Al-Academy

The arts global digital marketing activity is one of the most prominent manifestations of the contemporary transformation in the circulation of cultural products, and that this event has become a new knowledge event that deserves to be a framework for the problem of our current research, while this phenomenon is growing and developing to compete with the traditional marketing of art through galleries, exhibitions, auctions and museums. It is still the preserve of certain civilized and knowledge environments, and from here this research comes with the aim of shedding light on the mechanisms of digitizing the contemporary art market that have been linked to the two variables of the growing idea of indirect marketing through the intermediary by companies, institutions or sites that specialize in marketing only, and the rapid development of the communicative digital world that has shaped Cybernetic support for marketing companies to benefit from the endless capabilities of linking all societal components with each other bypassing the restrictions of trade, sovereignty and privacy, so that these institutions have budgets that exceed the budgets of countries that are collected only through advertising, advertising, mediation, transportation and guaranteed delivery of products from the manufacturer to the consumer, and this has expanded The topic has become a comprehensive range of creative products, including the arts that have developed a deliberative circle And received it through that activity, and accordingly the search doors were designed - the first to show the websites of art marketing on the international information network, the second to define the technical requirements for the digital market and the third to read the reality of the digital market for art in the world, and that the theoretical limits of research are practically located on the sites of the World Wide Web of the Internet as of year 2000, the year of the practical beginning of art marketing and until the preparation of the research 2020, the research concludes with the illumination of this region, reveals its applied data, and invites contemporary Iraqi plastic art to participate in this club as an investment to distinguish plastic art in Iraq, as a technical product with international specifications. And to benefit from the widespread spread of digital communication mechanisms in Iraq, through the establishment of institutions and sites of connection for this system, because of the logical consequences of this in activating digital marketing for local contemporary arts in Iraq –

This research means a study (the impact of the Arab-Islamic environment on contemporary painting, the artist Abd al-Rahman al-Suleiman as a model). The research falls into two axes: the first: the theoretical axis, and the second: the applied axis. The first axis dealt with an introduction that contained: (the research problem, its importance, its goal, its limits, and the definition of terms). This research aims to uncover (the impact of the Arab-Islamic environment on contemporary painting, and the artist Suleiman was a model). And the research limits spatially: Saudi Arabia, and temporally: 2010-2014. This theme included two topics: The first: the characteristics of the Saudi environment and its impact on art. The second: the style of the Suleiman artist. As for the second (application) axis, it was represented by the research procedures, and then the study was concluded with the results and sources on which this study relied.

The tagged research is concerned with observation and investigating the concepts of consistency and harmony in contemporary Iraqi painting (selected models) in order to reveal the mechanisms and rules of these two concepts in the artistic field and their mechanisms of operation. How reflected tools Consistency and harmony in contemporary Iraqi painting? What is consistency and what are its mechanisms and principles? Is consistency a unit product quality? Are there similarities between consistency and harmony? What is harmony and its principles and rules? As for the second chapter, it included two topics that dealt with the first topic - consistency and harmony between concept and significance, while the second topic meant - historical reading in contemporary Iraqi painting (roots and origins), and the third chapter included research procedures, as the framework of the research community was defined, and sample models were chosen The amount (5) is five technical works, and the treatments of the Research Department were reviewed and the samples analyzed, while the fourth chapter concerned the results of the research, their discussion and conclusions.

We live in a world where cultures and visions overlap .. Therefore, every society seeks to create a harmonization that is in line with the data of those special cultures and reproduces those cultures and defines their paths. There are cultures based on historical action and experience and others that work on historical displacement, and art is one of the most important means of transmitting cultures and establishing their aesthetic harmony. This research is concerned with studying (cultural patterns and their representations in contemporary Mexican painting) and it falls into four chapters. The first chapter is devoted to explaining the research problem, its importance, the need for it, the goal of the research, and identifying the most important terms contained in it. The research problem crystallized around the monitoring of cultural patterns and their representations carried on Mexican painting, and what it bears. These patterns are of the explicit and implicit meanings and connotations of Mexican history and culture, within the space of contemporary art. Hence, the current research problem arose through the following question: - How are the cultural systems represented in contemporary Mexican art? The research has one goal: to know the representations of cultural patterns in Mexican art.
The second chapter included two papers on me, the first with a study of (the concept of pattern and its cultural connotations), while the second research concerned the study of (contemporary trends in Mexican art), while the third chapter concerned the research procedures (the research community, the research sample, its methodology, and the analysis of the research sample samples). The research ended with the fourth chapter, which included the results of the research, its conclusions, the research sources, appendices and the research summary in English.

Hellenistic architecture represents an important example of the reflection of ancient Greek architecture in the art of oriental architecture in the countries of the ancient world, including those states spread across North Africa that were under the authority of the Ptolemies and who were able to transmit those artistic values and traditions of Greek architecture to those regions. The current research deals with a detailed study of those important transformations of civil and religious architecture, as well as the most important features of that architecture through the constituents of location and geographical location.

The current research is summarized by studying and understanding the imagination and what resulted from it in postmodern arts, specifically Pop Art. The research was focused spatially (America) between the year 1950-1975 AD and it defined the research problem by asking about what factors and variables that established the social imagination in culture Al-Gharbia, which in turn crystallized the Western cultural product to appear in its form, which is historically called "pop art". Two studies were adopted in the second chapter. The first one was the cultural structure of the social imagination. The second topic was concerned with the stylistic diversity of pop art, and the third chapter included research and accreditation procedures. There are two models for determining the research sample, and the research has produced results in the fourth semester, the most important of which are:
• The artworks of pop art depended on the culture of society, the environment, consumer materials, advertisements, existential concepts and artistic methods represented by Dada, which represented the gathering of the different in which the artist relied on the imagination to achieve a thrill that achieves astonishment for the recipient.
• Imagination as a system of thought depends on form and reality on references whose origin is from finished goods, materials, and furniture, which is one of the most important characteristics of Pop Art.
And lastly were the conclusions and the list of sources

The topic of this research deals with an analytical study of the nature of the visual sent by the sculptural monument of the person of Christ around the world, the nature of this monument, the manner of its embodiment, the mechanism of reception for each of the societies that this monument addressed to them, how it was reflected on them, how it was reflected on them, and whether these works are related to their culture or not, I discussed this study All this, and the researcher has established theoretical research axes for the research according to the desired goal of this study, which is the definition of the mechanism of visual discourse of statues of Christ around the world and were as follows: (The first axis: the discourse and visual discourse between the term and the concept), (The second axis: the gestural system and its applications ), (The third axis - Christian arts), while the fourth axis: it dealt with the selection and analysis of samples, which resulted in the following results:
1. The visual discourse of the statues of Christ in the contemporary period has shifted from a discourse with a religious significance that introduces the characteristics of religion and God, to an artistic and aesthetic discourse that follows the social and environmental references and what is imposed by the taste and intellectual reference of the recipient.
2. The recipient requires shapes that simulate the formal systems that resemble him in order to be more positive in receiving and communicating. As a result, the artist succeeds in delivering his aesthetic visual speech.
3. The spatial environmental pressure is very evident in the various statues of Christ, especially in the countries of the same continent in which most of their peoples share somewhat similar formal features.

The research presents a case study of collecting materials and raw materials in a visual space that allows them to form a perception and meanings that inform the recipient by reconstructing them and inserting them into the surface of the artistic work and in such a way that the aesthetic act consists of a variety of media, touches and surfaces. The overlap of races within an environment characterized by unity. That is why the researcher in chapter one presented the problem of research, and the focus was on studying the multiplicity of materials and their aesthetic and functional role in the structure of creative work. The aim of the research is enhanced to identify the aesthetic performance function of the multiplicity of ores in the collective art, while in chapter two it is the theoretical framework. The researcher divided it into two topics the first entitled (Collective Art, features and Characteristics), and second topic (Collective Art and the interference of races), where the role of raw materials in art and the context of their presence was studied, and then the creative experiences of collegial art in art schools were traced to the stage of modernity and its features were revealed, after which the researcher presented trends and methods of postmodernity, and in it the researcher presented a study of artistic experiences through the overlap between races and aesthetic proposals, so that the artistic work is a vast space for meanings and purposes, while in chapter three he presented to it the title of openness of visual presentation and the multiplicity of raw materials in collective art, then the functional and aesthetic dimension of the multiplicity of materials in collective art and the study of methods and the diversity of use and purposes.that justified this and revealed the type of material and the role of touch person in condensing the given form and visualization techniques As for chapter four , the researcher reached the results in which the visual surface in collective art acquired the element of excitement and surprise through the diversity of materials, their touches and their mediating, and what this presented a state of experimentation and openness of the visual presentation and the employment of neglected and marginalized materials and naturalized materials within the field of drawing or sculpture, but integration techniques and materials after that the researcher made recommendations and suggestions.

The features of the actor's performance in the ritual theater are of great importance and chief in theatrical work since the first emergence of the theater, as the features of the performance were embodied in all Iraqi theatrical performances, but they took personal privacy in some ritual performances because of their differences and similarities between the ritual theatrical performance and the ritual show Al-Khalis, who wanted the researcher to know the similarities and differences in the features of the ritual performance and in the theatrical performance, despite the many transformations that occurred in the theater and affected the features of the performance, but it remained an important and attractive link between the recipient, the performer and the actor, the representative performance studies tried to establish a theoretical framework The effects of the weather according to the intertwining cultural perspective and at the same time the broader theatrical response in theatrical productions, as the similarity between ritual and theater does not lie in the formal aspect but in their effect on the recipient, and despite its specificity, the researcher therefore found the necessity to clarify the ritual in relation to the theater and how it can be crystallized in The actor's performance system, although the ritual does not accept development for religious reasons and remains closed, but it can take the character of a vista partly because of the interest of people in it from I hope the participating group. This is the state of watching from outside, which appears in a number of vulgar performances in which the group participates, such as the Mevlevi celebrations and the rituals of striking the shish in the Rifa’i presence, which is received by spectators from outside the sons of the Tariqa.

The study of the current study (to the concept of the aesthetics of the imagined in Iraqi ceramics (Saad Shaker) as a model for the study, as it represents one of the most important plastic arts that was characterized by renewal and modernity and its possession of many creative potentials. And by glazing, and the use of color oxides or by the creative act of borrowing the cultural heritage to turn it into a vocal piece of art for creation and innovation.
The researcher (Saad Shaker), being one of the first potters, his ceramics had a lot of development and semantic transmission, studying and decoding codes written in ceramic works. The current study included the theoretical framework in the first research (the philosophical beauty) and the second study (as for the imagined its basics and its philosophical concept). The third study dealt with (the imagined, the creativity and the aesthetic of the ceramic work), the indicators that the theoretical framework emerges from, the methodological framework that contained the research problem and its importance. Its limits and objectives.
The third who helped achieve the search results that were searched, the search tool, and the research method (then the researcher analyzed one of the samples) was lost from the potter Saad Shaker to arrive at the research results that resulted from:
1-The ceramic business of the artist Saad Shaker with technical treatments in terms of the color visualizer and the creation of texture and color diversity achieved formal relationships complementing the content and our bond with each other.
2-The artist Saad Shakra attempted the subjective and civilizational theme in a contemporary modernist formulation that is inseparable from the artist's fertile imagination.

This research is represented by exploring the experience of "the theater of the oppressed" by (Augusto Boal) as an experiment that represents a different aesthetic pattern in the presentation of theatrical performance which is in contrast with the Aristotelian and Brechtian patterns, and as a result of the increasing problems of the individual in societies according to his needs and an attempt to express the suffering of human and the loss of his rights in general.
The research also tries to uncover the power of identification and the alienation of existence in the theater of the oppressed as that power, with its diversity of legal, legitimate, religious, political, economic and social capabilities has become a burden instead of being a help because of the wrong policies in dealing with the problems of the individual, as the theater of the oppressed tries to uncover the hidden in the authority of identification and revealing the alienation of the human existence that imposed on individual.
The researcher tried to present a detailed narration in four chapters, the first chapter of which represents the definition of the research problem, which is the question about what the authorities are, their multiplicity and their fusion in the alienation of the human existence in the theater of the oppressed, as well as the importance of the research as it constitutes a milestone in the nature of identifying the elements of the conflict for the recipient to be a protagonist in addition to the characters of the play. And the purpose of the research, which was about reveal those authorities and focus on how to confront them and budge those identifications to prove their presence, as the research's limits were determined spatially in Iraq, temporally in (2015) and objectively, as it revolved around the axis of identification authority and the alienation of existence in the theater of the oppressed.
The second chapter included two topics, the first of which focused on (the authority of identification and the alienation of existence - philosophical introductions "), while the second topic focused on (the references of discourse in the theater of the oppressed), and then previous studies and indicators of the theoretical framework.
The third chapter, which is the chapter of procedures, as it centered on the research community, which was chosen according to the intentional method as well as the research sample, that was represented by the text of the play "Falak Aswad" (gloomy distress) by the Iraqi writer (Ali Abd al-Nabi al-Zaidi), and the descriptive research approach in analyzing the sample as well as the indicators and the analyzing of research's sample.
As for the fourth chapter, it focused on the research results, discussions, conclusions, proposals and recommendations, and then the sources and the research abstract in English

The effects of postmodernism on theatrical form was managed by the director (Anas Abdul Samad) to be employed in the Iraqi play (Dream in Baghdad) and the researcher sought to study this problem and divided it into four chapters dealt with in the first chapter the problem of research and its need, the importance of research, As well as the definition of terminology, either Chapter II theoretical framework divided by the researcher to the first two is the postmodernism in the theater is the most prominent reference references and the second most important postmodern applications in the world play and then the researcher concluded the second chapter of the most important indicators. In the third chapter, the researcher identified the research society and the method of selection of the sample (dream in Baghdad) and the analysis of the sample and concluded the most important results of the analysis of the sample, and the fourth chapter will lead the researcher the main findings of his research and conclusions reached by the researcher recommended a set of recommendations as well as proposals and list of sources and references.

Although cinema is moving towards art, it has dealt with the character since the beginning of the discovery of cinematic art in films such as (Doctor Caligari's cabin) and most German expressive films in the third decade of the twentieth century, but the interest of cinema is growing in the estranged human personality, meaning that this character It lives by its alienation from the environment and society that surrounds it, because our present days have witnessed on the material and moral level more social breakdowns such as wars and disasters, and the sharp contradiction in the social and economic level of people themselves or between different societies, or between the individual and his community, and new social relations have increased, And the control of technology over the walks of life makes a person jealous far away in his loneliness and isolation because he lacks the warmth of human relations, and the control of interests and matter in the collective behavior, so the expatriate personality has become a topic worth discussing and highlighting it, and cinema was and still deals with the expatriate personality widely, so the problem of research She, did you present the expatriate personal film treatments in convincing ways?
As for the importance and need for research, it lies in the psychological aspects of the personality that are taken through the film, which include psychological studies, and that serve in the field of character identification, and this research can be a source of worship for filmmakers, in how the personality is alienated. The importance of this study in the cinematic field was discussed, and it contained the objectives that the researcher had set in mind and the limits within which the research works.
In the theoretical framework, the researcher dealt with three topics, the first was: the real personality and the artistic personality, while the second topic lost the personality and the dramatic climax, and the third topic: the personality and alienation in the cinematic film, and the research procedures came including the following axes: The research method, which was the descriptive approach - a study The case, which is a straightforward approach, human studies, the research community, the research sample, the research tool, and the analysis unit.
Then the film sample that was subjected to analysis was discussed according to the indications that were taken out of the theoretical framework, and these indicators were summarized in two main axes and the sample consisted of one film, which is: Film (When Nietzsche Cried) directed by (Pinjas Perry). The research concludes with research results, recommendations, sources and references

The art of synthesis is one of the most important pillars in cinematic art, as the director combines cinematic shots to produce a third shot in the mind of the recipient by various methods such as mental synthesis, analogous synthesis, rhythm synthesis, parallel synthesis and repetitive synthesis, Repetitive synthesis is one of the most important techniques in cinematic montage. Through repetitive synthesis, the director is able to link the shots and scenes with each other, and this is what we see in the poetic imagery of Adnan Al-Sayegh when he links the visual images to each other, especially those images that manifest the manifestations of grief and misery following the misfortunes that befell in His homeland. This study follows the descriptive-analytical approach, to show the repeated synthesis in the folds of the goldsmith's poems with the intention of determining the goal that the poet aims to by repeating the specific shot in the poem, whether the shot is audio or visual, to confirm a specific idea and from this point of view this research revolves around several main axes ; Repeat Single Shot, Repeat Sound Shot, Repeat Cinematic Image Dimension.

The Department of Art Education in the College of Fine Arts is one of the educational institutions that aims to prepare teachers specialized in teaching art education in secondary schools and other educational institutions, which forces those in charge of preparing the curricula for this section and developing it, taking into account the rapid scientific and technological development. And the subject (Music Appreciation) is one of the subjects taught for the third grades in Art Education departments, and through the exploratory study carried out by the researcher it became clear to him that the Faculties of Fine Arts agreed to define their educational objectives and outputs in the subject (Music Appreciation) in Art Education departments, but they did not agree In preparing a unified curriculum vocabulary for this subject, which prompted the researcher to prepare a proposed curriculum for the subject of musical appreciation for the departments of art education in the Faculties of Fine Arts, using the curriculum vocabulary taught in these departments. The first chapter included the objective of the research: Preparing a proposed curriculum for the subject of musical appreciation in the departments of art education in the Faculties of Fine Arts in Iraqi universities, in light of the objectives set for each department and the vocabulary taught in it. The second chapter included the themes: curriculum, objectives, and musical appreciation. The fourth chapter included: the procedures followed by the researcher in preparing the proposed curriculum and building the research tool. As for the fourth chapter, it includes the results of the research that have been achieved by preparing the proposed curriculum for the subject (musical appreciation) in the departments of art education - Faculties of Fine Arts in Iraq, through the procedures carried out by the researcher in the third semester, and in light of the results the researcher concluded the following:
1. The curriculum for the subject (Musical Appreciation), which is taught in Art Education departments, was prepared without reference to experts who are specialized in the educational, artistic, and applied fields in the field of musical arts.
2. The need to improve the curriculum of the subject (musical appreciation) in order to raise the level of its objectives and vocabulary to the level at which it meets the valid standards of the applied curricula, and thus conforms to the developments in this field.
As for the recommendations, they were: The necessity of reviewing well-known world classifications, in the cognitive, emotional and skillful aspects, in order to build an integrated approach to the subject of musical appreciation. Then the proposals

Arts acts to reduce and exclude everything that is not necessary in the delivery of meaning, especially representative performance, which is based on the intensification of the physical and vocal actions, and in drawing the dimensions of the character. And because that, the artistic staff, among others in the ministry of education, are considered the cornerstone, in the development of theatrical activities in schools, this research came to find out the extent to which teachers in primary schools, in secondary schools and artistic supervisors rely on shorthand mechanisms in the representative performance.
The current research relied on the descriptive approach, in analyzing his sample, which was deliberately chosen, Among the most important results that have been reached is that the sample individuals have proved their ability to achieve an effective presence on stage, through depending on their external physical bodies only, and among the most important conclusions, their enjoyment of a culture artistic, and sufficient theatrical experiences, to keep pace with the developments of contemporary theater.