Al-Academy

Electronic advertising is characterized by characteristics that make it keep pace with the developments of the times in reaching the recipient easily and conveniently due to its use of the latest technical developments, in addition to being compatible with the directives of people’s ways of living, their way of living and their ambitions to achieve what is best, and it allows them to choose the easiest ways, and this is the most important thing they aspire to achieve. Company owners, and here this endeavor remains interconnected in the way of the advertising message within a format that achieves the functional and aesthetic goal by employing it within a virtual construction mechanism in which formal metaphor is used to form connotations and intellectual contents capable of influencing the recipient through the suggestive content of the metaphor, which depends on the juxtaposition of two contents, each of which carries a hypothetical meaning. For the content of the advertisement, as the metaphor is represented by the interconnection of two meanings, the first is for the real image, and the second is a hypothetical design construction within the formal metaphor that the designer creates in advertising works within an artistic formula that is sufficient and influential on the recipient. From this standpoint, the research problem raised by the researcher is summarized in the following two questions:
- How is the hypothetical structure of the formal metaphor formed in electronic advertising?
- What are the outcomes of the hypothetical construction of formal metaphor in electronic advertising and its communicative effectiveness?
The importance of the research lies in that it establishes intellectual and practical starting points for the two axes of virtual construction and formal metaphor, as well as that it is considered a scientific approach in employing virtual formal metaphor in electronic advertising.
The current research aims to:
- Revealing the mechanisms for employing the hypothetical construction of formal metaphor in electronic advertising.

The current research aims to reveal the formative dimensions in the structure of contemporary Iraqi ceramics and their repercussions on the products of the students of the Art Education Department. The researcher relied on the descriptive analytical method as it is the most appropriate scientific method to achieve the goal of the research. The research community consisted of (10) ceramic works by students of the Art Education Department. The researcher selected a purposive sample of (3) ceramic works by students of the Art Education Department. The researcher took the opinions of the arbitrating experts in selecting the sample models. To analyze the sample models, the researcher adopted a sample analysis form. The research produced a set of results, the most important of which are:
The compositional dimension appeared through color treatment - using colors that dominate the entire composition, such as brown, blue, sky, and orange, based on the symbolic and expressive dimensions that color carries and represents.
The most important conclusions are:
The use of geometric shapes in the formative dimension of contemporary ceramics came in a realistic way to clarify the idea of ceramic production.

This paper will attempt to explore the history of women jewelry in Oman and to know the differences between traditional and contemporary jewelry from old generation women. The paper discovers the hidden stories of old jewelry piece that owned by Omani women. Although jewelry has moving into trends and fashion styles throughout the centuries, women keep their old jewelries because of its uniqueness. By using methodology of semi-structures interviews, it classifies them under four main categories which are jewelry maker, weight versus cost, places to wear and traditional designs and inspirations. Understanding the historical context and provenance of a jewelry piece in a particular era can provide valuable context for Omani cultural and traditions. Moreover, gathering information about the previous owners of antique jewelry can offer valuable clues about the jewelry's age and reflect so much more to us than just being ornamental items

This research deals with the most important element of the dramatic construction, which is the cinematic character within the cinematic image space, and the ways in which the character is transformed and adapted to film events, through verbs and reactions with the rest of the movie characters, as the researcher divided the research into five chapters, so the first chapter was The title carries (the systematic framework), which contained (the research problem that ended with the following question: the modalities and mechanisms of direct treatment of the psychological transformations of the character in the movie film ?, And then the importance of the research, the research goals, and the limits of the research, and then the researcher concluded by defining the terms), either The second chapter, which carries the title (theoretical framework and previous studies), which the researcher divided into two topics, the first outlines the title (psychological transformations of personality), the researcher addressed the theorists' views on personal transformation psychologically, and the researcher reinforced these views with film examples, while the second topic that carries the title (personality in The movie) In this topic, the researcher discussed the role of the cinematographer and how to treat and employ it within the cinematic space. As for the third chapter that carries the title (research procedures), which is divided into (research methodology, research community, research sample, research tool, validation of the tool, and this chapter is concluded with the unit of analysis, while the fourth chapter that carries the title (sample analysis) at the time the researcher analyzed the film Foreigner (JOKER) Joker produced 2019. As for the fifth chapter, which included (the results, conclusions, proposals, recommendations, sources, appendices. The most important results were:
1. The actor's ability to master and personalize the character has an important role in highlighting the psychological aspect of the character.
2. Photography and lighting have an important role in highlighting the psychological dimension of the personality.
3. The actions and reactions of the personality that highlight the psychological transformation of the personality.
4. The story events are associated with the verbs to be the psychological aspect of the character.
5. The characters surrounding the main character have a role in showing the psychological dimension of the character.
6. Gestures have a role in highlighting the personality's psychological side.
Then the chapter was concluded with an English language summary.

Product design plays an important role in promoting environmental sustainability in our daily lives, through its tools that aim to reduce the environmental impacts of products by considering them early in the early stages of design. This includes the design process that takes into account the preservation of natural resources, increasing efficiency, and optimal use of materials. This study proposes a solution to achieve sustainability in design elements by comparing the experience of using single-use plastic water bottles and regular bottles between different age groups.
The study aimed to highlight the shift from the selective, efficiency-oriented approach of the linear economy to the integrated circular economy that focuses on efficiency to compensate for the negative impacts of the preferred bottle option on the environment and support ease of use for everyone in general and the elderly group in particular.
In order to achieve the goal of the study and address the research problem, the study followed the two descriptive and analytical approaches, by presenting some previous studies that dealt with forms of the difficulties of using plastic water bottles, as we mentioned previously, and the experimental approach to set some design standards in designing the new packaging itself or the tools that help in this purpose, as well as the method. Applied to conduct an analytical study of more than one design for one of the plastic containers present in the market and proposed (the new design), and the specifications and extent of ease of use of each package and whether it meets the user’s needs or not?
The applied study was carried out by analyzing the questionnaire that was distributed to a group for the experiment consisting of 72 people as a random sample out of 111 people who were chosen from different age groups of both sexes (males and females), meaning a response rate of approximately 65%. The results showed that the proposed model achieved different percentages. Depending on the distribution locations, according to the goals and elements of improving the user experience.
The results of the study confirm the dissatisfaction of many users on a daily basis with those plastic containers available in some groups, although it is largely among the elderly and young people of the age of a lot of movement and sports, within the definition of certain features of the bottles with their various specifications to enhance the usability and ease of use and opening the bottle, carrying it, or moving around. So that they have enough bottled water.
The study ended with recommendations, the most important of which is that the industry and design community must identify that enhance the concepts of sustainability and coexistence between humans and nature on Earth through an exploratory perspective and remove barriers, such as industrial inertia. As product developers and designers, we still have the ability to bridge the gaps between traditional policies, environmental imperatives, and the challenges associated with the difficulty of using such a product (bottles).

Parametric design is the primary means of creating designs that have a free and modern character that is compatible with current architecture and what it seeks to achieve in terms of ventilation and natural lighting in buildings, in addition to its potential in creating many ideas. Therefore, the current study aims to reveal the role of parametric design in designing buildings’ facades. The study followed the descriptive analytical approach for (3) building facades that were selected as a purposive sample according to specific criteria. The study revealed the following findings: The compatibility of parametric design with nature has led to the existence of architectural facades that touch society intellectually and culturally. It also showed that the triangular grid of the parametric design helps the wind pass through and make the building more efficient. The study recommends conducting more studies focusing on parametric design because of its multiple and diverse design constructs. In addition, encouraging designers to use parametric design in designing building facades to solve design problems related to the building’s function

The actor is the most important tool and the most effective element for presenting cultural and artistic ideas and images, especially since he leads the group of theatrical elements as a living and effective element that has the ability to build a large group of signs through the means of action that he performs with all the elements within the show system. The actor as a phenomenon works to organize these physical and vocal abilities. And its development to form and organize those transforming and moving relationships with oneself or with the other or with the rest of the other elements of the show to produce a media system of its own that differs from one show to another. And monitoring the research problem, which is represented by the question (to what extent can the performance of the actor build a media system between action and performance?).
As for the theoretical foundation, it consists of two sections: the first section under the title (the sign, its types, classification) and deals with signs in art as an important critical approach that explains the science of signs what are the components of signs, and what are the rules that control them.
The second topic discusses the title (Acts of the Actor and Signs), in which it deals with the form of the actor's performance, which has generated much controversy in the world of theater, as it is the important tool or element that has the highest ability in transformation and media construction. As for (research procedures), it was specialized in analyzing the theatrical performance (Sa'at al-Soudah), which was shown in Baghdad, in the year 2017. After analyzing the sample forms, a set of results and conclusions came out, including:
The actor's internal or external motives work to build a form for his actions that may be simple or compound, which works to produce two types of signs or signals that may be simple or compound, each of which has its own different meanings and interpretations. The research concluded with the sources and the summary in English.

The formal changes in the graphic designs come according to the determinants of the visual formation of the output of the design elements, which depend in their structure on work mechanisms that stem from the design idea and end with the processes formulated in the visual field. Which governs the appearance of the formal change because it relies on the principle of the external and the external in its patterns and formations. Thus, a group of formal changes to the general appearance of the design achievement can be related to the design industry, and change is governed by several factors and influences that contribute to the establishment of new relationships between the components or elements of the design achievement. Therefore, the design must It is in contact with its environment, culture, heritage and beliefs, which in turn contribute to the crystallization and embodiment of its stylistic features that coincide with temporal and spatial shifts in the development of designs, as well as the presence of incentives for building blocks that work to develop its style and its creative transformation, especially since the creative change is linked to the aesthetic taste of the era represented by the values, ideals and beliefs found in A specific environment that the designer employs while receiving him through his feelings and translating them in a way that suits his culture and inclinations, and the new incentive is the determinant of the content of the design work.
The research included conclusions, including the following: Every visual change may be accompanied by a complete or partial transformation in functional and aesthetic dimensions that enhance the performance aspect of the viewer's interest. These changes are associated with the philosophy of theories that emphasize shaping the variable within cohesive relationships of coordination between the part and the whole as a unified entity

The act of building intellectual and cultural knowledge and concepts requires a dramatic, cognitive, and aesthetic formation to generate interpretive dimensions to form an objective and aesthetic distance for the viewer that takes space to polarize the foundations and scope of social issues and devise their social treatments according to the reading of difference and heterogeneity produced by the sociological imagination of the play righter.
Naturally, feminist theater has particularity in recording social issues, and from here emerges the problem of the current research: What is the sociological imagination of the Iraqi feminist writer?, the research aims to identifying the sociological imagination in feminist theatrical text, the research was limited to texts by Iraqi women writers for the period from (2018-2022), they are five texts. The test of two plays of ( Ayoob) and ( Istytan) were subjected to analysis.
The research included two sections, the first of which specialized in studying the sociological imagination conceptually. The second section was concerned with studying the sociological imagination in feminist theater texts internationally and Iraqi

Cinema is considered an art and creativity, in addition to being an industry in its own right. It is formed thanks to techniques that contribute to the creation of reality and imagination, to employing another form of logical perceptions when they have a direct presence, in addition to the possibility of this art to form public opinion about the phenomena surrounding us and how to deal with them, as well as building bridges. Communication between art and society. Cinema has also proven throughout its stages of development that it is capable of creating positive mental images by communicating with developments in technology. Accordingly, the researcher defined the title of his research: “The Artistic Style and Methods of Using Technology in the Feature Film” and presented it in four chapters.
The first is the methodological framework, including the problem? What are the requirements for using technology in making a feature film? The importance of the research lies in the diversity of the use of the artistic style as a process of organizing the methods of using technology that accompanied the making of the narrative film. One of the objectives of the research is to reveal the processes of organizing the methods of technological diversity in creating forms and models in the narrative film, and the terms that were diagnosed in the keywords, and the second chapter, the theoretical framework, was prepared in three.
The first topics are the artistic style as a marking system in the feature film, the second is methods for using the artistic style in the feature film, the third is the methods of using technology in the feature film, the third chapter is the research tool, the researcher followed the descriptive and analytical method, and the fourth chapter is the results and conclusions, among which technology contributes to expanding the circle of searching for new things. In the field of techniques to improve the quality of narrative films,
the quality of production in narrative films is controlled by the channels of communication and communication, including technological techniques, and their dealings with the elements of cinematic language in their narrative and artistic context in continuous harmony to achieve the goal and means of how to make narrative films.

Negative space plays a pivotal role in enhancing visual perception and adding clarity and balance to logos. Negative space makes contrast between elements, making the logo more attractive and enhancing communication. Logos that strategically utilize negative space can create hidden elements that may arouse curiosity and enhancing the process of conveying meaning. Using negative space based on the principles of visual communication can be an effective tool for designers to enhance the interactive relationship of the logo. Employing gestalt principles, such as proximity, closure, and shape against the background, is an effective way to exploit negative space in a way that make the visual message more transnational. Negative space is a tool that connects elements of the logo and simplifies meanings. This research is based on studying a selection of logos that used negative space to determine the impact of its use and methods of employing it in logo design.

The research tagged (the integration of functionality in industrial product design between smart and traditional control) deals with the study of the impact of digital technologies on industrial products and the process of integration between industrial product systems through the overlap and participation of the function of each system with other systems, it aims to find a comparison in the performance of the industrial product Between smart and traditional control. The limits of the study included the industrial products with traditional control and smart control produced by LG in 2019, and included the theoretical framework, which included three sections, the first of which dealt with the functional performance of the industrial product, while the second topic dealt with the concept of smart and traditional control, and the third topic dealt with the impact of digitization on the integrative functionality.
As for the research procedures and methodology, the descriptive approach was adopted in describing and analyzing the sample models. As well as a description and analysis of the sample with its three models according to the analysis axes form that was developed based on what was produced by the indicators of the theoretical framework. The most important conclusions were:
1- Digital technologies play a role in the formal development of the product through the use of the tools of this technology, which is reflected in the external product form.
2- Intelligent control contributes to achieving the welfare of the user as a result of reducing the effort on the user, by controlling it remotely, whether the user is inside or outside the home.

Topology is concerned with studying design structures through different dimensions, which allows the designer to control the behaviors of those structures. Therefore, the concept of dimensions is considered one of the basics of the composition of the industrial product and its attempt to control the material in the design. Therefore, directing these dimensions is one of the tools of engineering topology. Which expresses a basic concept in the study of surfaces by distinguishing between what is external and internal.
Research problem: What are the contemporary design strategies that can be adopted according to the principles of topology, which contribute to the analysis and organization of elements and structures in design in a way that makes them more effective and attractive?
Research goal: Determine the characteristics of topological formation techniques in the form of the industrial product and their effectiveness in improving the quality of the design. The theoretical framework also included: identifying the nature of topology and the extent of its importance in the design system, what is the formal concept of the industrial product topology, and what are the most important techniques of topological design. The most important results and conclusions reached by the researcher were:
1-Flexibility is considered one of the most important characteristics of topological design within the dichotomy of stability and change, and then the characteristic of integration between the formal level and the functional level for shapes characterized by infinity, then comes the fluidity characteristic that takes into account the desire of the individual and changes with the change of time and place.
2-The techniques varied according to the diversity of characteristics, so folds and twists became a form of topological techniques that the designer deals with. There are no regular shapes, no defined edges and flat surfaces.

The study dealt with the concept of perception and attention and its impact on the design idea based on modern scientific theories and opinions and reading the design idea with the concept of motivational and therapist perception and the sense of the motor and formal place and organizing the behavioral response in the analysis and interpretation of the idea, color and function and addressing that with scientific theories and the relationship of the inside with the outside and normal human behavior in his daily social and practical life Through the golden theory,
the Gestalt theory, the phenomenological theory, and the organic theory are among the theories of perception, which is the means by which a person communicates with his surrounding environment and works on accumulating experiences and mental perceptions of the elements and composition of design from the heart of the need and the idea based on the psychology of the psychological theory of the recipient through the feeling of being inside space and its contents and realizing Shapes, colors, and movable and fixed architectural elements as an architectural entity that exists through the eye’s network and other senses, that is, there are main functions of the mind that are perception, understanding, and listening that realize the assets around us in our daily lives. Attention is a perceptive process that helps avoid mistakes at the right time by being aware of the responses of ideas and the influencing external factors

Stalking stories represented one of the main sources in the cinematographic industry because of its exciting scenes and attention-grabbing motion treatments, and this drew the researcher's attention in defining the topic of the research, which was entitled: (Directing the treatment of chase scenes in the film). American movie, which was based on five theoretical seasons, I have the following formula:
The first chapter deals (the methodological framework of the research) and includes a presentation of the topic of the research problem represented by the following question: What is the guiding treatment for the stalking scenes in the American film? And the importance of the topic and the goal that it seeks to achieve as well as the broad limits in which it moves, then the researcher defines the terms.
As for the second chapter (the theoretical framework and previous studies), it consists of two topics: The first topic: The chase scenes in cinematic films, the second topic: the work of the visual and audio elements in the chase scenes, and finally the conclusion of the results of what the theoretical framework resulted from in terms of indications and touched on previous studies.
Chapter Three: (Research Procedures): In which the researcher deals with the following elements: the research method, the research tool, the research community, the unit of analysis, the instrument verification, the research sample, and the steps related to it. Analyze it. Then analyze the sample.
As for the fourth chapter (results and conclusions): the researcher finally wrote the results and conclusions, a list of sources

The research aims to establish the roots of Saudi digital art. The objectives came within two paths, the first aims to trace the beginnings of the emergence of Saudi digital art, and the second to know the most important pioneers of Saudi digital art and know the most important Saudi digital artists. To achieve the research objectives, we relied on the historical approach through the chronology of events. One of the most important results that emerged is that Saudi digital art began in the early nineties of the twentieth century for commercial and journalistic purposes, and developed clearly at the beginning of the second millennium. One of the most important pioneers of this art is: Khaled Al-Amir. Ahmed Al-Qadi, Faisal Al-Mashari, and Fahd Al-Hujailan. One of the most important recommendations of this research is to increase interest in digital art by official cultural educational institutions

This study aims to explore contemporary solutions for the renovation of ceramics’ maser pieces through the use of matrix of possibilities which implies philosophic aspects that surpasses the preservation of ceramics, treatment, and maintenance of the same. Such process uses the techniques of renovation for such ceramics already damaged thus transforming such damage to added value to its beauty based on descriptive analytical methodology.
Among the results achieved by this study is that the renovation of modern ceramics differs from such renovations aimed to renovate old ceramics by using the matrix of possibilities which allows the creation of contemporary ceramics that implies artistic and philosophic dimensions.
Based on the results of this study, the author outlined her recommendations, among of which is the matrix of possibilities which is recommended by artists and artifacts specialists. In addition, it is imperative to supply libraries and competent authorities with such recommendations being of para importance in terms of adopting contemporary thoughts through such matrix so to create innovative and creative solutions in the field of ceramics renovation. Furthermore, it is advisable to hold seminars and workshops designed for renovation concepts aimed to revive the beauty of ceramic master pieces but in contemporary way, as well as making use of interim studies

The research deals with the topic of contrast between design thought and applied reality in advertising spaces. Coverage is one of the methods used by the designer for the purpose of showing the shape in an aesthetic way. With the intention of highlighting the aesthetic aspect in it and focusing on it without other forms, this concept may be associated with many and countless aspects in advertising design and as a basis for design thinking and then projecting it onto the reality of the applied side, while invisibility has a great deal of interest in several areas, because of this intellectual system And the applied study has an impact on its study and knowledge of its approaches and methods at the level of statement, disclosure and rhetoric in the presentation and inclusion of ideas and visions by evoking their data and synthesizing them according to rules and principles that embodied creativity in empowerment and expression, which led to the creation of formations capable of expressing hidden contents, as this dialectic revealed dimensions in Language, philosophy and sociology, after showing new dimensions in thought. The research contained four chapters, the first chapter included the methodological framework for the research, and the second chapter came with the theoretical framework, which includes two sections, the concept of concealment philosophically, the concept of invisibility in design, while the third chapter includes research procedures, research methodology, research community, research sample, business analysis, and finally the fourth chapter results Research, conclusions, recommendations, proposals, and Arabic and foreign sources based on the current research, in addition to an Arabic summary and an English summary

This study aims to investigate the way through which artists expressed the body in their works and deciding the artistic style in which Contemporary artists tackled that. Moreover, the study aims to identify the most important artistic, symbolistic, and aesthetic. The research used an analytical elements descriptive approach in tracking the presence of the body in modern art. The study shows that the works which has the body in every shape or form, it proved that the body is always present whether through pictograms during the modernist era and what's before it while being a main part in the contemporary and modern works throughout history. The study also sheds a light on the Arabic and Islamic experience in the subject and how it was filled with caution and reservation on how the body existed in art in order to make sure that it was in line with Islamic guidelines and tradition.
The study resulted in several recommendations regarding the expression of the body in its several philosophical and aesthetic dimensions in contemporary works. Since it's a rich subject with several aspects, the artist managed to discuss it in several ways. The research recommends that researchers and artists should search more in the subject, especially in the artistic practices in the Arab and Islamic worlds since not a lot of research has been done on the subject In the end, it is very important that the body is tackled in a cautious manner since it's a subject that's hard to maneuver with all the Islamic and Arabic traditions, especially since the Omani experience is still new and started only with contemporary art and it is still learning from Arab and western experiences in order to grow and keep up with them.

Traditional interior spaces in Arab and Islamic architecture are characterized by their unique character that reflects local culture and heritage, and include a wide range of places inside traditional homes and buildings, and the traditional guest lounges, which are also known as additives in Iraq and councils or diwaniyas in some Arab countries, are among the most important, which are places dedicated to receiving guests and gatherings of family and friends, and reflect an aspect of authentic Arab hospitality, The designs and styles of these galleries vary according to different local cultures and traditions, the current research consists of a systematic framework consisting of a problem, which is the following question: What is the extent to which cultural and social factors affect the design performance of the interior spaces of the local reception rooms? The aim of the current research is to: Reveal the reality of the state of designs of traditional reception spaces and the references of their design, And find design pillars for traditional reception spaces in a way that contributes to enhancing the sense of social harmony between those spaces and the privacy of their patrons. And the procedures of his research, which followed the descriptive approach and the research reached the results: as the researcher analyzed according to the form prepared in advance and reached the results statistically proven the arithmetic mean of the paragraphs of the form 3.27 and the percentage rate of all paragraphs 81.9%, and the conclusions concerned:
1. Local reception spaces (hosts) are the bridge between the past and the present and are a living memory of architectural evidence and human activities witnessed by
2. Local reception rooms (hosts) are linked to a moral relationship because it represents a legal aspect for them and achieves part of their local identity.

Logos, in their formal form, represent an identification card and identity for the institution to which they are affiliated. They are their visual means of communicating and communicating with the recipient. Therefore, the emphasis of these institutions was on creating an ideal design for this identity in a simplified form that directly reflects the idea to the recipient. Thus, many international logo designs went through stages of Transformation until it reached the adoption of a visual form of written text only. This is what the current research represents from a study that adopted the analytical method for a number of international slogans that underwent these textual transformations. The research problem was represented in the following question (what is the importance of the visual-textual transformation in the design of international slogans, and its job role)? The goal of the research was set at (identifying the visual-textual transformations of international logos and their role in achieving the desired functional goal). The research covered topics such as the direct impact of these transformations, the identity and mental image of logo design, and appearance simplification. In addition to the functional goal of textual logos and ways to achieve it. The research came out with a set of results. The most prominent of which are: - The style of modernity and the influences of art schools were prominently achieved in the textual transformations that occurred in the design of international logos. Likewise, the textual transformations in the design of logos created visually distinct trademarks

Design studies for commercial advertising constitute a living tributary of culture , because they represent reality and draw the dimensions of the future in order to confirm human tendencies from the various fields of life at whose doors commercial advertising knocks . through these tendencies , mental perceptions are revealed , whether negative or positive . The art of advertising represents the innovative aspect of the design process , and depends on the extent of the success of the advertising efforts undertaken by the advertising establishment , given that innovation is the heart of advertising , and that advertising is the innovative expression of new , creative ideas

The research sheds light on the results of the influence of the artist’s self-consciousness on the nihilistic philosophy of interpreting the aesthetic experience, taking the sculptor Alberto Giacometti as a model. The research is divided into several chapters, where the first chapter was methodological in which I presented the research problem, which I concluded with the question: What is the importance of self-awareness in interpreting the aesthetic experience under the influence of Nihilistic philosophy? The importance of the research was summarized in investigating the impact of nihilistic philosophy and its impact on self-awareness to interpret the aesthetic experience. The aim of the research was to identify the impact of nihilistic philosophy on self-awareness to interpret the aesthetic experience. The limits of the research were in the objective limit, the influence of nihilistic philosophy in the aesthetic experience of the sculptor Albert Giacometti, the spatial limit: France, time limit: 1932-1961, and I defined the most important terms in the research, such as the terms subjectivism and nihilism. As for the second chapter, within the theoretical framework, I divided it into three sections. The first topic: a general vision about the concepts of subjectivism and nihilism, and the second topic: the aesthetic concepts of nihilistic philosophers. In it It dealt with the opinions of four nihilistic philosophers on art and beauty from a nihilistic vision (Nietzsche, Søren Kieckgaard, Heidegruppoul Sartre), and the third topic: the aesthetic experience and its nihilistic interpretation. Through studying the most important modernist artistic schools that were influenced by nihilistic philosophy and reviewing its results in the aesthetic experience, and in the third chapter within the procedural framework of the research, in which I dealt with the research methodology, the research community, the research tool, and the research sample in which I dealt with four works by the artist Alberto Giacometti, and then I analyzed the sample through The models chosen for analysis, as for the fourth chapter, in which the results were drawn, the most prominent of which was the artist in his artistic performance, is a searcher for the tangible and encoded aesthetic truth behind the phenomena and manifestations of the artistic work. Reducing and peeling the art form is to reveal its essence and reveal and reveal the truth of its existence. The artist's imagination dives into the aesthetic form itself to weave a new form composed of the artist's self with the apparent formation of external assets. Through reductionism, the artist generalized his nihilistic vision of the human formal achievement, simplification and simplification. ThenList sources and references.

The design dialogue is not limited to presenting old ideas that the interior designer believes in, but is based on the method of constructing the ideas that form in his mind, and this depends on clarifying the meanings generated through the presentation of the idea, as well as framing and presenting it in a scientific manner that is convincing to the other party, so that the mind remains He was aware throughout the period of the interview so that he could make a judgment about it .Thus, design dialogue represents a stylistic tool used to address one of the specialized topics, especially in a field of design science and knowledge, and even represents an aspect of design thought, and this depends on the effective role of the interior designer’s vision based on choosing the specific intellectual framework within a rational design intellectual vision. Determining the intrinsic reality of the thing to reach the design product required to be implemented and the motivating role emerging from its interaction with the place.Therefore, it was necessary to study this topic, which consists of four chapters. For the first chapter, the researcher relied on formulating the research problem, which is summarized in the following question: What are the considerations that the design dialogue adopts as a cognitive accompaniment in the designs of the interior spaces of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)?
While the importance of the research lies in achieving a communication function between the interior designer and the recipient through mental design communication that carries cognitive dimensions such that it raises in the recipient implicit dialogue meanings that are capable of sensory perception. In light of this, the researcher focused the research goal on arriving at knowledge of the most important considerations adopted by design dialogue. As a knowledge update in the designs of the interior spaces of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)،As for the limits of the research, the researcher has defined, in terms of the objective limit, “design dialogue, keeping pace with knowledge in the designs of interior spaces” as a case study of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE), while its spatial and temporal boundaries include the modern interior spaces, represented by the hospitality hall in Qasr Al Watan. Al Watan - Abu Dhabi (UAE) implemented in 2019 AD,While the second chapter was based on studying, firstly: considerations of design dialogue, and secondly, considerations of cognitive accompaniment, while the third chapter included defining the subject of the research procedures, represented by the research methodology based on the descriptive and analytical approach, while the research community focused on adopting the intentional selective method, and finally, the fourth chapter included drawing the results of the research.

This study delves into the integration of the philosophical concepts of space and time within the context of Diriyah's rich cultural and historical backdrop, aiming to leverage these concepts as foundational pillars for innovative artistic design within the visual arts and design domain. It adopts a hybrid methodology that combines descriptive and analytical techniques for its theoretical framework with experimental approaches for practical application. The outcomes underscore the feasibility and potential of melding space and time philosophies to foster unique design ideas for installation art, thereby enriching the visual arts and design landscape. Some recommendations were presented including engaging deeply with philosophical themes such as the essence of space and time. This research not only contributes to the artistic valorization of Diriyah's heritage within the framework of Saudi Arabia's Vision 2030 but also propels forward the discourse on integrating architectural heritage with contemporary art practices.

Modern technologies have become a distinct role in the formal structure of the interior space, as they possess several possibilities in building a common aesthetic, perceptual, and semantic structure that enriches the visual image as much as the interpretive capabilities of the recipient. Fashion show spaces are among the interior spaces that require privacy and enrichment of their visual and expressive image within the space. Therefore, it was Dividing the research into four chapters, the first chapter contained the research problem that emerged with the following question: "What are the modern technologies that can be used in interior spaces and are effective in designing fashion show halls?", and the two objectives of the research: "Investing modern technologies and applying them in contemporary interior design." ," "Revealing the reality of the design of the showroom in a local fashion house." The second chapter included the theoretical framework in two sections. The first section dealt with: "Modern technologies and their uses in interior design." The second section dealt with "Designing the interior spaces of fashion houses," and was appended The theoretical framework indicators, and the third chapter came by relying on the descriptive approach in analyzing the samples, as they were analyzed according to the analysis axes form designed according to the literature on the topic and the theoretical framework indicators, and the fourth chapter came with the results and conclusions related to the research topic, and the practical aspect included preparing a design proposal for the local model. The research ends with a list of sources and references.

Epistemology is real and deserves follow-up and attention for its logical and objective role in what it provides to humanity in order to provide the correct information due to its accuracy and solidity in showing and sorting a common cognitive reality that helps in explaining the correspondence between our subjective thoughts and the natural external world to determine the meanings of shapes, through the effort and performance provided by the designer to reflect On the cover of the magazine, the research problem was revealed in the following question: How was epistemology reflected in the design of the covers of Popular Heritage magazine? While the aim of the research was set to identify (epistemology) and its reflection in the design of the covers of Popular Heritage magazine, the theoretical framework included in the first section (the intellectual concepts of epistemology), while the second section was (the structural components of the magazine cover), and in the third chapter (3) samples were described and analysed. Research, as for presenting the results and conclusions:
-Epistemology begins with a tool of feeling whose reference is knowledge that does not describe an internal structure, but rather is based on concepts and meanings that can be tested according to contexts and cognitive systems that result in results that affect aspects of human behavior that can be proven or invalidated.
-Epistemology is achieved by adapting the magazine cover designs to the recipient’s considerations and performance preferences, which is based on assembling images and shapes in a deliberative manner that stimulates the recipient’s cognitive awareness and increases the rate of interaction with the content of the magazine

Ancient and contemporary ceramic formation addresses the issue of the relationship between it and the concept of violence by expressing its manifestations, first in formal composition, and recording the real features, as a result of the conflict that man experiences. Its importance has emerged, among the ceramic arts, in particular, in terms of formal compositions and color techniques, as well as its methods, which made it have dimensions, sometimes unrealistic, characterized by strong expression, and a dynamic rhythm, clear through its circulation and movement within society. In addition to its creative design lines resulting from the process of stimulating the imagination, in which it achieved inspiration and symbolism, and presented more vibrant models, in which the female ceramic formation became one of the elements, repeated in expressing the concept of (violence), it has a special power of influence, as it provides advertising propaganda. Through diacritical marks, towards a positive life, under a new perspective of social relations. Shedding light on these ceramic formations is an acknowledgment of their importance, and for the purpose of presenting a new reading of their implications in contemporary art.

This research is concerned with studying the operations of idealistic philosophy in the structure of the Iraqi theatrical performance. It is divided into four chapters, including the first chapter (the methodological framework of the research), which is topped by the research problem based on the following question: What are the operations of idealistic philosophy in the structure of the Iraqi theatrical performance? While the importance of the research focused on the current study is that it examines the study of (idealism), and special propositions and ideas related to and intertwined with theatre and monitoring their uses in the Iraqi theatrical performance. The need for it is that it benefits researchers and students in institutes and colleges of fine arts and those working in the field of theatrical art. As for the goal of the research, it aims to identify the works of idealistic philosophy in the structure of the Iraqi theatrical performance.
The chapter concluded by defining the most important terms mentioned in the title of the research. The second chapter, entitled Theoretical Framework, included two sections entitled in the following order:
The first topic: Idealism according to the philosophical perspective.
The second topic: The works of idealism in the structure of the international theatrical presentation.
Then the chapter concluded with the indicators that resulted from the theoretical framework and previous studies. As for the third chapter, it included the research procedures, which is the research community that includes one research sample, which is a model for the research, and the research sample that was limited to the play (Blood Horse), directed by Jabbar Jodi in 2007 AD. The researcher concluded at the end of this research, the results that emerged from the analysis of the research sample were mentioned, including:
According to the results, the researcher built some conclusions, then presented a set of recommendations accompanied by some proposals that she found complementary to the research. This was in the fourth chapter of this research, and the researcher did not neglect to mention the list of sources that she relied on in this study

The current research, titled “Cultural Landmarks in the Designs of Fabrics and Fashions for Virtual Fashion Shows, and their Network Communication Dimensions,” highlights the importance of the current research in identifying the possibilities of network communication and reflecting cultural landmarks in virtual fashion shows. The research, with its theoretical material, may contribute to the cognitive and scientific aspect of researchers and students in colleges and institutes specialized in design and In particular, designing fabrics, the researcher defined the research problem with the following two questions:
1- How can 3D programs be adapted to design a fashion show that reflects civilization?
2- What is the possibility of benefiting from virtual presentations in reflecting civilization through online communication?
It includes a theoretical framework of two sections: The first section: Cultural landmarks in fabric and fashion designs, which dealt with cultural landmarks and their origins, fashion and their relationship to civilization. The second section: Network communication dimensions of virtual displays in fabric and fashion designs, which dealt with the historical development of virtual display and the concept of virtual display and network communication. The most prominent conclusions of the research :The diverse use of cultural monuments and symbols led to the emergence of functional and aesthetic expressive implications