Journal of Al-Farahidis Arts

Ancient and modern scholars were interested in how to pronounce the sound of Dhad, and wrote books and various letters about it. The reason for this is attributed to two things: the first is the difficulty of pronouncing it from its correct place of articulation, as it comes from both sides of the tongue, which makes its place of articulation similar to other sounds. The second is its confusion with the sound of Dhad in the hearing. Tajweed and performance scholars have urged mastering it in reciting the Holy Quran, so that mistakes are not made. The letter (Guidance of the Servants to Correct Dhad) by Suleiman Faydi is an extension of the efforts of those distinguished investigators who wrote on this topic. Its author wanted to clarify the correct pronunciation of the sound of Dhad, so he presented its place of articulation, then its phonetic characteristics that distinguish it, and its similarity to the sound of Dhad. He followed the approach of the ancients in correcting Dhad.

The majority of Arabic poetry stems from the depth of thought, what memory has left behind, or influential accumulations, or what is formed from events—whether ancient or modern—all of which drive the expression of emotional states. Through this, subjectivity and alterity (the self and the other) emerge. The presence of the self and the other in Arabic poetry is an old literary phenomenon and is not limited to a specific era, as some scholars believe that it is a product of the modern era. Al-Wa’wāʾ Al-Dimashqi has a significant share in this matter; for the nature of the Arab poet is distinguished by sensitivity, pride, a sense of superiority, and a kind of confidence that makes the emergence of individuality and uniqueness clear and explicit, without fear or hesitation. The dialectic and problematic nature of the binary opposition (the self and the other) in Al-Wa’wāʾ’s poetry comes in a distinctive and unique form with a beautiful application that deserves study and attention.
As for the method or approach, it is objective and relies on extracting the binary opposition (self / other), clarifying its significance, and what relates to the poet in terms of creativity, poetic experience, and output—all of which are purely the subject of the study

It is certain that the Holy Qur'an, with its ten frequent readings, did not contain some grammatical issues, because the Holy Qur'an, with its ten frequent readings, did not understand all that was mentioned in the Arabic grammar, but some of these issues were mentioned in the Holy Qur'an with its ten frequent readings, some were mentioned in the anomalous readings, some were mentioned in the noble Hadith, and in the words of the Arabs their poetry and prose, hence I liked to show the reader the grammatical issues that were not mentioned in the Holy Qur'an with its ten frequent readings

This research, entitled (Textual Interrelation in Ibrahim Mustafa Al-Hamad's Diwan), deals with the manifestations of textual interrelation as they appear in the poet's poetry, giving the characteristic of interrelation in terms of reliance on references that reveal the aesthetic interconnection between one poetic text and another, especially what appears in the form of influence in relying on religious and literary figures in a manner consistent with the nature of the idea that the poet refers to in that, as the research focuses on stating the importance of interrelation in a way that reveals the aesthetic aspects of every intertextuality or form of interrelation between the poet's text and reliance on the textual reference in that

This study aims to uncover the implicit cultural patterns in the novel The Long Way Back (Al-Raj‘ al-Ba‘id) by the Iraqi writer Fuad Al-Takarli, viewing them as cultural structures subject to the mechanisms of ideology and power within a specific social context. The research proceeds from the hypothesis that the novel does not merely depict modern Iraqi reality, but actively engages in reproducing an implicit cultural discourse that reinforces certain values while opposing others. The study adopts the cultural criticism approach as a reading tool that reveals the operation of cultural codes beneath the surface of the text and highlights the conflict between dominant culture and counter-culture. The research concludes that the novel serves as an archive of various cultural patterns, most notably the patriarchal, sectarian, political, and class-based codes, in addition to patterns related to language and silence.

The subject of the Qur’inah is one of the important topics among Arabic scholars (both ancient and modern). The Qur’inah is the sign that reveals the meaning along with the evidence that is combined with it. They resorted to estimation and interpretation if a sentence or a letter was omitted from the speech. Ibn al-Ahnaf al-Yamani (d. 707 AH) is considered one of the scholars. Who took care of the clues What distinguished him was that he placed some words on top of each other, made them linked to each other, and took care of the tools through which the sentence is connected, and with this context, the meaning is greatly directed. This is what the research tried to monitor, and by tracking the cases that Ibn al-Ahnaf found, it became clear that the tools used by Ibn al-Ahnaf Al-Ahnaf acquires meaning in the context in which it is placed, so its meaning depends on its presence in the context. Therefore, it can be said that the tool is one of the most important means of changing the grammatical meaning in an Arabic sentence.
Keywords (presumption of the instrument, Ibn al-Ahnaf al-Yamani, verbal clues, presumption, Arabic sentence)

The research discusses the duality of speed and slowness, and its impact on depicting the moving poetic scene, as well as its effectiveness in adjusting the .level of chanting performance
The research was concerned with a sample of Arabic poetry evidence that heritage critics preferred over other evidence. The research used the descriptive analytical approach to reveal the positive motives that determine the movement of the poetic witness, fastness and slowness, by employing a number of revealing factors for this internal duality in Arabic poetry.
As for the research problem, it lies in identifying the poetic witness from the critical heritage books, as this stage requires a proactive study at the prosodic and phonetic level to determine the levels of speed obtained from the use of words and to know their significance and what their shadows cast on this duality.
As for the results of the research and its conclusion, it is represented in the combination of the studied methods and their mutual support, such as the use of interrogative, deletion, introducing, delay, etc., and their capabilities in increasing the speed or slowness of the movement of the meaning, as well as the manifestation of the artistic value of the skits and the ills in revealing this phenomenon

The central concept of this research, titled "Feminine Poetry in Andalusian Literature in Light of Feminist Criticism," is to examine the phenomenon of the feminist perspective in literature, particularly poetry. This perspective expresses the dominance of masculinity through analyzing various psychological, social, and political motivations in female-authored texts .
The significance of this research lies in its approach to a female literary achievement as an alternative authority and a cultural contribution from a significant yet marginalized segment in the history of Arabic literature. Additionally, it explores the feminine perspective on its issues and problems within the poetic texts.
The research is structured around two main sections: the first is Patriarchy. This section highlights the concept of patriarchy and its various forms in feminine poetic texts, specifically focusing on racial domination and color discrimination, class domination and political patriarchy. The second section focuses on gender. This section addresses the distinctions between terms used in this field, such as gender, sex, and sexual role. It then discusses gender in relation to traditional gender roles, breaking gender roles, gender role plurality and gender identity.
The methodology of the research utilizes significant feminist critical theories, particularly the perspective of male dominance in society and its various manifestations, as well as site politics and disrupting the normative order.

Rings possess a special kind of image icon, especially poetic ones. In addition to their descriptive aesthetic value, they fall within a harmonious and consistent framework with the nature experienced by the poet, particularly nature, which is a manifestation of the universe with its sensual and moral beauty, and a source of nourishment for the poetic experience from both the objective and formative perspectives. The dynamism of the connected rings is closely linked to the depiction of nature, whether it is moving nature or still life, based on harmony and sensory interaction, leading to the aesthetic value and interaction of this movement. This allows the poet to interact with nature through similarity, harmony, and mental and cognitive associations, through two themes: The theme of connected, moving rings for a picture of a human being and connected, fixed rings for a picture of nature. The aesthetics of the rings stem from the essence of poetry, intertwining aesthetically with multiple themes that give the recipient the impression that he is reading and watching those rings through the movement of beauty and nature together in different forms and meanings, thus forming aesthetic frameworks in varying proportions

This study aims to demonstrate the aesthetics of the art of exaggeration in the poetry of jurists due to its prominent position among rhetorical styles and the beauty and splendor it bestows on poetic texts. Based on our firm belief in the ability of language to absorb the data of this era thanks to its susceptibility to renewal and development, we chose the topic: "Exaggeration in the poetry of jurists in Andalusia." We tracked the poetic evidence of jurists and analyzed the images of exaggeration in their poetic purposes with the aim of extracting its various forms. In our study, we relied on the analytical approach; in an attempt to uncover rhetorical styles and clarify creative purposes. Their poetry was a fertile field for study; due to its linguistic and stylistic richness, which helped us to represent this phenomenon and comprehend its semantic and rhetorical dimensions. .

The research titled "The Argumentative Function of Metonymy in the Noble Prophetic Hadith" aims to highlight the argumentative value of metonymy, considering it a rhetorical art that serves two essential functions: a semantic function that contributes to the construction and reinforcement of argumentation, and an aesthetic function that distinguishes elevated texts from others. Accordingly, the study first introduces the concept of argumentation within the framework of pragmatic studies, followed by a discussion of metonymy. It then moves to the applied section, where it extracts Hadiths from the chapter on almsgiving (Zakat) in Sahih al-Bukhari containing metonymic expressions, with the analysis focusing on the argumentative dimension of these

Praise be to Allah, Lord of the Worlds, praise befitting His Majesty and Beauty, and prayers and peace be upon our Master Muhammad, his family and companions. Now then... The Great Qur’an has overwhelmed the Arabs with its eloquence and lofty style, and the precision of its choices for its structures and vocabulary. This is something that everyone who has read this book and pondered over it can attest to. The Holy Qur’an, like the Arabic language, is open to multiple meanings, with multiple grammatical forms in its vocabulary and structures. This multiplicity is nothing but evidence of the breadth of this language and its ability to express meanings in the simplest structure and easiest phrase. In this research, we will stop at places in the Holy Qur’an that have various grammatical forms, between nominative, accusative, genitive, and other grammatical cases, except that the Qur’anic expression chose one of them. This choice was embodied in a reading from the readings of the seven reciters, or their consensus on a specific reading, although the omitted aspects are permissible in Arabic and are used by its people. I have named this research “The Choices of the Holy Qur’an in Which the Grammatical Faces Are Multiple.” In this research, we do not want to prove the correctness of the Qur’anic choice – God forbid – for the Holy Qur’an is the holy book of God, revealed in the most eloquent expression and the highest style

All praise is due to Allah, and peace and blessings be upon His Messenger. It is not hidden from anyone examining the efforts of linguists that they have had numerous contributions to the service of religious sciences, including their work in interpreting the hadiths of the Messenger of Allah (peace and blessings be upon him). Among the leading scholars who participated in this was Abu Zakariya Yahya al-Farra', the leading scholar of Kufa in his time—may Allah shower him with His abundant mercy and forgiveness. However, his efforts in this area were not compiled into a single, independent work but were scattered. Abu Ubayd al-Qasim ibn Sallam, who was one of al-Farra's students, compiled these efforts within his comprehensive book. This is what preserved some of his legacy in this field for us. Therefore, in this research, I wanted to gather and study all of Abu Ubayd's opinions to understand his methodology in interpreting the obscure terms in hadiths. Al-Farra' was a diligent scholar with strong opinions, in addition to his position as the head of the Kufan school. Hence, this research

The interpretive structure is considered one of the most important structures to consider when approaching modern poetic texts. This structure reveals the semantic and symbolic essence that the poetic text carries in its depths, layers, and nuances. Its procedural critical function relies on the mechanisms of understanding and comprehension in approaching the text, and on grasping the fundamental aims that the text employs in its various layers and angles. We have chosen the experience of the innovative poet Arif Al-Saadi in his collection titled "His Life is Water," as it embodies many signs of renewal in his poetic experience. This is evident through the poetic foundations and themes addressed in his poems in this collection, which are linked to life in its most dynamic and fluid manifestations.
Our study selected a group of the most important issues raised by the poet in the texts of his poetry collection (His Age is Water), because they represent the essence of the experience on the subjective and objective levels in terms of the poetic expressive space. On the formal level, the poet sought renewal and to develop his poetic model in approaching many issues, especially those related to the techniques of the poetic text, so that the study of the interpretive structure includes the most important of these issues, on the artistic level related to the aesthetics of performance, formation and poetic formulation on the one hand, and on the other hand on the level of the novelty and originality of the poetic topics, which makes our reading move towards the most important and richest of these vital points in the experience of a poet who tries to present something new in each of his collections..

The research problem revolves around the following main question: (What is the reflection of educational values in electronic journalism on the relationship between teachers and students in Baghdad / A field study(
A set of sub-questions branch out from the main question: To what extent does the public rely on electronic journalism to shape their educational values? What goals does the public achieve by relying on electronic journalism, and what are the resulting effects on shaping their educational awareness? What is the degree of public interest in the educational content presented through electronic journalism?
The main objectives of the research were as follows:
The main objective was to determine the impact of educational values in electronic journalism on the relationship between teachers and students in the city of Baghdad (a field study). It also aimed to reveal the extent to which the public relies on electronic journalism to shape their educational values and to understand the objectives achieved by relying on electronic journalism.

Social media sites, including Instagram, have contributed to increased interest in digital advertising and its use in promoting goods and services. Hence, the need to study it in light of this modern technology on scientific and ethical grounds has become an absolute necessity, given the vast number of these advertisements, which employ ethical values in both positive and negative ways. Hence, the problem of this research, which addresses the ethical values in digital advertising for Iraqi companies on Instagram, emerges. This research is a descriptive study, using a content analysis tool for a research sample of 406 advertisements on this platform over a period of three months through a comprehensive survey. We have come up with a set of results, perhaps the most important of which are the following:
1- Iraqi companies rely heavily on digital advertising on Instagram, particularly classified ads and advertisements as part of publisher content, due to their ease of production, low prices, and rapid presentation

The study of archaeological sites and their associated settlement patterns, sequences, and transformations is considered one of the most prominent and challenging areas of modern archaeological research. This is particularly true because such studies rely heavily on field surveys and archival records from archaeological site dossiers, many of which date back to the 1930s. These archival records contain crucial statistical data that enable archaeologists to analyze and understand patterns of ancient settlement, including their expansion and contraction over time. Selecting a specific region for investigation—such as the area between the Tigris River and the Tharthar Valley—and examining its archaeological sites and settlement history in light of archaeological surveys, undoubtedly presents an even greater challenge due to the vastness of the region and the limited availability of published information

Throughout history, Iraqi society has suffered from injustice, tyranny, and occupation. However, modern Iraq, since the establishment of the Iraqi state, has not experienced periods of prosperity except for a short period, which was preceded and followed by manifestations of poverty, ignorance, and the woes of wars, killing, and terrorism. During this time, the government\'s power and its unilateral decision-making were the deciding factors that brought crises upon it, driven by internal and external factors that ultimately led to the political decision being held hostage by international powers. After 2003, the Iraqi citizen began to look forward to new horizons that carried within them the meanings of freedom, justice, and inclinations towards achieving democracy. But in reality, he found himself under an administration that lacked decision-making, whose concern was to remain in power rather than provide services or reforms. It practiced marginalization, exclusion, and a lack of transparency, which burdened him and made him lose faith in the slogan of democracy, making it more of a curse than a blessing that exacerbates his reality and disturbs his peace. The research sought to answer the question of what democracy is, its standards, the reasons for its crisis, and the obstacles that stand in its way and led to its failure, in order to reach the results and facts that made democratic transition a crisis that is difficult to practice at the present time, as well as revealing the future vision of democracy in Iraqi society in light of regional and international changes and geopolitical transformations

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