Al-Academy

The logos that are designed for specific purposes, such as the design logos of malls, bear typographical elements that represent pictorial symbols designed to express the distinctive feature of a product, company, service or entity in order to benefit in the process of distinguishing this mall from others and giving it an identity to describe the behavioral features of the nature of the mall and the level of services provided to the consumer.
The problem of the current research was established in the mind of the researcher through his observation and observation of the logos designed for malls located in the city of Baghdad, as he deliberated in his mind to search for the components of these designs through a scientific analysis of the typographical elements included in those logos and to stand on the symbols of signs and their relationship to the content of the malls aimed at presenting services to the consumer, so the researcher put the following question:
To what extent are the logos designed for the malls in Baghdad and the signs they bear consistent with typographical elements that give a suggestive indication of the place?
The current research aims to reveal the typographical elements that form the signs in the formation shopping logos (malls(.
Since the current research aims to (discover the typographical elements that form the signs in the formation shopping logos (the malls)), so the researcher adopts the descriptive analytical approach, as it is the most appropriate method to achieve the goal of the research.
The research community consists of the slogans of the home shopping centers (the malls) scattered in the city of Baghdad, which were established after the year (2003) and numbered (22) home shopping centers, and the researcher obtained these slogans through the information network (Net), so he considered it a community for his research, A random sample was selected from the research community, which amounted to (2) samples from the research community.
The most important results are:
1-The designer of the logo borrowed a symbol of civilization or heritage ... and others, as it represents strength, courage and dominance to give suggestive connotations of control and renewal, and it represents the goal of the shopping mall by bringing up everything new that meets the needs of the consumer.
2- It appears that the logo designer was able to harmonize between the idea, the borrowed form and the writing to operate the typographical elements within the design space, as in the sample (1).

The study aims to make modifications to a theory for calculating glaze components, which was developed by the German chemist H. Seger (1839-1893 AD) 130 years ago which was named after him. It is still effective even with the current scientific and technological development and the emergence of electronic programs for glaze calculations that relied on the basics of this theory. This theory has been subjected to a number of modifications, and there are still shortcomings in some of its applications. In this research, two “modifications” were made in the first one, the glaze ) Formula unit) was liberated from the constants of molar equivalent values and to facilitate the addition of components of any value while in the second modification, a mechanism was developed to calculate opacity with earthen alkaline (RO) and acidic oxides (RO2), the theory in showing opacification was limited to amphoteric substances (R2O3), and in application, the modifications showed their effectiveness.

Virtual graphics manifested in a modern and innovative design that captivates consumers with increased attractiveness and interactivity. Designers have become more focused on this field due to its utility in achieving remarkable results in marketing. Virtual graphics seamlessly blend reality and imagination to create stunning outcomes in the marketing process. This research explores the functional aspects of virtual graphics, specifically in the context of circular variations, changing sizes, and consistent, rhythmic movements within non-routine dynamics.
The research is structured into four chapters: The first chapter addresses the research problem through the following question: "What are the functional aspects of virtual graphics in the design of advertising products?" The research aims to uncover the functional aspects of virtual graphics in graphic design.
Key Findings:
Virtual graphics, with their diverse artistic and technical methods, serve as a powerful attraction for viewers, conveying values in an enjoyable and innovative format. They navigate seamlessly between reality and imagination, bringing the imaginative elements into the realm of reality with a semblance of credibility. Virtual graphics delve into various intellectual and artistic depths, revealing captivating, engaging, easily understandable, impactful, and aesthetically rich images

This research is concerned with studying the Aesthetics of design adaptation in the Ornaments of the Prophet’s kiswah. It also aims to provide the recipient with a wider scope to learn about the most important representations of design adaptation in terms of decorations, colors, styles, as well as technique and implementation. Conducted on the Prophet’s kiswah, the research included four chapters. The first chapter included the research problem, which was represented by the following question: What are the representations of design adaptation in the decorations of the Prophet’s kiswah?
The researcher limits the goal of the research, which is: revealing the representations of design adaptation in the decorations of the Prophet’s kiswah. The second chapter (theoretical framework) included a topic: Design adaptation between meaning and function. The third chapter included research procedures and relied on the descriptive approach. The research sample was selected according to the research tool represented by the analysis form, the validity of which was confirmed by a group of specialists in this field. As for the fourth chapter It included presenting the results, recommendations and proposals. As well as a list of sources.

This research was concerned with studying the design diversities in Moroccan calligraphy formations, as Arabic calligraphy received great attention from calligraphers, and was distinguished by the multiplicity of its types, shapes, and names, which indicates the development that Arabic calligraphy has witnessed. Through the context of these developments, Moroccan calligraphy came to express the role of Moroccans and their contribution to its development. The research included four chapters. The first chapter included the research problem, which was represented by the following question: What are the design diversities in the compositions of Moroccan calligraphy?
The researcher set the goal of the research, which is: revealing the design diversities in the compositions of Moroccan calligraphy, while the second chapter included two sections: the first: design diversity in the Moroccan calligraphy, and the second: the structure of the composition in the Moroccan calligraphy. The third chapter included the research procedures, and relied on the descriptive approach (method of analysis Content) The research community reached (51) samples of Moroccan script, and the research sample was intentionally selected with (5) models. This is followed by analysing the samples according to the research tool represented by the analysis form, the validity of which was confirmed by a group of specialists in this field, and then followed by Chapter Four. Which included results, conclusions, recommendations and proposals.

Electronic publishing has witnessed a remarkable expansion in an unusual scope, as those interested in this field began to increase, especially the segment of designers, as it began in a regulated manner, but it began to expand due to the important benefits it provides to all fields and to the field of interior design in particular. The current research is interested in studying The active role of electronic publishing in the field of interior design and the great services it provides in transferring and exchanging information and promoting design work completed by designers, whether individuals or companies, specifically for design. The research dealt with four chapters. The first chapter dealt with the research problem, which was defined by asking: Does electronic publishing contribute to promoting the work of the designer? Interior?, and included in its importance the role of publishing in conveying information at an almost record speed, and the goal of the research was evident in revealing the possibilities that electronic publishing provides for the interior designer to publish his work, and included within its objective limits a study of the possibilities of electronic publishing and in the spatial limit the Grand Beijing Airport and in the border The time frame is the period from 2013-2019, which is the period of completion of the project. As for the second chapter, which deals with its first two sections, the concept of electronic publishing, and its second section, techniques and internal spaces, and the means used by the designer that contributed to the speed of completion of the project, from drawing programs and means of communication that the designer used to complete his work. As for the third chapter, procedures. The study and the use of drawing programs that were applied to smart devices and the research sample on which the work was applied was the Greater Beijing Airport. As for the fourth chapter, the researcher discussed the most important findings that she reached, which is that electronic publishing contributed to the rapid transfer and exchange of plans and designs from the parent company to the work sites very quickly.

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The current research dealt with (the psychosocial concept in contemporary formation). The research included four chapters, the first chapter of which was concerned with the methodological framework of the research, represented by the research problem, which was determined by answering the following question:
The following two questions:
1-What is the concept of psychosocial and what are its manifestations in contemporary formation?
The first chapter also included the goal of the research, which is to identify the concept of psychosocial in contemporary composition.
The limits of the research were determined as follows:
1- Spatial borders: Europe and America.
2- Temporal borders: 1946-1996.
The second chapter (the theoretical framework for the research): deals with the following topics: The first section deals with the concept of psychosocial in art. The second topic: Psychosocial formation of postmodernism.
The third chapter was concerned with analyzing the research sample, which consisted of (3) samples. The fourth chapter is determined by the results of the research, including:
1- Social chaos and chaos are considered one of the manifestations of social psychology and one of its manifestations that can be clearly traced through the products of contemporary formation, as social disorder and chaos replace monotony, order, and arrangement, and are subject to the will instead of being controlled. Model (1 and 3).
2- The psychosocial concept was represented by an extremist tendency, which expressed itself by venting the growing anxiety in the depths of the artist regarding his psychological crises, which are directly related to the objective (social) given, pressing towards crushing himself, which led to his transformation into a mere number subject to the circulation of commodification and the philosophy of the market. Model (2).

In recent years, the world has witnessed tremendous development in the field of artificial intelligence, and its impact has cast a shadow on human life in general and on those working in the field of graphic design in particular. According to expectations, artificial intelligence will become an integral part of our daily lives, and graphic design is one of the fields that has invested in the developments of artificial intelligence. It has become possible to apply artificial intelligence techniques to produce designs more accurately and effectively. Thanks to advanced algorithms and software, it has become possible to create innovative and attractive designs faster and easier than before. As well as analyzing user data and understanding their behaviors and preferences, which helps create interactive designs that better meet their needs. In creating customized designs that adapt to the user’s behavior and provide him with a unique personal experience, it seems that artificial intelligence has brought about a clear change in the field of graphic design, and from here the research problem emerged (what are the changes brought about by artificial intelligence in graphic design?) and the research aimed to know the future effects. The potential impact of artificial intelligence in graphic design. The study dealt with, within its theoretical framework, two main axes: the first (artificial intelligence, origins and development - advantages and disadvantages), and the second (the effectiveness of artificial intelligence in graphic design). The research adopted the descriptive approach and the content analysis method to analyze nine research samples to reach a number of results. The conclusions, including:
1. Artificial intelligence has the ability to classify different input data and use a certain part of the data as needed in the future.
2. AI tools in graphic design are unable to “think” independently as they are unable to assess the context in which the task should be performed.

The current study is concerned with the color enrichment of plant leaves in environmental printing because of their aesthetic and artistic values that work to achieve the expressive dimension in graphic works. The research included four chapters. The first chapter contained the research problem, the importance of the research, the need for it, and the goal of the research, which includes: producing graphic works by employing plant leaves with various color effects using environmental printing technology. The first chapter also contained the limits of the research and definition of terminology. The second chapter included the theoretical framework and previous studies, which contained two sections. The first section included color and its physical effect. The second section included environmental printing, its techniques and characteristics, while the third chapter included research procedures that included the research community, its sample, and the methodology. Research in addition to forming models using environmental printing technology. The fourth chapter included the results of the research, the most important of which are:
1- The stabilizing agent iron (II) sulfate in (Model 2) indicates shades of orange in the work floor and black and green in the plant.
2- 2- The stabilizing agent sodium chloride (table salt) in (Model 3) indicates a gray and black color, and also the deer blood powder gives shades of a clear orange color. As for the conclusions: -
1- The change in color gradients is directly related to the stabilizing factors.
2- Some of the colors obtained were not the same as the color of the original plant, and the plant left different colors by changing the type of stabilizers.
The research also included a list of sources, references, as well as a summary of the research in English.

The film business is one of the many industries that artificial intelligence is inexorably involved in due to the rapid advancement of technology. Artificial intelligence benefits the industry at every stage of the production cycle. This paper focuses on five phases: script writing in AI, picture generation in AI, voice recordings in AI, make animation in AI, movie editing, with a presentation of artificial intelligence tools.
This research highlights that artificial intelligence (AI) technology and human artistic production are essential for the robust growth of the film business only when they complement one another by examining the advantages and possible hazards. The research encourages the new trend towards employing artificial intelligence to produce short films for graduate and undergraduate students, researchers, and those interested, and to benefit from the free features available on artificial intelligence websites that do not require expensive purchases to obtain benefits.

There is no doubt that furniture is a representation of human concepts, values, requirements and needs, and despite the modernization and contemporaneity that has accompanied furniture design from the era of Mesopotamia to the present day in order to secure the needs of the user and the efficiency of the design, therefore the two researchers took the importance of the reflections of Mesopotamian furniture in contemporary furniture design due to its aesthetics and shapes. Therefore, the problem of the research lies in the following question: - Is it possible to employ the aesthetics of Mesopotamian furniture designs with its symbols and shapes in contemporary furniture design to ensure the achievement of cultural communication between the past and the present and consider it as a design basis? The research also aimed to reach the creative ability of the Mesopotamian design principles and consider them a design foundation that achieves aesthetic aspects in contemporary furniture design. The two researchers also reviewed the theoretical framework, which included an introduction to the arts of the Mesopotamian civilization, the design principles of Mesopotamian furniture, and the Mesopotamian aesthetic influences in contemporary furniture design. As for the keywords lost, they were specified as (aesthetics, Mesopotamia, contemporary) and the most important results and conclusions were reached, the most important of which was (that the uses of Mesopotamian furniture, with the qualities of flexibility and shaping in furniture design, are consistent with the characteristics of furniture design thought for the post-modern period, The combination of past and present has characteristics and features that can be employed in industrial design in general and contemporary furniture design in particular.

The current research explores the identification of digital technologies and the artistic and aesthetic use of the computer, as a digital alternative to traditional Dimmer lighting control devices in contemporary theatrical performances, and the artistic and technical treatments it provides and multiple creative options in light constructions on the physical, artistic and technical levels based on its achieved characteristics. In proposing a digital control device (Dimmer) to become an experimental mediator in achieving the creative hypothesis, which determined the research with a pivotal goal: identifying the technical characteristics of the digital alternative of the Dimmer device in contemporary theatrical lighting, which can be summarized in the following question: How is digital technology employed using a device? The computer is an alternative to traditional control devices in organizing, distributing and shaping theatrical lighting on stage, in a way that is compatible with contemporary digital technology. The research comes within its objective limits stated in its methodological framework, which are: the digital alternative to the digital dimer control device, and the technical treatments it provides in lighting constructions based on its characteristics achieved in the design and distribution of lighting devices on stage. The research included a methodological framework in which the researcher defined the research problem, its importance, the need for it, and its goal, and also defined its terms procedurally. The theoretical framework included two sections: the first section: digital technology in theater, and the second section: the technical work of the digital alternative to dimers. It ended with indicators from the theoretical framework. In the research procedures, the researcher used as a sample of his research the model play (Al-Hussein Now) by director Aqeel Mahdi. The researcher concludes the conclusions of his research, the most important of which are:
1. The digital alternative of the Dimmer is characterized by high flexibility in working, designing and implementing according to the programs that are originally stored in the computer or that are purchased and worked on.
2. Treatment with a digital alternative to the dimer achieves a profit by reducing the material cost, compared to the traditional dimer, in addition to the weight, size, and lifespan, in addition to the time factor.

Baghdad The historical event has a very important role and has a significance related to the determination of space-time as one of the basic factors for understanding design at the conceptual level, and the integration of design with a specific time and place helps in achieving balance and interaction between the elements within the space and enhances the understanding of identity and the general vision of the place, and from this point of view the research problem was the following question: "What are the mechanisms for achieving communication in historical spaces and what did the formation in them in space?" The objective of the research can be determined by: Detecting the internal spaces that witnessed historical events throughout modern local history, and finding design foundations to preserve these spaces, including their material and emotional connotations that achieve communication through their components, the current research included two sections, the first topic is communication through the components of the internal space, the second topic is the levels of achieving space-time communication in the internal space, while the researchers used the descriptive approach to analyze the research model in his research procedures for their compatibility with the requirements of his research and the achievement of the objectives, While the current research community included local heritage cafes in Baghdad, and a heritage café was chosen intentionally (Al-Zahawi Café Al-Rashid (The researchers prepared an analysis form and reached the most important conclusions: 1. The communicative dimension is the ways and means through which the design objectives of the café can be achieved,2. Space-time communication is the apparent verifier between the café and its users, and it appears through the extent to which the café's patrons accept and react towards the services and activities provided by the café

System repercussions of the modern scientific and cognitive system lead design and concept to the application of a type of organized strategy to achieve a high level of aesthetic and cognitive creation. Therefore, it becomes necessary to employ visual language expressive of the image in line with the cognitive aspects representing part of those System repercussions. Consequently, what visual and intellectual paths carry in terms of implicit and apparent languages form a nerve to generate understanding and interpretation to achieve communication. Research problem: What are the deviations realized by the visual and intellectual paths of the journalistic image in magazine cover designs? Research objective: To uncover the deviation of the visual path of the journalistic image and its reflections on changing the intellectual path in magazine cover designs. Key findings: The use of Symbolic shorthand in magazine cover designs to model number (3) showed the possibility of simplifying the visual context of the image, which in turn reflected on simplifying and enhancing the intellectual path to achieve communicative dimension. Conclusions: The visual path of the image actively contributed to deviating the intellectual path towards interpretive and analytical trends carrying implicit semantic depth beyond the apparent semantic meaning of the image.

The current research is concerned with studying the techniques for displaying distorted sculpture in contemporary art, as we addressed the topic of distorted art, and examined the techniques for showing it in three-dimensional formation. Within spatial boundaries that we limited to the continents of Europe and America) and temporal boundaries (1990 - 2020 AD). The research was structured in four chapters. The first chapter included the methodological framework of the
research and several titles that represent the general picture of scientific research. As for the second chapter, the theoretical framework of the research, it included three sections. In the first section we dealt with the concept of anamor physique, while the second section was devoted to studying the art of distorting the perspective of authorities and institutions. As for the third section, we presented a brief study of display techniques in contemporary sculpture. Then we concluded the chapter with indicators of the theoretical framework. The third chapter devoted the research procedures to looking at the research community, and explaining all its realistic details, and what are the most important sources for finding the original community, as well as identifying the sample, as there were four deformed sculptural works as models for the sample, and we relied on observation as a tool. For research, the chapter then included an analytical study of selected or intentionally selected models. The fourth chapter included a set of research results and conclusions, including: - Contemporary sculptors relied on algorithms and mathematical equations as one of the techniques that enabled them to create distorted subterranean formations. Then we concluded the research with a set of service proposals and recommendations for institutions related to the research topic.

This research delves into the depths of cultural marketing and its significance in shaping contemporary graphic achievements. The study addresses how cultural marketing is used to influence audience interactions and responses, especially amid the rapid transformations in the design field. Thoughtfully crafted messages are promoted, targeting audiences with specific cultural backgrounds, leveraging diverse cultural references such as language, customs, traditions, and religion, to achieve a profound and lasting impact. The research highlights the increasing importance of understanding how prevailing environmental and social factors influence the audience's comprehension and acceptance of design works, particularly in the fields of tourism and graphics. Design with a cultural dimension serves as a bridge for effective communication and the enhancement of cultural identity. The research aims to define the strategies of cultural marketing and their reflections in contemporary graphic design, identifying the importance of this study for students and professionals in this field. The research includes a definition of the concept of cultural marketing and its impacts, providing recommendations and suggestions for its effective application in graphic design. The study focuses on forming a conceptual and practical knowledge framework for understanding and applying cultural marketing in the field of graphic design.

Artificial intelligence systems programs contribute to the creation of ideas, programs and methods through the computer that are actually achieved in terms of goals. This research discusses the impact of the development of the fields of art, including the art of contemporary graffiti through the Pixler digital photographer, and accordingly consists of the first chapter of The research problem, the goal of the research, its limits, and the terminology of this study. The second chapter consists of the first section, entitled the generation system in artificial intelligence programs, and the second section, artificial intelligence programs in contemporary graffiti, and then the research indicators. As for the third chapter, which consisted of the research procedures and methodology, the research community, and the reasons for choosing the samples, leading to the descriptive analysis that is compatible with the goal of the research, as for the fourth chapter, the results are presented, which are linked to the research problem, conclusions, sources, and references. One of the results of the research came, the Pixler program feature is a feature in which it is divided the image of the original model is divided into several different snapshots, up to ten slides out of one snapshot, and then it is transformed into an application proposal through which the manual printing formula is repeated within the mechanism of this artificial program.

Modern technology is a powerful tool in the teaching process for different stages of education, as it provides a set of benefits that enhance the teaching and learning processes as it provides digital reading platforms and smart applications, and the opportunity to have immediate access to a wide range of stories and anecdotes, which encourages the diversity of children’s reading and broadens their horizons. cultural; There is no doubt that the availability of digital stories for children enables direct interaction with texts and cognitive content, as this type of stories combines audio, animation, and interactions that enhance the pleasure of reading and make children feel greater participation in the world of the story and a deep understanding with a broad imagination that leads to innovation and creativity. The current research project aims to take advantage of the capabilities of artificial intelligence technology in drawing some Omani folk stories through the use of the descriptive analytical approach and the quasi-experimental approach as effective means of transferring stories and anecdotes to the world of children, while providing opportunities for digital reading platforms and smart phone applications for children and access to... Rich and diverse content of Omani intangible heritage stories in modern, contemporary forms with ease. The project to digitize Omani popular stories in digital form is considered one of the basic outputs of this project, with opportunities to apply them in the educational aspect in ways characterized by creativity and innovation through applications of artificial intelligence technology.

The concept of stylistic diversity has an important role in reading contemporary literary and artistic texts, because it is an outlet for departing from the traditional framework of creative work, in which both the recipient and the producer interact in understanding and reproducing it. In turn, it helped to show many concepts related to artistic work from the outside because it is an important communicative and intellectual means. . The current research is to study the stylistic diversity among the sheep Hazem Al-Zoubi, which contained four chapters, the first chapter of which focused on the methodological framework of the research in stating the research problem, which was determined by answering the following question: - What is the stylistic diversity among the sheep Hazem Al-Zoubi? . Then comes the importance of research and the need for it to contribute to highlighting the stylistic diversity in the works of Al-Kharaf Hazem Al-Zoubi. It also contained the goal of the research, which is: identifying the stylistic diversity in the works of Hazem Al-Zoubi. The limits of the research were limited to studying the stylistic diversity in the works of the potter Hazem Al-Zoubi from (1985-2020), in addition to defining some of the terms mentioned in the research. The second chapter included the theoretical framework and previous studies. The theoretical framework contained two sections. The first section dealt with stylistic diversity conceptually. The second section is contemporary Jordanian ceramics. Then the indicators resulting from the theoretical framework. The third chapter included the research procedures, which included the research community, its sample, and the research tool, and the analysis of the research sample models. (5) models from the research community were intentionally chosen, while the indicators that resulted from the theoretical framework were adopted as criteria for analyzing those samples, and the descriptive approach was used for the analysis. As for the chapter The fourth contained results, conclusions, proposals, and sources. The researcher reached a set of results, including:
1 - The potter relied on stylistic diversity to achieve interaction between the ceramic work and its surroundings.
2- In his ceramic achievements, the potter borrowed vocabulary from the cultural heritage and also embodied the concept of nature through his multiple colors and various techniques in producing ceramic work.

Governments and international institutions have encouraged their citizens to embrace the principle of sustainability in designing architecture and interior spaces. Interior design, incorporating new and contrasting concepts, is a crucial issue for designers and developers, especially with emerging challenges in the vast practical and technical advancements influencing design content and spatial arrangements. This research addresses the extent to which interior designers comprehend the concept of contrast and its sustainable role in designing interior spaces for kindergartens, achieving functionality for sustainability. The significance of providing a healthy environment for children in kindergartens, a key concern for interior designers in line with sustainable contrast, is emphasized. The theoretical framework in the second chapter covers the concepts of contrast and its application in interior design, along with sustainability and its role in designing interior spaces. The third chapter outlines the research methodology, relying on a descriptive approach to analyze the research model. The fourth chapter presents the research results, highlighting that natural and artificial lighting systems used in educational and service spaces in kindergarten environments achieve functional and aesthetic aspects. The conclusions emphasize that designing for a sustainable environment is a global design trend focusing on the vital relationship between humans and the interior environment through sustainable contrast

The post-modern period witnessed the emergence of advanced artistic methods due to many aesthetic and artistic variables, which formed the basis for the emergence of new and innovative concepts in the field of design that were affected by these variables, especially the emergence of the school of hyper-realism, which tends to dazzle the recipient with the ability to formulate an artistic work that conveys the smallest details. Similar to reality through a creative simulation that has its own unique features, and whose formal features and artistic trends began to spread in a hyper-realistic design mixture that inspires astonishment for those arts that gave the designer a new way of presenting ideas and a different vision for design, and in an era where machines have become the leaders in achieving what he is unable to achieve. Humans have the same level of accuracy. Artificial intelligence techniques have emerged with great effectiveness in the artistic and creative field, paying attention to the high quality of the design work and its precise details by finding many innovative alternatives. Artificial intelligence has saved a lot of time and effort thanks to its capabilities in selecting ideas with ease and high accuracy. During the adoption of artificial intelligence, which derives its components from the need of society, as it is considered a creative art that carries a purposeful artistic message in attracting the attention of the recipient. The second chapter included the theoretical framework in two sections.The first section: The origins and concept of hyperrealism, the intellectual creativity of hyperrealism, the aesthetic dimensions of hyperrealism, while the second section: It included the emergence of artificial intelligence, the artificial intelligence technology for hyperrealism, applications in hyperrealism, and the third chapter included the research procedures that The descriptive approach was adopted to analyze advertising posters for Walt Disney Company’s American films for the period (2014-2019), and the fourth chapter included results, conclusions, proposals, and recommendations.

The cyborg represents a technological policy based in part on the revolution of social relations in our current era, where the concepts of nature and culture are being reformulated by redefining relationships of polarity and hierarchical dominance, as humans witness for the first time in Its history and its unprecedented qualitative development. This development, accompanied by tremendous technological progress, is a real result. Transhumanism has led to the destruction of every governing principle and definition of the human condition. Therefore, the cyborg is not just the body of a cybernetic living being, but an open system that operates without fixed boundaries. It allows for endless interactions and future transformations. Hard to predict. . Nietzsche, the philosopher of nihilism, could not have imagined that his concept of the superman or the superman, as a being capable of creating his own values and extending them according to the premise of the will to power, had taken a completely different image. His liberation from his biological nature, which had made him an incomplete existence and a weak human being. The biological human being, burdened by disease, epidemics, and death, now yearns for immortality, happiness, and the elimination of old age, with the possibilities provided to him by technology-scientific technology to change his nature through human/machine hybridization, and then modify his ontological status to make it impossible. From a defeated being whose characteristic is weakness and humiliation, to a deified human being who does not know any form of weakness or deficiency, a human being capable of creating his own nature. This new transformation is a new situation that has resulted in a new ideology that has become widely spread in the United States of America, which is called transhumanism and post-humanism. Posthumanisme.. In the eighties of the last century, a new contradiction emerged with the introduction of the computer and artificial intelligence, as the media changed, which affected the role of the artist, who became a programmer, engineer, and scientist, as the transformed culture imposed on the artist an artistic model linked to the transformations and developments of the era.

Artificial intelligence has entered many aspects of our lives, and design is by no means an exception. In the past two years, we have witnessed rapid development in this sector. Many new solutions have emerged, flooding the software market and providing opportunities for designers to change the way they create and collaborate. In this article we provide an overview of the current use of AI in graphic design and discuss the role it may play in the design process. The primary goal of AI tools in graphic design has been optimization and speed – replacing designers in doing repetitive tasks or analyzing massive amounts of user data to create better solutions. Today, AI not only speeds up processes, allowing designers to focus on the creative part of their work, but also creates designs from scratch by following user inputs.
Today, AI has been integrated into a variety of economies, and the design industry is no exception: AI is increasingly being applied in the development of design products and services. However, as technological breakthroughs rapidly shift the boundaries between work tasks performed by humans and those performed by machines and algorithms, global labor markets are undergoing major transformations. This raises the question: How are these changes impacting and will continue to impact the work of designers in the future? What skill sets are needed for designers to start or continue working in this industry? The article aims to conduct a meta-analysis, summarizing research on the impact of artificial intelligence on the professional activity of the designer and testing the capabilities and results of design solutions based on artificial intelligence. Research methods - theory - research and analysis of literature and Internet resources; Experimental – a case study to analyze the possibilities and outcomes of AI-based design solutions.

Creativity is an essential feature of graphic design, as designers rely on creativity to create attractive and effective designs that meet the needs of the target audience. In recent years, the field of graphic design has witnessed rapid development in the field of artificial intelligence, as it can help designers create new and diverse creative designs. Graphic design is one of the artistic and technical fields that requires creativity and innovation, but it also faces some challenges and difficulties in the design and implementation process. Therefore, artificial intelligence technology has an important role in improving and facilitating work in this field, by providing many tools and software that use artificial intelligence in design. Graphic design, which is characterized by its ability to provide smart and innovative suggestions and improvements to designers. This research aims to review the importance, benefits and advantages of using artificial intelligence in graphic design, and how it can contribute to enhancing creativity and design efficiency, as well as highlighting the idea that artificial intelligence is an auxiliary factor to intelligence. Humanity, which is irreplaceable.
The research concludes by emphasizing the importance and benefits of using artificial intelligence in graphic design, and how it can contribute to enhancing creativity and design efficiency.

Ecology is the science that summarizes the fundamental relationship between man and nature to know the sensory repercussions that occur to man and are reflected in his daily behavior and his production, which varies in its evidence according to what researchers reach in this way. We wanted to address in this research the most important ecological influences in the design of fabrics and fashions, and we found The environment is the most comprehensive container for the aesthetic concept that we seek , In all cases, we return to the environment as the pulsating nerve of everything that a person sees, and at the forefront of the things that are affected by the environment are the arts and fashion design in light of the sensory response between the person and the components of the environment, and natures, colors, compositions, and materials emerge from that, as we see the environmental influences on creative production in general and Fashion in particular because it relates to our daily lives , The theoretical framework included two sections, the first of which was concerned with the concept of ecology, while the second section was concerned with the ecological influences on the design of fabrics and fashions by getting to know the most important fashion designers in the world who were influenced by the concept of ecology in light of the sensory response between humans and the components of the environment, and the natures, colors, compositions and materials that emerge from that, from here. The researcher reached the most important results, including that the design results achieved by fashion designers, which are consistent with the latest findings in ecology, express extremely creative future prospects..

The research was interested in studying the formal variations in the architecture of calligraphic structures, as the art of Arabic calligraphy and the art of Islamic architecture share a close relationship formed through the geometric feature and the standard ratio that controls the measurements of letters, as well as the characteristics that help it build and form letters and words in calligraphic structures bearing the geometric architectural character that It simulates the building and construction of buildings and architectural elements represented by domes, minarets, and arches, especially in the Kufic and Thuluth script. The research included four chapters.
The first chapter dealt with the research problem, which posed the following question: (What are the formal variations in the architecture of linear structures?) The research aims to reveal the formal variations in the architecture Linear structures.
The second chapter included the theoretical framework and previous studies and touched on the following topics: The first topic is the constructivism of architectural calligraphy, while the second topic is the computer and its role in processing lines. The third chapter includes research procedures that include following the descriptive approach (content analysis) in light of a research community that includes (42) forms. (4) samples were selected to represent the research sample based on the purposive selection method. The research tool (analysis form) was designed and presented to a group of experts to obtain validity and reliability and then analyze the sample. As for the fourth chapter, it contained the results, conclusions, recommendations and proposals.

The environmental concept has come to frame contemporary compatibility relations in interior design, through the prioritization of the physical use of natural components and systems contained in the environment (including means of ecological integration). Artistic and creative treatments are constructed according to design outputs that include functional needs data. The interior and nature of living components and the resulting frequencies to achieve interspace (ecological) harmony and adaptation reflect natural and man-made environmental sustainability.

The idea of the research is to employ Artificial Intelligence (AI) tools used in generating preliminary drawings and designs in fine art and sculpture in particular, and ways to benefit from them in helping artists and art students and presenting different ideas and styles, as well as saving effort and time and with high accuracy keeping pace with contemporary developments, and after reviewing the Sources and the Internet: About 50 regular and generative artificial intelligence tools were identified, which differ in terms of characteristics, methods of use, ability to generate various outputs, and the work and application of them. Three of these tools (Pixler AI - Midjourney – Fooocus AI) were chosen to be the applications that generate models for our research sample, which resulted in the Midjourny tool being distinguished due to its distinction in providing sculptural designs that carry high aesthetic and standard values, so it is considered the best. In terms of its use in generating and creating innovative and diverse drawings and sculptural designs, it is followed by Pixler and then Fooocus