Al-Academy

In view of the technological development in recent periods of time, there have been needs that have become an urgent necessity for advanced society. The need for technology has entered into many fields, especially the digital field and technologies that have created a world similar to our world. The graphic designer was able to present an idea inspired by dream, imagination, and unreality, adding to it formal effects that he created. By employing it through the beauty of form, content, and consistency so that it serves the advertising design message, as he placed interconnected additions in terms of the interior and exterior, which makes the surrealist design structure innovative, creative, and creative, since the advertisement is the link between the designer and the recipient.
1- The use of the surreal form appeared in all models that bear the character of exotic art, and through the exotic form the designer was able to move away from the familiar and the traditional.
2- The innovative form in the posters is surreal, according to the designer’s imaginative and unusual idea. The surreal design form may be strange, and this calls for drawing the recipient’s attention to the surreal design content.

The researcher's study contained four chapters. The first chapter included the research problem, its importance, and the aim of his research, which was (revealing the skills of melancholic comedy performance in the Iraqi theatre), then the researcher defined and set limits for his study, objective, spatial, and temporal.
As for the second chapter, the theoretical framework, the researcher divided it into two sections according to the theoretical foundation, and it was as follows: The first topic: the emergence and development of acting performance, the second topic: comedy performance (black comedy), and the third chapter contained the research methodology, the research community, and the research sample, which was an intentional sample represented by a model One for analysis is: the play (The Hour of Blackness). After analysing the performance according to the indicators of the theoretical framework, the researcher reached a set of results and conclusions, then the researcher came out with a set of recommendations and proposals, then included the list of sources and finally the title and summary of the research in English

The research dealt with the topic of technical methods for forming post-modern arts and their manifestations in the products of art education students, which occur in displaying and directing their artistic achievement. The research contained four chapters. The first chapter dealt with: the methodological framework of the research, represented by the research problem, which was manifested in the following questions:
1- What are the technical methods used to form postmodernism, including pop art, which art education students adopted in their completed artistic productions, and in which they demonstrated their artistic treatments that were embodied in the composition and directing of the completed artistic work.
2- What transformations occurred in the students’ productions through their use of materials and raw materials using modern and contemporary techniques and methods to communicate the idea and topic through the style of popular art (pop art). The goal of the research: (Discovering the technical methods for forming post-modernism (pop art) and its manifestations in the products of art education students) The researcher identified the limits of the research, which were represented by the products of the students of the Art Education Department / College of Fine Arts / University of Baghdad for the academic year (2022- 2023), and then moved to the second semester. Which included two sections, the title of the first section was (technical methods of postmodern arts), while the second section discussed (technical methods (pop art) The researcher extracted a number of indicators that resulted from the theoretical framework, while the third chapter dealt with the research methodology and procedures. The fourth chapter included the research results, conclusions, recommendations and proposals. The research came out with a set of results, the most important of which are: 1. Using different technical methods in the structure of shapes by following the technique of assembling and installing different materials such as cloth, photographs, newspaper pieces, wood material, ropes, inks, and different dyes.
1. The various technical methods contributed to activating the forms of artistic work and the diversity of display spaces, through multiple techniques such as collage, rubbing, notching, dotting, pouring, rubbing, and high dough.
Among the most important conclusions are:
1. Different technical methods contributed to activating the forms of artistic work and the diversity of display spaces, through multiple techniques such as collage, rubbing, notching, dotting, pouring, rubbing, and high dough

This research will display the role of interior design in education institutions, showing the relationship between them with highlighting on its importance and its effects. The problem of the study is the lack of attention on the importance of interior design in educational institutions that lead to many interior design omissions that have been applied for many years, which in their turn have numerous effects on the users of the institutions. Furthermore, this research will highlight on the solving approaches to some common interior design challenges that has been applied in educational institutions. As a primary data, info was collected from several people from books, journals, and scholar websites about their opinions of interior design in educational institutions, including the challenges, the approached solutions, and the effects. In addition, an online survey has been made that collected opinions of professors and students as they are the main users of educational institutions to know their opinions on the approached solutions and their reasons behind their response. This research has discovered that the approached solutions have positive effects on the users, especially the teachers and students that will play a huge role in the teacher’s productivity and the student’s academic achievements

This study aims to explore and analyze the political, social, and cultural symbolism embedded in printmaking works produced in the Kingdom of Saudi Arabia between 2000 and 2024—a period characterized by profound transformations across the social, cultural, and political spheres. Using a critical visual analysis methodology, the research focuses on a selection of printmaking works created by three prominent Saudi artists in the field of traditional printmaking: Nael Mulla, Fayez Abu Haris, and Sami Al-Bar. The study examines hand-produced prints using intaglio, woodcut, and linocut techniques, highlighting themes of social transformation, moderation, and belonging within an evolving visual context

The aim of this research is to explore the strategy of "art for art's sake" in several contemporary visual art styles. To address this, we differentiate between the role of art in terms of the content of the idea and the content of the subject. In the content of the idea, we examine imagined visual perceptions, and it is possible to distinguish between real perceptions and imagined ones. Among the imagined perceptions, we differentiate between several types according to their sources: either from the imagination, a dream illusion, or a visual illusion that appeared in unfamiliar circumstances.
In the source of imagined visual perceptions, we encounter perspective drawing. geometric drawing, and kinetic illusion in the Op Art style. In Op Art, we see meticulously crafted linear or geometric compositions executed by talented artists. Their work reveals, to the viewer, a fleeting, oscillating movement in parts of a second, as the viewer's eye focuses on the piece. This is due to the eye receiving the work's structure more slowly than it is presented, leading to a misinterpretation of the vision, manifested in the form of motion. This type of illusion is a visual phenomenon that occurs under unusual circumstances.
Pioneers of Op Art flourished in the mid-20th century, including figures such as Victor Vasarely and Bridget Riley. They were followed by many other artists, including Francis Celentano, Marina Apollonio, and Josef Albers. Among the research findings are:

1. Op Art demonstrated formal content designed to captivate the viewer's attention.
2. Bridget Riley benefited from the integration and alternation of lines with directional changes, achieving a visual stimulation that reveals the aesthetic goal of "art for art's sake" through perceived motion, with effects of slowing and speeding.

This study examines the aesthetic and expressive values of cosmology through photography and installation art within the context of contemporary art. Art is an effective means of expression for understanding and appreciating astronomy (cosmology), the science that studies the origin and evolution of the universe. This research also highlights a portion of the artistic creativity embodied in photography during the nineteenth and twentieth centuries. This art form emerged at a time when advanced photographic technologies were not available. Artistic practice began with the goal of bringing art-loving audiences closer to the wonders of the universe and enriching the general understanding of cosmic phenomena, with scientific curiosity and the pursuit of discovery being the primary drivers. During this period, a group of artists emerged who sought to explore the hidden beauty behind the clouds—a beauty many fail to see due to the bright lights of the city. This dazzling celestial beauty appears when viewed from quiet locations far from the hustle and bustle of the city, revealing its grandeur and cosmic secrets. This research also explores the influence of scientific discoveries in shaping artistic vision. The research problem is to understand how aesthetic and expressive values in cosmology influence contemporary artworks. The main question addressed by this paper is: "How does astronomy influence artistic creativity and aesthetic expression in contemporary art?"
This paper aims to explore the impact of artworks on the general understanding of cosmic phenomena and to examine how art can open new horizons for artistic expression and creativity in astronomy (cosmology). The importance of this research lies in achieving a deeper understanding of cosmic concepts by studying the impact of astronomy on artistic vision and creativity, which contributes to enhancing the interaction between science and art and enriching human knowledge in general.
The study relied on a descriptive-analytical approach by reviewing and analyzing a selected group of artworks from a specific group of artists in the fields of photography and installation art during the nineteenth and twentieth centuries. These artists expressed astronomical phenomena using their artistic skills in photography and installation art. These practices enabled them to document minute details that provided a deeper understanding of artistic practices in the field of cosmology.
Through a critical analysis of artworks by a group of contemporary artists inspired by cosmology, the research concluded that art plays a pivotal role in enhancing understanding. The scientific study of the universe and the exploration of aesthetic and expressive values in contemporary art, thus providing a qualitative addition to artistic expression and enriching visual language. Furthermore, the study demonstrated that artworks dealing with cosmological themes are capable of broadening audience horizons and encouraging them to reflect more deeply on scientific and philosophical issues related to the universe. These works contribute to creating a connection between science and art, enhancing public awareness of cosmic issues and encouraging further interest and exploration in the field of astronomy.

The digital revolution has become an inevitable reality that we live in, casting its shadow over various aspects of life. The theater has not been devoid of this influence, especially with the emergence of post-modern features with all its intellectual, philosophical and aesthetic visions. However, with the technological development in this context, theater professionals, directors and actors seek to establish effective relationships with the Internet and digital media, which has led to the emergence of many websites interested in theater. From here, the importance of linking culture, digital theater theory and the effectiveness of media emerged to establish a new theatrical thought that is launched within an intellectual, aesthetic and scientific system oriented towards the recipient. On this basis, the researcher formulated the title of his research (The Effectiveness of Media in Iraqi Theater Performances, The Play "Al-Bayadiq" as a Model)? The methodological framework presents the research problem and focuses on the following question: Did the effectiveness of media in Iraqi theater performances play an effective role in the theatrical performance system? The research aims to identify the effectiveness of media in Iraqi theater performances (Al-Bayadiq as a Model). The first section deals with the concept of media and its effectiveness. The second section deals with the functions of media in theatrical performances. The research procedures included the research community, samples, tools, and a descriptive analysis approach to the effectiveness of media in Iraqi theatrical performances, using "Al-Bayadiq" as a model. The results and conclusions were summarized, the most prominent of which are:
1. The theatrical performance "Al-Bayadiq" worked to change the traditional style and differentiate it from traditional performances by employing media and its functions in the theatrical performance.
2. The employment of media and its functions in the theatrical performance, as well as its effectiveness, had an impact on the audience, deepening their response to the overall atmosphere of media and its functions.
3. Media and its effectiveness in the theatrical performance constituted a qualitative addition to the visions of the Iraqi director through the aesthetic and philosophical changes witnessed in the contemporary theatrical performance.
The research concluded with recommendations, proposals, and a summary of the research in English

Women's traditional clothing in Mecca has garnered the attention of researchers due to its unique distinction. It continues to hold its place among the people of Hijaz, who wear it on special occasions. The study aims to use Meccan heritage clothing as a source of inspiration for designing modern women's fashion through artificial intelligence. The significance of the study lies in promoting Meccan cultural identity and employing AI applications to innovate designs that are fashionable and marketable. The historical method was used to describe past events, along with an applied methodology where nine clothing pieces inspired by Meccan heritage were designed, accompanied by 27 varied designs including dresses, skirts, and blouses. The researcher concluded that cultural identity can be enhanced through fashion and recommended future studies on AI in fashion design to develop modern designs that cater to all tastes, as well as to produce contemporary women's clothing for sale during Hajj and Umrah seasons.

The idea and philosophy of flexible systems and their effectiveness in the field of interior design came as one of the important influential points to confront future developments and to lay the foundations for achieving all functional and aesthetic requirements through the possibility of change, and the university system is one of the systems most affected by these changes. Through the preliminary exploratory study of such spaces, it was revealed that there is no identification of the influence of context. The functional and spatial pattern of these buildings depends on the degree of influence of these characteristics. Also, previous studies did not provide a clear definition of the characteristics that are most exciting in the flexibility of buildings in a way that meets the designer’s need for use in future designs and the possibility of evaluating the flexibility of building spaces from their initial plans. Due to the lack of a unified and effective flexible design system in university buildings, the research problem was defined through the following question: What is Applications of flexible systems and how effective are they in achieving the principles of design flexibility in designing the interior spaces of university buildings?
The importance of the research was embodied in clarifying the idea of flexible systems to employ aesthetic values in the design of facades by highlighting the trends of modern systems and their effectiveness in achieving technical integration and its role in design. The goal of the research included identifying the appearance characteristics of the elements and the aesthetic foundations of flexible organization, in accordance with the requirements of the design process. In order to achieve integration with the functional, environmental and formal building systems by shedding light on the trends of modern systems and the extent of their effectiveness in interior spaces. The second chapter includes the theoretical framework with its discussions on flexible systems in design. The second section includes flexible systems and their effectiveness in the design of interior spaces. To the third chapter, with its methodology and boldness. As for the fourth chapter, one of the most important results was that the flexible systems were achieved through the effectiveness of light, its type, intensity, and formal arrangements with the proportionality of the height of the ceilings and the light and dark spaces in the internal spaces of the model. As for the most important conclusions, there is a clear difference in standards in employing flexible systems for the elements. The design of interior spaces and their relationship with the exterior facade within its integrated unit in addressing design determinants

Digital simulation techniques in the field of designing and analysing woven fabrics is a recent technological revolution that allows researchers and engineers to create more efficient and accurate models and analyse the mechanical and physical properties of textiles before starting manufacturing, which saves time and effort compared to traditional methods.
The research aims to evaluate the accuracy and efficiency of TexGen in simulating woven fabrics, and identify the challenges and limitations associated with using TexGen. The study found that TexGen digital simulation software is able to represent textile structures with high accuracy, but is dependent on design settings and the quality of input data, and is an alternative to the traditional method, reducing cost and time and facilitating the optimisation of fabric design before manufacturing , It also supports environmental sustainability in the clothing and textile industry.
The research recommended the following: Improved integration of TexGen with advanced numerical simulation software to provide more comprehensive analysis. Conduct comparative studies with other types of simulation and numerical modelling techniques to better identify advantages and disadvantages..

The process of establishing successful theatrical performances is an artistic achievement based on the dialectic of compatibility or contrast between the literary production and the structure of the theatrical performance. The process of transforming literary words (theatrical text) into a complex (kinetic formation) (audio-visual) remains different from one theatrical director to another. Since the main element in the theatrical performance is the actor. The researcher was able to divide his research into four chapters. The first chapter is the research methodology. The researcher shed light and focused on the research problem and the need for it, and through study and scrutiny he arrived at the formulation of the following question. Stylistic transformations of the actor’s performance in contemporary global experiences? Then he touched on the importance of the research, the objectives of the research, the limits of the research, and the definition of terminology and the limits of the research that was limited to the years (1972 - 2022). As for the second chapter (theoretical framework) (methods of acting in delusional and non-delusional theatre), the chapter was divided into two sections, the second section (contemporary performance experiences), and then the researcher arrived at the indicators produced by the theoretical framework.
The third chapter of the research was devoted to the research procedures represented by the research population, the research sample, the research tool, the research methodology, and the sample analysis of the play (Abu al-Tayyib al-Mutanabbi), and then the fourth chapter was devoted to (the results of the sample analysis) and the conclusions as well as the recommendations

Design is the key to many promotion and marketing problems at the present time, and it is the source of ideas that present design solutions as communicative messages. Therefore, design is a priority in knowledge, understanding and know-how, as it provides these advertising topics with more content and connotations to produce meanings that are characterized as persuasive and directive on a level. Commercial exchange and the provision of goods, and this is what necessitated the existence of working mechanisms and functions for both concepts, design and promotion, as they are two trends that differ in their ways and meet in one goal. This matter is important in presenting advertising topics that take a commercial approach to touch the needs of individuals, society, organizations and production companies, which necessitated identifying the most important Those design ideas and methods that achieve success by adopting the principle of promotion.

The research problem lies in the notion that preserving, safeguarding, disseminating, and studying heritage while making this process an enjoyable experience for visitors are among the core functions expected of a museum. This study specifically investigates whether the museum, particularly the Museum of Umm Al-Qura University, fulfills these anticipated and desired roles.
This study aims to identify the ideal global roles of museums, examine the current educational, scientific, artistic, and cultural functions of Umm Al-Qura University Museum, and determine the potential roles the museum could adopt considering global technological advancements. The research underscores the importance of activating the museum’s functions to contribute to strengthening cultural identity and development. The research employs a descriptive methodology to achieve its objectives and to answer the central research question.
The findings indicate that integrating modern technologies in the display and documentation of heritage significantly enhances the museum’s effectiveness and its ability to attract visitors.
The importance of this research lies in its examination of the status of the Museum of Umm Al-Qura University and its potential for development. This includes improving the efficiency of display methods by employing modern technology and integrating it into museum exhibitions. The research also highlights the importance of developing the skills of museum staff so that the museum may serve as an educational and cultural space with recreational value. The preservation, documentation, and aesthetic presentation of heritage demonstrating its richness through advanced and modern display techniques can significantly increase public engagement and reinforce the museum’s role in documentation and exhibition.
The study recommends focusing on the museum’s promotional strategies, including the creation of a visual identity that reflects the museum’s character, the development of a website that introduces the museum and its collections, and the implementation of interactive programs that attract and engage the public and stimulate interest in physical visits.
To conclude, the study emphasizes the importance of improving visitor experience and appeal by developing the museum’s activities and programs, enhancing its touristic value through improved display techniques, providing adequate facilities and services, supporting educational and cultural programming, offering guidance services, and focusing on the design and architectural style of the museum building to ensure it reflects a distinctive and aesthetically pleasing architectural identity

This study aims to analyze the concept of seriousness as a critical design value influencing the development of intelligent industrial products, and to examine its role in balancing innovation, sustainability, and user-centered needs. It focuses on the relationship between core elements of seriousness—such as commitment, control, and challenge—and key dimensions of intelligent design, including quality, integration, and creativity. Furthermore, the research explores the contribution of advanced technologies, namely artificial intelligence, nanotechnology, and digital twins—in supporting and enhancing this design value. The significance of the study lies in its effort to establish a conceptual framework that clarifies how seriousness can be effectively employed in the development of smart products that combine functional efficiency with visual appeal, while also reinforcing trust between the user and the product.
The study concludes that seriousness in industrial design constitutes a fundamental driver for the creation of intelligent products that meet users’ needs with elevated levels of precision and efficiency. Adherence to standards of quality and ethics strengthens user trust and promotes innovation, whereas the element of challenge reflects the designer’s readiness to engage with rapid technological and market shifts. Technologies such as artificial intelligence, nanotechnology, and digital twins further enhance the quality and performance of intelligent industrial design, enabling designers to create innovative and sustainable solutions that harmonize visual aesthetics with functionality, with particular emphasis on sustainability

This research aims to demonstrate the effectiveness of the dialectical thought of Hegel and Marx, and their potential application to the realm of visual artistic performance encompassing its ideas and executive materials. The research is divided into four chapters. The first chapter introduces the methodological framework to address the research problem, which raised the question of the adaptability of Hegelian and Marxian dialectical thought to artistic performance and the creation of a reciprocal state. The research is also significant in contributing to the academic knowledge construction in the philosophical and artistic fields. It also emphasizes the analytical approach between Hegelian and Marxist dialectical thought. The research’s goal is to uncover the foundations of Hegelian and Marxist dialectical thought with a dialectical orientation in interpreting visual artistic performance.
The second chapter introduces the theoretical framework and consists of three sections: First Section: The concept of dialectics in philosophy, Second Section: Hegelian thought and the transition of discourse from philosophy to artistic performance, and Third Section: Marxist thought and the transition of discourse from philosophy to artistic performance, with indicators. The third chapter addresses the research procedures, including the selection of the research community and sample analysis. The fourth chapter presents a set of results and conclusions, including:
1. Dialectic is a mental activity with effectiveness that relies on the interaction between two parties seeking to uncover the phenomena of existence, including visual arts, to challenge the previous and achieve new configurations.
2. Visual artworks, with their diverse and innovative ideas, have assisted in interpreting them through the Hegelian and Marxist dialectical thoughts and revealing the intellectual differences in them

Cinema has become a fertile ground for dealing with various humanitarian topics, no matter how complex and thorny they are, from psychological to social and political topics. It is no secret to anyone that cinema has been used to pass on many political ideologies, especially in the period after World War II and the Cold War period until the present day, and anarchism was one of those ideologies that The films dealt with it, whether negatively or positively, and it is a basic theme in the films that stem from the places in which it was established and implemented as a political system alternative to the conventional ruling systems. The research was in accordance with scientific research methods in five chapters, which the researcher classified according to the following structure: The first chapter of which was entitled (the methodological framework) for the research. It includes the research problem and the need for it. The researcher formulated the research problem according to the following question: What are the semantic representations of anarchist thought in the contemporary feature film? The chapter also included the importance of the research and the objectives, as well as the limits of the research that the researcher relied on in choosing the purposive sample. As for the second chapter (theoretical framework and previous studies), the researcher divided it into two sections, the first (anarchism in film discourse), and the second (the structure of the contemporary feature film). The third (research procedures) discussed the research methodology, the research community, the research tool, the unit of analysis, the validity of the tool, and the analysis steps. Then came the fourth chapter, analysis of the research sample and the movie V for Vendetta. As for the fifth chapter (results and conclusions), the researcher discussed the results and conclusions she reached after applying the research tool, as well as the results she reached

Photography is one of the most important pillars of a dramatic work (a television film, a cinematic film, a series, a television evening series), as the director relies on the photography process to convey an idea to the mind of the viewer. Among the most prominent problems that the photographer suffers from in outdoor photography are the climatic conditions and terrain and their factors that badly affect the landscape. The efficiency of the external filming process. The research problem can be summarized in the following question: What are the problems that affect the external filming of television work in the Iraqi environment? The importance of the research comes through highlighting the problems and obstacles facing the photographer during the outdoor photography process in the climatic environment, and the theoretical framework addresses two sections, the first: the art of photography is a historical foundation for the art of photography, and the second section: and the second section: television drama / an introduction to drama, with coming up with indicators. For this theoretical framework, the research procedures included the research community, research samples, and its tool. We followed by analyzing selected films and concluded the research with results and conclusions, including:
1. Weak production capabilities and poor quality of outdoor photography equipment led to the inability to overcome unnatural environmental factors, such as outdoor photography locations in rugged and unstable areas.
2. Inaccurate choices of filming locations contributed to obstructing outdoor filming, as well as causing poor execution of the scenes visually and audio, as well as the rest of the other montage elements

This research presents an aesthetic analytical study of the rock-carved sculptural monuments in the areas of Jubbah and Shuwaymis, located in the Hail Region of the Kingdom of Saudi Arabia. These sites are distinguished by a rich collection of symbolic carvings—both anthropomorphic and zoomorphic—executed in relief and intaglio styles, and dating back to various prehistoric periods. The study aims to explore the aesthetic dimensions of these carvings by adopting a descriptive-analytical methodology that highlights their visual and formal qualities. The research is structured into three main chapters: Chapter One outlines the theoretical framework, addressing the geographical context of the two sites and the stylistic characteristics of their rock art; Chapter Two details the research methodology and the analysis of a selected sample of twelve carvings; while Chapter Three presents the findings, which reveal a clear stylistic similarity between the sculptures of Jubbah and Shuwaymis in terms of balanced visual relationships, proportional harmony, and compositional integration. Additionally, the study identifies a contrast between clarity and ambiguity in the forms, along with instances of exaggeration and distortion, suggesting a departure from naturalistic proportionsstrange, and this calls for drawing the recipient’s attention to the surreal design content.

The research is interested in studying the sensory stimulus and its role in understanding and interpreting the contemporary industrial product. The research problem was defined by the following question: What is the nature of the sensory stimulus and its role in understanding and interpreting the contemporary industrial product? The research goal was determined to reveal the sensory stimulus and its role in designing the contemporary industrial product. The research also included the keywords (sensory stimulus, understanding and interpretation).
The theoretical framework included two topics, the first was entitled Sensory Stimulus and its Role in Understanding and Interpreting the Contemporary Industrial Product, while the second topic was entitled Sensory Stimulus and its Role in Understanding and Interpreting the Contemporary Industrial Product.
The research reached the following results, the most important of which are: - The sensory stimulus represents a fundamental presence in the design of the contemporary industrial product, and it often places the recipient or user in a picture of cognitive balance with the contemporary industrial product. The most important conclusions of which are (the interconnection of understanding and interpretation came through the associative relationship between them through the sensory stimulus in the industrial product at a rate of 80%). The research also reached a set of recommendations and suggestions

The research tagged with (the social capabilities of the simulated industrial products of the organism and its relationship to aesthetic preference) was concerned with studying the phenomenon of the social capabilities of the simulated products of the organism that affects the role of social capabilities in adding the aesthetic preference dye of the identity of the industrial product for the purpose of meeting and filling the consumer's need, so the research problem is represented by the following question: Are social capabilities related to the aesthetic preference of the mimic industrial product of the organism (robot)? Research is a step to study and define the concept of social capabilities and their relationship to designing the simulated products of the organism.
As for the research methodology, it resulted in the selection of the research sample according to its proximity to the study objectives. Products from CEREVO and Keenon contained the year from (2020 to 2023). (5) samples were chosen by a intentional sample of two appropriate models for the research requirements. It contained a description of the models and their analysis and containing the results and conclusions that the researcher leads to, the most important of which are: the aesthetic preferences in the design of the industrial product and their relationship to social capabilities play an essential role in emotional treatment and motivated by aesthetics to form the foundations of an interaction between man and the industrial product through (direction, emotion, complexity).

The present study aims to identify the nature of augmented reality technology as it relates to contemporary artworks, It also seeks to uncover the aesthetic values embedded within augmented reality technology, The researcher employed the descriptive-analytical method to analyze contemporary artworks that utilize augmented reality, The research population comprised all contemporary artworks based on augmented reality technology, while the sample consisted of an analysis of five (5) contemporary artworks in the field of visual arts based on augmented reality technology, and among the key findings of the study: the pursuit of new technological methods for presenting artworks results in the emergence of new aesthetic values; augmented reality art offers aesthetic, emotional, and cultural fulfillment to the audience—whether passive or interactive, Furthermore, the use of new technological tools, such as augmented reality, significantly reduces time, effort, and cost in developing innovative display methods, Lastly, the purpose of presenting artworks through interactive augmented reality is to educate the viewer about art, enhance their ability to appreciate the concept of the work, attract their attention, and ultimately nurture and elevate their aesthetic sensibility.

The current research deals with the mechanisms of the iconic form expressed by the Muslim designer because of his developed mind in expressing the life of contemporary Islamic society, as it constituted an important and new turning point in the aesthetic and expressive formulation in mosque architecture, and because of the importance that the interior space possesses due to the various interior iconic designs it contains. In which the unity of content is intellectually embodied in its internal spaces and composition, through which it demonstrated the preservation of its aesthetic identity. This has become clear in the mosques of Europe, which were characterized by special iconic architecture, with a distinctive impact that confirms the originality of the Arab designer in choosing special iconic designs. Therefore, the following question arose for the researcher (Does the iconic form play a role in enhancing the interior spaces of contemporary mosques? He was interested in studying how to preserve the originality of the iconic form of the spaces. Interior and summarizes the goal of the research in revealing suggestive thought and its effectiveness in choosing the type of iconic form appropriate for the contemporary interior spaces of mosque architecture. As for the limits of the research, which were the suggestive thought and its role in the mechanisms of selecting appropriate iconic forms for the contemporary interior spaces of mosques, the Cambridge Mosque is a model - the United Kingdom, Britain, which was opened in 2019 and was The most prominent results revealed the power of suggestive thought. The formal iconic system is a visual act through which the designer draws inspiration from the nature of the aesthetic and structural compatibility and harmony of the formal units (linear, volumetric, and spatial), which are organized according to the operation of the organizational foundations linking those units, within the totality of the iconic work.

Aesthetic design is an important part of chair design and it must be attractive and appropriate for the place in which it will be placed, and fit with the general décor and desired mood. The research contained four chapters, the first included a review of the problem with the following question: What are the aesthetics of chair design for people with special needs? As for the second chapter: It included two sections, the first: aesthetics and design between concept and operation, and the second: people with special needs. The third chapter: included a review of the research methodology. As for the fourth chapter: the results of the research and a set of conclusions were presented, and the study concluded with sources.

The multiplicity of formats in plastic art, specifically (contemporary sculpture), and after conducting the exploratory study, the researchers came up with the following question for the research problem: What are the multiple formats and do they have representations in the products of the students of the Institute of Fine Arts?

The research also aims to reveal the multiple styles and their representations in the sculptural productions of students at the Institute of Fine Arts.

The two researchers adopted the descriptive analytical method, as they used statistical methods to calculate the percentage of agreement between experts (Cooper) and the one-sample T-test.

As for the results of the research: convergence of views between the theory of multiple formats and post-modern art specifically (contemporary sculpture) in terms of the multiplicity of trends, techniques and materials and its presentation of advanced modern ideas that came as a response to the art of modernity

This research aims to uncover the aesthetics of the formal relationship between visual arts and cyber architecture. To achieve this, a descriptive-analytical approach was employed, examining the aesthetics of the formal relationship between visual arts and cyber architecture. A content analysis approach was also used to analyze selected artworks found on websites. A purposive sample of three artworks was selected based on their compatibility with the topic and scope of the current research, as well as the diversity of their artistic techniques and styles. The research results showed that the shared aesthetics between visual arts and cyber architecture draw the viewer's attention to the intersection between them, which creates comfort and appeal, and achieves integration and innovation in a new style for aesthetic concepts. Visual arts also relies on many formal relationships associated with cyber architecture, such as flexibility, fluidity, and abstraction. Cyber architecture has also paved the way for the visual arts to create spaces for intelligent and interactive systems, enabling them to achieve unprecedented aesthetic expressions that redefine the relationship between humans, art, and technology. The research recommends conducting further studies on the aesthetics of cyber architecture and its impact on the artistic field, and holding diverse art exhibitions that combine art and architecture by showcasing interactive experiences. It also recommends enhancing communication between artistic, architectural, and technological disciplines, opening new horizons for development and co-creation.

Biological art is considered one of the contemporary and innovative arts, with its experimental and interactive mediums that explore the intersections of biological sciences and draw from those developments to stimulate and enrich the artistic experience with a level of expression that may challenge social, cultural, and ethical references. It requires direct experimentation on living organisms of various kinds. The artistic creations emerge from laboratories after collaborative experimental processes with scientists and researchers, carrying the strangeness of aesthetic pleasure of the event. They are accompanied by audience stimulation within an educational and awareness strategy. These creations are the result of interactive introductions between contemporary scientific references that branch out into a wide network of sciences, extending their roots towards engineering, chemistry, physics, and information technology. The current research sheds light on the most impactful and contributing scientific references to enrich the experiences of biological art.

Designing effective healthcare environments necessitates a nuanced understanding of how architectural elements—particularly color and lighting—affect users’ psychological and physiological well-being. This study investigates the impact of these elements within Al-Majardah General Hospital in Saudi Arabia through open-ended interviews conducted with patients, healthcare staff, and design professionals. The findings indicate that spatial variables—such as chromatic schemes, lighting quality, acoustic and thermal comfort, ergonomic furniture, and access to natural views—play a significant role in shaping users’ emotional states, behavioral responses, and recovery trajectories. Importantly, these effects vary across demographic and functional groups, underscoring the need for inclusive and adaptive design strategies. This research offers evidence-based insights for healthcare designers, administrators, and policymakers seeking to enhance healing environments through informed spatial interventions

Since the current research aims to identify the aesthetic dimension of lighting in children’s theater performances, therefore, the current research procedures tend to adopt the descriptive analytical method as it is the most appropriate scientific method to achieve the goal of the current research and reach the desired results from the analysis process.
The community consists of children's theater performances (three theatrical performances) according to the limits of the current research, which in its context includes the method of lighting distribution, noting that the performances are produced by (students of the Department of Art Education, College of Fine Arts/2012). The researcher chose one theatrical performance as his research sample. (Juha and the donkey) in an intentional way. The researcher used the SPSS statistical package to extract the results, the most important of which are:
1- The aesthetics of lighting in children’s theater performances are applied artistic processes aimed at creativity and innovation, as it contributes and positively influences the child’s effectiveness in order to arouse the motivation, purpose, and dream that struggle within him.
The most important conclusions are:
2- Theatrical lighting, in all its applications, helps in the correct construction of the child’s personality and contributes to the development of the mind and culture.

Artistic trends, from their very beginning until post-modernism, are considered a turning point towards change, diversity and innovation in the field of creating artistic products, and this is what helped the artist to create different works of art, depending on the different mechanisms and new techniques of display that differ from what was previously mentioned. Therefore, the research may be The current study consists of four chapters. The first chapter included presenting the research problem, which centered on answering the following question: (What is the technical diversity in postmodern arts and what are their representations in students’ productions?) As the current research aims to identify the technical diversity of postmodern arts and their representations in students’ productions. As for the second chapter, which consists of the theoretical framework and includes two sections, the third chapter includes the research methodology and procedures, as the research community consists of (10) plastic arts works. (3) artworks were chosen as a sample to be analyzed and decoded. The researcher used the descriptive approach (content analysis method) as it is compatible with the goal of the research. The research tool was prepared, consisting of an analysis form, and the researcher used statistical methods: the Cooper equation to find the percentage of agreement. Between the arbitrators and the Scott equation to calculate the validity of the tool, and the Pearson correlation coefficient to extract reliability using the split-half method. As for the most important results: There is a diversity in the artistic techniques adopted in implementing the artistic products of the students of the Art Education Department. Samples (1, 2, 3) adopted the method of abstract expressionism in showing the components of artistic production, while the fourth chapter includes conclusions, including: Abstract expressionist arts were able to activate marginalized materials and benefit from technical developments in achieving artistic production.