Al-Academy

The theater benefited from the concept of (hypertext) to create different virtual worlds. The four chapters of the research included the first (methodological framework), the second (theoretical framework) came in two sections (hypertext, its concepts and applications) and (hypertextual space in theatrical performance), and the investigations resulted in indicators

We studied, in this paper, the semiotics of the visual image of women in the discourse of empowerment, through three models of advertising images expressing the particularities of the Saudi Arabian environment.
We aim to know how the mark operates and how it is interpreted, as a semantic process in which the meaning ranges from description to interpretation, and we studied two hypotheses:
-The advertising image is a structure in which the mark corresponds to the reality and the discourse to the context.
-The significance is not found in the visual sign or in the textual sign of the advertising image, but in the creative event that opens up to the social, cultural, and psychological context, and creates a field of dialogue between the image and its recipient.
We approached the foundational dimensions of the communicative system in the advertising discourse by studying the levels of meaning in three models of images indicating women's empowerment.

The theatrical view reflects various connotations and intellectual and aesthetic implications, as the view includes a symbolic geometric, architectural and archetypal connotation suggestive of reality and nature, as theatrical art is the woman that reflects reality, specifically the significance of the theatrical view that reveals to us the philosophical, aesthetic and cognitive dimensions of theatrical trends, so the research came with the methodological framework, which It included the research problem (what is the significance of the scene as a symbolic system in the Iraqi theatrical performance), the importance of the research and the need for it, the research objective, the limits of the research and the most important terms.
As for the theoretical framework, the first topic was (the concept of symbolic significance), and the second topic (the symbolic significance of the scene in the theater).
The research procedures included a description of the original research community, sample, method and tool, and the researchers chose a play (Reveals) as a sample for the current research. The research concluded with the most important results and conclusions that the research reached:
1. The semantic expression of the scene is achieved as a result of color and shape working within a symbolic semantic system in terms of (make-up and fashion) that reflects the meanings and ideas of theatrical performance.
2. The use of intentionality in the design in order to convey the aesthetic value of the components of the theater scene for the recipient, and the enjoyment of the theatrical performance.
And then references, sources and a summary in English

The current research dealt with the development of sciences and arts over the course of human history, and the development of sciences with their natural and human trends are important areas in developing the knowledge and application base for industrial product design and design in its various fields. Bionic science is one of the sciences that works on applying biological methods and systems found in nature to study and design engineering systems and modern technology, and for industrial products to be highly efficient, durable and resistant to natural variables in daily life for use. The transfer of technology between life forms and industrial products is desirable because the processes of development at the level of science in general and the development of human needs in particular impose on the design of industrial products to be compatible with human changes and transformations at various levels, and therefore the process of adopting the scientific base of bionic science It is essential for the development of industrial products In proportion to the requirements of the contemporary user, the research dealt with the mechanisms of applying bionic science in industrial products, as the theoretical framework included three important topics, which we will address successively

Literary works include, for the most part, text thresholds, which are the first entry into reading them and understanding their connotations, and (literary works) vary according to text thresholds, some of which are limited to the title and on the cover page only, and others, in addition to these two thresholds, are based on the dedication threshold too, and others ...
This study takes the story of "Mamo Zain" of the poet Ahmed Al-Khani and his translator Sheikh Muhammad Ramadan Al-Bouti as the field of study, as it is a unique literary work, which included a number of textual thresholds which supported each other and cooperated with the content of the work.
The threshold of dedication in the story of "Mamo Zain" was a speech, beside the title, the cover page and the text, and it was in harmony with the title, the cover page and the content, in which the social issue that the text dealt with manifested itself, as it was revealed in the subtitle (a love story that grew on earth and blossomed in heaven). .
The (study) will attempt to identify the connotations of the textual thresholds of the work studied, and to show their relation to the text. To conclude that textual thresholds have a role in text comprehension, they often reduce the meaning of the text, and present a picture of its consistency (the text), in terms of the connection of its content with its thresholds

Water represents as a basic intellectual material in the myths of creation and the start of formation, Thus, water has turned into an intellectual material in literary mythological texts in addition to its function in sculptural Mesopotamian sculpture. The research is in three sections: the first section deals with Myth, its concept, peculiarities and types, the second section is about mythological literature, the third section is about the idea of water and mythical literature. The question research question here is that does the idea of water have any impact on mythological literature? And Does it link to sculptural products? The importance of the research is that it shows the human imagination and its relationship to functioning water as a literary, mythological and formational element to discover its impact between mythological literature and Mesopotamian sculptures, and results summarizing the idea of water, and its meanings between mythological literature and Mesopotamian sculptures

Forecasting has become common process and reality. Since man has found multiple forms of simple predictive predictions, fruitful predictive results have emerged, such as weather forecasting or trading on stock exchange. The research was organized by defining the problem, which was manifested by the question:
(What is the prediction in global logo design methods?)
The aim of the research: (revealing design prediction in the methods of global logos). The theoretical framework was: (the concept of prediction in the design of global logos), (methods of global logos), (types of prediction) and then were attached to indicators, results and conclusions, including:
- The color value of international logos came with human needs: a need that modern design schools call for her.
The suggestions are:
Emphasis on academic studies global logos, as they are advisory principles and values from which the designer sets out to achieve his global logos.

The products of the surrealist school since its inception to this day have greatly influenced art in the world, so we find many artists around the world invested in their visual texts the forms generated by surrealism, and here the researcher raises several questions: What are the formal vocabulary that directly or indirectly refers to Self-used by the surrealist painter? Was the surrealist form understood as intended by the movement? In these questions, the research problem is summarized. The importance of it lies in identifying the references to the form of the human self, which are related to the psychological field in the works of the surrealists, especially Salvador Dali. Then the researcher chose his research community from the works that were completed in the period 1927-1964 and chose three samples and after the analysis, the researcher reached the results and conclusions, including:
1. The three models of Dali (1), (2), (3) included critical analysis based on hallucinations.
2. The intention of mental confusion through the naming in the sample (1).
3. The use of dream symbols from the book (The Interpretation of Dreams) by the psychologist (Freud) and its formation of dream topics, but in a well-studied scientific way and not from the artist's subconscious and dreams

The way artists deal with body in their artistic works has had so many forms and methods, whether as an object for their drawings or as a material to create live artistic performances that relate to the idea of correspondence and interaction between different artistic categories such as: drama, dance, and painting as it is the case of the artist Marina Abramovic who has always used her body as an artistic unit to generate meaning and to perform her lively shows.
To go deeper into her career, our work was divided into 3 sections:
The first section was devoted to follow the main artistic stages that her body had gone through, starting with paintings she performed using concepts based on acting, simulation and nudity and ending with presenting the body as a material presenting the painting act.
The second section was dedicated to the interpretation of some of her works, Marina who is no longer focusing on the sacred side of the body, broke all the previous widespread asthetic standards.
To shed light on her works, we explored in the third section the interactive relationship between Maria Abramovic and the viewer who has become a real active element in her artistic performances instead of being a mere spectator.
We then concluded by referring to the concept of the body which has moved from its narrow limits to more open modern expressive practices that are based on the unity and the interaction of all genres of arts among them.

The aesthetic dimension in popular subjects is one of the important topics in the history and culture of peoples, as it is the vessel from which their faith, traditions, original values, language, ideas, practices and way of life are derived, which expresses their culture and national identity, and it is the bridge of communication between generations throughout the ages.
It is one of the main pillars in the process of development and development, and popular subjects have special images related to real daily life, and they are the best source for man to narrate through him in his portrayal of daily life in general, and for the artist in particular, who is part of this daily life and its vocabulary, as he interacts with it so that he can represent it aesthetically with creative works Hence the research problem arises for us by asking the following question: Did the aesthetic dimension appear in the popular subjects in the paintings of the artist Naguib Younes? Was the artist Naguib Younis according to the depiction of popular subjects in his paintings?

The current research dealt with the symbolic significance and its effectiveness in the design of the industrial product, the aesthetic communicative discourse that embodies the imagination and human conscience. Whether according to what has been termed custom or what has been approved by traditions long ago, symbolism may be the main actor in linking the identifying components of the product. In addition, symbolism provides the user with the key to accessing a direct awareness of the product’s shape and function, as an identification of the product by stimulating the symbolic form of the consumer’s imagination and inviting him to To meditate in order to realize the implicit meaning behind these forms and thus achieve the symbolism of the work. (Symbolic significance in industrial design, types of significance, symbolic indications of structural design elements, color processors in design systems and their symbolic indications, light and transparency in design systems and their symbolic indications, smart materials and the significance of design thought)

Time and space are indispensable basics in cinematic art. They contain the characters, their actions and the nature of events, as well as their expressive abilities to express many ideas and information. However, the process of collecting space and time in one term is space-time, and it is one of Einstein’s theoretical propositions, who sees that Time is an added dimension within the place, so the study here differs from the previous one, and this is what the researcher determined in the topic of his research, which was titled (The Dramatic Function of Space-Time Variables in the Narrative Film), Which included the following: The research problem, which crystallized in the following question: What is the dramatic function of the temporal variables and how they appear in the feature film. The objectives of the research: is to reveal the dramatic function of the temporal variables in the feature film. As well as the researcher to highlight the importance of the research and its limits, and conclude the chapter by identifying the most important terms. It also included (the theoretical framework and previous studies), which was divided into two sections that came as follows: The first topic: conceptual space-time and work. The second topic: spacetime in the feature film, and then (research procedures), as the researcher adopted the descriptive analytical approach, based on the indicators of the theoretical framework as a tool for analysis, and then the research sample was chosen intentionally, and finally the researcher analyzed the research sample. The researcher came out with (the results and conclusions) that the researcher reached after analyzing the sample, and finally recommendations and suggestions were presented, and the research concluded with a list of sources, references and supplements, and a summary of the research in English

The graphic privacy feature is one of the most important specifications for the existence of any type of design achievements alike, which is one of the graphic products with its multiple data, and from here the current research investigates the graphic privacy of vector graphics design with all its technical descriptions and concepts associated with it and the possibility of achieving it to the best that it should be from Where its formal structure in children's publications, where the structural structure of the current research came from the first chapter, which contained the research problem, which came according to the following question: What is the graphic privacy in the design of vector graphics in children's publications? It also determined the importance of research in the theoretical and applied aspects. The goal of the research was determined to reveal graphic privacy in the design of vector graphics. It also identified three limits for research regarding the subject, time and place, as well as defining the terms of privacy and graphic privacy and vector graphics. The second chapter also included the theoretical framework related to the knowledge of the subject of the research, and the theoretical framework included analysis and criticism of models of children's publications, then the research came out with results from them. The dominant unit appeared in computer vector graphics through vector graphic processors, and thus excitement and strangeness were achieved. The research also came out with recommendations for the current study. Then the research was included in the list of Arab and foreign sources related to the research

The problem of the tagged research (experimentation in the works of the artist Muhammad al-Kinani is an analytical study) dealt with the nature of the concept of experimentation and its work in the works of Muhammad al-Kinani. Which adopts the removal of the concept of style and artistic style and takes the experience away from the pattern of repetition The importance of the research comes through the identification of the materials founding the artistic work. The current research benefits the specialists in the field of arts from the students of studies with a new and renewed formulation of creativity. The research objectives shed light on the contemporary experiences of the artist Muhammad Al-Kinani and its importance in benefiting researchers and the specialized library, and the limits of the research were limited to Objective limits and temporal limits from 2006-2017 and spatial limits. As for the second chapter, represented by the theoretical framework, it contained three sections. The first topic dealt with the meaning of experimentation, the second topic was experimentation in the visual field, and the third topic dealt with experimentation in the works of the artist Muhammad Al-Kinani. The third chapter included the research procedures represented by the research community and the sample, which numbered (3) artistic works, then the research tools, the research method and the analysis of samples. As for the fourth chapter, it included the results and conclusions of the research, and the research reached a number of them.
1- The artist’s interest in collage and pasting gypsum materials, cardboard and pastes.
2- Re-formulation of the legacy in a new way, distinct and effective.
As for the conclusions:
1- The social, psychological and cultural conferences had a clear role in his experimental work.
2- The artist was able to reflect his emotions through psychological and mythological values to produce the artwork.
3- Opening up to the outside world and benefiting from the experiences of others.
As well as recommendations, suggestions and a list of sources.

The culturalization of gender action occupies a wide range in culture, thoughts and modern studies as well as in fine arts and the ways of expressing them.
Theater, as one of these arts, plays roles in establishing the fundamental concepts that aims at stating the uncontrollable deed of the social community. It remains one of the most effective and suitable means to confine the uncivilized practices to overcome a certain crisis after gender and cyborg in societies.
The research concentrates on studying the culturalization of gender action in the Iraqi theatrical address because of the effect it has on the modernizing thought in arts and theater literature. It consists of chapter one which deals with the " curriculum frame " -the problem of the research. The importance of the research is quite evident in dealing with a certain concept after the gender and whatever signs and concepts related to it . That points out the relation between the individual and the oral overwhelming diminution as well as the personifying connectivity in the address of the theater show .
As for the goal of the research , it aims at knowing the culturalization of gender action in the theater address