Journal of Education and Scientific Studies

The aim of this study is to examine the impact of hadith and poetic reports whose
transmission is not authentic on the adoption of exegetical orientations based on linguistic meanings that would not have been relied upon were it not for those reports. The
danger of such practices becomes evident in that the meanings they generate soon find
their way into language dictionaries, where they come to compete with the original lexical meanings of dictionary entries.
Among the examples of the practices mentioned is the stance of many Qurʾān exegetes and others regarding a verse in Sūrat al-Ḥajj that contains the word (tamannā) (“he
wished / hoped”), attributed to the Messenger — peace and blessings be upon him. In
interpreting this word, they relied on two inauthentic reports, one hadith-based and the
other poetic, which led them to a meaning far removed from the word’s original lexical
sense and from the textual Qurʾānic context in which it appears.
In order to clarify all of this, contribute to unpacking the dialectic of mutual borrowing between lexicographers and others, and reveal the significant role of the text and its
context in understanding word meanings, we have chosen to write this study.

This research aims to highlight the social dimension in the study of the Arabic language, and to demonstrate the degree of modesty and decorum that society should uphold. It does so by examining the phenomenon of euphemism
in the Arabic tongue, particularly since this language presents meanings in an
elevated manner that takes into account the psychological impacts and social
values influencing the behavior of individuals and society.

This study aims to examine the formation of textual linkage methods in the poetry of
Adi ibn Zayd al-Abadi by revealing the linguistic mechanisms that contribute to the coherence of poetic sentences and by clarifying the semantic functions performed by linking tools
within the structure of the text. The research begins with the concept of linkage in the Arabic
linguistic heritage and its position in early linguistic thought, then traces its development in
modern textual linguistics, drawing upon the perspectives of scholars such as de Beaugrande,
Halliday and Hasan, and van Dijk regarding the relationship between linguistic structure
and cohesive devices. The analysis reveals that the poet employs a wide range of linking
elements, most notably coordinating particles such as waw, fa, and thumma, as well as tools
of alternation, contrast, and causation, in order to generate a coherent semantic pattern that
connects poetic sequences and grants the text both structural and conceptual unity. The poetic evidence demonstrates that these devices are not merely grammatical particles but active
components in producing meaning and guiding the movement of the text, making the poetry
of Adi ibn Zayd an early model of textual coherence in pre-Islamic Arabic poetry and an example of how linguistic tools can shape the unity of the poetic text.

This research seeks to study the relationship between the self and the Other in the
novels of Saud Alsanousi, through analyzing the structure of character as a fundamental pillar in forming the narrative discourse. The character reveals the patterns of
representing the Other, and its position inside the narrative fabric through the dialectic
of influence and being influenced between it and the other elements of the text. The research adopts the descriptive–analytical method which enables the disclosure of how
the characters contribute in highlighting the image of the Other, whether this image
is based on the lived social reality or on the fictional imagination. The study showed
that the character of Alsanousi produces multiple patterns of the Other, and that its
active presence directs the course of events and highlights the semantic structure of
the studied texts.

The pre-Islamic poet reflects his vision of reality in a way that combines what is real and what is
imaginary, to formulate a complex picture that mixes reality with myth. This connection is evident
in its depiction of the harsh desert environment and tribal life, giving it a mythical aura through
descriptions and symbols. The pre-Islamic poet derives his legendary images from ancient Arab
mythology and the beliefs of the tribes, to make a world that gives reality a deeper value and the
browser of the Diwan of the genius Al-Dhubyani finds inbuilt features and signs linking that reality
to the poem and this is what the study seeks to (the pre-Islamic poem between reality and legend in
the poetry of the genius Al-Dhubyani). Through this blending, he was able to portray themes such
as war, pride, wisdom, and human experiences in a way that blends the familiar and the imaginative. To lend symbolic power to his poems. His poems included mythological characters and
symbols embodying qualities such as courage, strength and patience, as he relied on the methods of
photography, simile and metaphor and linked them to real events in an artistic and influential way.
Employing them in his texts gives epic dimensions that reflect moral and psychological conflicts.

This study aims to examine modern linguistics and its connection to the Arabic literary heritage, given the crucial role of
textual cohesion in language. It explores the means of textual cohesion and specifically the direct impact of reference and its var
ous forms (pronouns, demonstratives, etc.) on textual cohesion.

The Arabs in general and their writers were particularly influenced by the
Holy Qur’an –the Book of God, which incapacitated their eloquent and articulate people - so they began to imitate its method and quote from it in honor,
blessing, and admiration of this awesome book to which falsehood does not
come from before it or behind it. Among those who were influenced by this
noble book was our poet Al-Farazdaq, who quoted Quranic words and structures in his poems, and he quoted them well and mastered them. Perhaps his
memorization of the Book of God Almighty –according to what the narrations
mentioned - is what helped him in that.

Praise be to Allah, the Creator of the heavens and the earth, and prayers and peace be upon the one sent
as a mercy to the worlds, Abu al-Qasim our Master Muhammad, and upon his family and companions altogether. As for what follows: This study addresses the grammatical reasoning in the book *Minhat al-Albab fi
Sharh Malhat al-I’rab* by Abdul Hamid al-Sawadi (d. 1061 AH), who was one of the scholars of the eleventh
century in Yemen. We focused on grammatical reasoning concerning the topic of the subject and predicate;
we examined this topic and discussed the rationales raised by al-Sawadi regarding the subject and predicate in
terms of the reason for placing the subject before the predicate originally, the reason for the default of nominatives between the subject and the agent, and the reason behind the rule that the agent should be either definite
or close to definiteness through specification. It was clarified that the subject precedes the predicate originally
because it is what is being judged, and the judged must necessarily come before the judgment. It appears that
there is a disagreement among grammarians regarding the originality of the nominatives between the subject
(fa’il) and the topic (mubtada). Al-Khalil and his followers consider the subject (fa’il) as original, arguing that
this is due to the strong influence of the verbal operator on the subject and the weak influence of the semantic
operator on the topic. Sibawayh and his followers, on the other hand, regard the topic (mubtada) as original,
reasoning that the topic is the noun that comes first before any accusative or jussive, and it does not cease to
be a topic whether it comes before or after. In contrast, the subject (fa’il) loses its subjectivity if it is positioned
earlier. As for whether the topic (mubtada) is originally definite or can be specified, the reasoning is that providing information about a definite noun is useful, whereas it is not useful for an indefinite noun.

This research, “Philosophical Symbolism in the Novel “Is There More Fire Talking” by Ahmad Mahmoud Sharqawi, addresses the
central problem of employing religious and philosophical symbols within a fantasy discourse to discuss power and false religiosity. The
research aims to explore how the symbolic characters in the novel reflect the struggle between truth and falsehood, freedom and slavery.
This requires philosophical scrutiny that goes beyond a superficial reading of the text and presents it within deeper cultural and intellectual
contexts. The importance of this research lies in understanding how literature, through the use of symbolism, can be an effective critical
tool that guides the reader toward reevaluating concepts of power and religion. This study helps shed light on the ability of fantasy novels
to shape social awareness, using symbols as a means to prompt readers to question hidden truths about their human and societal experience,
especially in a time when religious symbols are increasingly exploited for political and power purposes. The research aims to analyze the
narrative structure of the novel’s symbolic characters, to extract religious and philosophical symbols and how they function as a critical
tool in confronting authority. It also seeks to uncover the critical and awareness-raising functions of the symbols used. The objectives also
include examining how fantasy intersects with these symbols to offer a philosophical vision that transcends traditional human experiences.
The researcher adopted a semiotic approach and symbolic discourse analysis to understand the relationships between the various elements
in the novel, focusing on the structural-mythological approach to analyzing the narrative structure. This includes analyzing characters such
as “the king,” “the boy,” and “the worshiper,” and central themes such as fire and freedom, to arrive at multiple interpretations that reflect
the complexities of the text. The research concludes that the novel “Is There More? - The Fire Speaks” does not merely present a narrative
of hell, but rather relies on an integrated symbolic discourse that engages in a philosophical and theological critique of religious and political
authority. The novel deconstructs stereotypes related to torment, faith, and obedience, instilling in the reader the conviction that symbolism is not merely literary decoration, but rather a call for change and critical thinking. Fantasy, here, becomes a tool for enlightenment,
reshaping the reader’s understanding of punishment and freedom, emphasizing the importance of continuing critical thinking in the face of
tyranny and traditional meanings.

of grammatical causation is one of the significant topics in Arabic grammar. It
emerged at the time when the early grammarians laid down the first grammatical
rules. The motivation for establishing these rules was to preserve the Holy Qur’an
and the Arabic language from linguistic errors that became widespread among Arabs
during that period as a result of the Islamic conquests. Accordingly, scholars of Arabic
undertook the task of formulating grammatical rules, identifying the indeclinable and
the declinable, and distinguishing the nominative from the accusative.
Subsequently, questions arose in their minds regarding these rules, and these questions led grammarians to develop a deeper interest in uncovering the secrets of the
language. They discovered that there were underlying causes whose rulings were consistent and could be referred to. Thus, grammatical reasoning came into being, and its
emergence accompanied the emergence of Arabic grammar itself.

It is practically certain that there is a close relationship between today's
colloquial Arabic dialects and classical Arabic, which is hardly hidden from
the researcher. This relationship between the two models - colloquial and classical - is evident at different linguistic levels, and this relationship is revealed
with the slightest examination and research comparison. However, at the same
time, the researcher notices in these dialects, including the “contemporary
Baghdadi dialect”, many deviations from the classical linguistic model. Here,
the research came to monitor some of the forms of these linguistic deviations
in the contemporary Baghdadi dialect, attempting to provide scientific explanations for these deviations after comparing them with the classical model.

The term chronotope is a critical concept associated with narrative and storytelling. It has an active pres�
ence in poetry, due to its aesthetic and artistic effects, in addition to its psychological and emotional impact
on both the creator and the recipient. The term is composed of “time” and “space,” respectively. It represents
an artistic connection between time and space; time is inseparable from its interaction with space, and space
is affected by it. The poet and space are in conflict with the power of time and its actions. We find that the
poet does not begin his speech without evoking the past, and space awakens the flame of remembrance in the
poet first, and in societal thought second. Based on this idea, the connection and interaction of time and space
intensifies in the text of ancient Arabic poetry, as they represent belonging and existence for the Arab poet.
Almost no literary text is devoid of “time and space.” The researcher preferred the ascetic poet (Urwa ibn
Udayna) as a model for representing the aesthetic interaction between time and space in ancient Arabic poet�
ry. He is a poet known for his love poetry, a trend that is considered one of the most closely linked to time and
place and has a significant influence on the poet. The researcher relied on the analytical approach to define
the areas of artistic creativity. The research also reached a number of results, the most important of which is
the connection between (time and place) and most of the themes of Arabic poetry, especially in models close
to the poet’s conscience, such as remembering the beloved, in addition to gray hair, the departure of youth,
and the changes that have occurred to the poet over time.Furthermore, (space-time) is an artistic technique
that transports the recipient to the depth of the creative person’s emotional experience.

The Arabic manuscript heritage represents a fundamental pillar in preserving the Arabic language and its sciences. It has preserved the nation's scientific and rhetorical output and served as a
platform for the development of grammatical, phonetic, and written studies. Since the early centuries, scholars have devoted great attention to controlling Arabic symbols, drawing its vowels, and
defining its diacritical marks. This has had a significant impact on preserving the Qur'anic text and
protecting Arabic speech from errors and distortions. Among the most prominent works in this field
is the book “The Remover of Problems in Representing Forms,” a unique work that combines theory
and practice. In it, the author treats the images of vowels and written symbols through classification
and analysis, linking sounds to their grammatical connotations, and highlighting the effect of the sign
in controlling context and distinguishing meaning. The book is distinguished by its solid approach,
as it arranges its material into ten forms, each of which is briefly defined, then explains its verbal and
written form and grammatical function, while relying on Quranic evidence and practical examples.
This approach reflects the author's ability to combine scientific depth with an educational aspect,
making it useful for both beginners and advanced researchers.
The importance of this work lies in its being a fundamental building block in the science of
kinaesthetics, contributing to the resolution of confusion in reading and writing, and confirming
the author's extensive knowledge and solid foundation in the Arabic sciences.Hence, this research
was designed to authenticate and scientifically study the manuscript, revealing its heritage value,
highlighting its methodology and content, and placing it at the disposal of scholars. The research is
structured in two parts: the first, for the study, includes an introduction to the author and his methodology. We then worked on authenticating and describing the manuscript, presenting samples of it.
The second part examines the text according to established scientific principles

The research problem centers on how language through its multiplicity of standard Arabic, colloquial
dialects, and foreign languages interacts with identity amidst challenges such as globalization, migration, and
political transformations.
The study aims to analyze the role of linguistic diversity, literary discourse, and cultural contexts in identity formation, employing a critical analytical methodology and drawing on a theoretical framework from
works like Mohammed Abed al-Jabri’s (The Structure of the Arab Mind) and Salah Fadl’s (The Rhetoric of
Discourse and Identity).
The research is organized into three main sections: the first focuses on linguistic diversity and identity
formation, the second analyzes literary discourse across various forms (novel, poetry, theater), and the third
explores cultural and social influences. Through analyzing texts such as Ahlam Mosteghanemi’s (Memory of
the Flesh), Samih al-Qasim’s (The Shroud of Herbs), and Ibrahim al-Koni’s (The Oasis), the study highlights
Arabic literature’s ability to navigate tensions between tradition and modernity. Key findings affirm language
as a bridge connecting individuals to communities and the flexibility of Arabic literature in addressing global
transformations, as seen in Jabra Ibrahim Jabra’s (The Bread Seller) and Ahmed Khaled Tawfiq’s (Utopia).
The research concludes that Arabic literature remains a vibrant voice for redefining identity, calling for
future studies on the impact of digital technology and diaspora literature.
Recommendations: These include studying digital literature, conducting comparative analyses with diaspora literature, employing quantitative analysis, exploring gender dynamics, and undertaking reader-based
field studies. The research enriches academic discourse, offering an integrated perspective linking literature to
cultural and social contexts

The study tagged with (the morphological significance of the actual forms of the triple
more with a letter and two letters) dealt with the significance of the morphological forms
of the verb triple more with a letter and two letters, and the study aimed to know the morphological significance of the actual forms of the triple more with a letter and two letters
in the poetry and prose of the virtuous judge, and the study used the descriptive analytical
approach, which adopts To describe morphological formulas and then analyze their significance.
The study relied on ancient and modern references, including the characteristics of Ibn
Jani, the book by Sibawayh, and the weights and meanings of the verb by Hashim Taha.
The study resulted in several results, which were:
The actual formulas for the more trio came with one letter and two letters in al-Qadi
al-Fadil’s poetry and prose.
2- One of the morphological indications of the actual forms of the triple is more with
a letter and two letters.
3- The virtuous judge used the morphological significance of the actual forms of the
triple more with a letter and two letters to communicate his message to the recipient.
4- The morphological connotations of the actual formulas of the triple more are one
and two letters away from the rare and abnormal connotations of these formulas.
5- The morphological significance of al-Qadi al-Fadil confirmed his distinguished position among the writers of his time.