Journal of the College of Languages

Manipulation is a discursive concept which plays a key role in political discourse by which politicians can impose some impact on their recipients through using linguistic features, most prominent of which are personal pronouns (Van Dijk, 1995). The aim of this study is to investigate how politicians utilize the personal pronouns, namely; We and I and their possessive forms as a tool of manipulating the audience\'s mind based on Van Dijk\'s \"ideological square\" which shows positive-self representation and negative-other representation (Van Dijk,1998:p.69). To this end, American President Donald Trump\'s 2020 State of the Union speech was chosen to be the data of analysis. Only (8) examples out of (226) extracts of his speech involving the use the personal pronouns along with their indications were analyzed qualitatively and quantitatively. Results reveal that Trump uses these pronouns to exercise an ideological influence on his audience, basically to present himself positively. The study concludes that Trump strategically uses personal pronouns as a functional indication of collectivity, nationalism, and direct/shared responsibility. Findings might help linguists and political analysts to understand how politicians have the ability to exploit the linguistic characteristics in their language to fulfill their ends manipulatively.

The present study is concerned with the writer\'s ideologies towards violence against women. The study focuses on analyzing violence against women in English novel to see the extent the writers are being affected and influenced by their genders. It also focuses on showing to what extent the writer\'s ideologies are reflected in their works. Gender influences social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as well as behaviors. A single fact may be presented differently by different writers depending on the range of affectedness by ideologies. The study aims to uncover the hidden gender-based ideologies by analyzing the discursive structure of a novel based on Van Dijk\'s model (2000) of ideology and racism. The selected novel is based on discussing violence against women. The study will later on reveal the real writer’s gender-based ideologies and whether the writer is a feminist or an anti-feminist? Or Is he prejudiced? Or Is he biased?

Reading and analyzing Paula Vogel’s plays, the readers can attest that she achieves success in drama or theater because she is passionate about theater. Vogel is a modern American playwright who won the 1998 Pulitzer Prize for drama. Her success and insight in playwriting or in adapting do not come all of a sudden; she is influenced by many writers. Vogel is influenced by many American dramatists, including Eugene O’ Neill, Arthur Miller, Tennessee Williams, and Edward Albee, and by other non-American writers, including August Strindberg, Anton Chekhove, and Bertolt Brecht. Certainly, there were female playwrights who wrote preeminent plays and they influence Vogel as well. Nevertheless, dramas by female writers, as a matter of fact, remain marginalized. This paper focuses on the influence of some female playwrights on Vogel.

The United States government allowed Native Americans to abandon their reservations in the 1950s and 1960s. The historical, social, and cultural backgrounds shaped the forms and themes of works by American Indian writers who urged people to refuse their culture\\'s sense of shame. Moreover, their behavior corresponded with the restoration of individuals to their rituals after disappointment, loss of sense of life, and mental illness performed from the influence of mainstream American society. Among these writers, N. Scott Momaday and Leslie Marmon Silko participate in similar interest in portraying characters caught between indigenous beliefs and white mainstream standards.
The construction of national identity in the first modernist Native American Novel, House Made of Dawn (1968) by N. Scott Momaday is tackled in this research. This novel illustrates the healing tale of a young Native American man who, after his return from military service in World War II, suffers from spiritual and psychological illness. The protagonist is isolated from his parents due to his traumatic experience of a foreign war and his problematic genealogy that stems from the orphanage. He is isolated from the land that offers his identity and his culture. In order to gain a consistent sense of identity with the aid of oral traditions and ancient ceremonials of Navajo and pueblo cultures, he begins a ritualistic journey that ultimately leads him to reintegrate with his people and culture. This research illustrates how the construction of national identity is a critical theme for American Indians and contemporary Native American authors.

This paper examines the use of one of the most common linguistic devices which is hyperbole. It shows how hyperbolic devices are used as an aspect of exaggeration or overstatement for an extra effect in which the speaker can use hyperbole to add something extra to a situation in order to exaggerate his idea or speech. It is, like other figures of speech, used to express a negative or positive attitude of a specific unit of language. Thus, this paper is set against a background of using hyperbole concerning two main fields (advertisements and propaganda). So, the use of hyperbole will be implied by analyzing them concerning their meaning) literal and non-literal). Methodology of this study follows the specific model of analysis adopted from Barthes (1977) cited in Machin (2007).

L\'implicite est une façon de parler indirectement dont les locuteurs utilise afin de faire entendre ou laisser entendre des messages cachés dans le but de ne pas s\'exprimer directement et de laisser les coénonciateurs capter ces informations cachées. Dans ce cas-là, l\'interlocuteur a besoin de lire entre les lignes pour savoir les vraies intentions du locuteur. D\'ailleurs, l\'implicite se manifeste sous deux formes : les présupposés et sous-entendus qui obéissent aux règles linguistiques et extralinguistiques. \"Pour un oui ou pour un non\" de Nathalie Sarraute a incarné ce concept à partir les échanges verbaux et non verbaux de ses personnages. Cette recherche vise à montrer comment les implicites sont utilisés dans pour un oui ou un non et pour quelles raisons.
The implicit is the narrative technique used to give indirect hidden messages. To read between the lines means to understand the implicit meaning that is not directly indicated. This technique is expressed in two forms: the hypothesis and the implications of linguistic and non-linguistic rules. Nathalie Sarraute’s \"Pour un oui ou pour un non\" states this narrative method through her character’s verbal and non-verbal dialogue. The present paper discusses the implicit method and shows the reason behind which the author uses it in her play \"Pour un oui ou pour un non\".

Le Désert de L’Amour met le lecteur en face d’un sociologue chevronné du début du XX ème siècle, un sociologue apte à analyser expertement les sensations et les émotions humaines les plus subtiles et les plus fugitives .
François Mauriac part d’un principe psychologique de base dans ses études, c’est que les gens convergent dans les pensées et les sentiments, mais ils divergent dans leurs manières d’agir .
Son domaine favorable était la société et surtout la classe bourgeoise qu’il fouettait sans merci pour la mettre à nu avec tous ses torts et ses travers.
Mauriac choisit la famille Courrèges comme échantillon de cette classe sociale. Il s’agit d’une famille déchiquetée par l’égoïsme, la haine et les malentendus permanents. Ce climat toxique et malsain pousse obligatoirement le père Courrèges et son fils Raymond à échapper à la famille pour chercher des aventures amoureuses et des relations extra conjugales afin d’assouvir leur soif d’amour.
Par malheur, ils tombent amoureux de la même femme sans le savoir et sans jamais l’avouer. Malgré leur passion dévorante pour cette femme charmante, et à l’encontre de toute attente, elle n’a fait qu’élargir leur désert et augmenter son aridité; les deux amants sont restés sur leur soif pareils à celui qui , pour échapper à la chaleur, se protège par le feu.
Tout compte fait, François Mauriac met le doigt sur la véritable plaie de tous ces problèmes en l’absence de l’amour. L’amour seul est la clé et le remède efficace qui peut transformer les déserts en jardins verdoyants.
Dans son roman, l’auteur fait preuve d’ingéniosité dans le style, et de capacité littéraire inouïe qui berce le lecteur et le laisse emporter par son imagination dans une bataille amoureuse sans vainqueur .
Cette recherche est divisée en deux thèmes principaux :
1-Sécheresse des relations familiales .
2-Aventures amoureuses et relations extraconjugales .
Dans cette étude, nous avons recours à la méthode thématique, explicative et analytique .

François Mauriac’s novel The Desert of Love (1949) puts the reader before an experienced sociologist who is skillfully able to analyze the most mysterious human emotions and feelings. The writer\'s starting point is that people are similar in feelings but different in behavior. He severely criticized the aristocratic class and uncovered its defects and faults.
The novelist presents Courege\'s family as an example of the aristocratic class. It is a family torn by hatred, selfishness and disagreements due to absence of intimacy and love. This poisoned environment pushes the father and his son, Raymond, to search away for emotional ventures and banned relations to satiate their emotional thirst.
Unfortunately, they fall in deep love with the same woman unintentionally. She does not satisfy their burning passion as she leaves them with much thirst for love. They become like getting out of frying pan into the fire.
Finally, Mauriac figures out the reasons of all problems in the absence of love and passion which represent the key for welfare and happiness. The writer reveals his stylistic skill and unparalleled literary ability in describing the whole atmosphere which leaves the reader amused and captivated in passion battle , a battle with no winner.
The paper is divided into two basic topics:
.Dryness of family relations 1-
.Emotional ventures and illegal relations 2-
The research paper depends on objective analytic approach via topic unity analysis .

En este estudio, hemos presentado de traducir los términos médicos y su relación con el texto médico entre el árabe y el español. La traducción médica es el proceso de transferencia de textos relativos al campo de la salud y la medicina desde un idioma denominado \" lenguaje de referencia \" a los otros idiomas, conocido como idioma de destino, con la multiplicidad de tipos de idiomas de origen y destino, pero las traducciones médicas más destacadas son del inglés al árabe, al igual que la mayoría de los planes de estudios médicos en nuestros países árabes que se imparten en inglés.
La traducción es un trabajo innovador, destinado a reformular el texto original con el alto nivel de habilidad lingüística e intelectual, manteniendo la máxima integridad para el texto, su espíritu y su contenido. Su objetivo es estudiar los textos médicos y analizarlos entre el árabe y el español sobre las bases en la traducción de textos, términos médicos y otros. Además, buscar soluciones a este problema del término médico. Mientras tanto, utilizaremos varios diccionarios para analizar términos, incluido el diccionario (DLE), el diccionario médico (AZ) y el diccionario electrónico (Reverso context), haremos un estudio analítico de estos términos médicos.
También se corrigió lo incorrecto, revelando así la estructura del término extranjero y árabe y la idea de su nombre, la traducción fue la causa del desarrollo de la ciencia médica.
En mi estudio de los términos médicos, he tratado absorber la fertilidad del cuerpo idiomático en beneficio de la traducción médica y de la lengua árabe, hemos presentado de este estudio de términos médicos, analizándolos y criticándolos.
Nuestro interés en esta investigación ha sido abordar el tema de la traducción de textos médicos al lenguaje árabe y al problema de la transferencia del término médico, y hemos intentado contener este estudio en todos los aspectos relacionados.

The present paper deals with medical terms translation and its relationship with the medical text of Arabic and Spanish. Medical translation is the process of transferring texts related to the field of health and medicine to achieve an accurate effective translation from the source language text to the equivalent target language text. The most prominent medical translations are from English to Arabic as most of the syllabuses in Arab countries are taught in English.
Translation is an innovative work intended to render the original text in the source language into the target language with the highest level of linguistic and intellectual ability, through maintaining the utmost integrity of the text by using the core meaning present in the source text to create a new whole, namely, the target text. The present study object is to study and analyze medical texts of Arabic and Spanish according to medical translation. The study seeks solutions to medical term translation problems and corrects some of the translated medical terms errors. The study uses various dictionaries to analyze medical terms, including (DLE) dictionary, (AZ) medical dictionary and electronic dictionary (Reverso context).
Through the analysis of the translated medical terms and its idiomatic body, the present study sheds light on the importance of the translated medical terms and the great role it plays in the development of medical science.
The study’s main goal addresses the issues and the problems of the translation of medical texts into Arabic from all its related aspects.

Nuestra investigación se centra en el estudio de una forma retórica del uso frecuente en los discursos lingüísticos que encontramos en textos escritos en español. Nuestro trabajo de investigación aborda también las dos partes (teórica y práctica), así como explicar el concepto de la metáfora.
La escuela moderna más importante que se ha ocupado de este tema es el desarrollo de esta ciencia y sus relaciones con otras ideologías intelectuales, destacando el papel de la metáfora en la interpretación del significado de un discurso lingüístico de emisor de un mensaje político.
Este estudio permite hacer un cuadro conceptual a efectos de metáfora en el discurso lingüístico utilizado en la prensa en España. Durante nuestra investigación estudiaremos modelos retóricos de la prensa española, concretamente los discursos del escritor en el diario español El País, (Lluís Bassets), el escritor en la página de opinión (versión electrónica) y publicados en el servicio de Interne que incluirá un análisis de fórmulas metafóricas en todos los campos o dimensiones de la vida como el mundo del deporte, el mundo animal, la máquina, la fuerza, o del campo militar, etc.
La investigación concluye con una conclusión que incluye los resultados extraídos de la investigación, y la confirmación de las fuentes prácticas y periodísticas del estudio.

The present paper focuses on studying a rhetorical form often used in Spanish linguistic discourse .It also examines the study two sides (theoretical and practical), the concept of metaphor, the most important modern school that deals with this issue, the development of this technique and its relationship with other intellectual ideologies, and the role metaphor plays in interpreting the meaning of the linguistic discourse especially in conveying political message. The study allows the formulation and the creation of a conceptual picture for the purposes of metaphor in the linguistic discourse used in Spanish press. It investigates discursive models from the Spanish press, like the speeches of Mr. (Louis Bassets) the Spanish writer in the Spanish newspaper (El Pais), (the electronic version). The study includes an analysis of metaphorical formulas in all fields of life such as (sports, the animal world, the machine, the force or military field ... etc. or any other fields from which the linguistic metaphors are taken). The conclusion sums up the findings drawn from the study, and then the references section contains scientific and journalistic sources.

Наша Статья посвящена вопросам анализа национ-ально - культурной специфики ФЕ . Это проблема рассмат-ривается на трех уровнях: 1) в совркупном фразеологич-еском значении, 2) в значении отдельных лексических компонентов ФЕ, 3) в значении переменного прототипа ФЕ. Мы здесь подчеркиваем , что градуальный характер проявления национально – специфичной информации, закодированной в значени Фразеологизмов.
The present article studies the specific cultural features contained in phraseological units. The problem is approached through three different levels:
1. The modern linguistic meaning.
2. Lexical components of phraseological units.
3. The first variables of linguistic units.

The paper emphasizes the gradual process of the cultural charge in the semantic structure of phraseological units.

В статье обьяснится определение глагола в форме повелительного наклонения (императива) _ общая сведения о глаголе на русском языке .
Глаголом на русском языке является один из частей речи , который объединяет все слова , выражающий значение действия , движения, процесса в грамматических формах времени , вида , наклонения , лица и залога . Повелительное наклонение - это грамматическая особенность глагола , которая выражается через несколько форм глагола , которое кто-то побуждает совершенить дела . И другими словами
Повелительное наклонение или (императив ) : - одино с значений группы наклонения . Форма императива выражает мольбу, приказ , совет и т. д . Со поддержкой императива сообщающий информирует об собственном желании , для того чтобы в таком случае либо другое процесс существовало осуществлено кем-в таком случае (Уходи!) либо , напротив , никак не проделывалось (Никак Не уходи!) .
The article examines the definition of the verb in the form of the imperative mood (imperative) _ general information about the verb in Russian .
A verb in Russian is one of the parts of speech that unify all parts of speech, expressing the meaning of action, movement, process in grammatical forms of time, type, mood, face and voice. The imperative mood is a grammatical feature of the verb expressed through several forms of the verb that urges someone to do things. In other words, imperative mood or (imperative) : - one of the single meaning of the form . The form of the imperative expresses a supplication, order, advice, etc. With the support of the imperative form, the communicator states his own desire , so that in this case another process should be carried out by someone else to fulfill the communicator desire. (go away!) , for example, Or, (Don\'t go away!).

Статья посв ящена рассмотрению про блем перевода художес твенного текста в лингвокульту рологическом аспекте. В ней рассмат риваются вопросы лингвокульту рологического подхода к проб леме понимания инояз ычного текста и факт оров, влияющих на пер евод художественного тек ста. В дан ной статье перево дческий процесс рассмат ривается сквозь при зму культурологической направл енности. В пере воде в максим альной степени дол жны передаваться авто рский стиль и национальн окультурное своеобразие нар ода, куда вхо дят средства выразите льности, образность и интон ация. Помимо автор ского стиля дол жно еще удел яться особое вним ание тропам, фразеол огизмам, просторечным сло вам и диале ктам, что не сут в се бе специфику кар тины мира опреде ленного народа. Рассмат риваются так же осно вные особенности художес твенного текста, как объ екта переводческой деятел ьности и опреде ляются главные отл ичия перевода художес твенного текста от дру гих видов пере вода. Анализ ируются лингвостилистические особе нности произведения, позво ляющие создать пере вод, соответствующий больш инству приведенных в ста тье критериев , и прово дится ан aлиз при чин понимания инокуль турного художественного произв едения.

The present art icle discusses the prob lems of understanding and translating the lingu istic and cult ural aspect of a foreign lite rary text. The article considers the trans lation process through the pr ism of cult ural orientation. In the process of transl ation, the nati onal cultural iden tity should be expressed to the max imum extent, through all me ans of expre ssion that include imagery and inton ation. In addi tion to the author\'s sty le, special atte ntion should al so be pa id to tro pes, phraseological uni ts, colloquial wo rds and dial ects that be ar the spec ifics of the wo rld picture of a cer tain people. The article, also, considers the ma in features of a certain literary te xt as an obj ect of the trans lation activity, and deter mines the ma in differences bet ween a lite rary text trans lation and ot her types of trans lation. It provides an analysis of the lingu istic and styl istic features of the wo rk that al lows creating a trans lation me ets most of the crit eria given in the arti cle and sheds light on the rea sons for unders tanding a for eign cultural wo rk of ar t.

Одно из центральных мест среди произведений, написанных в таком литературном жанре, как социалистический реализм, занимает произведение Максима Горького \"Мать\", в котором он изображал женские персонажи с революционным задором и энтузиазмом, проецируя через них свои социалистические мысли и мечты. Актуальность данной работы заключается в том, что произведение Горького \"Мать\" было анализировано многими литераторами, историками и социологами, однако почти отсутствуют исследования, посвящённые революционной роли женщин с марксистской и феминистской точки зрения. В заключении делается вывод о том, что Максим Горький в романе \"Мать\" дал чёткий портрет русской женщине в рамках социалистического реализма, которая смогла преодолеть все невзгоды, переродиться и стать полноправным членом общества.
Maxim Gorky’s Mother is one of the most important literary genre in social realism, in which he depicts female characters with revolutionary fervor and enthusiasm, projecting his social ideologies and dreams. Though the novel unique importance lies in the fact that it has been thoroughly analyzed by many writers, historians and sociologists, there are almost no studies devoted to the role of women out of a Marxist and feminist point of view. The present paper sheds light on the Russian woman‘s important role in overcoming all adversity and gain her position on Social Realism.

Ирония-основной элемент нашей статье. Она является составной частью современной лингвистики в общем и в современного дискурса в частности независимо от его вида (политического, художественного, публицистического и т.д.), по этой причине изучение особенностей ее употребления в языке служит адекватному пониманию высказывания и в конечном счете, к продуктивному процессу общения. И, в частности, облегчения ее понимания в анализе политического дискурса.
Структура статье включает определение иронии, ее общие классификаций, практические примеры и заключение выражающее наше видение в работе над проблемой. Это и есть часть нашей магистерской работе об анализе политического дискурса.
The present paper sheds light on irony as one of the most important and most common linguistic phenomena in modern linguistics, in general ,and in discourse in particular, whether it is (political, literary, journalistic, etc.). When irony is used correctly or positively, it paves the way for the speaker to gain the approval of other parties participating in the dialogue and dissolve barriers between them. It is a simple multi-functional linguistic style and an expression of one’s meaning by using language that normally signifies the opposite according to the context and the situation. Therefore, it is necessary to study its characteristics, define its functions and traces the extent of its influence on the recipient, especially in political discourse, for the important role it plays in determining the state\\'s strategies in many issues, and the different linguistic characteristics and styles hidden goals, motives and purposes. The study provides speeches examples for some political figures that employ irony in their speeches. The conclusion sums up the findings of the study.

Политическая терминология отличается от любого другого вида терминологии не только наличием политических терминосистем, но и содержанием, структурой, функциями и реципиентом, который ее воспринимает. Учитывая это, нецелесообразно рассматривать семантические трудности перевода русскоязычных политических терминов исключительно на семантическом уровне. По нашему мнению, он неразрывно связан с лексическим, синтаксическим и грамматическим уровнями. Если объединить все 4 уровня, то можно выделить следующие переводческие приемы: лексическое заимствование (транскрипция / транслитерация, калькирование);модуляция; генерализация / конкретизация; опущение / добавление; описательный перевод; конверсия [Комиссаров 2013]. Одним из самых распространенных способов пополнения лексического состава языка является иноязычные заимствование. Процесс заимствования иностранных слов в любой язык-реципиент обусловлен сложным комплексом лингвальных и экстралингвальных факторов, уровнем развития речи и ее структурой, полнотой словарного запаса в языке-реципиенте [Сребрянская, 2020].
Political terminology differs from any other type of terminology not only in the presence of political terminology, but also in content, structure, functions and the recipient who perceives it. Taking this into account, it is inappropriate to consider the semantic difficulties of translating Russian-language political terms solely at the semantic level. In our opinion, it is inextricably linked with the lexical, syntactic and grammatical levels. If we combine all 4 levels, then the following translation techniques can be distinguished: lexical borrowing (transcription / transliteration, tracing); modulation; generalization / concretization; omission / addition; descriptive translation; conversion [Komissarov 2013]. One of the most common methods to replenish the lexical composition of the language is foreign language borrowing. The process of borrowing foreign words into any recipient language is due to a complex of lingual and extra-lingual factors, the level of speech development and its structure, the completeness of the vocabulary in the recipient language [Srebryanskaya, 2020].

In grammatischen Darstellung findet man für jedes Vollverb eine Form im Aktiv und eine im Passiv, es wird von „genus verbi“ (Art des Verbs) gesprochen. Im Passiv steht sowohl im Deutschen als auch im Arabischen das Geschehen selbst oder das Ergebnis der Handlung im Vordergrund; aus der Sicht der betroffenen Person oder Sache; oft wird der Täter nicht gennant. Im Deutschen wird die passivische Verbform mit dem Hilfsverb werden und dem Partizip II gebildet, während die Vokalreihe u-i-a anstelle der a- Vokale im Arabischen eintritt. Die im Aktiv mit Präpositionen verbundenen Verben bilden in beiden Sprachen ein unpersönliches Passiv. Im Deutschen kann die Präpositionalgruppe mit den Präpositionen von oder durch verbunden werden. Im Unterschied dazu tritt solche Präpositionalgruppe im Arabischen nur in bestimmten Fällen mit من قبل auf. Im Unterschied zum Arabischen ist das Passiv im Deutschen bei reflexiv Verben unmöglich. In einigen Fällen entspricht ein unpersönliches Passiv im Deutschen einem persönlichen Passiv im Arabischen.
Verbs in German and Arabic are of two types: active and passive. Passive voice is a grammatical voice construction that is found in many languages. Out of grammatical perspective, each main verb has a form in the active and one in the passive known as a \"genus verbi\" (type of verb). In passive voice, both in German and in Arabic, the focus is on the action itself or on the result of the action; often the perpetrator is not mentioned. In German, to conjugate verbs in the passive voice, you must know the forms of werden (to become). German uses werden + the past participle and states it at the end of a sentence. In Arabic, the passive is formed by changing the vowels on the verb; the vowel series u-i-a occurs instead of the a-vowels.

Transitive prepositional verbs originally are intransitive verb with a preposition added to the action of the sentence. In German, the prepositional group can be combined with the prepositions von or durch, while in Arabic, such a prepositional group occurs only in certain cases. In contrast to Arabic, the passive in German is impossible with reflexive verbs. In some cases, an impersonal passive in German corresponds with a personal passive in Arabic. The present paper discusses some of these verbs traced in a chart that shows the most important results when compared with their Arabic equivalents.

طنز یکی از فنون ادبی است که همواره مورد توجه انسان بوده است. در بسیاری اوقات، اوضاع و شرایط حاکم بر جامعه به گونه‌ای است که جامعه، ظرفیت تحمل و شنیدن صریح انتقادات را ندارد و به ناچار، باید از ابزاری دیگر برای نمایاندن مشکلات و کمبودها بهره برد. در چنین مواردی، طنز به میدان می‌آید و هنرمند طنزپرداز با استفاده از شگرد سخریه و طنزپردازی، این هدف را به انجام می‌رساند. خنده‌ای که در اثر طنز بروز می‌کند، خنده‌ای از سر شادی نیست، بلکه چون در طنز، مشکلات موجود که قابلیت بیان صریح آن نیست به صورتی غیر مستقیم بیان می‌شود این خنده، ظاهری است و در باطن، مخاطب می‌گرید و به فکر فرو‌می‌رود. ابوالفضل زرویی نصرآباد و احمد رجب از نویسندگان سرشناس طنز در ایران و مصر در آثارشان توانسته‌اند با استفاده از شگردهای مختلف طنزپردازی، اوضاع و شرایط حاکم در کشورهای خود را به خوبی منعکس کنند. پژوهش حاضر، با روش تحلیلی-توصیفی و با تکیه بر تذکرة المقامات زرویی و نصف كلمة احمد رجب، این تکنیک‌ها را مورد بررسی قرار داده و به این نتیجه رسیده است که تهکم، بیشترین بسامد در نثر این دو نویسنده را به خود اختصاص داده است، همچنین این دو با استفاده از زبان طنز، توانسته‌اند تا حد زیادی مسائل و مشکلات موجود در جامعة ایران و مصر را به صورتی غیر مستقیم بیان و نسبت به آن انتقاد کنند.
Satire is genre of the literary arts that has always been the source of human interest. Because it is difficult to accept direct criticism, Satire appears as a literary tool in which vices, follies, abuses and shortcomings are held up to ridicule, with the intent of shaming individuals, corporations, government, or society itself into improvement. A satirical critic usually employs irony to attain this goal. Although satire is usually meant to be humorous, its greater purpose is often profitable social criticism, using wit to draw attention to both particular and broader issues in society .In such cases, humor is not an entertainment, but a means through which a problem is being exposed in a rather indirect way. Abu al-Fadl Zrui Nasrabad and Ahmad Rajab are two of the famous satirists in Iran and Egypt who have used satire to expose the follies, immoralities and the defects of their societies. The present study discusses The tadhkirat Al- Maqamat of Abu al-Fadl Zrui Nasrabad and Half a Word for Ahmad Rajab in an analytical and descriptive manner and deals with the arts and styles of the two satirists. The conclusion sums up that satire is one of the most distinguished features of the two writers in their prose, and by using the language of satire, they are also able to criticize ,in a large way, the issues and problems that exist in Iranian and Egyptian society indirectly.