TASLEEM JOURNAL

This research addresses the concept of Intertextuality linguistically and technically, with a brief overview of its origins in critical studies, especially in the West. It also focuses on the specificity of intertextuality with Glorious Quran. Furthermore, it provides an introduction to the Tawwabin, why they acquired this title, and the essence of their movement in brief. This serves as a theoretical introduction to the research content, which delves into the documented orations of the leaders of this movement. These leaders adopted Glorious Quran as a source for their ideas and a major contributor to the structure of their political and mobilization discourse. Such is predictable as the origin of this political movement was religious.
The research goes with two sections: firstly , direct Intertextuality , that deals with the blessed ayats , is to quote verbatim with an explicit reference to the source of the quotation. Secondly, the indirect Intertextuality in which the author (orator ) did not explicitly employ a quote from Glorious Quran, but it becomes apparent through the use of Quranic diction and religious concepts from Quran.

Ellipsis (omission) stands as a ubiquitous linguistic feature across most human languages, though its role is particularly prominent in Arabic, given the strong propensity of the language for conciseness and succinctness. Indeed, ellipsis represents one of the two main strategies along with compression. Arabic speakers instinctively favor linguistic economy and avoid cumbersome phrasing.
Classical grammarians and rhetoricians meticulously analyzed this phenomenon. They underscored the critical necessity of supplying the omitted element to prevent the utterance from being interpreted at a superficial level. Furthermore, the requirement to infer the deleted component, thereby overriding the surface meaning, must be inherent in the utterance's structure itself, independent of the speaker's subjective intention.
This study observes that ellipsis occurs throughout Al-ʿUkbarī’s I'rāb al-Ḥadīth al-Nabawī, affecting both core sentence elements and their complements across various sentence types. Linguists have noted that the instances of ellipsis found within the Noble Hadith are characterized by an elevated expressive style—a style that perfectly embodies the rhetorical ideals elucidated by classical scholars.
Consequently, the researcher undertakes a focused examination of ellipsis specifically within the sayings of the Prophet, peace be upon him and his pure progeny, choosing Al-ʿUkbarī’s landmark work as the corpus for analysis. The methodology involved meticulously cataloging the traditions of the Prophet and the sayings of the Companions where ellipsis affects the predicative constituents in both nominal and verbal sentences. This research aims to draw attention to this immense linguistic treasure, seeking ultimately to attain the mercy Allah Almighty.

The Speech Act Theory becomes the main pillar that sheds light on linguistic action, and from which emerged the pragmatic principles whose research scope expands . Pragmatists emphasized the power of speech acts and the resulting commitment to action, change in attitude, and influence on emotions. They asserted that a speech act possesses a performative force that generates a retroactive effect on the recipient, making it more than merely a descriptive act or abstract linguistic utterance.
This research focuses on some sayings of Imam Ali Al-Hadi (peace be upon him) that the study identifies as having illocutionary force. The work concentrates on the essence of the utterance—the speech that motivates the recipient to perform a certain action. The word serves an illocutionary functional purpose within specific contextual conditions and rhetorical situations.
The analysis particularly addresses declarative sentences observed to depart from the meaning of mere reporting and informing, instead conveying implicit meanings that urge the recipient to act upon them, and performative sentences and their imperative forms conveyed specific performative meanings, after Arab rhetoricians emphasized the performative role of the declarative and imperative styles, as they are the clearest counterpart to the Speech Act Theory.

This research sheds light on the aesthetics of symbol in the narratives of Imam Al-Hassan Al-Askari (peace be upon him), considering it a fundamental component in the structure of Shi'ite discourse. The symbol carries deep cognitive, ethical, and spiritual connotations. The analysis reveals that the symbol in these narratives is a generative expressive tool that reshapes the relationship between the text and the recipient, stimulating the reader toward active participation in the production of meaning, rather than mere redundancy .
Symbolism manifests in various forms : the heart as a symbol of consciousness, light as guidance, and fault covering as a symbol of mercy, reflecting a universal vision of man and the universe. The research adopted an analytical methodology based on studying selected texts and attributing them to rhetorical concepts to highlight the interpretive power of the symbol in Shi'ite discourse.
The study concludes with the importance of deep contemplative reading of symbolic texts, and calls for more extensive studies on symbols in the Shi'ite heritage to reveal their existential and knowledge dimensions.

This research addresses the communicative function in the discourses of Imam Al-Mahdi (peace be upon him) from a stylistic perspective. It sheds light on the linguistic styles employed in his discourse and their role in achieving effective communication with audience.
The study highlights the diversity of the content of these discourses, which include: doctrinal guidance, jurisprudential instruction, spiritual communication, and affirmation of the signs of the reappearance.
Furthermore, the research reveals the use of Imam for various stylistic devices: conditional clauses, negation, command, and prohibition to achieve the desired impact and foster mutual understanding.
The study clarifies that the discourses of the Imam are not merely religious texts but rather an integrated communicative system that carries an influential intellectual and doctrinal dimension. They reinforce the relationship between the Imam and his adherents , making them a model for effective communication.

This article aims to highlight prosodic features such as stress, intonation, and juncture and their relationship with syllable, given their importance in determining rhythm. The discussion of each feature includes frequent and cross-references to the other features related to its organization. For instance, length (duration) necessitates a return to stress as a determining factor in some languages, and stress in turn refers back to the prominence of intonation. The organization of tone encompasses both length and stress. Therefore, there are, inevitably, mutual relationships and interactions between these prosodic features.

Rashīd Ayyūb is recognized as one of the poets of The Pen League, a group that advocated the renewal of the Arabic ode in both form and content, seeking to break free from the archaic poetic structures that had impeded the evolution of Arabic poetry. While Ayyūb was less celebrated and perhaps possessed less poetic genius than his contemporaries in the League such as Gibran, Nuʿaymah, and Abū Māḍī, and while his poetry is often devoid of embellishment and musical resonance, it nonetheless became a genuine expression of his distinctive, lamenting, and expressive personal experience—all conveyed without artificiality or pretense. He stands among the Romantic poets who pioneered new approaches in Arabic poetic style and poetic imagery.
This research addresses the manifestations, foundations, types, and implications of poetic imagery in Rashīd Ayyūb’s poems, and an examination of the various aspects of renewal evident within them.

This research discusses the mechanisms of metaphor formation and its manifestations in “ People of Cave” by the Egyptian writer Tawfiq al-Hakim, as part of his significant dramatic project which enriched the Arab stage with a unique and authentic theatrical discourse. The researcher utilized a didactic analysis for this play, especially given that this text is taught at the preparatory secondary level. Therefore, the analysis was launched from pedagogical and didactic concepts, invoking the specific reference framework for receiving literary works at the secondary stage. This was done within a vision framed by cultural studies, focusing on the educational and pedagogical dimension and the concept of the educational horizon of expectation. The study blends theories of narration, reception, pedagogy, new rhetoric, didactics, and cultural vision. However, the concept of didactic dramaturgy used here focuses on monitoring how the learner receives the metaphor within the dramatic text and the methods of its reception, making didactics the fundamental goal and objective, as it is a science that facilitates the process of production and reception specifically for the learner.

This study explores the concept of Tasleem as an integrated epistemological system that brings together linguistic expression and interpretive thought, opening onto the Holy Qur’an, the Noble Prophetic Tradition, and the purified Ahl al-Bayt in a balanced cognitive unity. It highlights the role of Tasleem Journal in fostering critical awareness and re-producing meaning through the lens of reason and the luminous guidance embodied by the Prophet and his Household. This is presented within the thematic dossier of Issue No. 31, contributing to the construction of an elevated intellectual discourse.