Journal of University of Babylon

Address the current research study representations setting in the global drawing and the fact
that this phenomenon as a concept cognitively based on the show many attributes are evident
in the US done in that period, it has occupied a large area of the overall graphical
presentations, prompting researchers to study them in order to reach to know the motive,
which calls Find the artist within that structure contained four chapters:
• Chapter I: methodological framework: The search included the definition of the problem and
the need for him as well as the importance of the objective of the study lies in: detect
representations of numbers and mechanisms of functioning in the US drawing. Included this
chapter on the borders of research and method and to determine the terms chosen by the
researchers and the definition of procedural her by them.

The present research aims to study the role of language in communication and the
main properties of the assumed meaning that is conveyed through language.
This work , directed by and built upon Grice's Theory of Implicature with its main
principle ( The cooperative principle, which embodes maxims the four Quantity,
Quality, Relation and Manner), and it tries to show that the meaning of an utterance
would not be complete if it does not taken into account the intentions of the speaker.
The study attempts to show that language and context with all their elements
cannot be separated, and that ,as a consequence , the meaning conveyed should by no
means seen as a decontextualized activity .
Yet , the main aim of this work is the attempt to show that Grice's four
conversational maxims are not fixed rules but maxims that can be broken easily or
flouted on many occasions.
The research includes five sections : the first section is devoted to the introduction
which states the problem, aim and scope of the study and some important linguistic
concepts and Grice's four maxims .The second section includes the main difference
between linguistic principles and rules. The third section states some different
philosophical and linguistic points of view , which agree and refuse Grice's four maxims.
In the fourth section, three models of analysis are presented and an eclectic model is
developed to be used in the process of analysis. The fifth section introduces the
conclusions which this work arrives at .

This study attempts to Acetknah subjective experience of the poet, and embrace
the vocabulary of creative, tie in with self poet across Vdhaeadtha edge, an attempt to
encircle the space experience of poetry, and monitoring of self-poet and Tmzaradtha
and Tanasladtha fertile, and stand at the loose Khialadtha unbridled that occupy the
role of the generator placebo for all visions. And various poetic images that reproduce
in the poetic text donors him connotations and meanings of the text worn
aestheticvalue, and earn a recipe to stay.

Shadow theater is linguistically MFD its Arab common meaning was taken
private and merged in an old people\'s conscience and his expressive even acquired a
special significance and has spread to all the arias . But now it has taken the value of
contemporary art merged with the expression language pantomime silent. Language
Mime shadow consists of elements: the formal, and performance, and color, andstereochemistry, and audio, which are formed and are embedded in the white spaces
of the screen, to form a shadow on the structure of the audio-visual sober. In order to
attract the attention of the shadow work and that the receiver must play its role
expressive elements that are arranged leads the aesthetic and semantic role in the work
required.
The first chapter of the research centered research problem by answering the
following question: Is achieved elements of visual and audio (the language of light
body and gestures function, and tools sensual, and the sound effect or music ..) role in
the consignment aesthetic display dramatic Mime imagination on the goal of the
study-dimensional aesthetic components visual, auditory and Mime Theater in
shadow contemporary( Aesthetics technical elements in Mime shadow theater in
Iraq), as well as the definition of key terms contained therein. In came the theoretical
framework of the two sections, Me first section examining the concept of aesthetic
Theatre Mime imagination Me studying the aesthetics of the technical elements
(visual and audio) .. having to study axes conceptual following: aesthetic expression
for shade, Theatre Mime shadow, and included to study the elements of silhouettes
following: caddy closed and technical requirements, space and emptiness shadow,
technical performance actor and postures of the body, the concept of motor
performance, and sizes, skill performance in Mime shadow, specifications
representative Mime shadow, shadow landscape decoration, the influential music
accompanying, light The color, accessory, audio and visual rhythm. At the conclusion
of the theoretical framework, was addressed to the outcome of the indicators.
The third quarter included research procedures, community, appointed,
analysis methodology, and then analyze the specimens selected offers Mime shadow.
The search is over the separation of the fourth, contains search results that mention
researcher most important: It has elements (audio and visual) in termed the internal
stability of the structure of shadow search and express the dimensions of the idea and
to achieve balance and persuasion between semantic fantasy and realism, achieved the
elements (audio and visual) termed the internal stability of the structure of shadow,
moved away in the elements of dramatic structure termed offers similar search on the
principle of reality, also contained a chapter on the most important conclusions and
recommendations and proposals that came out by the researcher .

إن التداولیة تتناول النص بوصفه موضوعا للد ا رسة، وتهتم بجانبین:الجانب الأول: یتمثل في د ا رسة اللغة
لأنها الوسیلة الوحیدة في خدمة التفاعل.
والثاني:یتمثل في م ا رعاة المجال ألاستعمالي لها، وتحدید هذه المعاني لا یتم إلا من خلال السیاق وما تحیل
علیه اللغة لأن اللغة، بتوجیهها تدل على وضعیة الخطاب وما تشیر إلیه من تأویلات تساهم في الوصف، أو
الأخبار.......،وهذا ما تؤكده المقولة الشهیرة (لیفنشتاین) (لا تسألني عن المعنى واسألني عن الاستعمال)، إذ إن
الاستعمال هو المحدد النوعي للمعاني المقصودة.
إن النصوص الإبداعیة فیها لذة تداولیة من خلال الجانب المخفي في البناء الفني الى حد ما یختبر
الفضول التأویلي لدى القارئ التداولي انطلاقا من توفیر المعلومات وما توفره الذاكرة من مخزون ثقافي وذهني
تعالجه الذاكرة بتفاعلها مع معطیات ومعارف المخاطب. وهذا لا یتم إلا من خلال معرفة السیاق، إذ یتفاعل
السیاق الداخلي للنص مع السیاق الخارجي مؤدیا إلى الإسهام في تأویل الملفوظ.
أما البلاغیون فقد جاء اهتمامهم بالسیاق من خلال حدیثهم عن المقام، وعن معنى المقام، والمقال
والأفعال الكلامیة، وهذا ما تؤكده الد ا رسات التداولیة في د ا رستها عن ماهیة النص والسیاق وتفاعلهما وصولا إلى
المقصدیة، إذاً لا تتم التداولیة من دون السیاق.

Theatre in general, and school theatre in particular, has special importance in
the development of creative and behavioural energies. 0the goals school theatre can
achieve, as an educational too, is a means of aesthetic, educational, and mental
hygiene for the student. The last makes the child later on an exemplary individual in a
society free from disturbances which might affect his behaviour. As such, this paper
searches for extrovert and introvert character types in school theatre texts. These types
as a group of actions and behaviours are characteristic of personality in general and
school theatre plays in particular.Therefore, there must be foundations for the creation
of concepts and mechanisms to arrive at the results of the study. Thus, sections on the
and concepts foundations of school theatre, the role of education in the development
of personality based on psychology were provided.

This research: (Dimensions of civilization in the fee group Baghdad Modern
Art); try to make reading a civilized what was produced from the work of drawing the
Iraqi modern, from the stage of the fifties (group Baghdad Modern Art), which are
summarized by being knowledge, pour in the drawing window Iraqi modern, from
during its terms of reference historical relied upon across episodes of civilization or
periods of time, leading to years of the fifties of the age of the fine movement of the
modern Iraqi, which was expressive and merocrine formulas of collective action to
strengthen what was drawn from the footsteps of well-established somehow achieves
its presence, with what was based upon the depth of historical - cultural authentic, it
would show trends that movement in the development of lines cognitive obvious to
understand the mechanisms of the functioning of these dimensions of civilization, and
indicate what system of relations that organized, which is at the same time, signaling
the beginning of these transformations intellectual artistic output, trends, many tend to
modernity, depending on the movement of society, and its effects on from generation
to generation, it contained a search on the four chapters: chapter contains the first
methodological framework for research ranging research problem centered around the
concept of civilization and the reflection-dimensional cultural, intellectual and
aesthetic works of art in ancient Iraq to the completed artwork - in modern Iraq to
stage the fifties of the painters, as contained on the goal of the research, which is (you
know the cultural dimension of the fee group Baghdad Modern Art) .oaqtsrt limits on
research study (Dimensions cultural group in charge of Baghdad modern Art).
As such the second chapter the theoretical framework and included three
sections, the concentration of attention in the first section on the concept of the
cultural dimension and its components across different civilizations (Mesopotamian
and Islamic, European) attempt to track references intellectual (cultural) and material
in the light of contemporary knowledge and know what it is, and involved the second
section on how to Iraqi artist inspired Closed technical and aesthetic gleaned from
sources of creative trends tend to the cultural values of the gene into the arms of the
collective spirit and eating for the constituent phases (group Baghdad Modern Art).
With an attempt to investigate the data Iraqi artist and intellectual Applied alike and
look Analytical cash, leading to the founding of the premises to the theory according
to which the researcher to uncover the relationship between them and the nature of the
accomplished plastic, right down to the indicators research, and work in the lightwhen analyzing samples and discuss the results and finish to a range of conclusions .
While ensure Chapter III research procedures in terms of inventory research
community and the adoption of samples from him elected, deliberately, in the light of
the experience of experts in order to verify the validity and counted according to the
nature of the subject and aim of the research was their number (35) of the panel have
been identified (5) plates covered Borders Search the adoption of a descriptive
approach analytical for the purpose of analysis. This included the fourth quarter
results and the conclusions that emerged from research in the light of the aim of the
research and its relevance with data and indicators of the theoretical framework.
The researcher found to a number of conclusions and results, including:
1- that the graphics (group Baghdad Modern Art) based on the terms of reference of
civilization, whether of destination (Mesopotamian, Islamic, European) moving
elements of the visual to suit the subject, which was a common denominator him and
contrast Mqhrbh conceptual and structural, with variations in the formulations stylistic
shape of artist to another.
2- attempt painter group Baghdad Modern Art conditioning trends stylistic modern
European, which absorbed a result of the cross-fertilization of cultural and
civilizational with data drawing EU, the according to the terms of reference of
intellectual, social and cultural to our society, and the basis of the principle of
experimentation and freedom from analogue, which has dominated the charts and
contemporary Iraqi .az influenced drawing Iraqi western art in the technical side but it
differs in terms of substance.
3-interacted group Baghdad modern art with cultural heritage experience was based
on two things: first, pride of heritage in the Arab-Islamic civilization of ancient, and
secondly: openness to the nature of the times while retaining.

The Baghdad jurisprudential school one of the largest schools of jurisprudence
Imami, which branched off from the School of Ahl al-Bayt prayers of Allah be upon
them all, and rooting idiosyncratic - in the theoretical framework in an independent
blogger on jurisprudence - jurists are built crumbling integrative and approach
combining mind and transportation are his daughters, and came from fundamentalists
marched on this approach since that time until the present day. And their hands were
the first attempts to separate the fundamentalist research on ideological research - the
origins of religion - and the research of jurisprudence, although triangulation
discretionary assets: the book, the year, and the consensus of them Sdr- because the
text era did not entrust only the Quran and Sunnah; as exporters legitimate rule, yes
jurists adopted some rules fundamentalism learned of them have been branching out
after dumping of Ahlulbait prayers of Allah be upon them all, Assignment of
subsidiarity them, but in a simple primitive limits - which is supported to this day
represents the first phase of the diligence that produces realistic judgment, the origin
discretionary fourth reason, they have been subjected to mentioned in the practical
side of jurisprudence, and stated can not be accessed when the assets of the three
mentioned above, but they neglect to mention the fundamentalist theory when
inventory discretionary assets they have.

Study material is root and derivatives in the Koran useful and important for
many reasons; including:
1. knowledge of the implications of this article and Tbarvadtha in the Arabic language
because the student is due to the nature of the search language books and dictionaries.
2. know the implications of Article Tbarvadtha and in the Koran.
3. recognize the link between these derivatives and Altsariv; it must be a common
sense among those formulas.
4. This study provides a floor and fold to learn some of the secrets of the Holy Quran.
The study divides the search warrant that the two sections:
I: architectures for material exchange in the Koran and the number of formulations,
stated formulas and verses that received them briefly.
Second: for the meanings that are mentioned in these buildings, and have been
reported first in the meanings of material exchange language dictionaries, and then
reported their meanings in the Qur'an the help of Quranic Baltvaser.

Summed up the importance of research (breeder birds) this through a process
description intimacy that brings (bird breeders) with there birds , which is more than normal,
which spends a lot of them to hang out with their birds in the towers, which are often above
the rooftops feed and fly . is, they are conflict between the process (bird breeders) themselves
and loss humiliated owner and win raises would and often makes financial, including bets,
and aims subject of field research to identify the popular حand the changes and developments
that have taken place on them, as well as to identify the process of conflict that occurs
between (breeder birds) during their operation fly totals birds, this sub-culture exist between
some individuals in the city of Hilla, a culture that is isolated from the community at large,
but the researcher he called the culture because the laws and customs of special and language
whose members control, and consists Find entitled under the designation (breeder birds):
anthropological study in the city of Hilla of four chapters. (Chapter I and II represent the
theoretical side, III, IV, Chapter represent field-side first chapter discusses the generaltheoretical framework of the research of the subject of research and its importance, objectives
and terms Chapter II: Eating frame of reference for research, where the researcher tried to hire
Clifford study in Indonesia (Rooster conflict) on the subject of his research, by finding
similarities between the two points, the third chapter dealt with the methodology of the study
and areas and tools, while threw Chapter IV light on the community (breeder birds) through
field anthropological study in Hilla, by trying researcher described the study population, his
conduct Garnish with some (bird breeders) to access the information and facts about this
small community.
The important Conclusion researcher are as follows:
1. The competition and betting that occur between bird breeders in order to reflect the image
of the bird community narcissistic male dominant bird breeders personalities process.
2. Also, the competition and betting that occur between bird breeders in the process of profit
and loss reflects the social aspects of the process (Splurge and brag, insult and humiliation)
more than the economic aspects taken by the breeder birds excuse for breeding birds
3. behavior breeder birds and the rush and violence and the degree and nature of the conflicts
that occur between them depending on the age groups differ more the bird breeders Older
whenever more balanced and less aggressive towards conflicts and problems that occur
among bird breeders .