Al-Academy

The research deals with the concept of simulacrum and its impact on industrial design within the context of postmodern philosophies, where the simulacrum appeared as a free copy of the original that challenges the concepts of traditional copies and realistic representation. The research reviews the development of the concept starting from its roots in Platonic philosophy, through its developments in the writings of postmodern philosophers. The research focuses on the applications of simulacrum in modern industrial design, indicating how it is used to redefine aesthetic identity and discusses the relationship between beauty and ugliness within the framework of simulacrum, where ugliness is integrated as an aesthetic element, opening new horizons for creativity and diversity in industrial designs. The research question was as follows: How to employ the concept of simulacrum and its representations in industrial design? The researcher reached the results after analyzing the samples according to the analysis form based on the indicators of the theoretical framework, the most important of which was that simulacrum in industrial design provides creative solutions that challenge traditional patterns, and designs based on simulacrum provide a unique and unexpected sensory experience

This research explores the essential shift in modern art from material forms (such as paintings) to "concepts" as the essence of artistic creation, focusing on conceptual art and the dilemma of its non-collectible nature. The first section examines the complex relationship between art and the market, highlighting how conceptual art resists commodification through ephemeral works, like Cattelan’s banana piece, which sparked philosophical debates on artistic value. The second section analyses installation art as the most expressive medium of conceptual practices, emphasizing immersive, sensory experiences over traditional visual display. The third section investigates the historical and intellectual motivations behind conceptual art, tracing its roots to socio-political upheavals and the influence of poststructuralist thought. The research concludes by outlining a classification of conceptual art types, including linguistic, procedural, performative, institutional critique, and documentary art. Ultimately, the study affirms that conceptual art does not offer fixed answers, but provokes critical thinking, restoring the role of aesthetic experience as a free and reflective act that challenges market-driven definitions of art.

The graphic achievement is considered a wide space in which symbols, indicative signs, and suggestions that direct us towards a specific idea are gathered, thanks to the development witnessed by the designer today. The graphic achievement is characterized by a group of calls at the level of form and expression, which led to semantic, functional, and aesthetic transformations. This communicative discourse breaks down Grammar and aesthetic form, and reaches the stage of westernization, making the graphic achievement achieve an impact on a global level.

The current research (cultural awareness in contemporary painting and its manifestations in the products of art education students) dealt with investigating post-modern art trends, which witnessed transformations in artistic achievements after 1940, that is, after World War II, and the emergence of artistic trends that are commensurate with scientific and technological progress and openness of awareness. Cultural influence on the various techniques that the West witnessed in the second half of the twentieth century, especially in the field of arts through visual experiments (drawing). The first chapter included the methodological framework for the research, while the second chapter contained two sections: The first section included: the concept of cultural awareness, and the second section included cultural awareness in post-modern trends represented by (abstract expressionism, popular art, and graffiti art).The third chapter contained research procedures including (research population, research samples, research methodology, sample analysis), where the research sample of (3) samples of master’s students in the Department of Art Education was analysed. The fourth chapter contained (research results, conclusions, recommendations, and proposals).

The concept of intertextuality in visual arts has indeed played a significant role in transforming formal systems, as it opens up through mechanisms of metaphor, displacement, and substitution between it and other aesthetic, formal, and artistic practices. Recent studies have revealed the extent of overlap among artistic productions, leading to the creation of an aesthetic structure achieved through the dialogic relationship of the artwork with other works, whether preceding or contemporary.
Since the visual artwork is regarded as an interwoven system that interacts with multiple cultural and structural contexts, it engages in relations of dialogue and contrast, where such multiplicity converges. This domain is not confined to the author of the artwork (the artist) but extends to the recipient, who gathers within a single field all the influences that constitute the text. Moving away from the notion of “plagiarism” in art, it is recognized that the artist cannot exist in isolation from his or her own mentality and memory, which themselves are enriched by numerous aesthetic elements present in their era.
Accordingly, the research problem emerges from this perspective through the following central question:
What is intertextuality in contemporary sculpture, and how is it represented in the works of art education students?

Contemporary Iraqi art has a new conceptual and value in all its t, proposals, and in the fields of art that constitute an inevitable release of continuous travails, conflicts, and transformations with its political, social, and cultural, and reception in contemporary Iraqi art. The current research (objectification in contemporary Iraqi art) has sought to the relationships, according to the mechanisms of their operation in art. The research included four chapters: The first chapter was concerned with the research framework, which deals with the problem of the research, its importance and the need for it, and the current research objectives represented by: defining reification in contemporary Iraqi art according to its works in it, as well as the limits of the research (2023-2022). The first chapter ended by defining the most important terms included in the research.
The second chapter included: The first section dealt with: reification philosophically... and the second section dealt with: the emergence of contemporary Iraqi painting. The study ends with indicators of the theoretical framework and a presentation of previous studies that formed similarities and differences with the research topic.
As for the third chapter: it included the research procedures, by sample of (3) samples distributed according to the time period, in addition to the research tool, which took indicators as a methodological basis in its formulation. After it was presented to a group of specialized experts, and after it gained apparent validity, it was prepared for analysis it.
The fourth chapter included a number of results and conclusions, as well as a number of recommendations and proposals. Among the most important results reached by the researcher:
1- The volumetric of human forms constituted the largest space for constructing apparent objectivity and its implicit concept in artistic productions.
2- The apparent forms gave objectification to man’s individuality through the breadth of his imagination in building his emotional artistic composition.
Among the most important conclusions reached by the researcher:
1- The internal conflict of a person crystallizes within the self in areas that are larger as a result of those pressures to depict something in a larger area.
2- The individual human feeling acts as a product of forms that are built in the artist’s imagination, and he installs.

In the current study (design variables and their reflection on quality attributes in industrial product design) the researcher tried to study the design variables that represent the change in different methods and treatments of design elements and explain their reflection on the quality attributes of industrial products. The current study consisted of presenting the problem of the study by explaining what the concept of design variables, Its implications for the quality attributes of industrial products? The research aims to Revealing the nature of design variables and their impact on the quality of industrial products. The importance of the research was also determined by providing a theoretical framework on the nature of design variables, their concept, and their importance in developing and improving the quality of industrial products.

This research deals with the mechanisms of adapting technological development in writing the scripts of contemporary films and series, away from cinematic and television scripts that focus on recurring dramatic themes steeped in social issues such as love and treachery. Technological development in recent times has brought about a radical transformation in various aspects of life. Including the film and television industry, this development has greatly influenced how film and television scenarios are written, as it has created new tools and methods that were not previously available. The emergence of new technology, such as virtual and augmented reality technology, 3D graphics, and motion capture technology. All of these innovations have made screenwriters take a new approach and unleash their imaginations by writing more innovative scripts It is more dynamic than imagining imaginative virtual worlds, creating strange virtual characters, and dealing with technology topics as a fact and not as a fantasy, and with modern narrative patterns. Using some of the films mentioned in the body of the research, the researchers reviewed these developments and the mechanisms for employing them in contemporary scenarios, followed by an analysis of the research sample. The researchers conclude the research by drawing a number of results and conclusions and presenting recommendations and proposals.

Objectives: this study investigates the impact of physical disabilities on children's visual representation of movement and highlights the role of gender in this context.
Methodology: descriptive-analytical approach and Descriptive-comparative was used to examine the drawings of the study sample.
Results: The results showed a clear representation of movement, particularly in the limbs and joints, in the drawings of children with normal development, compared to the drawings of children with physical disabilities, and normal females excelled in representing the movement in all research samples.. And the study concludes that representing movement requires cognitive interpretation, which may be limited in children with physical disabilities unless they are exposed to artistic training.

This research addresses the aesthetic study of smart children's product interfaces and their effective use. It is considered one of the modern innovations in the field of product design aimed at this demographic. The research focuses on the individual and multiple aesthetics in the design of these product interfaces and how the aesthetics of smart product interfaces affect the user experience. It also discusses how to integrate aesthetics into smart children's products in a way that makes their interfaces user-friendly, allowing for interaction, such as controlling sound or movement, among other features.
The research problem lies in how to incorporate aesthetics into the interfaces of smart children's products, summarized by the following question: What are the aesthetics of smart children's product interfaces and their effectiveness on user experience? The importance of the research aims to attract users to the industrial product and highlight aesthetics as a method to draw attention to the interfaces of smart products. The theoretical material includes a study of the aesthetics of smart children's product interfaces, their types, and their effectiveness in use.

The first decade of the current century witnessed a tangible acceleration in technological development in all fields, especially in the field of digital technologies in advertising design. This development has resulted in diversity and multiplicity in digital technologies, in terms of programs and materials used, and this research comes explaining those technologies, their aspects and what they are, and explaining the importance of choosing the appropriate type of technologies according to the tasks, capabilities, and temporal and spatial conditions, and explaining the importance of the graphic designer’s familiarity with that diversity. Within the limits of the capabilities and tools of design programs, and an explanation of the most important effective programs in designing indicative advertisements; Especially in the production of good pictures and indicative graphics, the research has produced many results regarding digital technologies, which lead to achieving a high degree of benefit, whether for the graphic designer, or for institutions related to indicative advertisements.

The concept of the active ego in contemporary Saudi art addresses the role of Saudi artists in shaping the local and global art scene, such that art reflects the artist's personal identity and their interaction with the social, cultural, and technical context of the Kingdom. The active ego emerges as a philosophical perspective that focuses on the Saudi artist's ability to reproduce local symbols and images within a dialectical framework that interacts with the realities of globalization and cultural openness. This is how the active ego is realized in contemporary Saudi visual art. The research adopted a descriptive and analytical approach and reached several conclusions, including that the active ego is not an expressive self, but rather a meaning-producing self within the expressive context of contemporary Saudi art. The relationship between the artistic self and cultural transformation is a dynamic, dialectical one, where the active ego appears in multiple forms in contemporary Saudi art, but they share critical awareness, cultural responsibility, and existential boldness. The research recommends conducting further studies on the active ego in light of the artistic expression of Saudi culture and global transformations, and holding workshops and seminars to deepen the understanding of the creative self among Saudi artists

The twentieth century has produced most of the concepts in constructive criticism of scientific, philosophical and artistic experiences that came under the name of post-modernism, and the term (participation in the theatrical presentation) is one of the modern terms that came from the experiences of directors who rebelled against the realistic trend in art, including (Brecht, Artaud and many others), and through the research, the researcher concluded that participation, although it is a modern term, has deep roots in theatrical experiences throughout the historical ages since the time of the Greeks until now, and that post-modern directors tried to reach through making approaches with some historical experiences and theatrical philosophy for their directing style for the participatory theatrical presentation, and as a result, the researcher took in the theoretical framework the first topic (the space of the participatory presentation of the theater throughout the ages) and the second topic (the directorial works of the participation of the most prominent theatrical directors), and in the third procedural chapter he took the work of a multinational group (Belgian - Turkish ) With a presentation entitled (Gilgamesh) in which the director employed the participatory method and communicative interaction in terms of the spatial environment and the role of the recipient in the theatrical performance, and after that I reached the most prominent results and conclusions that had a positive effect in the participatory work of the theatrical performance .

The material plays a pivotal role in installation art, serving as a creative medium that enables the artist to translate their contemporary artistic ideas into interactive artworks presented in specific spaces. The artist's selection of the appropriate medium requires continuous practice and experimentation to ensure the achievement of formal and expressive values in the artwork, while enhancing direct interaction between the work and the audience. Thus, installation art becomes a fertile ground for creativity and artistic innovation when materials are employed consciously and creatively.
The research problem revolves around exploring the role of materials as a primary creative medium in installation art, focusing on how contemporary artists choose suitable materials to achieve aesthetic, expressive, and symbolic dimensions. This research paper seeks to analyse the relationship between materials and the creative medium, and to explore the impact of this interaction on achieving artistic and aesthetic values, reflecting the artist's ability to utilize materials to produce works that carry innovative philosophical meanings.
This paper adopted a descriptive-analytical approach to study a collection of works by contemporary artists in the field of installation art by analysing the role of materials in these works and their nature as a creative medium on one hand, and their role in achieving formal and expressive values on the other. The paper also examined the relationship between artistic and aesthetic values and the materials used in those works.
The paper reached a set of conclusions, the most prominent of which are: the importance of the artist's selection of appropriate materials in installation art, and how this process can achieve numerous artistic and aesthetic values. These values determine the artwork's ability to evoke admiration and awe in the audience. Additionally, the possibilities and challenges of materials were explored in a collection of works by contemporary artists in installation art. It was also found that materials, as a creative medium, contribute to achieving high-quality formal and expressive values. These values focus on the visual structure of the work and the meanings it carries, i.e., how artistic elements are organized and what the work expresses, thereby enhancing the aesthetic and philosophical impact of the artwork.

The research discussed the topic of infinite complexity in accordance with its references to fractal geometry in fabric and fashion design. It did so by discussing the fundamental concepts starting from the research problem, which was represented by the question: What is the role of infinite complexity in fractal geometry in fabric and fashion design? It then moved on to the research objective, which was to define the nature of infinite complexity through the propositions of fractal geometry and to explain its formal and structural nature in fabric and fashion applications. This was achieved by addressing the concepts of fractal geometry and its characteristics, such as self-similarity, irregularity, fractal dimension, chaos, and defining the nature of infinite complexity and its formal features, which were identified as: infinite depth and details, visual appeal, non-traditional aesthetics, inspiration from nature, and storytelling. Three samples were then selected of the designers (Iris Van Herpen) in her collection (Voltage) for the year 2015, (Alexander McQueen) in his collection for the year 2009 titled (Plato's Atlantis), and (Issey Miyake) in his collection for the year 2010 titled (Issey Miyake's 132 5). Several conclusions were reached, the most important of which was the appearance of the models with formal and structural characteristics that achieved irregularity and complexity. They were distinguished by formal and structural characteristics, structural interplays, infinite depth, and multiple details that gave them different visual appeal and non-traditional aesthetics.

The place is considered the incubating and assumed environment according to the directorial imagination and a product of the artistic, cultural, cognitive and methodological awareness of the mechanisms of the directing craft, which carries a strategy and possesses solutions to the obstacles and variables of the theatrical presentation. Therefore, the researcher intended to study these directing variables for the alternative locations with the finest topographical details of the directorial vision and its operations in the alternative locations as he reviewed the concepts. The philosophical, social, economic and political aspects of the alternative place and the difference between the original place and the alternative place on which all studies and research are based because of their intellectual importance as basic references. The research was divided into an introduction and four chapters.

This study is based on the premise that musical leadership extends beyond the mere coordination and regulation of tempo; it encompasses the ability to inspire, to craft a compelling artistic vision, and to communicate effectively through both verbal and non-verbal means. These leadership skills range from technical-musical competencies to interpersonal and personal attributes. The research consists of four chapters: the first outlines the methodological framework, including the research problem, its significance, and objectives—specifically, an examination of orchestral conducting skills from the perspective of musicians in the Iraqi Symphony Orchestra—along with the research boundaries and the definitions of key terms. The second chapter presents the theoretical framework, offering a review of relevant literature and identifying key theoretical indicators. The third chapter details the research procedures, employing a descriptive-analytical approach; the research population and sample were selected through stratified sampling, and data were collected using a structured questionnaire designed to achieve the study’s objectives, which was distributed to members of the Iraqi Symphony Orchestra to gather their insights and perspectives on the topic. The fourth and final chapter presents the research findings and conclusions, followed by a series of recommendations and suggestions for further research, and concludes with a list of references.

The concept of art criticism is linked to the development of the humanities, which is based on understanding and analyzing the mechanisms of artistic and intellectual productions. It is a cognitive construct that leans towards an analytical approach, focusing on description. Furthermore, it is connected to a complex skill-based and philosophical vision, not devoid of differing opinions and perspectives. From this standpoint, the need arose to elevate critical knowledge according to scientific logic, given that artistic phenomena cannot be permanently fixed but rather exist in a hypothetical state. This necessitates relying on a critical methodology for analysis, grounded in scientific principles that make the analysis of the artwork scientific, according to the specific rules and premises of the defined critical method.

Accordingly, the current research, entitled "Art Criticism Skills According to Structural Criticism and Their Manifestations in Contemporary Painting," comprises four chapters. The first chapter presents the research problem, concluding with the question: What are the art criticism skills according to structural criticism, and are they manifested in contemporary art? The research aimed to “reveal the skills of art criticism according to structural criticism and its manifestations in contemporary art.” The two researchers reviewed the importance and limits of the research, and the chapter concluded by defining the terms used in the research.

Achievement files are one of the alternative assessment formats that have become used in many developed and developed institutions and countries recently, as they focus on important learning processes that can be developed within the framework of school work and outside it, and identifying learning needs. The research aims to reveal the design and organization of the achievement files of applied art education students according to the evaluation criteria. The research procedures were represented by the descriptive analytical method. The research sample was chosen in a (random) manner because it is consistent with... With the research problem and its objectives. The researcher approved. On the indicators of the theoretical framework in building the research tool.
Among the most important results reached by the researcher: Evaluation helps build an educational program, evaluate its achievements, and improve its effectiveness, as it helps teachers and learners improve teaching and learning. Among the conclusions reached by the researcher: adopting achievement files in the educational process contributes to developing students’ educational skills. Among the research recommendations: preparing a training program related to the use of achievement files for educational supervisors and implementing it for training courses during the summer vacation

Scenography, in all its forms, contains a large number of visual signs within the theatrical presentation system, in addition to the overlapping of the human senses that participate in its actual presence, due to the concepts, visions, and cultures that scenography includes, in addition to the aesthetic aspect, as the theatrical presentation is presented through a number of loaded signs, signs, and symbols. With direct and indirect connotations, through the elements of scenography of theatrical performance, and these and the aesthetics of these elements create opportunities for interpretation and communication. Therefore, scenography has a great impact in showing the formal structure in the historical theatrical space. Heritage and popular heritage contain a special world of imagination and perception that is a real background. For a living reality, the aesthetics of scenography derives from virtual worlds to form the environment of the historical show, and since the historical theatrical show requires accuracy in conveying its events to form an integrated work system, scenography exists within this system, and therefore the research problem is determined through this question (Have scenography been achieved in historical theater shows, and what does it carry? What are the meanings and connotations in the Arab theatrical performance, especially the research sample - the model - (Sidrat Al-Sheikh), an aesthetic function through exploitation of the popular inherited heritage in addition to its other psychological, semantic and dramatic functions? What effect did it have on the recipient’s culture?
The current research aims to identify the aesthetics of scenography in historical theater performances by reviewing the network of mutual relationships between the historical theatrical performance system that relies on heritage and popular heritage. The researcher used the intentional method in selecting his research sample, which numbered (1), because this is a play that conforms to the requirements of the current research, which consists of the play (Sidrat Al-Sheikh) because it is one of the performances that imitates the Arab heritage through the idea of the text inspired by the novel (The White Sheikh) by His Highness Sheikh Sultan bin Muhammad Al Qasimi, Ruler of Sharjah. The most important results of the search are:
1-The Arab heritage and popular heritage present in the Arab countries have a prominent impact on the development of scenography in historical theater performances.
2- Historical theatre is an ancient art that aims to address people’s culture and nostalgia

The objective study of the stylistic gradation in architectural designs is an important matter in design The interior of all Islamic palaces, as it represents a distinctive feature as a beautiful art, and the interior designer can It touches on aspects of this development in the types of architectural designs as a result of the urban development of palaces. Here the research problem question arises, concerned with understanding the main role, as follows:
How is the systematic progression achieved in Al-Riyaza architecture?
How does this stylistic progression have an impact on Islamic internal spaces?
It included the theoretical framework and the indicators that came out of it that took into account the topic of systemic gradation and its relationship to the architectural leadership of Islamic interior spaces. The research procedures were within the third chapter, as it was analyzed Two examples of interior designs for Islamic palaces. The most important results are the diversity of finishing materials adopted in the design of entrances, as their effects emerged clearly in the visual appearance within design techniques intertwined between the prominent And the recessed, which contributed to the emergence of design formations that showed their features within the interplay between smooth and rough finishing materials, which achieved aesthetic value for the palace entrances, including (pavement, stone, tile, marble, and wood). And the decorative squares) as they were achieved in the first model and were achieved in the second model, as confirmed by the designer’s study of the decorative units that are classified into dynamic ones, including (monotonous, non-monotonic and free), as they were achieved in The first model was relatively achieved in the second model, and the aesthetic need emerged in showing the design role in the architectural leadership of the entrances to Islamic palaces from the diversity of decorations in the designs of the interior spaces of the entrances. The palace includes geometric decoration, floral decoration, written decoration, architectural decoration, and abstract decoration, which contributed to achieving its aesthetic values, as they were achieved in the first model and the second one.

Anthropology is a social science concerned with studying the human personality as a complex and multidimensional being. It examines it through several aspects, such as biological, cultural, social, and symbolic. This science emerged out of a desire to recognize and understand human diversity, not only at the level of customs and traditions, but also in ways of thinking, social and ethical value systems, and the various lifestyles that characterize human societies. The importance of anthropology lies in its great ability to reveal and present an accurate and comprehensive picture of the human personality, making it one of the most important sciences active in building an open-minded awareness capable of studying cultural pluralism, which contributes to areas of creativity, particularly in the field of fine arts. Anthropology is concerned with studying humans comprehensively from multiple angles, starting with their physical structure, moving on to their behavioral makeup, reaching their culture and history, the societal environment in which they live and grow, and everything surrounding them that contributes to their personal human structure. At the heart of every dramatic work of art are primary and secondary characters, and these characters are not created in a vacuum. Rather, it is a visual and vocal reflection of a specific society and a certain culture, in which ideas and beliefs are manifested that were formed in studied social and historical contexts. Here, the importance of anthropology appears through its dedication by the creator of the artwork (the director) because it helps him understand how this character is formed, what motivates it, and why it behaves in this way, by looking at its cultural background and the societal structure to which it belongs. Here, the deep relationship between anthropology as a science and the visual dramatic arts (television drama).

This research aims to investigate and analyze the aesthetic characteristics of the formations of the "Ain Heet" water cave as a source of visual and artistic inspiration. It explores the potential of employing these cave formations in the creation of contemporary ceramic artworks, addressing both form and content. Furthermore, the study seeks to develop artistic designs derived from the unique structures of the "Ain Heet" water cave, thereby contributing to the enhancement of tourism in the Kingdom of Saudi Arabia.
The paper examines the aesthetic and geological features of Saudi caves and their role in shaping a distinctive artistic identity that reflects the natural and cultural diversity of the region. Methodologically, the study adopts a descriptive-analytical approach to the theoretical framework in conjunction with an experimental methodology for the practical component. The findings underscore the potential of deriving innovative artistic visions from Saudi nature, which serve both to preserve national identity and to strengthen the tourism sector through contemporary ceramic practices. Moreover, the study broadens the scope for producing ceramic artworks inspired by Saudi caves, suitable for display in exhibitions, museums, and touristic sites. The research concludes with key recommendations: enhancing local artists’ awareness of natural heritage as a vital source of artistic inspiration, encouraging the integration of natural environmental elements from Saudi Arabia into ceramic art, and promoting their utilization in research and artistic practices across ceramics and related disciplines. utilization in research and artistic practices across ceramics and related disciplines.

In recent years, the world has faced significant challenges, most notably the COVID-19 pandemic and various economic crises that have impacted many aspects of life. Specifically, the Palestinian people face additional challenges due to the practices and restrictions imposed by the Israeli occupation, including efforts to undermine and restrict the educational process. This study focuses on exploring the challenges faced by students of the Faculty of Fine Arts at An-Najah National University within the framework of electronic and blended learning systems. The researcher designed a questionnaire specifically for this purpose, which was distributed to a sample of students. The collected data was analyzed using the Statistical Package for the Social Sciences (SPSS). The study aimed to identify the challenges and realities of electronic and blended learning in the Faculty of Fine Arts, emphasizing the main obstacles students face in adopting this educational approach. These challenges include the pressures and restrictions resulting from the Israeli occupation, as well as technological and logistical difficulties. The research concluded with several findings and recommendations, the most notable being that electronic and blended learning have significantly contributed to maintaining the continuity of the educational process during the COVID-19 pandemic and after October 7th. Among the key recommendations were improving the technological infrastructure and training students in the effective use of electronic learning tools.

The research is interested in studying the method of design construction in forming the conceptual art of artistic works that are based on the artist, as it is the source of sensory inputs and outputs and basic data in shaping the artistic visual experience within the designed structures of the artistic work through transformations that change the pattern of direction that the artist works on, and it appears to us an emotional art that elevates the aspects of reality by adapting them for purposes. The artist's personal and aesthetic vision to present a new vision as a living space that takes on the character of the living world dominated by absurdity, which the artist tried to express, abandoning traditional aesthetic standards and moving away from his original function in light of globalization and technological progress the research included four chapters. In the first chapter, the researcher addressed the research problem that lies in answering the question:
- What is the design structure style of conceptual art?
The researcher touched on the importance of this research, which lies in studying the methods of design structure for conceptual art by defining and clarifying them and knowing their intellectual and aesthetic data. The goal of the research is: revealing the methods of design structure for conceptual art?
The second chapter included two sections. The first section was entitled Methods of design construction of artistic works, while the second section was titled Design construction in the formation of conceptual art. The third chapter included the research community, which were the works of international artists. The research sample was chosen randomly because the community was homogeneous. Their number reached (20) works of art, who were selected from the research community for the purpose of achieving the goal. The researcher adopted a tool to measure the design construction style. For conceptual art, which relied on the indicators of the theoretical framework, the researcher carried out validity and reliability measures on it.
The results showed: The mechanism of operation of design structural methods in conceptual art, which is subject to mental and intellectual calculations linked to the function of the design achievement, which codifies the designer’s activities within the framework of the intended goal. The researcher concluded conclusions, including: Design has a role in the style of the design structure of conceptual art in the process of building new forms with modern materials and techniques, which established and confirmed the artist’s harmony with reality.

Children's fashion design is one of the applied visual arts that represents the core and backbone of the ready-to-wear clothing industry, as it depends on the child's ability to meet his health, psychological and social needs through his clothing.
The Kingdom of Saudi Arabia is rich in cultural heritage and historical legacy that confirms its role in human civilization, as many civilizations have intersected on its land, and the various heritage sources are considered the distinguishing feature of each people and nation from others.
Sadu weaving is a popular art form in the Kingdom of Saudi Arabia, famous for its ancient traditions and distinctive patterns that reflect Saudi culture and heritage. It is an important part of the Kingdom's cultural and artistic heritage.
Reversible clothing is a type of transformable clothing, the basic idea of which is that it can be worn on both sides, with each side featuring a different design or fabric in a different color or pattern.
The research aims to :
1. Create sustainable children's clothing designs using reversed clothing, inspired by Sadu motifs, to support the tourism sector in the Kingdom of Saudi Arabia.
2. Determine the level of acceptance by specialists of sustainable children's clothing designs using reversed clothing, inspired by Sadu motifs, to support the tourism sector in the Kingdom of Saudi Arabia.
3- Determining the degree of consumer acceptance of sustainable children’s clothing designs in the style of reverse clothing inspired by Sadu motifs to support the tourism sector in the Kingdom of Saudi Arabia.
The research recommended :
1. Incorporating sustainable design methods into fashion design curricula, with a focus on reversible clothing as an innovative solution that contributes to reducing waste and achieving clothing sustainability.
2. Supporting applied research inspired by Saudi heritage that links fashion design with supporting the tourism sector.
3- Establishing cooperation agreements between specialized colleges and tourism entities to design innovative, expressive clothing for children visiting tourist areas that combines functional, aesthetic, and cultural design.
4- Encouraging local designers to adopt the concept of inverted transformative clothing inspired by local cultural heritage.

This research aims to explore the feasibility of designing a proposed mobile exhibition to raise awareness of the legacy of surrealist art. To achieve this, a descriptive-analytical approach was used by examining the traveling exhibition and surrealist art. The experimental approach is also followed within the applied framework of the research through designing a proposed mobile exhibition to raise awareness of the legacy of surrealist art. A purposive sample of six surrealist artworks was selected, digitally copied from the original painting. These works were selected based on their relevance and suitability to the current research topic, as well as their diversity in artistic forms. The research results demonstrated the potential of mobile exhibitions to present artistic information in an engaging and engaging manner, consistent with the nature of surrealist art, which relies on mystery and visual excitement. Surrealist art also utilizes unconventional and innovative display methods to ensure its message and concept reach the largest possible audience. The mobile exhibition's ability to showcase the aesthetics of surrealist art in a more engaging and in-depth manner contributes effectively to communicating the unfamiliar surrealist concept. The research recommends studying the scalability and applicability of mobile exhibition design to include various contemporary art movements. Field studies should also be conducted to measure the actual cognitive and cultural impact of the mobile exhibition after its implementation in the target communities. It also recommends enhancing cooperation between cultural, artistic, and educational institutions to organize joint mobile exhibitions that contribute to consolidating awareness of art history and its development. It also recommends educating the public about the legacy of surrealist art through multiple lectures and workshops, thus affirming its importance as an influential modern art form

Graffiti art, despite being a relatively modern form, has recently gained notable prominence and influence among artists. This study explores graffiti in Mosul through four chapters. The first addresses the research problem, significance, objectives, and scope, along with definitions of key terms. The theoretical framework examines the concept, techniques, and characteristics of graffiti art. The methodology employs a descriptive–analytical approach, analyzing four selected works by young Mosul graffiti artists from distinct urban locations, including the Old City, the “Jar Carrier Roundabout”, and the “Al-Muthanna Overpass”. The study concludes with findings, conclusions, and recommendations, emphasizing the role of graffiti as a visual and cultural expression within the public sphere.

Websites have contributed to providing opportunities and ideas to individuals, and have changed their lifestyles all over the world, as they can now communicate and interact with each other wherever they are.
Men's clothing is considered one of the most consumed pieces of clothing because of its special importance in the lives of men in Saudi society, as it is one of the clothing products that has a historical dimension, and the manufacture of men's clothing depends on various factors, some of which are economic and some of which are closely linked to the method used in production. Therefore, the men's clothing industry is one of the industries that has received great attention from producers.
Medium-sized projects contribute to providing job opportunities and supporting the spread of the culture of self-employment among female graduates instead of relying on government jobs. Their importance is represented by their contribution to economic and social development, in addition to their role in preparing women entrepreneurs.
The research aims to :
1- Designing a website to train female graduates on manufacturing men’s clothing according to technical regulations to enrich the field of medium-sized projects.
2- Measuring the effectiveness of the website in providing female graduates with special knowledge for manufacturing men’s clothing in accordance with technical regulations.
3- Measuring the effectiveness of the website in providing female graduates with the special skills to manufacture men’s clothing according to technical regulations.
The research recommended :
1-Developing academic curricula in educational institutions according to new technology to meet the rapid global changes in human resources development.
2- Activating electronic educational means to raise the skill level of female students to bring Saudi educational outcomes to international levels.
3- Creating specialized websites to draw clothing models for different categories, “women, men, children,” so that female students can integrate into the labor market and establish small and medium projects of their own.
4- Holding training courses for college graduates to train on men’s clothing manufacturing skills according to scientific principles.

Traditional architecture in the Najd region is one of the most prominent manifestations of cultural identity in the Kingdom of Saudi Arabia. Its material and decorative components bear vivid evidence of the aesthetic and social values that have characterized Najdi society throughout history. This research aims to analyze the symbolic connotations of Najdi architectural decorations in Al Tuwaijri House in Al Majma'ah Governorate. The study used a descriptive and analytical approach to uncover and analyze these connotations. To achieve results related to the research objectives, a sample of eight decorations, distributed among geometric, botanical, and symbolic motifs, was studied. The results demonstrated that the Al-Tuwaijri House is distinguished by its unique decorative richness, combining a variety of elements with meticulous execution, making it one of the most important examples which embody the artistic character of Najdi architecture in Al-Majma'ah. The research revealed the integration of the house's decorative elements, as the decorations were not executed in isolation from the building itself, but rather harmonized with the architectural rhythm of the entrances, portico, and majlis. This reflects the craftsman's awareness of the relationship between decoration and the architectural space and the financial capabilities and status of the Al-Tuwaijri family.
The Gypsum decorations embody a symbolic and cultural dimension, reflecting the system of social values in Najd, such as generosity, solidarity, and religiosity. Based on the results of the study, the current study reached a set of recommendations, the most important of which are: digital documentation of the Gypsum decorations and their restoration using traditional materials, while employing the traditional decorative vocabulary in contemporary designs that contribute to preserving authenticity and reviving local identity.

The spatial variable constitutes the spirit of the show for the director in order to activate the element of suspense for the recipient through its aesthetic features that call for multiplicity and diversity in order to create a new composition for the show. Therefore, the researcher studied this spatial variable and divided it into four chapters. In the first chapter, the researcher defined the problem of his research in the following question (What is the spatial variable in the contemporary digital theatrical show "Cirque du Soleil" as a model?) and the importance of the research as it is an important study for specialists in the theatrical arts at the level of directing, in addition to the goal of the research (revealing the spatial variable of the contemporary digital theatrical show "Cirque du Soleil" as a model) and the limits of the research and defining the terms included in the research topic. In the second chapter, the theoretical framework was divided by the researcher into two sections. The first section dealt with (the philosophy of place), in which the researcher reviewed the most important philosophies that dealt with place materially and ideally. The second section (digital technology and theatrical coupling), in which the researcher reviewed the starting points of digital technology in the theater and how it achieved the integrated reality in the theatrical performance. Then the chapter concluded with the most prominent indicators that resulted from the theoretical framework. In the third chapter, the research procedures that included the intentional research sample (Worlds Away Cirque du Soleil) and the reasons for choosing it, in addition to the descriptive analytical research methodology. The chapter concluded with an analysis of the sample. In the fourth chapter, the research results. After analyzing the sample, the researcher reached the results and conclusions, in addition to the recommendations and suggestions, a list of sources and references, and a summary of the research in both Arabic and English