Al-Academy

TV drama has gone through many developmental stages until it reached and settled in the form of TV series of thirty episodes. Alongside the development of the TV technologies and the widespread of satellite channels, the form of the TV drama has changed and the series has consisted of two parts and then parts multiplied until they amounted to ten parts and more. This form of TV drama has become an artistic phenomenon, that once the series is displayed on one of the channels and achieves a noticeable success, its producers work to produce a second part of that series and so on. This form of TV drama has remained away from being researched.
This has urged the researcher to accomplish this study entitled (TV series of multiple parts from the viewers' viewpoint) which aimed to know the viewers' opinions in many aspects of the TV drama with multiple parts. In the theoretical framework, the researcher studied the development stages of TV drama in the first section and the TV series with multiple parts in the second section. The researcher, in the third chapter, determined the descriptive approach as the questionnaire constitutes one of its main tools. The researcher designed the research tool, which is the questionnaire form that consists of seven questions covering what has been mentioned in the research aims. The research sample is limited to three hundred respondents from Baghdad aged between 15-40 years old.

This research aims at identifying the nature of addressing the Middle East issues in the talk shows in the foreign channels speaking in Arabic "France 24, a model", and identifying the extent of interest of the channel in addressing middle east issues in the talk shows, the nature of the guests and the hosts, methods of addressing the issues, and the technical features that characterize the presenter of the research sample program. This research is considered an analytical descriptive study. It depends on the analysis of the content of the series of the weekly talk show "a week from the world" on the French channel (France 24) during the period (August 1/July 31 2018).
The most important results indicated that the foreign channels speaking in Arabic are concerned with covering the middles east issues, especially the political and military topics. The results also showed the channel's interest in the Syrian file in the first place, and their reliance on the writer in addressing the raised Middle East issues, especially the opponents of the raised issue. The results also revealed that there is a balance in the distribution of time between the guests, non-interference of the presenter in addressing the raised issues, leaving enough time for the guest to address the issue, the presenter of the program (the research sample) is not directing the guest to answer according to the channel's view, and the treatment also relied on the political frameworks in addressing the issues.

The TV has the ability to combine sound and picture, which makes it of a direct impact on the recipient as it is a rich communicative tool with various artistic forms that display through this small screen programs and films, so that the TV has become superior over many other means of communication.
This research is concerned with the technical and artistic ability in the production of programs owned by the TV as a means of attraction of educated children aged between 5-12 years old, which makes it an educational supplement for the school that helps them in providing knowledge, acquiring skills and being informed about the different sciences through educational programs. It is known that the child at this stage enjoys when watching certain kinds of these programs. As what most attracts the child's attention is the motion picture and the sound and visual effect, in addition to the cartoon films, Muppets, color, flashiness of lights, and the talking stories in the voices of animals and birds. The industry of educational programs for children must be well educationally prepared through employing the artistic and technical forms that help the child to understand the proposed material or information smoothly.

Arabs knew the art of diction and elocution as part of their life in peace and war and in lamentation, satire, narration and description, as they were distinguished by influential and meaningful speeches in war and battle times, and the most prominent topics of the pre-Islamic rhetoric were pride, enthusiasm, bravery and other meanings related to heroism and call for war. It was not a long time when Arabs paid more attention to this great phonetic phenomenon, as they see that it elevates the status of the word and shows its meanings and significances. The current research aims to reveal the function of diction in conveying the meaning in radio drama.
The research methodology: the researcher adopted the analytic descriptive method guided by the indicators driven from the theoretical framework, and due to the wide scope of the research community, the sample has been intentionally chosen from that community. The researcher analyzed the radio drama series (a journey in the days of the poet Mudhafar An-Nawab).
The research has come up with the most important conclusions as follows:

1- The concept of diction and rhetoric constituted a power which aims to convince individuals in their issues, which is listed by the Greek under the art of performance that has to be accompanied by diction through pronunciation, ringing bell, and melisma to constitute the audio picture in the spoken language.

2- There are special rules in the science of diction, as diction is manifested through the speaker's speaking correctly where he can clarify his words and their meanings thus achieving the ultimate aim which is to influence the listening audience.

This research (communicative values of the visual suggestion in TV advertising) presents a precise description for the process of conveying the communicative message through employing the visual suggestion in TV advertisements. This research consists of four chapters. The first chapter includes the research problem which is summarized by the following question: what are the communicative values accomplished in Tv advertisement which produce visual suggestions that raise strangeness and tension in the advertisement?
The research importance lies in benefiting the researchers and scholars in the field of TV advertisement direction and the visual suggestion is one the main ways for building the advertisement. It also benefits the relevant institutions and authorities and its role in reinforcing the communicative values. It also contributes to developing the intellectual and methodological visions in keeping pace with development.
The research objective is limited to revealing the communicative values of the visual suggestion and its role in TV advertising. The researcher set spatial limits represented by studying a questionnaire for the third year students, evening studies, in the department of advertising techniques/ College of Applied Arts. As for the temporal limit, it is represented by the period 2018-2019. The objective limits (the communicative values of the visual suggestion the TV adverting).
The second chapter represents the theoretical framework. It consists of two sections. The first section (communicative values in TV advertising). The second section (visual suggestion in TV advertising). In the third chapter (the research procedures), the analytical descriptive method has been adopted. The research community consists of (100) recipients from the third year students, evening studies, in the department of advertising techniques/ College of Applied Arts. They have been chosen because they are recipients and at the same time they study TV advertisements. The sample has been chosen (50%) from the original community.
The researcher used a questionnaire as a tool for the study. Chapter four consists of the results of the study which showed that the majority of the sample see that these advertisements presented to them contain the communicative values of the visual suggestion. They constitute 58% of the total sample.

Place is considered one of the important artistic elements in the movie through which the events occur in different arts and literatures and with its absence there isn’t any that can initiate events. Place is important for the things that we recognize, and the first fact in cinema is the place which can't be dispensed with on the level of the film or scene or cinematic shot that can't be emptied from its spatial content. The characters are always there in a place occupying some space of it, despite that it is not merely a container for the event cinematically. The researcher views the importance of discovering and observing them in this research which is divided into four chapters as follows: (theoretical framework) which includes the research problem which is crystallized in the following cognitive question: (what are the semantic operations of place in the legendary movie?) Then the research objective in discovering the semantic operation of place in the legendary movie. It is temporally determined by (2010) and spatially by the legendary movie in the American cinema, in addition to the procedural definitions for the research terms. As for (the theoretical framework), it has been divided into two sections. The first is titled (place indications in the cinema movie), and the second titled (legend and cinema), reaching to the most important indications of the theoretical framework. As for (the research procedures) which addressed (the research methodology, community, tool, analysis unit and the sample in addition to the results and conclusions), it has been dedicated to discuss the results of the study sample and reach at the most important conclusions. The research ended the research with the list of sources

The dramatic personality represents the most important nerve in the cinematographic discourse due to what it represents of a permanent presence in various types of TV and cinematic stories. That is what makes the cinematographic discourse always seek to introduce the human personality in multiple methods. The psychopathic personality is a type of the personalities that got distinguished presence in the TV and cinematic productions. This is what drew the researcher's attention for the topic of the research for which she used title: structural features of the psychopathic personality in the cinematographic discourse.
The theoretical framework included the research problem which is determined by the following question: what are the structural features of the psychopathic personality in the cinematographic discourse? The researcher, then, determined the importance of the research as well as the research objective and limits. The theoretical framework consists of two sections: the first section: the psychopathic personality, features and types. The second section: the cinematographic structure of the psychopathic personality. The researcher concluded a number of indicators from the theoretical framework. The research procedures included the research methodology, tool, community, analysis unit, and sample. Finally the analysis of the intentional sample represented by the cinema movie (Split). The researcher came up with a set of results from the analysis of the research sample and conclusions

The spectacular film is a type of feature films which has specific elements that contribute in increasing the aesthetics of the shape in its structure. The researcher started studying this type of films by researching the spectacular film concept, the history of its development, who are its most important stars and then tackling the Indian cinema represented by Bollywood, which is considered a school for this type of film. The researcher addressed the most important influential elements that entre in its production as well as studying these elements that contribute to building the shape including the configuration, movements of cameras, lenses, the lighting, colors, costumes etc. and what influence they have in forming a special aesthetic color for the spectacular film

Our study addresses the role of theatrical décor in creating the visual illusion and the effect achieved due to that in the method of the theatrical show through supporting the idea of centralization of the show dramatic construction, where the researcher affirms that the subject has started with a new horizon that eliminated many concepts and technical knowledge in theater. Knowledge horizon and discoveries based on light and sight constructions that achieve an existing transformation from the solid to the ethereal. According to these new concepts, other systems other than those based on old presentation methods were formed.
The researcher, in view of this, divided his research into:
First: the research problem and the need for it… where he, in the problem, raised a number of questions including: how illusion in the theatre affects the reception phenomenon.. and he also determined his objective to reveal the visual illusion in the contemporary theatrical décor. He linked the importance of the research as it benefits the researchers and workers in the theatrical show industry.
The researcher, in the second chapter (cognitive framework) addressed the structure of illusion in the theatrical décor based on that idea that the picture in the visual art is considered deceptive and illusive and information is gathered through the sight and then processed in the brain…where illusion happens by reading the images through perceptive manipulation in work drawing.
In the last chapter, the researcher adopted the analytical descriptive method to read levels of the sample, direction processing, the role of the visual deception in the illusion achieved in the research and its sample represented by (Facebook Play) what was presented on the stage of the National Theater in Baghdad in March 2011 prepared and directed by (Emad Muhammad) acted by (Muhammad Hashim). The researcher, at the end of the research, then reached at the most important results and conclusions and concluded his study with a list of references and resources used therein

The theater can be considered a media that the effectiveness of its tools and the perceptions it produces cannot be abandoned according to patterns or aesthetic artistic trends, and at the same time it carries a large amount of information that can be worked on activating it with conscious directions within the elements of the theatrical performance, and these can be counted The study is an attempt to trace the functioning of the communication and media elements in the structure of the theatrical performance, as the study included: An introduction that defines the research problem and its importance, which crystallized around the following question: Does the media communication through theatrical presentation form its desired effectiveness in developing awareness towards realizing the facts of its audience? The research is based on two theoretical topics, namely the first topic (Communication Effectiveness, principles and references), which includes the philosophical and procedural references to the concept of communication and the media, while the second topic deals with (theatrical presentation is a means of media communication) in which the work of international directors in activating the elements of communication and media in their theatrical performances was presented. .
In the research procedures, an intentional sample was chosen for the purpose of analysis represented in the play (curfew) that was shown in Baghdad in 2006, and the descriptive analysis was based on according to the research indicators that came out of the theoretical framework, leading to the results, including: 1- The effectiveness of media communication in Theatrical performance as it is intertwined with the artistic and aesthetic discourse 2- The effectiveness of media communication in theatrical presentation varies according to the different types of performances and their theatrical directions. Some of them are direct speeches, and some are implicit speeches

The theatrical field has witnessed a huge development that included the semantic and formal sides, considering that the theatrical experience has gone through a long period of description and the dominance of literature and linguistics, thus the theatrical experience has been open to many workings and uses of high quality in forming and composing the visual system. The semiotics had a role in presenting transformed sign forms and features generated in the theatrical space. Thus (costumes, décor, makeup, lighting, and actor) are considered elements with sign forms and attributes that together constitute integrated semiotic unit that include all the layouts in the scenographic space. The two researchers determined on semiotics due to its role that it plays in reinforcing the density of the space and producing many indications. In order to get to the objective of the research, the two researchers divided the study into a methodological framework which includes the study problem, which has been determined by the following question about the semiotics of the visual composition in the Iraqi contemporary theatrical show. It also includes the research objective, and limits and determining the most prominent terms. The two researchers, in the theoretical framework, dealt with three sections: the first section is titled the semiotics of the visual system. The second section is the sign. As for the third section, it has been dedicated for the visual composition. The most prominent indicators of the theoretical framework have also been determined. The researchers chose (Gate Seven Play) as a sample for the research. The research included the most prominent results and conclusions that contributed in crystallizing the composition from a semiotic perspective including the following conclusion: semiotics procedures and attributes contributed in opening new horizons for the elements of the visual system regarding the role of (sign, icon and symbol) in showing and reinforcing the density of the scenographic space for the Iraqi contemporary theatrical show

The research (Anthropology and Representations of magic in Arab Theatrical Text, Harut and Marut's play as a Model) is concerned with studying magic and the forms of its presence in the theatrical text in different human cultures where it belongs. The research consists of four chapters.
The first chapter includes the research problem that revolves around the following questions: (what is the mechanism of employing magic anthropology and its representations in the Arab theatrical text Harut and Marut's play as a model?), and the research importance which is attributed to the necessity of studying (magic) in the Arab theatrical text as it is considered the inauguration of one of the social phenomena that many researchers in the field of theatre had not been able to delve into it before. The need for this research stems from that fact that it will benefit the researchers and scholar in the colleges and institutes of fine arts and those working in the field of Theatrical literature, as well as determining the objective which focused on defining the subject of (Anthropology and Representations of Magic in Arab Theatrical Text, Harut and Marut's play as a Model). The limits have been determined: the temporal (1965), spatial (Egypt), objective (Anthropology and Representations of Magic in Arab Theatrical Text, Harut and Marut's play as a Model), in addition to the procedural definitions of the terms mentioned in the research title.
The second chapter (theoretical framework) consists of three sections, in addition to the indicators that stem from the theoretical framework. The researcher, in the first section, addressed: the emergence of magic in the ancient civilization. The researcher, in the second section, addressed the anthropology of magic. The third section is dedicated for studying magic in the world theatrical text. The third chapter is dedicated for the research procedures, wherein the research community which includes one research sample, i.e. a model for the research, has been determined, and the research sample which was limited to the play Harut and Marut by Ali Ahmad Bakathir in (1965). The researcher eventually came up with the results of the research sample analysis as follows:

1- The characters of the two (angels) are considered an extension of the cultural precipitate represented by the social systems and cultural layouts prevailing in the primitive societies where magic is considered a model for them.
2- The play dealt with two forms of magic manifested by the (black magic) embodied in (jinn) and (the two angels) that were clearly visible in strange phenomena, and the (white magic) manifested in its function, where it eliminated the invisible vicious forms.
The researcher, based on the results, made her conclusions, and presented a set of recommendations supported by some suggestions that she found complementary for the research. That was in the fourth chapter that the researcher dedicated for mentioning the above contents. The researcher also mentioned the list of resources.

The musical sign was associated with the first appearances of acting that are based on human gestures and expressive and silent movements, and they contributed in accentuating and clarifying these gestures and explain their meanings and indications, and they remained with them until these gestures turned into artistic theatrical shows so that the musical sign would have many functions and constitute the main pillars for this kind of show.
The musical sign is a language not much different than the human language in the semiotic analysis. There has been an increased interest in it and its use in the mime shows by the graduates who realized its necessity and significance in the pantomime show intellectually, artistically and aesthetically. The first chapter included (the theoretical framework) which consists of the research problem represented by the following question: (Does the musical sign in the pantomime show have different indications and functions in other theatrical shows?). it also included the research importance in highlighting the musical sign, as the mime actor performance is a sign performance that excludes the verbal sign from the process of conveying the indication to the recipient. The research objective is limited to (semiotics of the musical sign in Iraqi pantomime show (Ahriman) as a model. This chapter consists of research limits (temporally determined by 2014) and spatially by the shows presented in Baghdad, Ali Deayym's show, and then defining the terms of the research and concluded with procedural definitions.
The second chapter consisted of (the theoretical framework and the previous studies). The first section is (the concept of the theatrical sign). The second section addresses the musical sign and its performative features in the pantomime show. The second chapter concluded with the indicators that resulted from the theoretical framework. The third chapter is dedicated for (the research procedures) and the indicators that resulted from the theoretical framework as it is a tool for the analysis within an (analytical) descriptive method and watching the shows and photographs, so the show (Ahriman) directed by (Ali Deayym ) in (2014) in an intentional method for certain reasons justified by the researchers to keep pace with the sections and to achieve the study objectives and to resolve its problem. The fourth chapter ended with a number of results including:

1- The musical sign created the rhythm of the show.
2- The musical sign declares the dramatic transformation and transition

The current research is concerned with methods of formation and their effect on the sintering process of ceramic materials. The research is divided into a number of chapters. The first chapter addressed the research structure (the research problem, importance, objective, limits, and it also defined the terms used in the research). The second chapter addressed the theoretical framework, where the theoretical framework has been divided into three sections. The first section dealt with methods of formation of ceramic materials including: Plasticizing method 2- semi-dry pressing method 3- dry pressing method 4- extrusion method 5- casting method.
The researcher found that there is a clear difference between the methods through her formation of tables and as it is clear in the research body. As for the second section, it addressed studying the raw ceramic materials that the researcher has classified into: 1- plastic raw materials 2- non-plastic raw materials. In the third section, the researcher addressed types and divisions of sintering: First: sintering in the solid state and its stages. Second: sintering with the presence of an effective liquid. Third: sintering by pressing and hot compression.
The third chapter consists of the research procedures that addressed 1- preparing the raw material. 2- Examination of the raw material through a- chemical analysis b- metal composition c- thermal microscope examination. 3- Preparing the mixtures where four hypotheses have been put and in every hypothesis, the researcher dealt with what results from mixing the materials (Silica, crock, sodium carbonate, and kaolin under various temperatures and pressure). 4- preparing the laboratory models in which the researcher tackled 1- mixing the materials 2- forming the laboratory models 3- drying process 4-burning process 5- determining the general features for the models. The researcher has conducted some experiments to determine the features of the models after the burning process according to the following: Calculating the longitudinal contraction b- water suction c-virtual space. The fourth chapter addressed and discussed the research results. The researcher reached at the results through conducting the laboratory examinations for the samples within tables (4, 5) affixed in the research. The recommendations and suggestions put forth by the researcher to complete the scientific approach for the research are as follows: 1- not to start the research before finding the oven. 2- Conducting examinations using a thermal microscope before burning 3- burning at a slow timing rate to prevent the occurrence of distortions

The results of previous scientific studies showed that knowledge is something and application is something else, that's why teachers' preparation programs focused, in the present time, on special standards for knowledge and performance, i.e., who has knowledge is not necessary able to apply it in his life or in his field of work, which led to the existence of a gap between knowledge and application. Based on that, those interested in (teachers' preparation) reconsidered their work evaluation, thus the concept of competency appeared at the end of the sixties of the past century to address the negative in teachers' preparation.
The following contains a number of competency features in teachers' preparation programs:
Teachers' effectiveness and abilities in performing their work, practicing teaching is considered a standard for success, increasing the trainees' experiences)
The current study aims to define the effect of teaching competencies required in enhancing self-confidence for the arts education students during the application, and in order to achieve the study objective, the researcher derived the following null hypothesis:
There is no statistically significant difference at the level (0.05) of significance in self-confidence scale degrees between the experimental group that studied the competencies and the control group that relied on theoretical lectures in the subject of observation, application and teaching methodologies
The two groups have been equalized, and the researcher prepared a form for the teaching competency and self-confidence scale and they were subject to validity and reliability through using the appropriate statistical means. The results showed the superiority of the experimental group over the control group in self-confidence scale

This study is concerned with the topic of the constant and the variable within the artistic theatrical phenomenon and specifically the accompanying music for the movements, scenes and dramatized idea, which translates the Iraqi environments (the serious ones). The researcher, here, tries to determine those variables and constants as a methodological scientific study to serve the scientific and cultural institutions and contribute in settling them intellectually, and entering them in the academic environments that depend on studying the artistic associations between the theatrical science and musical science. We find that this study which addresses the topic (the constant and the variable in the theatrical show music for the department of arts education), which will deal with one of the plays that was presented in the college of Fine Arts, department of Arts Education, as a model subject to the methodological analysis, in line with the subject of the study and investigating of all its merits. The researcher adopted the descriptive method which analyzes and criticizes the musical phenomena, in order to attain the research objective based on discussing the facts and opinions about the subject of the constant and the variable in the music superimposed on the idea of the play. The research consisted of four chapters. The first chapter, the research methodological framework represented by the problem, importance and objective of the research. The second chapter, the theoretical framework represented by the following topics: A historical overview of music with theatre, importance of music in theatre, reasons of the constant and the variable in the theatre music, and the music of theatre shows in the department of arts education). The third chapter consists of the research methodology and the analysis. The fourth chapter consists of the results and conclusions, then a number of recommendations and suggestions have been put forth and finally a list of references

The current research addressed (the manifestations of selfhood and otherness in Indian schools of photography) through studying the concept of selfhood and otherness and their manifestations in Indian miniatures scenes for the period (1625-1790). The researcher, in the first chapter, sought to clarify the research problem, importance, and the need for it, in addition to the objective of the study represented by the following: "how did selfhood and otherness manifest in the Indian schools of photography?". The researcher, then, concluded the aforementioned chapter by defining the terms that have direct relation to the title and the objectives of the research. As for the second chapter, it consists of an overview for the theoretical framework and the indicators. Thus it consists of two sections, the first section addresses the concepts of the selfhood and otherness. The second section addresses the technical characteristics of the Indian schools of photography. The third chapter is dedicated to observing the research community and the tool which included gathering the information. An intentionally chosen sample has been used consisting of (4) photographic works that covered the research limitations by adopting the analytic descriptive approach in order to analyze it according to the axes of the analysis tool adopted by the researcher. As for the fourth chapter, it included the results of the research including:
The Indian photographs addressed the concept of selfhood and achieving it with the presence of the other in another way not limited to the real objective reality, but rather in the subconscious and dreams, that what a person feels and thinks about in his subconscious of buried wishes might be manifested through the dreams to reinforce the achievement of the selfhood with the presence of the otherness, as in the model (2) of the sample. Then the conclusions, through which the possibility of achieving the research objectives by the tool designed by the researcher, including: Selfhood and otherness have manifested in the photographic works of the Indian school of photography, through the expression of what realizes the self through the other in varying proportions, that selfhood was not absolutely represented and neither was the otherness.
Then come the recommendations, suggestions and a list of references and appendices

Companies need to educate people about the facts that characterize the business. This is the mission of promotion, it is an important marketing activity, promotion communicates with others and seeks to provide customers with a new business process experience.
Advertising is the most important methods of promotion and the best way to reach an audience. Once the organization advertises its products and services, it can operate in a competitive environment. Marketing competition requires knowledge of humanity that must be affected and convinced. Advertising should create Desires and need for satisfaction. This research comes in the study of visual representations of this psychological incident and how to use it communicatively to create the desired effect

This research studies the Saudi women participation in the visual arts, presents descriptive and analytical overview on their artworks and assess development through their participation in the said exhibition, frequency of participation, and aims to understand the most important stages and changes of the subjects addressed, artistic styles and the factors affecting these results in view of female artist's attitude pertaining to several aspects such as administrative organization, judging committees etc.
Interviews were held with a sample of female artists, 17 artists from different regions and generations out of 182 participants and reviewed relevant exhibition literature during the period 1979-2018. The research problem is to identify the development stages of women participation and the influencing factors.
The research concluded to findings and recommendations that enhance women's future effective participation in similar exhibitions and also enhances their effective cultural role within the framework of the Kingdom's Vision 2030

This research aims to identify the economic design techniques and materials that can be used in the implementation of cosmetic supplements to the spaces of the dwelling. The research relied on the descriptive and analytical approach by describing and analyzing models of design techniques and materials that can be used in the production of cosmetic supplements in the interior spaces of the dwelling.
The results of the research concluded that the beautification of the spaces of the dwelling is one of the necessary and important pieces to add aesthetic touches to the internal spaces, and that the use of economic design techniques and materials contributes to the implementation of many pieces of complementary beautification of the internal spaces of the dwelling at a simple cost and not exaggerated, and the research recommendations were the necessity Urging training centers to hold training courses and workshops for women in the field of home beautification and providing them with simple and economical techniques aimed at developing their awareness of home beautification, and stressing the need to train students in the courses related to home management or family education on how to use design techniques and materials and employ them in an economic way .

The art of batik is one of the ancient arts that has a long history in East Asian countries, especially in Indonesia, where it was considered a traditional craft with which many Indonesian tribes lived. This art began to move to other continents and develops and progresses due to the artist’s connection to the surrounding technological and intellectual development, as art became more outgoing and liberated, it helped the artist to create and innovate in his designs. In this research, he focuses on modern performance methods through which print paintings can be produced through design elements, especially calligraphy, to create aesthetic and creative effects in the productive work. The current research aims to identify the various performance methods of batik art, the effect of linear tactile effects through the batik technique, the enrichment of this technique through its various performance methods to achieve linear tactile effects in the field of hand dyeing, where the researcher will present several practical experiments to achieve the research goals through experimentation. With different methods of performance to achieve linear tactile effects in printmaking work

The icon and the symbol represent the constituents of the communication process, through their intellectual and philosophical concepts that have been addressed by the current research that it has touched upon their importance in conveying the design idea for the recipient and showing the specificity of each one of them in the communication process. The research problem has been limited by the following question: what are the communication roles that the symbol and the icon present for the user in designing the industrial product?
The research objective is to reveal the theoretical visualization that describes the icon and the symbol in the industrial product and its importance in the communication process through stating the of similarities and differences between them.
The research has been divided into three sections, the first of which is concerned with understanding the iconic indication intellectually, functionally and aesthetically. The second section focused on understanding the sign indication intellectually, functionally and aesthetically. The third section is concluded with the communication process concept in the industrial products through the symbols and icons.
The theoretical framework resulted in a set of indicators that have been adopted in the design of the research tool represented by the form of axes of analyzing the research sample forms. The research community is limited to the smart home appliances of (8) international companies. Then the researcher chose an intentional sample (newel, GOSONIC) and defined two different samples of their products. They have been analyzed according to the specified form for this purpose. A number of results have been extracted including: the use of symbols and icons in the design of the industrial products accomplishes the required communication process in the products in what serves the positive interaction between the industrial products and the recipients.

Digital commercial advertising depends on artistic formations to achieve attraction and arousal of attention, which is one of the most important communication factors that the designer seeks to achieve and is considered a key key to recognizing the beauty of the topic and its functional value. Reframe formal vocabulary.
The research included the introduction and includes the research problem and the need for it, which focused on the following question: What is the aesthetic role of artistic formation in the design of commercial advertising?
The aim of the research was: To reveal the aesthetic role of artistic formation in commercial advertising.
It also included the importance of research and research boundaries, as well as defining terms.
The theoretical framework came, and it was defined in two topics that included the first topic (technical formation and its aesthetic role in design) and the second topic (advertising and digital design) and the theoretical framework resulted in several indicators.
The third topic was devoted to research procedures, as the research followed the descriptive approach and the method of content analysis for the purpose of monitoring phenomena by means of objective analysis for each model separately, to reach accurate results. The research community included 30 global digital advertising posters published on the Internet. 3 posters were chosen to provide the objective conditions related to the research goal. The fourth chapter contains the most important findings and conclusions.1- The aesthetic feeling is an inevitable result of the education process, awareness of the prevailing values, and the cultural norm.2- It resulted that the aestheticians compare historical developments with theoretical approaches to the arts and for several periods, they study types of art in relation to their physical, social and cultural environments.

The industrial design occupies an important status in public and private life activities, because it contains a group of interactive, productive, and interconnected institutions, which is confirmed by Descartes who is credited for promoting the method of skepticism on sound foundations, showing that in order for us to search for the truth, we must suspect everything that we confront let it be once in our life time, especially our options in the scientific research and industrial design and product, starting from the knowledge heritage and the intellectual concepts that ascend to the levels of the functional, aesthetic and environmental performance, the significance of skepticism becomes clear. The research problem lies in this question: Do the foundations of skepticism enable the industrial designer to reframe the design idea aesthetically and functionally? The research aims to find a relation between the concepts of the skepticism and the intellectual values of the industrial designer. That was the most prominent part in chapter one. As for the second chapter, it consists of two sections. The first is titled skepticism conceptually. The second section is concerned with the orientations of Cartesian skepticism and its reflections on the designer and the industrial product. The third chapter consists of the research procedures, that the content analysis method has been adopted in order to achieve the research objectives. The research community consists of the products (floating car, bracelet telephone, ring telephone) manufactured in Germany. The most important results have been reached at in chapter four including:
1- The relation between the Cartesian skepticism and the technical values indicates three-dimensional perceptions of floating products from the world of imagination, illusion and fantasy.
2- The problem of functional suitability is considered one of the fundamental considerations taken in designing the industrial product and according to the results, a number of conclusions have been reached at the most important of which are:
1- The products lacked the ability to compete with similar products in focusing on the aesthetic perspective, whereas the performative one, as a partial substitute in the product design structure.
2- Mathematical encryption algorithms are considered the most important systems for skepticism treatment in the design system.

The current research is concerned with studying the variables in the promotion process which influence the advertisement design structure, as the accomplished design and construction process is subject to many variables, whether they were intellectual or technological, internal or external variables. These variables may overlap in order to get a comprehensive system for the artistic configuration, that any design in its content reaches the highest levels of perfection is connected to the extent of its compliance with and approximation to these variables, that is why we find their reflections deeply rooted in the individual's mind, especially the designer artist who is influenced by everything surrounding him forming knowledge systems responsive and harmonious with these variables, thus reflected on his cognition and consequently his performance so he affects and gets affected by the rest of the design modes. That was a motivation for the researcher to address the research problem and conduct the current study through the following question: what is the role of the design technologies in promoting the advertisement for the national product?
The researcher, in the theoretical framework, reviewed in the first section: the concept of design technology. In the second: promotion and marketing advertising. The third: typographic elements in advertisement design.
The analysis unit, in the research procedures, has been determined. That is represented by considering every advertisement an analytical unit as it carries an integrated communication idea that ideas can be derived from through the analysis. Thus, in the analysis process the researcher not only aims at extracting the ideas conveyed by the advertisements (the samples) but also to get benefit through revealing the variables and the extent of their influence in the design structure.

This study aims to identfy virtual plastic art exhibitions in light of the challenges of the Corona pandemic. It used a descriptive analytical method through several questions and examining future challenges via the Internet in publishing virtual plastic art exhibitions in many parts of the world in light of the challenges of the Corona pandemic. For that, it used Arab and foreign references.
The study reached many results, the most important of which are: The detection of virtual reality applications and their impact on the plastic arts exhibitions sector. Besides, the insights gained from future art gallery research with VR technology could provide direct and practical value for this sector. By using a technology, similar to the “Street View feature” of “Google Street View”, virtual art galleries will be "available" and will have a goal away from productivity and profitability.