LARK JOURNAL FOR PHILOSOPHY , LINGUISTICS AND SOCIAL SCIENCES

The purpose of this study is to find out the nature of Children Literature in Iraq after 2003 by written by Iraqi and non- Iraqi writers. The research applies Text-Analysis theory and intend to reveal the literary product especially short stories and novels for Iraqi children in the last two decades (following 2003). Listing the types and the tendencies adopted by Iraqi writers and non-Iraqi writers for children in the selected time is another objective. It also aims at searching the psychological dimension which is supposed to be involved in it. Added to that, deciding whether those writers are specialists in writing for children or it is regarded as a sub-sided profession for them. The Text-analysis theory helps realize the context within which cultural and sub-cultural norms are introduced. The findings reveal the fact that this era, after 2003, is impregnated with chromatic literary outcomes including children literature. But, the literary product of this literature is ranging between locality and universality within a limited scope due to certain social , political , and economical influences. The implications of this research indicates the necessity to focus on the field of children literature in modern literary production for its great impact on the psychology of Iraqi children especially after 2003.

In this paper, we present an analysis of two literary works from the perspective of the proven advance movements for Arab and Latin American writers in the period of the twenties and two thousand years.
The private life of writer Miguel Angel Asturias was inspired by the production of literary works, as he held a diplomatic position and received the Nobel Prize in Guatemala. He was born and died in Guatemala City (1899-1974).
There is a clear shift in his famous work, Mr. President (1948), who breaks the norm, for a future covered in new ideas.
Language, grammar and sentences were used violently for results serving the community. This work was translated into several languages, and used in cinema and theater, all for social benefit. The novel shows political, economic, and social elements, there is also a lack of mercy and inhumanity evident through the events of the novel, the writer was trying to clarify what was going on during that period. Asturias showed the dictator as a mysterious figure in the depth who does not appear and feel its bad influence on all sides.
Mazen Arafa, a Syrian writer, was born in 1955, and he obtained a degree in arts from the French language department from the University of Damascus, and later obtained a doctorate in humanities, the offices department, From the University of Maria Curie (Lublin-Bologna), his center of residence, from Germany, tried to give readers in his “Granica” production in 2017, a glimpse of what the dictatorship did with the innocent people of Syria who declared the spring uprising, To obtain their legitimate rights to life. The novel consists of three parts: dictatorship, Syrian history during the time of the coup and the uprising. It was published in Beirut and received constructive criticism.

Love triangle, or eternal triangle, has been the focus of many plays where the plot revolves around a three-sided affair in which the woman becomes a site of love competition between two males, the husband and the lover. The majority of those plays present the woman as the erring wife who chooses either to be with the lover or remorsefully remain with the husband. In this paper, we deal with another portrayal of love triangle in which the wife either defends her marriage or stands against the intruder. Such a portrayal is identified in August Strindberg’s ‘The Stronger’ and G.B. Shaw’s Candida. Yet, this does not suggest that the plot in both plays is identical. While the intruder in Strindberg’s play is a woman, it is a young poet in Shaw’s play. Moreover, whereas Shaw’s play ends with the intruder’s departure opening the space for the husband and wife to continue their marriage on a new basis of understanding, the conflict remains unresolved in Strindberg’s play. This paper argues that this contrastive portrayal of love triangle in both plays relies, to a great extent, on the playwright’s personal experience and also his notion of the woman and her role in the domestic and public spheres.

This research worked on the Qur’anic cultural references of a poet from Persia in the Safavid era, the poet Wahshi al-Bafiqi, who was influenced in many of his writings by the Arab Islamic cultural heritage, and the research tried to simplify the images of this influence, and prove the multiple historical links that brought those influences to The poet's thought, and the research adopted a comparative approach based on the data of the French Comparative School, and the most important results that came out with it were to find out the depth of that poet’s culture, to surround him with the Arab Islamic heritage, to surround an Arab poet who emerged from the womb of that heritage, and flew in its vast spaces.