Al-Academy

Graffiti is an art that refers to pictures and words drawn on the walls of buildings. It usually uses spray colors, and is a form of protest and rebellion. Although this art is deeply rooted in history since the first time man painted on the walls of caves, it has gone through stages that changed its form, causes, and purpose. One of the most important historical stages in the world is the stage of the French Revolution, the stage before the Internet, then the stage of the era of globalization, the small village, the spread of social networking sites, and the excessive use of websites. Although this art was more conservative during the French Revolution, we find that it later turned into street culture and became an illegal act. legal. It is rejected by societal norms and is sometimes described as a cancer for societies, With the introduction and spread of new digital media at the present time, the rules of the game have changed, as the quality of graffiti art varies and changes, the establishment of social connections and the dissemination of messages on a wider and faster scale than before. Therefore, today it is working to intensify democracy in societies through ridicule, criticism, defamation, incitement, or promotion by uncontrolled tools.
In this research, in order to develop a methodology for analyzing graffiti discourse through critical discourse analysis through a combined approach between detailed descriptive analysis, textual manifestations, analysis of arguments, and methods of proof, we adopted the method of semiotic analysis of graffiti discourse, and through the use of two semiotic approaches by two well-known thinkers, the French philosopher (Roland Barthes 1915). -1980 AD) and the American thinker (Charles Sanders Peirce 1839-1914 AD)

The study aimed to identify the concept of hologram technology, clarify the aesthetic values of design in contemporary plastic art, identify the concept of contemporary plastic art, study models of holographic works in contemporary plastic art, and to achieve this, the descriptive analytical approach was used by addressing hologram technology and the aesthetic values of design and contemporary plastic art. The study reached many results, namely that the use of modern technological techniques such as hologram technology contributes to highlighting the aesthetic values of design in contemporary plastic art, and that hologram technology has many aesthetic dimensions that contribute to the development and enrichment of the aesthetic form of contemporary plastic art, and that the diversity of technological methods and techniques used in contemporary artworks contributes to enriching aesthetic values. The study reached several recommendations, represented in paying attention to studying the potential of hologram technology in enriching contemporary plastic art, conducting a study on more hologram works by contemporary artists, developing art students to understand and comprehend modern technological techniques, and the necessity of educating society in the aesthetic values of contemporary plastic art

Ghosts - as a cultural phenomenon inherited across generations - represent a fundamental element created by the human imagination and addressed in literary and cinematic narratives, as ghosts occupy a large space in the heritage of nations. Horror films have emerged, especially ghost films, which are prominent film genres that derive their themes from the myths and legacy of ancient civilizations, in which they address events shrouded in mystery in all their details, from place and time, especially the presence of supernatural characters belonging to strange forms and hostile actions, which arouse tension and fear in the recipients. Due to the popularity and popularity of this type of film, modern cinema has worked to increase the element of suspense by producing ghostly images and sounds that have been processed using innovative artistic methods that contain in their narrative structure extremely complex plots that provoke fear, panic and terror, relying on the technological development that has included the film production sector with all its technical joints at the levels of image and sound, so that these ghostly creatures have artistic metaphors for realistic topics that touch on human life, perceptions and changing culture. From this standpoint, the researcher found it necessary to research the formal characteristics of ghost films. She formulated her research problem with the following question: (What are the formal characteristics required to build the image in ghost films?). The research also included the following axes: a summary of the research, including the introduction and the research problem, then its importance and the need for it, as the importance was represented in shedding light on the formal characteristics of ghost films, while the aim of the research lies in identifying the formal characteristics of this sub-film genre, then defining the terms. The theoretical framework of the research included two topics: the first dealt with the phenomenon of ghosts and their types, while the second dealt with the structure of the image in ghost films and the most important techniques used to represent them. These topics resulted in several indicators that the researcher used to analyze the selected film sample. The research concluded with a set of results, namely: Ghosts have the ability to appear in a manner that suits current events and in a way that makes other characters sympathize with them. Also, the possession of ghosts of supernatural powers - most notably appearance and disappearance - is what enabled them to communicate with the living to achieve their goal of salvation or revenge on those who caused them harm. Ghosts often emerge from deserted, isolated or remote places, taking them as a place to build their lives, as they are a suitable environment (and compatible with the stereotypical image of ghosts among individuals) to arouse awe and terror. Ghost films are characterized by dark atmospheres, as most of their scenes depend on dim lighting. The most important conclusions of the study: The continued production and follow-up of ghost films reflects the fact that this genre has its own formal and structural features, in addition to the continued interest of societies in the supernatural. Ghost films are not limited to stories based on myths or fantasy, but can also be based on fictional events integrated with real stories. To achieve the continuity and attractiveness of this sub-genre of film. Ghost films are based on special places, to be the main source for creating ghosts that arouse the instinct of fear. The research concluded with a list of sources and a summary in English

The research aims to evaluate the effectiveness of applying a graphic processing model based on the SCAMPER technique in enhancing the aesthetic quality of design units. A quasi-experimental method was employed, with a sample of 31 individuals producing 62 design units—31 before and 31 after applying the SCAMPER based graphic processing model. The aesthetic quality of these units was evaluated by experts, and the results revealed statistically significant differences between the aesthetic quality of the units produced before and after applying the model, with the latter showing superior results. The effectiveness of the model was further demonstrated by measuring the effect size using Cohen’s d, which indicated a substantial and significant impact on improving aesthetics of the design units. The research concluded by recommending further studies on other creative techniques that could be applied to graphic processing, aiming to enhance design outcomes and foster greater innovation in the field

The aesthetics of hybridization in contemporary painting and its reflection on the productions of art education students are an important subject in the field of painting at theoretical and practical levels in academic study, whether theoretical or practical. Al-Iraqi is one of the arts with historical roots and a distinguished position among other artistic genres. Painting has received a sufficient level of development through the use of various contemporary aesthetics to advance it for the better.
The methodological framework included the problem of research and the need for it, and then the importance of research came in shedding light on the aesthetics of contemporary Iraqi painting, and the impact of these aesthetics on the productions of students of art education and the benefit that was reflected in their official productions. The research aimed to reveal immediate aesthetics and their mechanisms, and the extent of their reflection on the productions of art education students. By stopping and defining terms?
The theoretical framework included two sections: the first: a historical introduction to contemporary Iraqi painting, its roots and beginnings. The second: contemporary Iraqi painting aesthetics. The research procedures included: The research community and the research sample included (3) official works,
The results and conclusions reached by the two researchers:
1. The aesthetics appeared strongly in all the art education students’ outputs in all samples.
2. The student relied on his imagination to produce new formal compositions.
3. The small number of textbooks on drawing aesthetics to be taught to students of the Department of Art Education

The world today is witnessing many changes, developments and challenges that have necessitated the adoption of various methods that follow a scientific approach to contribute to the societal development by focusing on the concept of sustainability to meet the needs of society according to environmental resources. Visual arts are a creativejs field that can achieve the concept of sustainability. The current study address the concept of sustainability in contemporary visual arts, as it aims to identify the concept, and clarify its dimensions in visual arts to reveal trends and possibilities for applying sustainability in contemporary arts fields. The study followed the descriptive analytical approach, and the sample intentionally included four artworks. The study concluded that many contemporary artworks Rely on the intellectual dimensions of the concept of sustainability, and highlights creativity of many contemporary artists in applying the concept of sustainability in artistic creation

This paper investigates the transformative function of Saudi songs in the analysis and influences of societal changes during the 1970s and 1980s. The research focuses on how music, including songs, helped and reflected quickly developing socio-cultural modifications associated with economic expansion and modernization in the country. The study is based on a qualitative strategy, counting on interviews conducted with cultural historians, and present music artists who can tell the tale of music’s consequences on culture. Eight participants were selected to participate in the research. The research evaluates how folk songs gathered and reflected Saudi society's common thinking and changing values. The findings highlighted that Saudi songs could be viewed as artistic achievements, a mode of societal critique, and an instrument of cultural transformation. Moreover, the research findings include the remarkable changes in Saudi songs from the 1970s and 1980s and the increasing number of tracks devoted to certain moral and sociopolitical issues like social reforms, national pride, and changes in conventional values. Finally, the paper found that the Saudi songs from the 70s and 80s are pivotal in understanding the broader socio-political landscape of Saudi Arabia during these decades. Music significantly helped in the rapid alterations and formed the ways in which common Saudis recognized and lived through those adjustments Whether as a mode of societal engagement or an aspect of societal changes

Modern design techniques contribute to the achievement of high quality printed designs for games "Basel" is clearly marked with bright colors, measurements and sizes consistent between the Typographic elements And the designs are kept on the computer continuously scalable, It develops cognitive, sensory and motor skills that need focus and reasonable thinking. which can be effective in stimulating children's learning, The design idea has been studied in terms of simplicity, complexity, types of traditional and digital basil games, and the use of constructive elements in design such as graphics, forms, typo elements and their relationships in the design of game forms This study focuses on the identification of " Puzzle " design techniques.
The research came up with the most important results:, The use of craftsmanship design programs in model design number (1 ، 2) resulting in accurate design results of high quality and mastery.
The most important conclusions are: The designer's use of bright colors for simple and straightforward shapes, images, backgrounds and design ideas is interesting for children and works to make the design successful

The aim of the current research is to identify the effect of the thinking maps strategy in developing productive thinking among female students of the Institute of Fine Arts in the subject of analysis and art criticism. To measure the size of the effect, the researcher adopted the experimental method with two experimental and control groups with a pre- and post-test, and the research tool was a measure of productive thinking for a sample of female students in the Fine Arts Department. The number of students was (17). The data was analyzed using the SPSS statistical package, and the results were shown There is a statistically significant difference between the average scores of female students in the two research groups on the post-productive thinking scale, in favor of the experimental group. There is a statistically significant difference between the average ranks of the scores of the two research groups in the pre- and post-productive thinking scale, and the alternative hypothesis is accepted, which states that there are differences between the average scores of the two research groups in the pre- and post-productive thinking scale

Technical innovations as distinct activities appear and affect within a social structure, adding pressure burdens that constantly dictate a change in human forms and relationships and help the emergence of new and unexpected situations that are reflected in the aesthetic data and technical experience of these societies. All aspects of science, including human approaches, are affected by technological development. This prompted the artist to search for what art is and its new patterns, which depend on the link between the elements of space, light and movement in order to create the new kinetic beauty that evokes sensations at the same time.
The current research consists of four chapters. The first chapter of the research included a definition of the research problem, which was determined by answering the following question (How did the technical innovations contribute to crystallizing new methods in postmodern arts (Op art) as a model?) And the importance of the research. As for the aim of the research, it was determined by revealing (the representations of technical innovations in postmodern arts (Op art as a model) and defining the terms. As for the second chapter, it included three topics such as the first technical innovations, and the second topic features of postmodern arts, while the third topic dealt with Representations of technical innovations in visual art, while the third chapter contains research methodology, procedures, and society, and the selection and analysis of the sample, which are (5) artworks. The fourth chapter contains the results of the research, the most important of which are: technical innovations contributed to the development of postmodern arts in general and Op art in particular , Fit the opportunity for the artist to control the formations of the artwork, as I worked geometric shapes, lines and black colors, white and blue to add simulated element formulations works of art through the ideas and visions of art associated with the spirit of modern times, and then the conclusions and recommendations of the proposals

Intertextuality is one of the modern critical concepts. It is a process of intertextual interaction between the works of one artist Or the intertextuality is in the artist’s own works and another in terms of style, method of treatment, and genre. It gives the recipient a major role in interpreting and interpreting the artistic work through cross-referencing and identifying points of intertextuality between the different works. The researcher collected scientific materials in a way that serves The research topic is in four chapters: The first chapter, the methodological framework of the research: to clarify the research problem and the importance of the research, while the research aims to reveal intertextuality and its formal applications in the works of contemporary Iraqi potters, the temporal boundaries that were determined (2020 - 2024), the spatial boundaries of Iraq, and the definition of search terms. Chapter Two: The theoretical framework of the research: The first topic: The concept of intertextuality. The second topic: Intertextuality in art formation, previous studies, and indicators of the theoretical framework. Chapter Three: The procedural framework of the research: The research community, the research sample, and the research tool. The researcher adopted the indicators of the theoretical framework and the research methodology, then analyzed the sample. Chapter Four: The results, including 1 - Ceramic works are produced based on entering into intertextual relationships and with different mechanisms and methods with different references that had previous bad results. His gender or other genders. This is what became clear through the selected samples, as the researcher did not find any work from the samples that was devoid of intertextual references that contributed effectively to its structure, in addition to conclusions, recommendations and proposals (Kywords: intertextuality form Contemporary, Porcelain)

The entitled research (Features of Popular Heritage in Contemporary Iraqi Painting) consists of four chapters. The first chapter includes the research problem, importance, objectives, and limits, while the second chapter includes the theoretical framework that contains two sections: The first section: Popular heritage (characteristics and features) and the second section: The role of popular heritage in contemporary Iraqi formation. The third chapter included the research procedures and analysis of the research sample, while the fourth chapter included the research results, the most important of which were:
Iraqi painters invest themes or symbols of their popular heritage in their artistic works.
The diversity of materials and raw materials in the paintings of Iraqi painters.
The diversity of performance of Iraqi painters in their artistic works

Graphic art is one of the most important means of human expression and communication as it is a universal expressive language that addresses all human beings. Therefore، it was necessary to study the formal systems of global graphic art because of its ability to reduce the semantic dimensions and treatments in graphic design، which is essentially a means of expressing ideas aesthetically and functionally. Chapter One: Reviewing the research problem that was identified by answering the following question: What are the semantic dimensions of shape systems and do they have manifestations in graphic art? The research aimed to: identify the semantic dimensions of shape systems and their manifestations in graphic art، and the chapter concluded with a definition of terms. As for the second chapter. It included three topics: the first: graphic art، a historical overview of its origins and development، the second: shape systems in graphic design، and the third: graphic art techniques. The chapter concluded with indicators of the theoretical framework and a discussion of previous studies. Chapter Three: The researchers adopted the descriptive analytical method، and the research community included (20) samples. (4) samples were selected and an analysis tool was prepared and criteria for validity and reliability were extracted. In Chapter Four: the most important results reached were reviewed، and among them were: I took Advertising in graphic drawing is a state of turning towards dramatic contents، such as an invitation to musical clamor and written employment. The lithographic printing technique in model (2) shows digital semantic dimensions of form systems. The chapter concluded with a number of recommendations and suggestions

This research is concerned with studying the semantic shift of place in the cinematic film, in order to determine the new semantic and aesthetic dimensions that the shift of place from the ordinary adds. This process can only be done by demolishing the usual structure of the elements (or element) of cinematic expression, taking into account giving one of these The elements dominate the rest of the other elements, in order to create a new structure that expresses the content of the topic’s message. The research included the following: Chapter One: The problem of the research, its importance, the need for it, its goal and its limits, mentioning the name of the sample, then defining the terms to provide the procedural definition of the research. Chapter Two: It includes three topics: The first - the concept of displacement and its historical root. Second: The significance of place in literature and art. Third: Representations of the operation of the semantic shift of place in the film. It ended with indicators of the theoretical framework and previous studies. Chapter Three: Research Methodology. Chapter Four (Results and Conclusions): Results:
1. The shifting of the significance of the place performed an aesthetic and poetic function, to distance itself from the superficial meaning in order to express the submerged meaning in a way that is consistent with different subject events.
2. The lighting served as a supporting element for the dominant element of the place. Displacement must have a dominant expressive element in order for it to perform its metaphorical function.
3. The change that occurred in the architecture of the place led to the transformations that occurred in the events of the subject and the psychology of the characters towards the place, which subsequently led to the creation of characters who rebel against the place. The conclusions are:
1- The form of the place is a framing structure for the events of the subject - there is an inseparable relationship between them that ultimately leads to identifying the significance of the characters’ actions.
2- Style is what creates form. Therefore, changing the architecture of the place to suit the theme of the film could indicate the style of its creator.
3- The place in its physical form (sometimes) is a neutral entity that does not acquire the characteristic of familiarity or hostility, but the nature of the event, and the way the characters interact with it, is what gives it its identity. Also, treating the shape of the place (its architecture) in a way that is different from the usual will necessarily lead to a dramatic and aesthetic shift in its significance.
Then the search ended with a list of sources.

Textiles are among the consumer products that people cannot do without, because of their utilitarian value, in addition to their aesthetic value, which expresses all aspects of society, as they are affected, like other arts, by their data Intellectual design to derive its design units from reality, and its ability to derive new design ideas resulting from the designer’s own sensitivity to the references from which design thought is derived. The research problem was determined according to the following question: What are the data of religious (Islamic) thought and its implications on the designs of modern curtain fabrics?
The importance of the research was evident in shedding light on the data of religious thought and its reflections in the designs of modern curtain fabrics through the following goal: defining the data of religious (Islamic) thought and its reflections in the designs of modern fabrics.The second chapter included the theoretical framework, which consisted of two sections. The first section dealt with the concept of thought and its data, and the data of religious thought. As for the second, it included the reflection of the symbol and the significance of shapes in textile designs, and the reflection of style in modern textile designs. After that, the most important indicators that resulted from the theoretical framework were extracted, as the research procedures were determined within the third chapter by adopting the descriptive method of analysis for the purpose of analyzing the sample models from the original research population, which amounted to (16) design models (Iraqi / Turkish), which were chosen intentionally by ( 25%), as their number reached (4) design shapes distributed according to the country of origin. As for the fourth chapter, it included the results and conclusions reached by the study, the most prominent of which was: that using reality data directly in building design thought reduced the intellectual reflection of the data of Islamic art, and this was linked to the compositional organization of decorative forms and their artistic treatments.The same chapter also included recommendations, including: paying attention to studying Islamic art in the field of precise specialization (textile design) and linking Islamic thought with modern scientific theories to revive the Islamic heritage and achieve authenticity. In light of the recommendations, the research suggested conducting a comparative study between the methods of the school (Safavid and Turkish) and their implications for designs. Iraqi fabrics, as well as Arab and foreign sources

Marketing is based on a number of factors whose scope extends to diverse ranges, including technology, which has become the effective element in the movement and growth of life and keeping pace with rapid movements in various aspects of life. It is worth noting that all arts and print design provide life with everything that contributes to adapting design capabilities to serve Functional goals, including marketing, promotion, and advertisements, whether for products or services. Therefore, the current research has dealt with technology and its role in an attempt to know its importance, which is concerned with building a mental idea responsible for interpreting the superficial visual appearances of publications of all kinds. The research included two chapters, the first the research problem and its importance, and the following question was How can technology control marketing behavior? The first chapter dealt with the goal of the research, which is revealed by revealing the contribution of technology in developing marketing behavior? The most important terms that are important to the title of the research were identified, and the temporal, spatial, and thematic boundaries were also included. As for the second chapter, it dealt with two sections. The first section included a study of the concept of technology, its types, and its role in print design and marketing and its approved mechanisms. As for the third chapter, it included research procedures, presentation of sample models, and analysis of the research results and conclusions, as well as recommendations, proposals, and a list of sources, and among the most prominent results reached by the researcher

The research deals with a duet of an educational nature for two violins. The researcher composed it during the period from 2014 to 2016 as part of a series of similar pieces intended for students. In terms of level and performance, the piece was written so that the roles of both instruments are equal and complement each other strongly and in a contemporary style. The piece allows the first violin part to be played by the student and the second by the teacher, or it can be played by two students of the same level as well. The piece can also be played for the purpose of improving and learning violin playing techniques or presented in concerts as a local academic piece.
The researcher tried to write a piece that is as contemporary as possible in all aspects such as form, harmony and counterpoint, in addition to evoking a good range of feelings and atmospheres in a concise musical framework and preserving the Iraqi Kurdish folk heritage as well. The research will benefit composers who wish to develop their local music and reformulate it academically. It is also useful for all students studying violin in Kurdish and Iraqi schools, such as institutes and colleges, especially those who are at the end of their academic years

This research deals with a comparative study of the instant visual impressions between the types of two-dimensional designs in electronic game design. Instant impressions play a crucial role in attracting players, through the contrast of colors, shapes, lines, and degrees of shadow and light, which greatly affects the player's interaction. Four main principles were identified that the design must rely on to achieve a good visual impression: visual aesthetics, ease of use, emotional impact, and immersion and interaction. The results found that applying these principles to the design of two-dimensional games showed that cell shading type excel in generating positive visual and emotional impressions, especially among young age groups.The results highlight the importance of simplicity and color contrast in enhancing design aesthetics and player interaction It also showed that designs that resemble three-dimensional designs may be the most effective in generating positive responses, which enhances the player's experience and the continuity of interaction with the game

The research deals with the dialectic of life and death in the texts of Mithal Ghazi (the play Azrael - Ikhtiyaran) and its semantic implications. The dialectic of life and death is one of the existential issues that occupied a large space in philosophical thought. The presence of death means the absence of life, and the presence of life means the absence of death. In addition, the writer lives in loss and daily scenes of death in his social environment as a state and feeling, and what these scenes constitute of daily concerns that cast their shadows on the members of society. The dialectic of life and death is one of the important stations that constitute an obsession in the life of the ordinary person and the most present in his mind. According to this vision, the research was concerned with studying the dialectic of life and death in the texts of Mithal Ghazi. The first chapter included the research problem that defined the question: Was the author able to explain the nature of the dialectic of life and death in his theatrical texts? This study came to shed light on the dialectic of life and death in the play (Azrael). This study included the introduction to the research in which the research presented the problem of the research, its importance and its goal. Then the theoretical framework that dealt with the theoretical foundation of the research included two topics: the first: in the philosophy of life and death and the second: the dialectic of life and death in the global theatrical text. The research came out with a set of indicators that I relied on in analyzing the research sample model. After the analysis, the research came out with a set of results, including:
1- The dialectic of life and death became clear in the research sample model through the defense of the woman's character for her existence in life and her insistence and refutation of the idea of death, while death represented the character of the man or Azrael who insisted on taking her soul and transferring it to the other world.
2- The theatrical text indicated that all the social ties and relationships that a person practices are dialectically linked to the life of a person in this worldly life and cannot prevent death from any person.
3- The sample model showed that the issue of a person's transition from the worldly life to the world of the afterlife or the isthmus is an inevitable result that no person can escape from

This research knocks on one of ancient Greek sculpture art doors was not opened very often. it's short but important interim period in its development process, between what was called the Archaic and the Classical period, approximately 30 years in which the sculptor departed from a style that had been prevalent for many decades, relying on repetition and reduction to a more style. Freedom and experimentation. The first Chapter provided a general introduction to this phase: naming, its historical and geographical framework, Circumstances that led to its emergence, followed by tracing the style of its sculptures and monitoring, their techniques and materials, then mentioning the most important sculptors who were attributed to this phase. In the second Chapter the research sample was selected and analyzed to Extract a results and conclusions which included: the Severe sculpture tends toward simplification in treating the form and seeks to break the rigid symmetry and leave the Archaic smile. The Bronze was adopted as the first material instead of stone, and more

(Learning about the invention of teaching using the Kolb model in developing the skills of students of the Department of Art Education in the subject of theater directing). To achieve the research objectives, the researcher formulated a null hypothesis to discuss the results. The researcher adopted the experimental method, specifically the two-sample design (experimental and control). The research sample was (26) students In the Department of Art Education, College of Fine Arts /Diyala. The researcher conducted parity between the two research groups in the number of the variables, then the two groups were taught for a period of (8) weeks, and to measure the achievement of the members of the two research samples, the researcher built a tool for his research, which is the observation form, which consisted of (10) items on a five-point scale, and the researcher extracted validity and reliability for it. As for statistical methods, several methods were applied to address Data through the statistical package (Spss)
The results of the research resulted in the effect of teaching using the Kolb model in developing the skills of students of the Art Education Department in the theatrical directing subject In light of the results reached by the researcher, the research concluded with a set of conclusions, recommendations, and proposals

The research deals with the blockchain technology for developing and securing electronic press publishing operations, achieving cybersecurity to prevent tampering with news and theft, knowing who republished the press or used the existing content using the blockchain method, and protecting the intellectual property of the owners of the original content. The research is classified among descriptive studies that adopt the descriptive analytical survey method, and the study is concerned with the qualitative analysis of current facts related to the research topic, and the research community is represented by sites that rely on blockchain technology, and the research concluded that the new blockchain technology is a broad electronic information or data base based on the use of encryption techniques, and that the blockchain documents all transactions in a chronological sequence that prevents any distortion, manipulation or fraud that may occur in the recorded transactions.
Due to the emergence and spread of fabricated or falsified news in journalism, alongside the unauthorized plagiarism of reports and articles violations that infringe upon the moral and financial rights of their original creators, various technologies have been introduced, including blockchain. These technologies have been designed to detect and counter falsification, as well as to safeguard intellectual property rights. As such, they have become a critical necessity for ensuring the protection of rights and the dissemination of truth.
Blockchain technology operates through the creation of distributed records across the internet, enabling all participating entities to access a verified copy of the records, documented chronologically. This mechanism effectively prevents tampering, manipulation, or fraud in recorded transactions and ensures attribution to the original publisher, thereby securing their intellectual property rights

Every work of art must be composed of matter, which does not take on its characteristics until the artist deals with it. Therefore, the beauty of work of art is not limited the field of the subject matter that it represents, but rather is manifested in the core of the sensory appearance of the work of art and the self that overflows into it from what you possess intellectually give it aesthetics. Therefore, the researcher began study the aesthetic relationship between both the material and the thought process. The research consisted of four chapters: first (the general framework of the research): dealing with the presentation of the research problem, then the basics of the research framework of importance, purpose, and limits. chapter concluded by defining the terms. The second (theoretical framework and previous studies): which included three sections: The first: was devoted studying the concept of aesthetics in two fields: philosophy and artistic work. second section: It specialized in studying the intellectual and performance experience in art, while third section dealt with the intellectual and performance experience in contemporary Iraqi painting. After that, the indicators resulting from the theoretical framework were mentioned. third chapter (research procedures): consists of a research methodology, the research community, as well as selecting the research tool (observation) to achieve its goals. After that, the sample samples were analyzed according a philosophical vision with aesthetic dimensions. While fourth chapter included (results, conclusions, recommendations and proposals)

Theatrical art is considered one of the arts most connected to reality as it results from a living relationship existing between it and the ideals, values and customs in which its role in society appears. Theater arose in the embrace of myth and its structural and artistic elements became clear from the depths of the myth, and from it the necessity of theater in social life appears. It plays a major role in raising awareness, guiding, and enlightening people, as it is the most influential of the arts, and the theatrical performance is not complete without the receiving viewer, who in turn interacts with the theatrical text and the theatrical performance, as the actors embody an aspect of the human experience in front of the viewer, thus adding to his knowledge balance and influencing his performance. His psychology and behavior have changed, and his cosmic outlook and life situations have changed, and here the role of theater appears in addressing the issues of societies, as he is destined to live what a person lives in life. The goal of the research: to reveal the educational use of the evil character in school theater texts. The second chapter includes two sections: the first: the evil character, and the second: employing the evil character in the theatrical text educationally. As for the research sample, the intentional sample was adopted to serve the course of the research and its directions, and the most important results and conclusions.
1. She emphasizes the importance of faith and goodness through her practice of ingratitude and evil.
2. The writer of the theatrical text has the ability to employ and mix the evil character with the political and social reality that the individual lives, and in it situations and events can be borrowed and adapted into the text to show the evil conditions caused by wars, destruction, and division and their impact on society

The research titled (Reduction in Contemporary Iraqi Sculptural Formation) dealt with the phenomenon of formal reduction of sculpture and its formation. The research consists of several chapters, where the first chapter presented the problem of the research, its importance and its objectives , and the second chapter represented the theoretical framework, which came from two studies, the first of which is reductionism in modern sculpture and the second of which is the contemporary formation movement. The third chapter is a chapter on the research procedures and analysis of its sample. The fourth chapter includes the results of the research, the most important of which are the following:
1- The presence of shorthand features in contemporary Iraqi sculptural formation is due to the style of the individual artist in terms of style and technique and the type of word chosen.
2- Through the characteristic of reduction, the Iraqi sculptor achieved by conveying a message to the recipient that he is freed from the limited nature of expression and the type of work he wants to work on.
3- Reduction contributed to contemporary Iraqi sculptural formation, circulating its discourses of multiple styles, meanings, and social and historical evidence

The aim of the research is to uncover the realistic trend that formed one of the schools of art, which appeared in the drawings of fine arts students. The importance lies in shedding light on one of the trends of modern art that conveys the social life aspect of people’s daily lives by recording reality to convey the artist’s message, which expresses the ideas and perceptions of contemporary times.
The descriptive analytical approach was followed and (3) paintings were chosen as the research sample from the products of students in the fifth stage of the Department of Fine Arts, which represented the realistic trend and were analyzed according to what the research emerged from the indicators of the theoretical framework and previous studies and concluded with the following results: The art student recorded social life and heritage in realistic and traditional details as a result of his influence by the social and cultural situation that the student lives and daily life, in addition to his influence by the environmental aspect of public life

The research reveals patterns and methods of displaying formal organizations in the design achievement, and the research included four chapters. The first chapter (the methodological framework) revealed the research problem and the researcher's question about the study problem was identified as follows: - What is the role of formal organization in environmental awareness poster designs? The importance of the research lies in contributing to the selection and construction of the idea according to formal organizational criteria and its enhancement of visual perception. The aim is to uncover the role of these organizations, define the temporal, spatial, and objective boundaries, followed by defining the terms and their procedural definition. The second chapter (the theoretical framework) contained two sections: - The role of communication, form, and concepts in graphic design. The second chapter was completed with indicators and a comparison between the previous study and the current study. Then came the third chapter, which dealt with research procedures. As for the fourth and final chapter, it included the research results, among the most prominent:
1. The formal organization represented by the central and focal pattern is predominant in educational design and is one of the most commonly used systems in the final output of educational graphic design. The fourth chapter also included several conclusions, among the most important: -
1. Adopting varied patterns in the formal system for elements within the poster space leads to competition between visual attraction and achieving dominance for shapes. At the end of the research, a list of sources, shapes, and diagrams was attached

The names and concepts varied in defining the art of the actor as one of the most important tools upon which the theatrical process is based, along with other elements of the show, to be an explainer, imitator, imitator, and embodiment of the role on stage, in the presence of the audience, which is an important element for the success of the theatrical game. However, in our research, we replace the term (actor (B) with (the performer), who formulated a different performance structure by demolishing the actor’s requirements of text and the fourth wall, moving away from analyzing and embodying the character, relying only on his physical body, to establish a relationship different from what was known in the past, whose tools are (the body The violent person is a performativity type that dialogues with human instincts and arouses his ferocity derived from his natural composition within the living environment, using hurtful tools to create a ritual space between him and the recipient, playing on his senses and feelings to produce new meanings and connotations that destroy old constants to formulate a meaning through the body of the violent performer within a complex and complex performance process. It is based on intellectual, sensory, and mental senses. It is a process that changes according to the concepts and performance systems that operate according to the context of demolition and construction. Thus, it seeks to formulate an artistic space. Everything it contains is subordinate to the body of the real performer, who has no features. The character that the actor performs and replaces it with his own characteristics, in order to affect the meaning derived from such performances that destabilize the previous constants of the signifier and the signified and generate other meanings.
This was made clear through the research chapters, represented by the first chapter (methodological framework) and the second chapter, which consisted of the first section (the social and psychological concepts of the abused body) and the second section (the abused body in theatrical performance), leading to the third chapter (research procedures), which included an analysis of the play (Autumn). Chapter Four (Results and Conclusions) and we mention some of them:
1- Violated bodies were able to demonstrate their ability to destroy and build through their psychological and physiological transformations. At times, they are (reassuring, strong, and balanced) and at other times we find them (fearful, weak, almost dissociative).
2- The ability of the (Iraqi actor) to create approaches between (re-presenting the text) and (self-torture performances) by penetrating the elements of (the actor, the text, and the stage)

The research (The Character of the Alienated Woman in Falah Shaker's Theatrical Texts, The Wild Wedding Play as a Model) was concerned with studying (alienation) and its impact on the woman's character and the construction of society as a whole, as the process of sound construction of any society and the consolidation of the family values system depends on the woman's character and her cultural and social presence, and the forms of her presence in the theatrical text, regardless of the human cultures to which she belongs. The research included four chapters. The first chapter included the research problem, which cantered around the following question: (What is alienation and what is its impact on the woman's character in Falah Shaker's theatrical texts, The Wild Wedding Play as a Model?), and the importance of the research, which was attributed to the necessity of studying (alienation) in Falah Shaker's theatrical texts, as it is considered the inauguration of one of the social phenomena that many researchers in the field of theatre have not had the opportunity to delve into before. The need for it stems from the fact that this research will benefit researchers and students in colleges and institutes of fine arts and those working in the field of theatrical literature and determining the goal that focused on identifying the topic (the character of the alienated woman in Falah Shaker's theatrical texts, the play The Wild Wedding as a model), in addition to the procedural definitions of the terms included in the title of the research. As for the second chapter (the theoretical framework), it consisted of two sections, in addition to mentioning the indicators that resulted from the theoretical framework. The researcher dealt in the first section: the character of the alienated woman. As for the second section, the researcher dealt in it: to study alienation in the global theatrical text. The researcher devoted the third chapter to the research procedures, in which the research community was identified, which includes one research sample. At the end of her research, the researcher concluded by mentioning the results that emerged from the analysis of the research sample, including:
1- The character of the alienated woman or mother tries to search for her child who was lost in the womb of sin and the shadows of absence. She tries to restore what remains of him, as she suffers from a sense of guilt towards him.
2- Alienation is closely associated with the heroine character.
3- The alienated character in the play (The Savage Wedding), that is, the character of the woman, tries to escape from the past and aspires to reassurance, tranquillity, and the achievement of dreams, but to no avail, as she was unable to achieve her dreams that she had always dreamed of or her ambitions.
The researcher built the conclusions according to the results, then presented a set of recommendations accompanied by some suggestions that she found complementary to the research.

The dynamics of the actor's movement in the theatrical performance are one of the most important elements that contribute to conveying the artistic message and theatrical text to the audience in an influential and effective manner. Movement is not just physical movements on the stage, but rather an expressive language that carries within it many feelings and ideas, and contributes to building characters and developing the dramatic plot. The research is summarized in four chapters. The first chapter included the research problem. The researcher formulated his problem question as follows: What are the most effective methods and techniques for the dynamics of the actor's movement in Iraqi theater performances? Then the importance of the research and the need for it. The goal of the research was to identify the dynamics of the actor's movement in Iraqi theater performances, then the limits of the research, followed by defining the research terms. The theoretical framework, which is the second chapter, came in two sections. The first reviewed the development of the theatrical actor’s movement from a historical perspective. As for the second section, the researcher focused on the dynamics of the actor’s movement in global theatrical theories, followed by what the theoretical framework resulted in. As for the third chapter, which is the procedural chapter, the researcher explained the research community, its method, sample, tool, and sample analysis. This is followed by the fourth and final chapter, which included the results, conclusions, recommendations, and suggestions, then a list of sources and references