result on the study on the importance of the new developed materials and techniques which is considered unusual to build and artwork and contains a different art values and to keep up with the new industrial innovations by using it in forming the art work which enriches the field of art. Moreover, developing contemporary art works based on the aesthetics of developed materials and techniques and by using the un traditional methods it made it possible to have a different creative texture of forming, which contributes to expose a unique aesthetics value together by using new developed material in one art work.

The study recommended the importance of following up the technology development of the materials and different possibilities of forming and the benefits in the art works. Furthermore, to raise aesthetic awareness by continuing on trying new materials and to figure out a new different forming connection in the art work.

Drama is one of the means of transmitting human experiences, as it presents within it the life ideas and visions of the spectator, who is subject to their influence on him, robbed of the will in front of its charm and various display arts, which invade him with its dimensions and affect his references, and this art form is based on stories revolving around personalities involved in events that have grown As a result of the struggle of two conflicting opponents, or two opposing forces or emotions generated as a result of a voluntary conflict, as this dramatic conflict represents the most important elements of those events, as it is embodied in an inevitable scene that emerges from other scenes, and this scene is sometimes subject to the expectations of the viewer who focuses all his efforts waiting for the moment of collision, Which, in turn, represents an Obligatory and binding scene that must be reached, and for this the researcher found it necessary to shed light on this topic because of its importance, so the research problem was represented in the following question: (What are the dramatic necessities that require the presence of an Obligatory Scene in the structure of the cinematic film?) As for the theoretical framework, it included two topics: the first: Obligatory Scene: Concept and Operation, and the second: the visual and sound foundations of the Obligatory scene in the narrative film. While the research procedures, the descriptive-analytical approach was taken, and an intentional sample that meets the research objectives, which included the king speech 2010 movie. The study concluded a number of results and conclusions.

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The current specialized research tagged (intellectual and artistic concepts of the cultural context and their impact on contemporary ceramic sculpture) paves the way for the emergence of the context in ceramics active in life, so that this relationship will indicate the development and presence of ceramics or not and the volume of its circulation in the joints of the culture of the Arab recipient. As a result, the researcher collected scientific materials to serve the subject of the research in four chapters: Chapter One (General Methodological Framework) To clarify the problem of the research, the importance of the research to achieve benefit in higher education and education for scholars and teachers, while the research aims to reveal the development of cultural contexts and their impact on the production and circulation of contemporary Arab ceramic art. They are the Arab countries, then the search terms were identified and defined. As for the second chapter (theoretical framework), it included three axes: the first: meaning Context. The second axis: thinkers' views of the context in language and linguistics. The third axis: the emergence of the context as representations in the artistic form, and in the third chapter (research procedures) the researcher reviewed the presence of ceramics in the Arab reality through the analysis of ceramic sculptural patterns. The researcher aims to select a sample that represents the boundaries of the research, its aim, and the framework of society. - Research tool: In order to achieve the goal of the research and to identify (the intellectual and artistic concepts of the cultural context and their impact on contemporary ceramic sculpture The researcher adopted the indicators concluded by the theoretical framework, and the researcher concluded in the fourth chapter a number of results: 1- The Arab audience formed a presence represented in the demand for works with peripheral contents in favor of types of cultural and artistic reception in addition to the factional and media. 2- Formal behavior in art. The contemporary Arab, the Arab recipient voluntarily accepts the forms within the ceramic sculptural work and its abbreviations brought by the postmodern culture other than what we have seen, as it simulates the forms through their symbols and meanings on the one hand and preserves their contents on the other hand. In addition to the conclusions, recommendations and proposals.

The elements of theater formation that fall within the spatial experience of the scenography of the show, which the directors work in in the imaginary theater, are important and have an aesthetic, intellectual and cognitive dimension, working to highlight reality in an aesthetic image surrounding space and space. And its relationship to the distinct, multiple and variable spaces above the stage, to produce theatrical signals and endless meanings through the possibility of infinite reconfiguration of the theater's space and its public and private space through the distribution of a group of blocks within the scenic image.
I dealt with in the first chapter (the methodological framework), which includes the research problem identified by the researcher, the importance of the research and the aim of the research, then the researcher determined the limits of the research and defined the terms and then defined them procedurally. The researcher also presented in the second chapter (the theoretical framework) two main topics: "Knowing scenography historically", the second topic is "the meaning of scenography in theatrical performance", and in the third topic "the aesthetics of scenography in the theatrical performance system", and then reviewed the most prominent indicators that resulted from the theoretical framework. The third chapter deals with the research procedures, and determines the research sample, the play "Red Carpet", scripted and directed by Dr. Jabbar Judy. And then in the fourth chapter, the results and conclusions were extracted, and recommendations and suggestions were made, in order to finally fix the references and sources of the research

This research aims to study and reveal the influence of Bauhaus principles in contemporary graphic design. The researcher determined the objective/spatial/temporal limit: Study of the Bauhaus influence in the design of the graphic poster in Germany in 2020. The theoretical framework in the first section dealt with (the emergence and factors of the emergence of the Bauhaus school and its characteristics), while the second topic dealt with (the intellectual, functional and aesthetic data of the Bauhaus School), after which the indicators that resulted from the theoretical framework were produced.

He mentioned four previous studies, one of them was discussed in detail. In the third chapter he defined the methodology, society, and sample of the research and analyzed the selected models. In the fourth chapter, the following results were produced: The sample appeared expressing the most important functional data of the Bauhaus and its implications for the graphic design. The designers used the most important formal data of the Bauhaus by employing geometric shapes. The conclusions were: that the formal influence of the Bauhaus in the design of the poster came as a result of employing these data in all the sample models. The research concluded with recommendations and suggestions, a list of sources and an abstract in English.

Each era has advantages in terms of innovation and development in form, technology, style, and design in ceramic vessels, both at the level of functional and aesthetic performance, so this study aimed to demonstrate the importance of geometrical foundations in the design structure of contemporary ceramic vessels, and also to reveal the constructive skills in The structure of the ceramic figure.
The researchers used the descriptive analytical approach to suit the nature of the study, and they described and analyzed the ceramic works in terms of geometric shape systems, elements and foundations of design in construction, formal diversity in the general design of ceramic vessels, and references and sources of artwork. In addition to the above, the researchers reached a set of results one of the important:
The diversity in the structural design of the geometric form confirmed the distance from inertia by emphasizing the linear and expressive values, which contributed to the enrichment of the ceramic vessels. And the interest in monochrome in the geometric design of the earthenware, which enhanced the formal expression and unity in the structural design. The emphasis is on two-part geometric shapes, emphasizing mass and emptiness, and the balance between interior and exterior spaces. And also the distance from the traditional style, through geometrical modification and formation, and the creation of contemporary ceramic shapes through the plurality of ceramic pieces in one structural composition and their translation in the language of shapes in the final achievement of contemporary ceramic vessels, And focus on the phenomenon of structural reflection in the contemporary design of the form.

The concept of aesthetics is one of the postmodern propositions, and it is one of the branches of philosophy that examines beauty, its standards and theories, and it is a holistic concept that includes several concepts, including the beautiful, the ugly, and the sublime.
The concept of aesthetics dealt with several studies in general (and in the field of architecture in particular), and the problem of aesthetics is in the blurring of the relationship between aesthetics and architectural criticism, based on the research hypothesis which states that there is a relationship between aesthetics and architectural criticism. The importance of the research in accommodating aesthetic standards and bases of evaluation that increases the possibility of enjoying the aesthetic taste of architecture, which highlights the relationship between aesthetics and architectural criticism. As for the research method, it was represented by studying the concept of aesthetics through two main axes, The first axis: establishing a theoretical information base to define the concept of aesthetics through the investigation and analysis of propositions and literature in the various fields of knowledge that directly or implicitly dealt with the concept of aesthetics and the architectural dimension, The second axis: investing this information base and enhancing it with architectural proposals and studies and extracting the close relationship between aesthetics and architectural criticism.
The research found that there is a close relationship between aesthetics and architectural criticism, through the aesthetic judgment of the products of architecture through aesthetic criticism of the aesthetic experience according to aesthetic critical foundations (subjective or objective or both) as a broader perspective the aesthetic phenomenon

This research aims to clarify the role of Iraqi nature in the style of the artist Ayath Al-Doori. Through it, the spotlight was shed on the aesthetic of Iraqi nature, its importance and its relationship to art, and its pioneering role in the style of the Doori artist. The research included two axes: the theoretical axis and the applied axis. The first theoretical axis deals with two topics: The first topic: the aesthetic of Iraqi nature as part of the life and methods of Iraqi artists from ancient times until today, including the periodic artist. The second topic: the league artist touched on the private life of the league artist. As for the second (applied) axis, it includes the research community, the research sample models, the research tool, the research method and the analysis of the research sample models. Then this study ends with the result and then the sources.

The researcher was interested in studying a crucial aspect of the systematic world music culture. He highlights the analysis of the harmonic construction in the musical compositions of the artist Khalil Ismail, where harmony is a significant Western musical science, a pillar of the structure of instrumental and vocal music.
It depends on the compositions of vertical sounds performed simultaneously, as tones coincide and are sometimes dissonant to give sound resonance that enriches musical work and attracts recipients. Hence, the researcher has many questions, including: Can the composition of the writings of the artist Khalil Ismail determine in an objective research framework? Is there a study on this subject in some detail? which leads the researcher to search for answers.
However, no previous studies have had found in this regard; The researcher is therefore convinced that there is an urgent need to write this research and study the all-important part of his harmony construction.

This study aimed to recognize the Abilities Musical level and its relation with the for positive thinking, The present study relied on the analytical correlational descriptive approach The study population consisted of 167 female students who participated in musical activities, among the students of Maysaloon Elementary School for Girls affiliated to the Directorate of Education for the Bani Ubaid Brigade in Irbid Governorate. While the sample of this study consisted of (65) female students; , from level: intermediate .

The correlative analytic descriptive method was used, Was applied to the study sample Seachor tests of musical capabilities (the abbreviated image), which was codified by the Arabic (Sadiq (2001), the scale of positive thinking prepared by the researcher and this study results indicated the following: The Abilities Musical level among he students of the upper basic stage was high, the results indicated that the forgiveness level among students was high, there was a positive statistically significant relationship between the level of Abilities Musical and the forgiveness. The study recommended attention to the musical education course in public schools. Developing music education materials according to the students ’attitudes towards music education

The research discussed the topic of the functional role of responsive materials in being elements of a functional transformation in the design of industrial products, based on the study of the structures of smart materials and their performance capabilities at the level of action and self-reaction that characterize this type of materials.

Basic features of responsive materials have been identified to be elements of self-functional insertion into the industrial product design, which contributes to raising the efficiency and functional capacity of the industrial product and enhancing the ability of products to perform self-acting interactions in the structural structure of the material structure of the product and its ability to respond and interact with context variables. environmental.

The responsive materials were classified into: electrical insulating materials, ceramics, piezoelectric polymers, shape memory alloys, shape memory polymers, thermoelectric materials, and electrical and magnetic fluids. And according to the cognitive propositions of research and discussion of methods and types of performance application of the characteristics of self-response materials in the design of industrial products that have the ability to self-response, a number of scientific conclusions were reached, which were, in their entirety, a scientific analysis of what and how of the design application of the characteristics of responsive materials in creating new functions in Industrial product design.

The issue of sports media and its role in winning sports and non-sports fans and unifying them towards various issues and events is one of the important topics that have begun to occupy many countries and governments in the world and allocate appropriate spaces for it and provide it with sufficient funds and budgets to advance this reality...

Especially since the concept of the sports official has It changed a lot and turned into an economic concept rather than a sport one through the investment in the field of sports and the entry of capital and contributes to the prosperity of the countries interested in this field.

It is important that includes profit and loss in addition to knowing how to employ and win the masses and employ the appropriate human resources to achieve sports achievements and activate this clearly and clearly through more than one axis. Programs by uniting the public in the face of important sporting events related to national issues, strengthening national belonging to the homeland, and making society more coherent and unified

When the television set appeared on the scene for the first time in the forties and fifties of the twentieth century, it caused a major change in the world in various fields, the most important of which was the industrial field. Due to the great demand from viewers to follow this amazing device, industrialists It was followed by the video equipment industry in the 1980s; Then HDTV in the late 1990s. The twenty-first century brought about the emergence of television, tablets, and computers of all kinds. Then mobile phones, and the story of the emergence of television begins in 1926 AD, specifically on the twenty-seventh of January When scientists and researchers gathered in a hall at the Royal Institute in London in front of a screen, they looked at it with longing and anxiety, waiting for something mysterious and exciting. Soon, some flashes appeared on its surface, which began to take on their features and lines, turning into moving illusions, but they were not clear enough. At that moment, those gathered jumped up, cheering and congratulating each other. They were witnesses to a turning point in history in media, journalistic and artistic work, as they witnessed the first successful experiment with history’s greatest technological inventions in the fields of communications and media. Since that time, the role of that screen, which was later called television, in the lives of the masses has increased, and it has truly become a miracle of the twentieth century due to its reliance on sound, image, and movement..