Journal of Al-Farahidis Arts

The poetic self of a poet expresses the emotions within them, which are then revealed to the audience. This manifestation within the self uncovers the poet's psyche, allowing for a study of their psychological state and revealing their character and feelings towards others. This is conveyed by the poet in their poetic output through their unique sense of place, feeling, or emotional depth, which others may not possess. Of particular interest here is the study of this self in the Andalusian poet Ibn al-Khatib, whose poetry is renowned for its depiction of place and its era. He was a poet of distinguished standing, which encouraged scholars and researchers to direct their studies towards the manifestations of the poetic self he displayed. These manifestations revealed his hidden feelings and emotions

Hassan bin Thabit took the lead and the authority in defending the person of the Prophet ﷺ and the right of Muslims to believe, have faith, and live. Given Hassan's literary legacy and historical symbolism in the Arab poetic memory, he strove to find ways of defending by searching for and investigating the flaws of individuals in particular and criticizing the polytheists in general, for a noble purpose: to remove the threat and treachery from the foundation of the Islamic religion. This was done in a way that would limit the polytheists' insistence and their pursuit of harming the person of the Prophet ﷺ as a symbol, firstly, and to diminish the value and entity of the polytheists, secondly. Therefore, this research came with this title, with the aim of revealing the meanings upon which he based the construction of his poetic text as a axis from which he launched his defense and response, and his demolition and construction. He would defend and demolish what came and went, and respond and build with what he had of news that would harm the opponents and strengthen the internal morale in the community of the Companions

This study explores the allure of symbolism, the aesthetics of suggestion, and the openness of meaning in Ajwad Mujbil’s poetry collection “Al-Ma‘tash.” The work is approached as a poetic text that thrives on implication rather than direct statement, creating a dynamic interplay between image and meaning, and between language and the manifestations of existence. The research views the symbol as a creative device for generating meaning and evoking the hidden layers of the text, while suggestion operates as the aesthetic force that expands the poem’s interpretive horizons. Through examining the poetic structure and symbolic patterns, the study aims to reveal the mechanisms by which meaning is formed and how language transforms into an expressive energy that transcends surface reference toward a contemplative realm linking the personal with the universal. In this light, the collection stands as a model of how poetry engages with the questions of being and beauty through a symbolic and suggestive system that balances ambiguity and clarity, sensuality and thought, rendering meaning as an open and inexhaustible experience

No doubt , antonymy is one of the ways of the growth of and its extension. The origin of antonymy lies in words. Ibn Faris in his dictionary Maqāyīs al-Lugha made antonymy in the semantic origins of roots. For example, we find him title an origin from the origins of linguistic root with the meaning of another origin from the same root. We preferred to trace the opposite semantic origins for the same root in antonymy. We have found that they are 14 roots seven of which are antonymous to its origins as Ibn Faris. The other seven roots were not mentions as antonymous to its origins. Therefore, the research is divided into parts. The first part tackles the seven roots as announced by Ibn Faris. The second part is dedicated to the other seven roots. We have three roots for each part because of the limitations of space. Finally, the research ends up with the main findings of this study

Textual thresholds are the primary keys relied upon by the novelist to establish interaction between the reader and the text. They represent a core aspect in shaping the reader's expectations and creating suspense during the reading process. These thresholds serve as the first aesthetic entrance that attracts readers and enhances their desire to engage with the novel. This research highlights the role of these thresholds in generating suspense for the reader, as each of the cover art, title, dedication, and preface contribute to capturing the reader's attention and excitement. The novelist has employed these thresholds as an effective tool to draw the reader in and stimulate their desire to read the novel.
Textual thresholds are essential elements that attract readers to the literary text; they are the first step in communication between the text and the reader. The three thresholds in the desert novel are a fundamental entry point for the text, contributing to the creation of suspense and maintaining a strong relationship between the reader and the narrative text

The Arab scholars made prominent efforts in Arabic grammar and their efforts became prominent in their works, including Al-Farsi, that grammarian who was distinguished by his understanding and diversity of perceptions, as I showed in this research the evaluative rulings used by a scholar who served Arabic. This research entitled (The rejected grammatical evaluative rulings of Abu Ali Al-Farsi (d. 377 AH) came to address the subject of the rejected grammatical rulings, and one of the most important justifications for this research was that Abu Ali Al-Farsi used the rejected rulings frequently as evaluative rulings on the grammatical overlaps that violated analogy, and I did not see anyone who was biased towards a specific school of thought, as he rules on the grammatical ruling according to hearing and analogy, so the research plan came in two chapters preceded by an introduction, so the grammarians issued different rulings and multiple expressions indicating that a grammatical structure is incorrect, and they ruled on them according to their rejection, some of which were criticism of the structure and some of which were rejected with a definitive rejection. Kingdom of Saudi Arabia) |There are two types of rejected rulings: the first type: rulings that are rejected with a non-definitive rejection, and the second type: rulings that are rejected with a definitive rejection

This study analyses the semantic domains of animal-related terminology and explores their connotations and meanings in Fath al-Qarib al-Mujib, authored by al-Fayyumi. This study seeks to elucidate al-Mundhiri's interpretations of the esteemed hadiths in his work al-Targhīb wa'l-Tarḥīb. He employed a strategy of simplification, elucidation, commentary, and categorisation, delivering a thorough scientific analysis in reading the hadiths, whose subjects spanned various facets of life. This research functions as an educational resource that illustrates human responsibilities in both this life and the afterlife, as well as obligations owed, in accordance with the teachings of the Messenger of God (peace and blessings be upon him). We selected hadiths containing terms related to animals from the corpus of noble hadiths to analyse their semantic fields, facilitating an understanding of the hadith itself and the linguistic terminology inherent in its deeper semantic meaning. Accordingly, the results of this semiotic study became clear, in that the field indicating words related to animals is divided into signifiers related to animal names, and others related to their sounds, and is closely linked to the concept of the era, because linguistic symbols carried temporal indications that modern civilization changed in the use of many of its terms, to turn its pages, and to continue to guide us to past history, and the activity of the Arabs during the era of the Prophet - may God bless him and grant him peace - with all that this activity knew of the connection of linguistic terminology to aspects of the economic and social life of the Arabs

Symbolism in modern Islamic poetry represents a fundamental pillar of poetic structure, not merely a decorative stylistic element. The theoretical and analytical chapters have demonstrated that Islamic symbols are carefully employed to convey doctrinal, ethical, political, and aesthetic meanings, enabling the poet to express their concerns in suggestive ways that transcend direct discourse and stimulate the reader to reflect and participate in the production of meaning. Modern Islamic poetry has witnessed a remarkable development in its expressive tools, most notably symbolism, which has become a prominent artistic means of conveying doctrinal and social messages. Nevertheless, symbolism in this poetry remains a subject of critical debate, as its methods of application and connotations vary from one poet to another and from one context to another. This study aims to uncover the aesthetic and expressive functions of symbols in modern Islamic poetry

The study proved that the Quran does not place a word before or after another word except for a specific reason and purpose, known to some and unknown to others. The Arabs in the pre-Islamic era were an eloquent and articulate people, possessing a high degree of rhetoric and expression. They did not adhere to any rules in their speech; their aim was simply for the speaker to convey their intended meaning. If the speaker did not express the essence of what was in their heart, then their words were merely words. When the Quran was revealed to the Arabs, they found themselves before a magnificent and awe-inspiring force. They felt weak before this great and flawless perfection, and they could not produce a verse like it, despite the eloquence of their tongues and the rhetorical brilliance for which they were known and renowned. They acknowledged its eloquence, and their hearts became attached to it. This led scholars of Arabic, both ancient and modern, to draw inspiration from it in matters of rhetoric and linguistics. Numerous studies have been conducted to uncover its hidden gems, and scholars have dedicated their pens to explaining the aspects of its miraculous nature, eloquence, and rhetorical power

This research aims to study the image of women in the poetry of Omar Al-Anaz, and to reveal the manifestations of beauty and alienation as two central dimensions in the representation of femininity within his poetic experience. The study begins with the premise that women in Al-Anaz's poetry are not presented as a traditional, romantic presence, but rather take on symbolic and aesthetic dimensions that intersect with questions of self, existence, longing, and alienation. Given the breadth of the poet's experience and the multiplicity of his collections, and the research scope that this entails which exceeds the limits of this study this research does not claim to be a comprehensive overview of the image of women in all of Omar Al-Anaz's poetry. Such a project would require an extensive study that could be undertaken in a master's thesis or doctoral dissertation. Therefore, the research is limited to the collection " Khajlan Yata’araq al-Burtuqal" as an applied model revealing the most prominent representations of women and the manifestations of beauty and alienation in his poetry. The research is divided into three applied sections. The first section dealt with the study of women between beauty and myth, the second section dealt with femininity and fertility as manifestations of beauty, while the third section dealt with love and passion between longing and alienation

This research is titled "Types of Al-" in Arabic and the Grammatical Disagreement Therein." The reason I chose it was the multiplicity of types of Al-"al" and the multitude of its rules, connotations, and meanings. It poses a challenge for learners and requires extensive research to fully understand it. Being a fundamental and important topic, it deserves to be considered a research paper.
As for the lesson plan, I divided it into an introduction, a preface, four chapters, and a conclusion. I used the preface as a gateway to the research chapters. The four chapters include the following:
The first chapter: The definite article "al".
The second chapter: The redundant article "al".
The third chapter: The relative article "al".
The fourth chapter: The grammatical disagreement regarding the definite article "al".
The research concluded with a conclusion that included the most important results and benefits I reached through the research..

The process of poetic vision constitutes a unique perspective from which the poet’s philosophy toward things emerges. The poet’s visual (ru’ya) and visionary (ru’ya) observations reflect their philosophical depth and their method of reinterpreting reality and expressing poetic consciousness that arises from both emotion and imagination. This study selects two prominent examples from Arab poetry: the Egyptian poet Salah Abdel Sabour, who represents the realism of daily life, and the Syrian poet Ali Ahmad Said (Adonis), who embodies the intensity of poetic awareness

Narrative is a crucial element, as it encompasses events, characters, time, and space, preserving the harmony between prose and poetry through linguistic and intellectual diversity. It has also expanded to accommodate multiple discourses. Based on this technique, this study focuses on narrative and its role in constructing the artistic and aesthetic structure of Sharif al-Murtada's elegiac poem. It attempts to understand the narrative techniques employed in the poem, exploring its artistic features and semantic dimensions by dissecting and deconstructing its structures and analyzing its layers according to the mechanisms of narrative formation established by narratologists and those working in this field.
Narration is a vital element, bringing together events, characters, time, and space, among other things. The study proceeded in its endeavor from within the poem of Al-Sharif Al-Murtada, adopting examination and inspection as a method to investigate the narrative styles and techniques. It was organized into an introduction and two sections. The introduction included four axes, the first of which was in defining the conceptual dimension of narrative, the second was in examining narrative in ancient Arabic poetry, the third was an overview of the poet’s biography

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There is no doubt that eery grammatical aspect that the structure bears in the context in which it is mentioned has a grammatical chapter that refers to it, and the closeness of the meaning of some grammatical chapters - especially the accusative ones - may lead to overlap in parsing, knowing that this overlap is in itself an important aspect of the flexibility of the Arabic language. And evidence of its vitality, It is also no secret that the grammatical chapters in the accusative case share a general function, meaning (clarification and clarification), which is what Ibn Hisham Al-Ansari noticed and counted among the (similar accusative case). When we parse the direct object, for example, we clarify it and distinguish the association with others, and thus it seems clear about jealousy, The matter applies completely to (the absolute object), so we explain and clarify the matter when we confirm it so that the understanding does not confuse with anything else, or we explain its number or type depending on the choice of this or that chapter that comes to mind..

Language describes events associated with time using specific temporal forms. The discourse then shifts from this expected timeframe to a different grammatical tense. The Holy Quran employs this technique in several places and with varying grammatical tenses to engage the reader, renew their interest, and prevent boredom and weariness. This also serves aesthetic purposes, adding beauty, variety, and appeal to the discourse, drawing the reader in with attentive listening, awareness, and enjoyment. Furthermore, the text may shift to another tense for the purpose of persuasion and influence, depending on the context and the context of the discourse. For example, expressing future events in the past tense emphasizes their occurrence and portrays them as inevitable, thus influencing the reader and leading them to a particular belief or action

This study aims to explore the effectiveness of the role of public relations in managing reputation and public image among university students, based on the perspectives of students at Imam Ja'far Al-Sadiq University (PBUH), using a non-probability, purposive sample of size (100) students from all academic stages, to improve the effectiveness of these relations through creating a questionnaire that included four domains: such as "The extent to which public relations performs it's basic functions, The role of public relations in improving the university's institutional reputation, The role of public relations in building the University's public image, and students' opinions on the effectiveness of public relations". And through the percentile relative efficiencies of the global mean of score –PGMS index, which were estimated by: {75.3, 75.70, 80.70, and 75.13} respectively, are accounted significant contingency coefficients between redistribution of the PGMS and Socio-Demographic Characteristics of the studied respondents, represented by (Age and Educational stages), at with at P<0.05..

The research addresses the topic of news coverage of the aggression on Gaza on the Iraqi Al-Rafidain Channel and its impact on the Iraqi public, through a comprehensive survey study. The study reached several main conclusions that highlight the importance of Al-Rafidain Channel as a primary source of information about the aggression on Gaza, as many Iraqis rely on it to form their opinions and attitudes towards the events.
The results showed that the channel's news coverage contributed to increasing feelings of anger and resentment among the public towards the aggression, and also enhanced the feeling of solidarity and sympathy with the Palestinian people. This effect extended to include forming supportive attitudes towards the resistance movements and factions in Gaza, indicating the channel's ability to direct public opinion towards supporting the Palestinian resistance.
Despite its prominent role, it was found that Al-Rafidain Channel enjoys medium credibility among the public regarding its coverage of the events of the aggression on Gaza. The channel used various news frameworks and focused significantly on aspects of the conflict and possible solutions, which helped in presenting a comprehensive and integrated picture of the events..

There is no doubt that the situation of women has witnessed a clear development in light of the broad and accelerating scientific and technological progress, and as a result of the rapid and major transformations and changes that societies are witnessing. Their participation in economic, social and political life has expanded and they have begun to work in non-traditional professions, so their role has begun to take on new dimensions and forms. It appeared clearly on social networking sites, which became a powerful influence on society, creating new opinions. It has clearly emerged on social media sites, which have become a strong influence on society, creating new opinions, ways of thinking, and a forum for discussion, despite the value frameworks surrounding them in our societies that limit this and even interfere with how to appear and ways of digital representation. From this standpoint, the research objective was to identify women’s presence, their digital presence, and the nature of the activities they carry out through social media sites, while identifying the role of sites in shaping the image of women socially, economically, and politically. The research came out with a number of results, the most important of which are: that social networking sites address and are concerned with various issues pertaining to women, and that Facebook is one of the most used sites by women, in addition to that it has contributed to presenting a positive image in the media field By changing the stereotype of women

The study aimed to explore the challenges and opportunities in implementing financial inclusion to achieve social development in rural areas of Iraq, focusing on Salaheddin Governorate. The results show that financial inclusion plays a vital role in enhancing social development by enabling individuals in rural areas to access essential financial services such as credit, savings, and money transfers. However, several challenges hinder this application, such as weak financial infrastructure, low financial literacy, and security issues in the region. The findings indicate that the use of financial technology and government initiatives can have a positive impact on improving financial inclusion in rural areas. Additionally, improving financial literacy among the local population is a necessary step to enhance the utilization of these services. The study recommends increasing the number of bank branches in rural areas, promoting a savings and investment culture, improving security conditions, and supporting government programs that promote financial inclusion..