Al-Academy

The decorative supplements added are important factors in determining many decorative effects and how to implement them, whether in fabrics or fashion, and also work to determine the nature of perception for both the designer and the recipient and have a key role in shaping the human personality and determining his motives and emotional tendencies in the acquisition of fabrics and fashion and the vocabulary they carry A design that has certain connotations and symbols that gain its value from the effects it leaves on the physical formations of women. The problem of the research came with the following question (What are the decorative supplements and their role in the designs of fabrics and women’s fashion?) The research also dealt with three sections, the first topic included the methodological framework in posing the problem and its importance and objectives as well as On the definition of the most important terms, and the second topic included the theoretical framework, which included the following topics: First: The concept of decorative complements in design, Second: Decorative designs in fabrics and fashion. As for the third topic, it included the research procedures to reach the objectives of the research, and it relied on the analytical description method, and then the most important results and recommendations were included, and finally the most important sources and references.
1. The design models relied on industrial raw materials in the first place because of their good appearance, high ironing ability, flexibility, softness, and high ability to accept dyeing and printing techniques, which helped in showing the aesthetic aspects that are consistent with the design goal and the age stage.
2. The printing technology has played a clear role in highlighting the aesthetic qualities of the decorative designs through the optical values. These values have achieved the variation in the percentage of appearance and how to influence the nature of the recipient's perception of it, which made the technology an active role in determining the nature of the decorative supplements added and the method of influencing the recipient

The research tagged with the controversy of aesthetic interpretation between the sculptures and their titles in contemporary Iraqi sculpture, “Exhibition of Experiments in Contemporary Iraqi Sculpture as a Model”, and it is one of the new research that contributes to strengthening the critical path in the Iraqi fine movement, as the first chapter dealt with the research problem stemming from the question: What is the impact of the aesthetic hermeneutic controversy between the title and the title in contemporary Iraqi sculpture?, and do the titles of the sculptural works help to understand or enhance their contents?, The research objective included: To identify the controversy of the aesthetic interpretation of sculptures and their titles in contemporary Iraqi sculpture, and the importance of the research was born from the importance of The topic is considered one of the new researches that were not previously researched, as well as being a qualitative addition to the scientific curricula in the field of aesthetic interpretation. The research was determined by objective limits restricted by the concept of(title) and(the title) , and the aesthetic hermeneutic dialectic between them. And with spatial limits: the sculptures displayed in the exhibition 3 X 6, entitled(Experiments in Contemporary Iraqi Sculpture) , at the Akad Art Gallery. Sculptors Reda Farhan, Haitham Hassan, and Najm al-Qaisi. And the time limits in 2022. Then came the definition of the terminology of the concept of the title
As for the second chapter, it included: the theoretical framework of the research and it has three sections. The first was devoted to studying the topic of the concept of address and its importance, and the second dealt with the topic of types of addresses, while the third included the topic of address functions. As for the third chapter: the procedural framework for the research, it included the research community: the artworks that were presented in the exhibition, and the research sample that was intentionally chosen in proportion to the research objectives, and amounted to three artworks for each sculptor. The researchers relied on observation and indicators in analyzing the sample models using the descriptive analytical approach.
1. All artworks in the research community have titles, except for six artworks without titles by artist Reda Alwan, due to the clarity of their visual contents.
2. Most of the artworks were made in bronze, except for the works of the sculptor Haitham Hassan, which are made of multiple materials such as wood, glass and bronze, so that this diversity is compatible with the parallel text(the title).
3. All samples of the sample employed clear and uncomplicated contents visually, to make it easier for the recipient to interpret these aesthetic contents, except for the works of the artist Najm al-Qaisi, which included a contrast between the title and the title.

many painters tried to mix colors with Music by direct employment through colorful musical pieces or the use of multiple instruments and techniques , or vice versa, including the French artist )Robert Stroben(, he transferred the piece of music to be depicted on the painting and worked on the tones of music (Johann Sebastian Bach) by dropping the color on the lines of the musical scale, for example (the C tone) ranging from brown to red ( Tone La A) from gray to orange, and so on, the presence of links and similarity factors between the world of music and the world of colors facilitated the process of linking musical notes with colors, the most famous of which was presented by the world (Newton) in the circle of basic colors and linking them with musical notes (Du tone = violet color) - (Ri tone = indigo color) - (Mi tone = blue color) - (Fa tone = green color) - (Sol tone = yellow color) - (La tone = orange color) - (C tone = red color). But this circuit is not enough in converting the musical note to a specific color. It is one of the basics of musicology. The notes are repeated in every (octave) but by increasing the speed of their frequencies. The melodies are based on the major scales, which seem bright, cheerful and optimistic, while the minor scales (miner) seem bleak. Serious and sad. This is what the German scientist (Goethe) sees as there is a similarity between the two worlds of colors and music. In the “melody field” we find the two musical scales (small and large) or what is known as (major and minor), and he sees the contrast between them in the “color field” in degrees of lightness and darkness

Theatrical costume constitutes a peculiarity in the theatrical performance because of its ability to communicate and communicate with the rest of the visual elements of the show in highlighting the intellectual and dramatic values. Fashion developments in theatrical performance, the second: the design elements of costumes and their characteristics, the third, which includes research procedures, and the fourth, in which the research results and conclusions were presented, including:
1- The play (Happening on the Farm) is considered one of the plays with educational, educational and aesthetic goals, as it carried in its formats the features of simplicity and diversity of the visual formal connotations of the child.
2- The costume designer has an important role in communicating the idea of the play and its contents and conveying its connotations as well as his imaginative and innovative ability, by dealing with the nature of the material or material and designing it in accordance with the viewers of the show. The study concluded with sources and appendices.





The costume designer has an important role in communicating the idea of the play and its contents and conveying its connotations as well as his imaginative and innovative ability, by dealing with the nature of the material or material and designing it in accordance with the viewers of the show.
The artistic design treatments of the costume are subject to a kind of compatibility, understanding and harmony with the directorial treatments in order to reach a visual image that achieves smooth, exciting and surprising communication and reception in the children’s theater performances.
Every theatrical performance has a philosophical and aesthetic vision in the process of direct communication between the sender and the addressee and in children’s theater performances, and caution and accuracy must be taken in choosing and employing the costume and its design elements

Showing animal shapes is one of the primary topics since the discovery of cave drawings, with semantic discourses, as they appeared in the ancient civilization of Iraq, with their discourse and intellectual structure, and their reflections on their plastic achievements. The research deals with three topics: the first (an introduction to the concept of discourse), the second: (the historical roots of animal forms), and the third (the manifestation of animal forms and their discourse, in Mesopotamia). Mesopotamian fauna and its concepts? What are the?, Its importance was also represented in: the presence of animals and their semantic and conceptual discourse, especially the sculptures (the lion and the bull), with the aim of revealing the statement of the discourse and its relational and intellectual impact on them, then the indicators of the cognitive framework, analyzing the research samples and presenting its results, summarized by showing the discursive relations conceptual, employing the presence of the Mesopotamian sculptural forms of the lion and the bull.

Animal forms have a prominent presence since the arts of caves, to the arts of ancient civilizations, and the sculptural arts of Mesopotamia, especially (lion and bull). 2-The discourse has a presence and reference relations between the social, intellectual, semantic and artistic environment, and the different types of animals in ancient Iraq, especially (lion and bull). 3-Animals have a historical, mythical, literary, and plastic reference presence, especially for (the lion and the bull) a more rhetorical and semantic presence in the sculptures of Mesopotamia 4-The presence of (the lion and the bull) many discourses and contents, which are related to the reference of thought, form and content, and related to the culture of the Mesopotamian society and plastic knowledge, such as religious, mythological and conflict discourse, hunting, environment, agriculture and semantic, symbolic and divinity discourses, and discourse of power, fertility and procreation

The aim of the current research is to reveal the effect of using brain-based learning theory strategies on the achievement of Art Education students in the subject of Teaching Methods. The experimental design with two equal experimental and control groups was used. The experimental design with two independent and equal groups was used, and the total of the research sample was (60) male and female students, (30) male and female students represented the experimental group, and (30) male and female students represented the control group. The researcher prepared the research tool represented by the cognitive achievement test consisting of (20) questions, and it was characterized by honesty and reliability, and the experiment lasted (6) weeks and after applying the tool and using statistical means in data processing. The results showed that there were statistically significant differences at the level of significance (0.05) between the average scores of the experimental group students who studied according to study plans based on brain-based learning and the average scores of the experimental group students who studied according to the usual method in their answers to paragraphs Postgraduate cognitive achievement test.






The superiority of the students of the experimental group who used the study plans designed according to the strategies of the theory of brain-based learning as a strategy (KWL) had a positive impact on the cognitive achievement of this group and their superiority over their peers the students of the control group who used the usual method

Perhaps going to watch movies in cinemas today has become different from what it was before. The cinematic film, the clarity of the image and the luster of its colors pulled the rug out from under the most important change that occurred in the structure of the contemporary cinematography, which is the sound. The surround sound environment that immerses viewers in the realism of sound that reaches them from all directions, and for this the researcher found it necessary to shed light on this topic because of its importance, so the research problem was represented in the following question: (How are modern sound systems used in the structure of contemporary feature films?) The theoretical framework included two topics: the first: the dialectic of the relationship between sound and image, and the second: the use of modern digital audio technologies in the feature film. While the research procedures, the descriptive-analytical approach was taken, and an intentional sample that meets the research objectives, which included the movie (John wick) in its three parts. The study concluded a number of results and conclusions.
1- A feature film cannot be integrated and appear with an effective and influential entity in its audience without the use of advanced audio technologies.
2- The film is an integrated system of visual and audio elements that combine with each other to produce a distinct film discourse, and the sound effects are characterized by their ability to deepen the meaning of some movie scenes.
3- The design of cinema halls has become of paramount importance to benefit from the advanced technologies of the elements of the film, especially the sound aspect of it.
4- The audience of the film attends in order to enjoy what is presented to him visually and soundly.

I found that it does not meet some of the requirements, including browsing and organizing structural elements, which is something in which the researcher found a scope for research, and from here she can formulate the problem of her research with the following question: Is there an actual need to develop user interface designs in the websites of Iraqi colleges of fine arts? The research included four chapters (the first chapter - the research problem - the second chapter (theoretical framework), which included three sections, the first is to identify the user interface, the second topic is the structural elements, and the third topic includes the rules of interface design and the dimensions of interaction), as well as the third chapter includes the analysis of models and the separation The fourth contains the results and conclusions.
1. The reliability and ease of searching within destination spaces should be emphasized.
2. Providing freedom of opinion in opinion via social media links.
3. Freedom to use in terms of language selection and settings control icon.
4. Take into account the organization and distribution in the interface spaces and use the space distribution correctly

This research sheds light on those discrepancies in the use of ornaments, adornment and perfumes, as well as the art of cosmetics, in two important civilizations, namely, the Mesopotamian civilization as the earlier civilization, and the civilization of Yemen, which represents the first Arab civilization. Through the foregoing, our research includes two topics, the first topic included the history of the use of decorations, ornaments and perfumes in the civilization of Mesopotamia, while the second topic included the study of ornaments, adornment and cosmetic art in the ancient civilization of Yemen. And then the research came out with a number of conclusions that the researcher considers very important to highlight the differences and formal methods for the use of adornment, ornaments and cosmetic art between the two civilizations above, and at the end of the research included a list of sources and references adopted by the researcher, which was characterized by the richness of its information about the civilization of Mesopotamia, and said about the ancient civilization of Yemen

The aim of the present study is to evaluate the effectiveness of using Art as therapy to reduce the symptoms of Attention Deficit Hyper Activity Disorder (ADHD), in primary school children.
A clinical approach was used to test the validity of the hypothesis of our study, conducted on two second and fourth-year primary school pupils from Algiers, aged 7 and 9 years respectively.
In addition to the clinical observation and interview, we made use of the "Conners" scale for a (pre and post intervention) ADHD assessment, consisting of a combination of Art media in the form of mosaic works on purposely prepared panels. After 10 therapy sessions, results revealed the effectiveness of Art therapy in reducing ADHD in primary education children.

Once the diagnosis of ADHD symptoms in the two study subjects, aged 7 and 9 years, was confirmed through the "Conners" ADHD assessment and by carrying out a clinical interview with the parents as well as an in-depth analysis of subjects’ clinical observation and interview, a treatment using Art as therapy was implemented and found to be very effective in reducing the symptoms of ADHD.

In order to attract children’s attention, this type of therapy uses purposely designed graphics, since the assortment of colors made at their disposition prompted them to willingly engage in the activity and cooperate with the specialist implementing the treatment program.
The child begins to ‘own’ the work of Art, absorbing himself with it until it was finished, all along stimulated by positive reinforcement. The piece of mosaic art has become the child’s focal point onto which he projects his frustrations and internal conflicts and discharges his emotions.
Therefore, a child with ADHD can be helped settle down into calmer behaviours, by using Art media to decrease his hyperactivity. The more in-school training workshops and homework, the further this type of therapy would prove itself to be more effective compared to the other treatments used to treat this category of children

The research tagged (the image of the soldier in contemporary Iraqi painting) dealt with the concept of the image as one of the basic concepts in the creative achievement, whether it is in the field of art, literature or beauty. Therefore, the concept of the image expanded to express the various aspects of human creativity, including the field of painting. To know the image of the soldier in contemporary Iraqi painting, the research included four chapters. The first chapter focused on the methodological framework of the research, while the second chapter included three sections. The first topic dealt with the philosophical and artistic concept of the image. The second topic was concerned with the representations of the soldier's image in modern painting, while the third topic dealt with the characteristics of the soldier's image in Iraqi painting.
The third chapter was devoted to research procedures. In order to achieve the goal of the research, a number of results were reached in the fourth chapter, including:
1- The imaginary image of the soldier appeared through a visual scene that combined different times and places in one space, as Alaa Bashir relied on the combination of the two aerial perspectives (or the so-called bird’s eye), and the ground according to metaphysical philosophy, which aims to transform the world and things into imaginary visions. Where the idea transcends the reality. (model 1)
2- The realistic sensory image of the soldier was shown by the colors and their poetic effects on the influences and suggestive codes carried by the color, and the depth of the spirit of originality mixed with heritage, which makes us feel belonging, authenticity and national identity, defined by the priorities of the sensible and what is aesthetically perceived. (Model 2)
1- The figurative image is one of the images that arise in the art of painting, and it witnesses an intense presence in the context of the significance of the image and the referral to a mental conception through concepts abstracted from its sensory image.
2- The imaginary image in art witnesses a moral dimension regarding the mind’s retrieval of things abroad, and building them in a way that reveals new relationships that were not realized before.
3- According to mental images, images are manifested in art within the limits of the work of knowledge and mental awareness. Images are formed when the mind is the repository, as the analyzer and compound of the meanings of things outside.
4- The sensory image in art works on dismantling reality by relying on simulation, as imagination works in it to depict the moral abstract in a sensual way, relying on experience as a source of all knowledge and its domain is the mind

This research aims to determine the Attitudes Towards Fashion accessories of Saudi youth, and the descriptive analytical method was used in this research. The research sample was 500 youth in Riyadh that age between 20 to less than 40. The most important results show that young people prefer shoes by 53.2%, that 45.2% of young people prefer acquiring modern designs in fashion accessories, and the research emphasized the importance of studying the impact of rapid economic, social and cultural developments on young people’s attitudes towards fashion and its accessories, directing the attention of Saudi fashion designers towards complements Fashion to offer designs that match their trends
Conclusions:
1. Young people prefer modern designs that achieve distinction and uniqueness when wearing them.
2. Young males are interested in decorative handbags.
3. Young people prefer fashion accessories with simple decorations of medium size

The most important topics that constitute the aesthetic and substantive aspect of the theatrical performance represented by the spatial environment of the presentation and the proposed virtual place that contains the technical and artistic elements of the presentation and highlights the strength of influence on it. In light of the above, the researchers divided the topic into four chapters.
The first chapter contained (the methodological framework), which included the research problem with regard to the directing treatments between the directors in establishing or creating theatrical venue, the importance of the research and the aim of the research, and the limits of the research to conclude the chapter by defining the terms.
The second chapter (the theoretical framework) was divided into two sections that dealt with in the first topic: (the concept of theatrical place), while the second topic came under the title (directive experiences of employing the place in the world theater), and previous studies and the results of the theoretical framework. The third chapter contains
(Research procedures) include the research sample, which is a play (Passport), the research community, the reason for selecting the sample and analyzing the sample.
While the fourth and final chapter came with (results and conclusions), and included the recommendations suggested by the researchers, as well as the proposals, and contained a list of sources

The use of different materials in the art of ceramics is considered a new form of contemporary philosophical trends. That was introduced to art as a result of societal changes and transformations and rapid technological development. And it plays a very essential part in the beauty of the artistic structure. The contrast of using different materials in ceramics is considered a part of the old historical achievements since the art of ceramics used to follow strict standards. Which does not apply to contemporary ceramic, Because recently, it has become free from any religious and social control and created a whole new intellectual context, heading to new horizons in which it works with the newly added materials as a strategy to ensure the activation of all sensual, structural, and aesthetic aspects. And ensures the importance of the artist's individuality, and realizes their identity and the essential part they have in the exploratory practices and the growth of the technical performance, as well as inventing new artistical and structural material. As a whole, this illustrates the development of the intellectual context of the artist, the art piece, and the art admirers.
The subject of this research aims to reveal the improved aspects of the intellectual context, that came as a result of the contrast of materials and clays, and demonstrate the current status of contemporary ceramic, and its remarkable ability to continuously add to the shape and significance

It is very necessary for the political theater to be within the space of every theatrical performance, so that the theater carries the diverse and enlightened values and cultures of this world. political theatre. In the first chapter, the researcher dealt with (the methodological framework), which includes the research problem identified by the researcher with the following question (the functional diversity of the directorial vision in the political theater)
Importance, purpose, limits and seal by defining terminology.
In the second chapter, the researcher dealt with the theoretical framework on two topics, the first (transformations of directorial vision in theatrical performance) and the second topic (aesthetic experiences in political theater), in addition to the indicators that resulted from the theoretical framework.
As for the third chapter, it contained (research procedures) that included the research community and the research sample represented by the play (Cinema) directed by (Kazim Al-Nassar), which was analyzed starting from the text on which the events were built and ending with the last detail in the theatrical presentation and its tools and the descriptive analysis method and the analysis of the research sample in the intentional way. While the fourth chapter included the results of the research and their discussion according to the analysis of the sample.

The subject of the act and its transformations in the presentation is of great importance at the level of study, analysis and interpretation, and through that the researcher adopted the following title (The Dramatic Act and Its Transformations in the Iraqi Theatrical Show). The play of Black Astronomy was chosen as a sample for analysis, and the aim of the research came in order to achieve a special knowledge of the extent of the transformation that occurred between the dramatic structure of the act and theatrical embodiment and its multiple elements of operation in the Iraqi theatrical shows. It was limited to the show of the Iraqi theater in the year (2020) and included the theoretical framework that accommodated three sections. As for the first section: stage of dramatic act construction in the text. The researcher studied the concept of the dramatic act and its construction stages. And the second section: the elements of the action of the dramatic act in the show, while the third topic was entitled transformations of the dramatic act in the Iraqi theatrical show, and the researcher concluded the second chapter with what the framework resulted in considering indicators as suggested starting points and a tool for analyzing the sample, and then the research procedures that included The research sample, and then analyzing the sample for the play (Black Astronomy) by Iraqi director Riyad Shaded, and the researcher analyzed it according to the descriptive approach in the style of (content analysis) to reach the results of the research, including (crystallization and construction of the dramatic act according to a doctrine, method, or a specific theatrical direction that gives space Extensive space to operate according to disciplined mechanisms that are not tainted by fragmentation or distortion.), then conclusions, recommendations, suggestions and a list of sources

The study aims to integrate the visually impaired people into the art connoisseur community through producing special print artworks to enable the visually impaired people to use their other senses to feel artworks by using artistic printing techniques through adding some prominent materials to the printing colors or making an impact that visually impaired people can perceive using their other senses. This study also aims to set up art exhibitions that display tangible works that can enable visually impaired people to feel artwork and understand its elements to enable them to feel it through other senses.
The study follows the experimental method, through using artistic printing techniques, which allow printing with prominent textures that enable visually impaired people to utilize their senses to perceive and savor artistic prints

The research dealt with the concepts of the philosophy of values and its epistemological variables according to specific propositions represented in their scientific approaches to value theory in the field of industrial design. As the epistemological propositions of the theory of values were dealt with based on the epistemological fields that dealt with the concept and what values are, starting with the modernist propositions and postmodern, passing through the propositions of sociological and psychological thought, which was a prelude to extracting the concepts of value theory and adopting it in the field of industrial product design. The epistemological approaches to value theory in industrial product design were represented in eleven value orientations represented by values: ethical, ecological, functional, use, semantic, brand, self-expression, cultural, rituals, belonging, identity and aesthetic values. After discussing the types of these epistemological approaches to the theory of values in the design of the industrial product according to the nature of each type of value, a number of conclusions were reached, which represented an objective analysis of the ways in which the theoretical concepts of the philosophy of values were transformed into theoretical systems that can be applicable in industrial product design

The rapid breakthrough achieved by technological progress in the field of designing and implementing women's fashion has resulted in the emergence of the need for quality control and control to improve the completed visual image of fashion as an aesthetic and functional product and not clothed in its abstract qualities.
The quality in women’s fashion and the importance of showing the design and conveying the design message to the recipient depends on the level of its implementation, starting from the selection of textile fibers and determining their appropriate characteristics for the functional purpose and design prepared by the designer and ending with the final operations of the costume. This calls for spreading awareness and culture of the concept of quality among all recipients, dealers and specialists in women's fashion to improve the mental image of fashion as an aesthetic and functional achievement

The current research dealt with (the deliberative dimension of the visual sign in the contemporary Iraqi poster) in an attempt to identify the importance of the contemporary poster and the role of the international dimension of the visual sign of exceptional importance.
What is the international dimension of the visual mark?
- What is the effect of the visual label on the contemporary Iraqi poster?
The current research aims to identify the pragmatic dimension in the contemporary Iraqi poster.
Across the temporal and spatial research boundaries of the year (2000-2020) in Iraq. The limits of the objective research The limits of this study on the pragmatics in the visual sign and the determination of the relationship between them and its dimensions in the Iraqi poster.
As for the second chapter, the theoretical framework and previous studies, the research included two topics:
- The first topic (approaches of the deliberative dimension in the visual sign).
The second topic (the aesthetics of the contemporary poster).
As for the third chapter represented by the research procedures, the researcher followed the descriptive approach in the style of content analysis to achieve the objectives of the research. The research community included a group of contemporary posters obtained by the researcher through the Internet. The current research community reached 12 models. The research sample was intentionally selected according to a set of justifications. The research sample consisted of 5 models
As for the fourth chapter, it included the results of the research that the researcher reached through her analysis of the research sample models, the most important of which are:
1- The artworks presented a pragmatic dimension of the visual sign in various cases and methods of presentation as in all models.
2- The visual sign appears in a symbolic design style in order to achieve its deliberative purpose, as in all models.
As for the conclusions:
The diversity of showing the structure of the international dimension of the visual sign in1- contemporary times.
The design structure contained the international dimension of the visual mark in contemporary times2- and a function with a marketing purpose
The researcher recommended:
The researcher recommends encouraging graduate students to investigate the functional concepts of the visual sign and its effective role in society and in contemporary Iraqi painting.
The researcher suggested conducting a complementary study to her current research: The Visual Sign and its Deliberative Dimension in the Contemporary World.
The research concluded with sources and appendices

Education quality evaluation is one of the objectives of education quality. The evaluation includes assessing the education standards and academic program outcomes to develop intellectual, scientific and practical concepts for the educational structure. It considers the determination of the rates of the number of accepted students and graduates. The research focuses on "what are the levels of education quality according to the evaluation mechanisms in the design department" to enhance the quality system and the objectives of theoretical and applied education.
It is identifying the levels of education quality and evaluating it according to the numbers and rates of graduate students of the design department branches for morning and evening studies from 2003 to 2021. This represents the research community and its sample. Using the stratified approach and analyzing data and information in a sequential or orderly manner to reach the most important conclusions:
1-The levels of student admission numbers are unbalanced and unstable during the admission years, which affects the level of education and quality
2- The graduation rates ranged between 60% and 70%, which was the highest. The average GPA is 80% was almost a fixed percentage relative to the number of students in the three groups, which indicates cognitive support and a practical orientation that came with the standards of quality and learning

The current research, tagged (visual effects in contemporary animation design), discussed visual effects, creative imagination, design idea, and the employment of animation in graphic design using typographic units. Through the methodological framework, the researcher found his research problem clear through the following question: What are the visual effects in animation design contemporary?
The importance of the research is seeking to clarify the design concepts that will enhance the concept of technical development of software, the active contribution in consolidating the idea of dealing with those influences and modalities that guarantee positive results in achieving the applied aspects in their functional and aesthetic dimensions.
The aim of the research is to identify the visual effects in contemporary animation design.
The objective limits of research is the study of visual effects in the design of contemporary animation. The spatial limitation is the visual effects used in MBC Iraq.
In the period from 2019-2021. The most important terms mentioned in the title were identified. The theoretical framework in the first topic dealt with the concept of visual effects and creative imagination in the design idea.
The second topic is the employment of animation and typographic units in graphic design
The most important indicators that resulted from the theoretical framework were concluded, and the researcher did not find a previous study that was close to or converged with the current study.
1- The sample appeared expressive of visual effects in animation through imagination, idea and design.
2- The designers used the typographic units appropriately (image, shapes and text).
3- Animation was used to establish the functional and aesthetic dimension
4- The design elements and foundations had an important and effective role in distributing the design vocabulary and exploiting the dynamic space.
And he drew conclusions from it
1- The imagination and design ideas were clear through the role of the visual effect in the moving partitions
2- The use of vocabulary and typographic elements was expressive of the intellectual and aesthetic content
3- The rhythmic and dynamic organization of the elements and the method of their distribution had a role in creating a high-performance visual effect
The researcher recommended taking advantage of the results of this study to enhance the visual effects in the design of contemporary animation, which has taken a large part in the fields of making introductions and visual breaks to focus the importance of graphic design in society.
The researcher suggested conducting studies on the following:
1- Implications of graphic techniques on visual effects
3- Functional data for visual effects in graphic design