Fine Arts

and expresses their culture, and preserving heritage and establishing lines of communication with its manifestations and forms embodied in traditions, customs, industries, fashion, music, etc., and celebrating them on national occasions demonstrates the extent of pride and honor in heritage. There are rich forms and manifestations in the Arab heritage that can be inspired and employed in the fields of arts and literature, including the art of storytelling, which includes two elements on which theatrical drama is based in its existence, namely (the performer and the recipient). Many Arab playwrights have endeavored to look at the art of storytelling through (style) by reformulating it stylistically and including new topics
The research consists of four chapters. The first chapter includes: The research problem that crystallized in identifying the art of storytelling after it as a traditional dramatic form, and revealing the stylistic changes that playwrights made to it, with the aim of arriving at a new formulation of an authentic Arab theatrical form. The current research aims to
1. Identify the dramatic forms in the Arab heritage, and determine the characteristics of the art of storytelling
2. Reveal the changes that playwrights made to the art of storytelling

The whole world is interested in everything related to the variable in movement and time, especially when the variable is imaginary and hypothetical, as in art and design. This requires delving into its latent contents and knowing...The rules on which it is based, as graphic designs in general include the embodiment of movement that coincides according to the idea required by the subject, and for this reason we find the recipient a committed follower to identify the connotations.and meanings contained in these achievements, including the advertisements that accompany his life on an ongoing basis, as they provide products or services, especially car manufacturing companies with high efficiency and advanced specifications. From this standpoint, the research included a brief study ofThe embodiment of movement and time through three chapters. The first chapter dealt with the research methodology and defined its problem and limits and defined the most important terms included in its title. The second chapter dealt with two titles that presented the theoretical aspect that paved the way for coming up with indicators that were a tool for analyzing the sample models that the third chapter dealt with. ProceduresThe research included a research community of (16) samples. As for its sample, (4) models were chosen and constituted (25%) of the total community. Its samples were analyzed and results were reached, including the following: 1- Time had an effective role related to the movement rhythm, which depends on the psychological dimension of the recipient and the extent of his sensory and visual response, as in all sample models.2- It results from the use of symbolic forms represented by (gazelle and horses) as in models (1, 2), which formed an attractive element with an aesthetic feature that attracts the recipient and invites him to anticipate and experiment, through the hypothetical idea, as strangeness prevailed, which paved the way for engaging in many interactions in which there is diversity and penetration of time and its deduction in favor of promotional and marketing goals through suspense and exploration for the recipient. In addition to the conclusions, recommendations, suggestions, a list of sources, and a summary of the research in English.

The current research concernsby studying the aesthetic dimensions of representationsof the other in theatrical presentation techniques, the theatrical performance is based on a system of signs in shaping the artistic and aesthetic aspects in addition to the functional aspectsWhich leads the recipient through an intentional aesthetic perceptual process to understand the visual, auditory, and even olfactory messages that the display broadcasts.The first chapter presents the research problem that has always preoccupied human thought with the issue of the ego and the other and the identity that the two share, where we find that the ego is active and burdened by the presence of the other.The realization of the existence of each is linked to the effectiveness and presence of the other. It has been present and active since ancient times, stimulating the eternal conflict between the ego in accepting and interacting with the other.When we acknowledge that each “ego” has its own “other,” we find that the conflict extends within the ego, where the and the other alternate over the same person according to this arrangement from one moment to the next,Sometimes the ego is active and sometimes the other is active in a dynamic sequence.This topic has been rooted since the beginnings of theater until the present day, that is, almost every theatrical work is not devoid of this duality with all its elements. As for the importance of research in confronting the representations of the other in theatrical presentation techniques conceptually and aesthetically. The need for it is to shed light on the concept of the other and its representations in Iraqi theatrical presentation techniques.

Fine arts are vital knowledge that tends towards both functional and aesthetic orientations at the same time, as its study adheres to a complex vision of knowledge that is related to thought and artistic creativity on the one hand and to functional treatments on the other hand. Due to the need of learners and those responsible for teaching it, we find that the cognitive, intellectual and skill necessity of teaching arts requires achieving the objective aspect, which is a guideline for developing the artwork.
In order to accurately define the research problem, the researcher found a lack of systematic attempts to build an updated model of the interrelationship of educational theories, as it required relying on building an updated model for teaching arts through the philosophical overlap of educational theories, based on objective scientific foundations, and consistent with intellectual and aesthetic developments in the era of openness to the world, which accompanied the widespread of change and renewal in various fields. Therefore, the need to conduct the current research necessitated.
The importance of the research lies in establishing the scientific foundations for developing the teaching of art education by emphasizing artistic skills through the sequential steps of the model. The research aims to:
1- Revealing the interrelationship and interactions of the philosophical data of educational theories.
2- Building a new model for teaching arts from representations of the interrelationship and overlap of the philosophical data of educational theories.
It was limited to a set of cognitive and behavioral educational theories.
In light of the results and their discussion, the researcher reached the most important conclusions:
The process of building the model is an analytical and synthetic process, as it is based on the intellectual foundations of the theoretical framework and is an attempt with organized steps to handle randomness in teaching. It is recommended to use the proposed model in teaching fine arts students, and plastic arts in particular, as an objective tool. In completion of the current research and its development, it is suggested that the researcher conducts complementary research by applying the proposed model in teaching students of fine arts institutes.

The research deals with the aspects of employing heritage, which is a process that aims to draw inspiration from educational and moral content from the past and reformulate it in a theatrical form, which enhances communication between generations and preserves heritage from loss, in addition to the moral values it presents such as courage, generosity and patience, which contributes to the development of the child's personality in addition to developing their language skills. In addition, the study indicates the importance of popular games and songs inspired by heritage and provides them with heritage information, including the values and social customs inherited from the society to which the child belongs. Given the special nature of children's theater, this study came to shed light on the aspects of employing heritage in children's theater. This study included the introduction to the research in which the research presented the research problem, its importance and its goal. Then the theoretical framework that dealt with a theoretical foundation for the research included two topics: the first: employing heritage in world theater and the second: employing heritage in Arab theater. The research came out with a set of indicators that it relied on in analyzing the research sample model. After the analysis, the research came out with a set of results

The phenomenon of fear is one of the most important emotions that accompany the personality of the individual, causing ideological and physiological effects in particular. Cinema has taken the theme of fear and its representation as a basic structure in cinematic narration represented by many film types, especially surreal, psychological and horror films, from whose horizon the fear accompanying multiple stimuli emanates, including anxiety, panic, terror and terror. Accordingly, the researcher adopted in her research study the theme of fear in the cinematic film as it represents one of the most important emotions that address the feelings of the recipient, making him afraid in front of what he sees of frightening and terrifying images. Accordingly, the structure of the research came in four chapters. The first chapter was devoted to stating the research problem, its importance and the need for it. The research problem was defined by the following question: (How is fear represented in the cinematic image and what are the basic elements in achieving it)? The first chapter included the research objective (to reveal the representations of fear in cinematic discourse), while the research limits were limited to addressing (fear) as a basic structure in the cinematic film, and the chapter ended with defining the research terms and definition. The second chapter represented the theoretical framework, which included two topics, the first of which dealt with the roots of fear, while the second topic dealt with the representations of fear in the structure of the cinematic image. The chapter ended with indicators of the theoretical framework and previous studies. The third chapter contained the research procedures that included the research community and the research sample that was chosen intentionally in analyzing the cinematic film. The third chapter also included the research methodology represented by the descriptive analytical methodology. To achieve the research objective, the researcher relied on the indicators resulting from the theoretical framework as a tool for analyzing the research sample, and then analyzing the sample. Arriving at the fourth chapter, in which the results, conclusions, recommendations, appendices and sources were presented in Arabic and foreign languages.

The characteristics of the Impressionist school and formal consistency are among the most important techniques involved in the design production process, which women’s fashion fabric designs are not devoid of. It is difficult to find in this era contemporary designs devoid of formal consistency according to certain features and features that advance them and according to the desire, innovation and continuity in order to attract the recipient. ,The design of women's fashion fabrics is among the most functional and aesthetic arts in which humans participate, and research into the characteristics of the Impressionist school and formal consistency in fashion fabric designs is an important goal, especially after technical developments began to cover many of its fields.Accordingly, the current research was based, in defining the problem of the first chapter, on the following question: Are the characteristics of the Impressionist school achieved in the designs of contemporary fashion fabrics? It is important that it will benefit workers, scholars and researchers in the field of textile and fashion design. The objectives of the research are to reveal the characteristics of the Impressionist school and its role in the formal consistency of fashion fabric designs.The limits of the research were limited to the designs of women’s fashion fabrics for the age group of 18-35 years, which were available in some local markets in the city of Baghdad, of Turkish origin, for the year 2014-2015. After that, the researcher defined a set of terms regarding the research.As for the second chapter, it included a theoretical framework that included two topics as follows: The Impressionist School - a historical overview, and the second includes the characteristics of the Impressionist School in fashion fabric designs. In the third chapter on procedures, I defined the descriptive analytical method for the purposes of analysis, as it is considered the appropriate method to reach the research objectives.He also determined the research population, which consists of a sample of some local markets in the city of Baghdad, which includes (14) models, from which the researcher selected (4) models, as the researcher found them suitable for achieving this. This was followed by the research tool, which was represented by a sample analysis axes form, and then the tool was validated, then it was conducted. The researcher analyzed the sample samples.

The present research is mainly concerned with studying (Artistic Creativity in Contemporary Iraqi Ceramics- Potter Shinyar Abdullah as a Model) and is divided into four chapters. The research aims to reveal the artistic styles thatdistinguish the potterShinyar Abdullah.The research problem is defined by the following question: (What are the intellectual, artistic, aesthetic, technical, and stylistic features that distinguish Shinyar Abdullah’s artworks?). The importance of the research comes from shedding light on creativity as a concept and its intellectual, artistic, aesthetic, technical, and stylistic effects in addition to its interference with some philosophical, scientific, intuitive, cognitive, and psychological theories and their impact on art production. The research is limited to revealing the creative features of Shinyar Abdullah’s works from 2013 to 2022. The research community consists of (30 Ceramic works) and the research sample is limited to three worksanalyzed based on the descriptive-analytical methodology. It also ends with some results and the most important ones are: that the artist Shinyar Abdullahhas followed several systematic sculptural methods to build the external mass of his artworks (mechanical sculpting wheel, ropes, tapes, plates, and molds) and that he sometimes has mixed between two ways or more in his work and up to what is required to accomplish the aesthetic vision in any artwork. Finally, technical diversity through glazing or coloring characterizes the potter's artworks. His artworks also appear in coordination, harmony, and contrast between form and color, which embodies his artistic creativity.The research introduces some conclusions. The most important isthat the artist’s style can be distinguished by documenting the intellect and vision in an artistic achievement through color coordination and applying it to the form, as well as how to decode and read it. Also, the technical diversity in formulating the ceramic achievement enriches the artistic creativity in the achievement in terms of (color, texture, size, mass, and space). One of the recommendations that the two researchers recommend is that there must be a subject taught to students on art creativity and who are the most important potters who created their artistic works, in the ceramics department because of its importance to art students. The researchers suggest conducting research studies on a subject similar to this study on some Kurdish potters and in the Kurdish language.

The research reviews the relationship between imagination, science fiction, and contemporary interior design concepts by posing the question:
What is the role of imagination in the design of contemporary interior spaces and their organization to transform them into creative spaces with intellectual structures that characterize the interior space? Additionally, the concept of imagination in design is one of the most important subjects that adds novelty to interior spaces, especially when approached in conjunction with cultural thought and the heritage of civilization to produce a unique style in design. Buildings were presented that borrowed their design ideas from the inspiration of imagination. The samples for the practical study were then selected, applying the previous components to design projects and discussing the results and analyzing them to verify the validity of the research hypotheses.
The research reached a set of results, the most important of which are:
1. Coordination in the thinking of imagination was achieved at the level of (interference and complexity), and the thought of science fiction in design increased at the level of coordination.
The conclusions represented a group that included the most important points:
1. The design vision, in its intellectual dimensions, was based on what imagination brought forth, which reflects nature through mental sensory images and is based on intellectual variables, and, on its expressive side, it provided an expressive momentum and intellectual source in the nature of addressing the formal structures of the elements of the design system.

The research is an attempt to identify the aesthetics of the plastic vision in containing and showing connotations that refer to the comprehensive content and as a symbol in international conferences. The research included four chapters. The first chapter (the methodological framework) contains the research problem, the importance of the research and the need for it, which is embodied in visual attraction as the basic entrance to understanding the message of the plastic design for universal issues between the East and the West that it embodies with all its components. The research also contributes to crystallizing awareness of propaganda regarding the construction of the poster as a dimension of the dimensions that influence the recipient. Then the research objective came to identify the plastic vision for universal issues between the East and the West, after that the limits of the research and determining the most important terms included in it. The second chapter (the theoretical framework) came in three sections: The first section: the concept of plastic vision, while the second section came in (designing posters in conferences), and the third section in (defining universal issues and their conferences between the East and the West). The section resulted in some indicators. Then the researcher read previous studies related to the research topic. The third chapter included the research procedures, through which the researcher presented The research community and the research sample consisted of (3) posters that were intentionally chosen within the temporal and spatial limits of the research. As for the fourth chapter, it included the results and conclusions that the researcher reached. Then the researcher concluded her research with a list of the sources included in the research

The influence of other fields of knowledge on interior design has always been significant, given their intersection with the creative process of generating interior design products. To shed light on the concept of " Identification" and its associations within parametric design for interior spaces, this study explores the concept of Identification and its related notions with the aim of uncovering the vocabulary connected to parametric design and its applications within traditional interior spaces.
The research addresses its problem through the following question: What is the capability of the interior designer to adapt the parametric system by achieving Identification to solidify the formal concepts of non-parametric interior spaces and to find possible solutions, regardless of the complexity of these forms?
The research aims to investigate the mechanisms of achieving formal Identification and to propose solutions when initiating parametric design concepts for traditional interior spaces. It focuses on studying projects by AntiStatics Architecture in China to derive and discuss a set of findings, leading to conclusions.
One of the key conclusions is Identification in parametric design is formed through a combination of elements and relationships generated by extensive and comprehensive digital design systems. These elements and relationships contribute collectively to crafting a balanced, harmonious, and innovative interior design narrative.
Moreover, tools for designing Identical forms transform from mere mediums for expressing the designer's ideas into platforms for thought, becoming auxiliary design tools. These tools function through various methodologies such as modular, algorithmic, and morphological design.
Finally, the study concludes with a list of references.

The current research deals with the impact of technological development and industrial progress witnessed by the twentieth century and how it cast its shadow on the technique of artistic research, aesthetic vision and formative formulations, and how this contributed to the departure of the art of drawing from its traditional concept, separating aesthetic concepts that formed technical experiments and materials as a main basis for it, seeking to create new ideas and concepts that go beyond stereotypes and repetition in the production of artwork. The artists, Robert Rauschenberg and Muhammad Mahr al-Din, were among those who were not satisfied with the traditional means of expression, so they entered new fields to search for materials, raw materials and innovative means capable of enriching their visual texts. From all this data, the researcher defined the problem of his research with the following question: How did the artist Robert Rauschenberg and the artist Muhammad Mahr al-Din change the material from its utilitarian function to an aesthetic artistic material through technical experimentation? The first chapter contained the research problem, its importance and the need for it. The second chapter included the theoretical framework and previous studies and consisted of three sections. The first section dealt with the concept of experimentation and some philosophical theories in experimentalism. The second section dealt with technology and its transformations in artistic research. The third section dealt with the transformations of style for both the artist Robert Rauschenberg and the artist Muhammad Mahr al-Din. The third chapter was devoted to the research procedures and how to choose the research sample and then the methodology adopted in the research as research sample and then the methodology adopted in the research as well as choosing the research sample of four models, two for each artist. The fourth chapter included the research results, conclusions and the most important results and then a list of sources.

Art is related to vision , the designer presents a becoming or imagination, and the one who tastes art rotates his ways to the point indicated by the artist and looks out of the window that he has prepared for him, so if he recreates an becoming in himself, the designer, without the rich insight of imagination, gives superficial images despite being charged with the most violent emotions, as well as the person who looks at the design work without imagination, will see only surfaces, and the more he meditates, the less he understands what was behind it." The artist-designer carries from culture, awareness and imagination what qualifies him to be able to form a new vision of what he is watching, and the owner of the director's vision should have a fertile imagination, insight and intelligence in order to be able to form visual images capable of surprising the recipient to interact with them and form new visions, the designer's vision is his comprehensive and objective view of things through multiple angles of view, i.e. multiple visions of the same things, and self-vision is a specific, incomplete and limited vision of one side of things, therefore it is a short vision, the research problem emerged through the following question: ("What are the dynamic mechanisms by which the interior designer seeks to achieve a design vision in the interior space and do it in the recipient?"The importance of research in identifying the vision and doing it in the interior space and upgrading it through designs with contemporary technologies enhances the design role of contemporary interior design. The purpose of the research is to reveal the effectiveness of design mechanisms that achieve the dynamic vision of the interior space and the extent and identification of their action in contemporary interior spaces .the research challenges the vision and its dynamics in the interior space of contemporary museums in art museums at the time of research completion 2024. The research included two research papers , the first one : Vision and process in interior design, and the second one : vision in design work. The research followed the case study approach to conform with the research path, and the research reached the most important conclusions: 1.The vision of the inner space is represented through a sensory dialogue that takes place between the recipient and the space itself, a dialogue that depends on the recipient and the meaning or concept generated by him. 2. The vision in the perceived sense is connected with what the coherent design idea achieves in an aesthetic sense and a complex, ambiguous or diverse semantic meaning.

The current research dealt with the study of spontaneity in graphic art and included four chapters. The first chapter dealt with the methodological framework of the research, represented by the research problem, the importance of research, and the need for it, as well as the goal of the research, which is to identify (spontaneity in graphic art). The first chapter contained the research problem, the importance of research, and the need for it. Limits of research and definition of terms. The second chapter.The second chapter included the theoretical framework for the research and its indicators. The theoretical framework included three topics. The first section dealt with spontaneity philosophically. The second section dealt with the research on psychological spontaneity. The third section included the artistic style of spontaneous graphic art by some artists, and the theoretical framework ended with the indicators that the researcher reached.The third chapter also includes procedures for extending the research into the research community and its sample that completed (3) a ready-made technical model of the research methodology. The third chapter ended with an analysis of the research sample.The fourth chapter contained the results, conclusions, recommendations, and proposals of the research. One of the results of the research was that spontaneity is evident through the subconscious side of the artist through the addition of artistic elements, such as lines, shapes, blocks, and spaces, through multiple and varied movements that give an aesthetic dimension, as appeared in all samples of the sample.

The current research entitled The Strangeness of Surreal Imagination in the Works of Jerome Bosch, studied the strange and imaginary subjects and forms that the artist embodied in his works and had surreal connotations embodying what is going on in the artist's imagination. The research contained four chapters. The first chapter dealt with the methodological framework, and included the problem of the current research by answering the following question: What is the strangeness of surreal imagination in the works of Jerome Bosch?, and then the importance of the research and the need for it, and the goal of the research included (identifying the strangeness of surreal imagination in the works of Jerome Bosch) and the limits of the research included: -
First: Thematic limits: The strangeness of surreal imagination in the works of Jerome Bosch.
Second: The temporal limits: (from 1480 - to 1505).
Third: The spatial limits / artistic works completed in Europe.
The chapter ended by defining the terms.
The second chapter dealt with the theoretical framework and contained three topics. The first topic dealt with: the concept of strangeness, the concept of imagination, and imagination philosophically. The second topic dealt with surrealism, and the third topic dealt with the artist's life and experience. The chapter ended with the indicators that resulted from the theoretical framework. The third chapter included the research procedures, the research community, the research sample, and the research methodology (where the researcher adopted the descriptive method by analyzing the sample), and analyzing the samples. The fourth chapter dealt with the results, conclusions, recommendations, and suggestions, and then the sources and references. Among the most important results that the researcher reached: -
1- What surrealism presented in terms of imagination appeared clearly in the works of Jerome Bosch and its impact, which seemed to be an alternative to the authority of logic and reason, as he resorted to structural foundations and formal relationships that would achieve balance between the dimensions of the painting and unity and harmony, which enabled the artist to form a system of formative and symbolic relationships on the pictorial surface in which the elements of strangeness, imagination, and the unconscious came together. As in all samples
2- The visual artwork of Jerome Bosch consists of a set of aspects of the world of existence that he was able to employ in a strange, imaginative, and aesthetic way. As in all samples
As for the most important conclusions:-
1- The imagination in Jerome Bosch's works creates a kind of surprise for the recipient by creating illogical forms as an alternative to reality.
2- The imagination and strangeness are achieved by the artist through manipulating the elements of the composition and the method of collecting the fine details to embody them in the form of an incomplete phenomenon in form to contribute to formulating the meaning within the space of the artwork.

tuned aldirasat alhalia (tashkil alaslak almaediniat fi madat alashighal alyadawia (dirasat tahlilati)) min aldirasat alghayr mutadawalatan bshkl daqiq wamin hadha yuthirueinduna tasawul : mahi dawafie altashkil lilaslak almaediniat fi tahfiz almutaealim fi alaishighal alyadawia ? waealaa hadha alasas yahdif albahth alhalia alaa kashf mustawayat aldhaayiqat fi tashkil alaslak almaedinia (dirasat tahlila ) , adh aietamadat albahithat almanhaj alwasfia altahlilia fi ajara'at albahth lanah alakuthur mulayimatan bayn almanahij fi tahqiq alhadaf lilbahth , wayashmal mujtamae albahth min majmueat min alaiemal fi alaishighal alyadawiat lilaslak almaediniat alati qam biha talabat maehad alfunun aljamilat lilbanin , waqad qamat albahithat bi'ukhtiar namudhaj wahid limujtamae albahth min bayn namadhij almuqadimat kaeinatan khadieatan liltahlil . wamin dimn alnatayij austukhdimat albahithat mueadala (kubar Cooper ) liltawafuq bayn almahkamayn wamueadala ( hulisti ) liaizihar althabat fi alaikhtibar , wakadhalik airta'at albahithat ala :- 'aksab almutaealim almaharat alfaniyat fi alaintaj alfaniyi dimn alaishighal alyadawiat wakadhalik 'aktishaf aljamaliaat almaknunat fi khamat ghayr mutadawalat bisuhulat wayumkin tawzifuha min khilal taqniaat hadithat fi alshakl walmalmas wallawn azaharatha alaslak almaedinia

This research is concerned with a study in the use of Islamic symbols - (Iraqi mosques as an example), and it is divided into four chapters. The first chapter is devoted to “the problem of the research, its importance and the need for it, the goal of the research and its limits, and defining the most important terms contained in it. It dealt with the research problem in the subject of the use of Islamic symbols, which was represented in: Employing Islamic art in the facades of mosques, domes, niches, and minarets, and the Islamic artist employs them to understand the world around him and distinguish it by the way mosques are
described and what they contain, and that the Islamic State Islam had a clear impact on the Muslim artist, and the artistic sense of man, which is considered an important thing in his social and psychological life and has a spiritual and lofty goal, as those mosques and their decorations contributed in the first century of Islam to building a common reality, so mosques and buildings took unique forms in embodying Islamic decoration and symbols. In terms of their types, homogeneity and interconnection, and in terms of geometry, their different and harmonious lines, the star layer and their aesthetics, and their prominence on mosques, especially doors, pulpits, and wrought materials such as wood (sheet iron), copper and bronze.And she loves it with plant decorations and flower branches and twisting them around themselves, which led to displaying the artistic beauty, the beauty of the view, and the precision of the work. This reflects the bright and dazzling image to attract the attention of the recipient, and to admire it traditionally and aesthetically, which are called plastic arts, embodied from nature, which is the creation of (God) and forms. It imitates nature in its familiar manifestations in mosques, which combined the aesthetic and functional aspects to best demonstrate Islamic architecture.

The name “small village” is given to today’s world because of the crossing of borders and the shrinking of distances resulting from the tremendous scientific and cognitive development that the world is witnessing in all fields, especially communications and transportation technology. This development has contributed to the mixing of cultures, carrying within it the phenomenon of globalization. The forms and manifestations of globalization have multiplied, and cultural, economic, and political globalization has emerged, all of which are characterized by adopting an approach of openness, mixing, and fusion.
All societies are affected by globalization, as it is an imposed reality and the rapid progress and openness it is witnessing in all fields. Globalization affects all countries of the world with different sects and trends, as it is a force that has invaded borders to expand its impact increasingly. It has become necessary for countries to develop the political culture of their youth to face the challenges of globalization, The strongest countries are the ones that impose their policies and hegemony, and try to influence the cultures of other peoples in a manner consistent with their interests, taking advantage of the tremendous technological progress they possess.

The importance of this study comes as part of the interest of many educational institutions, including the Colleges of Fine Arts in Iraqi universities, in developing the teaching skills of educational curricula among teachers in the fields of arts through the use of modern means and techniques, including artificial intelligence technologies.
Through the current research, the researcher attempted to establish a path to introduce the effectiveness of using artificial intelligence programs in developing the teaching skills of fine arts curricula. The research aimed to identify the impact of the effectiveness of using artificial intelligence programs in developing the teaching skills of fine arts curricula in the Colleges of Fine Arts from the perspective of the teachers.
The study employed the descriptive-analytical method, as it is a suitable approach to describe the study variables and analyze its field (applied) data. The study population consisted of all teachers in the fine arts departments in the Colleges of Fine Arts in Iraqi universities. A purposive sample was selected from the teachers of the Fine Arts Department at the College of Fine Arts, Diyala, to understand their perspective on the effectiveness of using artificial intelligence programs in developing arts curricula. The study resulted in several findings and conclusions, including:
1. The study results indicated a strong positive relationship between the effectiveness of using artificial intelligence programs and the development of teaching skills for fine arts curricula, benefiting the development of subject teachers.
2. The results showed that artificial intelligence programs help improve communication and interaction skills between teachers and students, and in developing teaching methods and artistic educational activities.

The current research contained four chapters, the first of which included the research problem, which was represented by the following question : What are the representations in the fees of people with special needs As for the limits of the research, it included the academic year (2023-2024) for people with special needs affiliated to the Diwani Education Directorate, the morning and evening study, and the most important terms were identified and defined, which included (representations _ fees for people with needs). The second chapter discussed the artistic expression of children's drawings
As for the third semester, the research method was included, where the researchers adopted the descriptive method (content analysis) in the analysis of the research sample and reached the research community (students with special needs )numbering ( 60) students, as for the research sample was chosen in a deliberate way, reaching (20) students ,and the research sample was analyzed by statistical and mathematical means according to the analysis form

The fourth chapter included a set of research results, including
1-it can be seen from Table (1) that there were no significant differences for the Kai bin Square in the drawings of children (male and female) in the basic need, but in some areas they were significant, namely (subject, expression).
2-it is clear from Table (2) that the Kai value for the indication of differences in the Second Need (Security) was moral in the two areas (symbolism of elements, working vocabulary), while the rest of the areas did not achieve any moral significance between males and females in this need.
The most important conclusions are
1-the expression of people with special needs had an important role in the visual representation of their needs through simple drawing tools
2-there were no significant individual differences between people with special needs in a process that represents the five human needs.

The uniqueness of children's theater comes from the fact that it combines creativity and artistic message at the same time, and the educational and educational role it plays towards children of different ages. Through children's theater, light is shed on moral issues, social values, negatives and defects within society. It is also relied upon to modify children's undesirable behaviors and eradicate negative practices.
The uniqueness of childhood requires working on diversifying the dramatic formulation within children's theater, so that both the familiar and the unfamiliar are employed to convey the messages contained in theatrical works directed at children. This study came as is the practice of scientific research methods, as this study included four chapters. The first chapter constitutes the methodological framework in determining the manifestations of the unfamiliar in children's theater, then the second chapter, whose structure is formed from the first topic in building the human character, then the second topic, children's theater, then the third topic, child psychology, then determining the studies, opinions and theoretical treatments of the research topic, then the third chapter came with the research procedures, then the fourth chapter with the results, conclusions, recommendations and proposals.

The media role and its evaluation depend on coherent processes and an integrated system between institutional devices and also from the devices that serve the media and technical sector. The media now occupies a large part of our daily lives and has become developed with the means of digital modernity, technology, communication and other arts. It is not limited to traditional means, but has developed with the entry of information and communication technology and technical techniques. The importance of the study stems from the multiplicity of its variables represented in evaluating the role and performance of the media, as well as the role played by the Iraqi Ministry of Labor and Social Affairs in enhancing citizen confidence in the services of the ministry through visual advertisements. This study aims to improve the effectiveness of the media performance of the Ministry of Labor and Social Affairs and identify the types of media propaganda in addition to identifying the most important issues raised by the media. The researcher used the descriptive analytical approach by choosing a deliberate sample and the researcher divided her research into several chapters. The first chapter came as a methodological framework for the research by defining the research problem with the following question ((What is the role of the media in the performance of the media department in the Iraqi Ministry of Labor and Social Affairs in terms of enhancing awareness in programs?)) and the aim of the research 1. The research aims to reveal the nature of visual media and evaluate the media performance of the Ministry of Labor and Social Affairs, then

Many scholars in the field of design have pointed out the connection between the different fields of science and the influence of these sciences on each other. This is because many of the concepts that have been adopted in design are the result of other sciences that have been adopted and adapted to flow into the field of design.
Simile is one of the branches of rhetoric that tends to clarify and reveal the meaning to the recipient, and on this basis it was adopted in the research to represent one of the approaches in design through its components and the data it produces if used within the design to give readings and meanings that the recipient can understand for the industrial product.
Hence the problem of the research came with the following question (What are the foundations of the rhetorical use of simile in structural design, which achieve clear readings in the recipient?) Therefore, the aim of the research was to reveal the mechanisms of simile that achieve the eloquence of the functional content in the design of the industrial product, and based on that, in order to reach the desired results. From the research, Canon products (camera, printer, hand calculator) were identified for the year 2023. Therefore, the descriptive approach was adopted in analyzing the sample based on the analysis form that was built according to the theoretical framework, and these were the most prominent results of the research.
1. Processes have been advanced that confirm the value of structural references and their role in activating clarity in the meaning and interpretation of the purpose and performance in the systems, which did not witness a clear and distinct use within the sample, which affected the possibilities of expression and reception of the overall formations of the general body of the achievement.
2. The elements of the simile did not show their executive and expressive potential through their use within the sample models and at the level of color, which did not express its potential in connotation and clarification due to its limited use within the sample components.