Al-Qadisiyah Journal For Humanities Sciences

(aesthetic foundations in the artistic productions of Cy Twombly)
Prof. Kadhim Nawir kadhim Al-Zubaidi (Ph.D)
(College of Fine Arts - University of Al- Qadisiyah)
Dr. Hamza Allawi Al-Alwani
(Directorate General of Education in Babylon)
In this labeled research, we deal with (the aesthetic foundations of Cy Twombly's artistic
works), The problem is identified in answering the question: (What are the aesthetic
foundations of the artistic works of American artist Cy Twombly?) ,and according to the
limits of the research presented in the search for the aesthetic foundations in the works of the
American artist (Cy Twombly), produced mostly in America and Italy and in different
materials from (1950-2008). The second chapter reviewed the theoretical framework and
previous studies, while the third chapter, reviewed the research procedures and identified the
research community, its sample and procedures, and analysis of the research sample, which
numbered (5) works of art, the fourth chapter, reviewed the results, conclusions,
recommendations and suggestions. The most important results were: 1. The artistic features
in the works of (Cy Twombly) were related to the manifestations of transformed Western
thought ,accelerated, renewed, illogical, Absurd experimental, non- art, and superficial.
2. Cy Twombly confirms his plastic discourse on the employment of what is vulgar,
conceptual, and unusual Graphic and rolling in art.
3. Twombly, in his extreme artistic discourse, reinforced the reciprocal production pattern of
American arts and its non- rationality and extremism.
4. Twombly's dependence in approach of his automatic, vital and artistic discourse on the
employment of what leaves school student and children on the school papers and the lesson
blackboard and play by color.
5. The growth of the work transformed through the Formal multiple of Twombly to the
cultural multiple and hybridity of American art, and this shows in artistic approximation by
such artists as Rauschenberg, Jones, and Michel Basquiat.
6. Twombly's artistic discourse relied on nihilism through the supported plastic media,
basically in the abstract expressionism arts of, which greatly influenced his rebellious artistic
transformation.
The search concludes with a list of sources and supplements.

Addresses the researchers in the study (interaction and receive anthology of theatrical
discourse) when the public in the Iraqi theater, by focusing on the processes of interaction
between the language that result from the physical elements that make up the ontological
configuration of the speech theatrical reception for this configuration to the theater audience
and the mechanics of forming the construction of mental and between (presence mental ) and
what form a theatrical work down to the adoption of meaning resulting from the interpretive
process that is outside of the presence of the display of the play a central role, which means
that work direct presence is imposed on the receiving public through aesthetic images and
technical construction of the display mechanism for receiving, Thus, ontological
configuration of the speech in the display achieved through this aesthetic equation in which
the first party to be working outside the inverted presence in mental presence and the second
equation, which is the recipient of supply and essences Ugodath in the mind of the recipient.
Where is the moment of interaction in the receive theater is an important moment in the
context of the meaning of theater production operations in the mind of the public theater,
which is supposed to be prepared and ready to do the watching and watching the theatrical
presentation. Because each end of game play (creator anthology discourse playwright and the
audience) realize that the meaning of the theatrical discourse production process remains
incomplete construction in the mind of the recipient without causing a moment of direct
interaction, so it is located on each side to prepare a mission to play a specific role in the
production of the meaning of the offer letter by the interaction between them.

The current study deals with a philosophical theory very common and apparent in the
Greek philosophy and took a great deal of attention by Plato’s immortal writings when the
theory of Ideals eliminated from all of the universe, in addition to its prolonged effects on
modern philosophy. Modern philosophers talked about it and divided into two groups; the
first approved it with some modifications, and the second did not approved the matter which
made continuous changes in all of the theory and applied this to the play (Bilias and Melzad).
Accordingly the current study is divided into four chapters. The first deals with the approach
starting with the problem of the study embodied in the following questions: how is the theory
of ideals of Plato and its applications represented in the play of Bilias and Melzad? As for the
aim of the study is to identify the changes of the Platonic theory of ideals and its application
are represented in the play of Bilis and Melzad. Then the time of the play (1892) qnd the
place of the play (France) and as a subject the theory of Ideals and its applications in the play
of Bilas and Melzad. Then the chapter ends with the identification of both terms (Plato's
Ideals and their applications) linguistically and terminologically..
The second chapter (the theoretical frame) which includes two sections: the first is an
introduction to the ideals of Plato, and the second is the applications of the theory of ideals
and the applications of ideals for the philosophers after Plato and the applications of the
theory of ideals in the dramatic text, then the section ends with the factors that are resulted
from the theoretical frame.
The third chapter (the procedures of the study); it includes the community of the study
which is exclusive to the play Bilias and Melzad and the tool of the study represented in the
factors that are resulted from the theoretical frame as it is the analytical standard, the approach
of the study because the researcher chooses the descriptive analytical approach for its
appropriateness to the aim of the study.
Chapter four includes the findings and the discussion of these findings, the
conclusions, recommendations and the suggestions. Then the study ends with the list of
bibliography.

The research entitled (The artistic elements of Islamic minarets ) includes four
chapters ,the first chapter deals with the methodological framework of research which is
specialized in the problem of research through which the researcher seeks to identify the
following questions : what are the functions and architectural elements related to the
construction of mosques and minarets during successive Islamic times The first chapter
included the importance of research which focused on : 1- Knowing the reasons for building
minarets in mosques and recording their history. 2- knowing of rules and functions of
minarets in Islamic mosques targeted in this research. 3- Identifying some of the models and
form used in design and construction of minarets in Islamic mosques. The first chapter also
includes the limits of the research with the definition of terms related to research title. The
second chapter includes theoretical framework for research, addressing the values and
concepts in Islamic architecture in the concept of heritage, artistic and aesthetic concepts, the
physical and spiritual concept of Islamic minaret, and the artistic elements in the design of
Islamic minaret. The third chapter dealt with research procedures which included 1- Research
community included a group of minarets in Islamic mosques. 2- Sample of research included
10 selected samples of minarets in mosques from varicose Islamic regions.3- Research
methodology. 4- Analysis of samples. Forth chapter included a presentation of results of the
research, which focused on types of architectural styles of minarets and the amount of artistic
elements in their forms. The conclusions of research and recommendations as well as a list of
sources and references.

The technical progress is of great importance in interacting with the information of the
technological age and employing it in different areas of life, because it has an effective effect
in facilitating work, shortening time, reducing distances and reducing losses.
It is imperative that we live in this comprehensive development in all social facilities, to
realize the need to take advantage of the latest technology produced, and to link this
production with our daily lives in all aspects, including linking it to various disciplines of fine
arts.
Therefore, the importance of the current research stems from the importance of
employing the potential of technology in general, and digital technology, especially in the
design and implementation of the artworks of the students of the faculties of fine arts, in order
to stimulate the motivation of students to learn as well as it works to solve the problems of
technical practices and develop their innovative thinking.
Therefore, the study adopted two hypotheses, the first of which states: (There is a
possibility to use digital technology in the design and implementation of works of art for
students of the department of art education), while the second hypothesis stated the following:

أ.م.د. منري قاسم خلف البياتي & الباحثة :اسراء عبد الكريم فياض توظيف إمكانيات التكنولوجيا الرقمية
جملة القادسية للعلوم اإلنسانية اجمللد الثاني والعشرون: العدد 4/2019م

(There are no statistically significant differences between the experimental group average In
the test (before) and the average score in the test (after) for the performance evaluation scale
for the production of technical and technical work performed in the way of CNC machines).
The limits of the objective research were limited to the use of digital technology in the
implementation of graphic designs using CNC machines (digital linear drilling - 2D), and
knowledge of the effectiveness of the use of this technology in achieving the technical and
technical values for the implementation of graphic designs in the third level -department of
Art education.
While spatial boundaries were limited to apply the experiment to the students of the third
stage, In the department of arts education (morning study), and through the training modules
provided by the researchers of the material of the graphic. With respect to time limits, this
study was applied in the first semester of 2018-2019.
The results showed that there were statistically significant differences between the average
students' grades in the skill test after applying the experiment to the post application. The
results also showed the possibility of employing digital technology in the design and
implementation of the artworks of the students of the department of art Education - fine arts
college- diyala.

This was done by analyzing a collection of drawings and digital drawings, focusing
mainly on the technique and nature of the design, which is similar in the artistic aesthetic
development and the digital arts technology and is used in the technological and aesthetic
methods and their relation to the aesthetic or subjective trends or both which enable the
recipient to understand the role of techniques in artistic creativity,. Artists and designers try to
create highly innovative images and original designs influenced by theories, philosophies and
techniques
The research came in four chapters, which included the first chapter of the
methodological framework of research. The second chapter presents the theoretical
framework of digital technology and the form and the most important elements of the
composition of the artistic painting. Aesthetic theories, interpretations, and aesthetic
interpretations. The third chapter was included in the research procedures and methodology.
research community. The research sample. Business analysis. And chapter IV. Arab and
foreign findings, conclusions, recommendations, proposals and sources on which the research
was based, as well as an abstract in Arabic and a summary in English

The present research deals with the process of formal and linguistic communication in
postmodern art. The importance of this research is by highlighting the art of the Almohaimi
specifically because of its importance in communication between the artist and the recipient.
The aim of the research is to reveal the process of communication in plastic arts and
postmodernism, and the limits of the search period (1965-2007).
The first chapter was on the concept of communication and the second on the theory of
communication in modern philosophy. The third axis expressed art as a language of
communication. (6) paintings, two models (art, language), two models (art of the earth) and
two models (the art of the body). Either the research methodology was based on the
descriptive approach in the sample analysis which is consistent with this study

The spread and evolution of technology have led to changes in societies in all respects,
including educational aspects. Since the educational process is the image that reflects the
philosophy of education in any society, the teacher was required to use the latest methods and
modern methods to develop the educational process to keep pace with the change in the
communities, The importance of education lies in the degree of educational awareness of the
process of applying its components. Thus, the researcher worked on a study (training program
for students of junior high school). The research consists of the first chapter, which included
the problem of research, where the researcher found a set of problems that students experience
in the practice of public speaking and dropping. As the education depends on the vocabulary
(limited) in the art education. as included in the first chapter The importance, objectives,
limits and definition of terms. The second chapter includes (the role of educational technology
in the development of teaching process) and (rhetoric - value - purposes - types) and (skills
shed), while the third chapter included the methodology and procedures of research, either
Chapter IV contains the findings, conclusions, recommendations and proposals, and then
sources and references.

The relationship between the power and the religion, which is representing by the
cleric, constitutes a milestone in the structure of human society in general and Arabic society
in particular. This dialectical relationship is reflected Once again negatively and positively on
the reality of society according to the requirements of the era, which has lived by the Arabic
man. The symbolism of the cleric is moving in two directions in the Arabic play. The first
trend is the direction of good. The second is the direction of evil, or to convey that our
religious Arabic society was known through two categories: a group that preserved the spirit
of the canon and followed the religious duties in a path of spiritual recommendation and
enlightened spiritual purity. , and a misguided class caught the science and the canon,

د.هاشم صيهود حممد املياحي العالقة بني السياسة والدين من وجهة نظر املسرحية العربية
جملة القادسية للعلوم اإلنسانية اجمللد الثاني والعشرون: العدد 4/2019م
claiming it is for the public. The public must take the sciences, statutes, laws and canons to
control their movements and restrict their actions in everything, both in acts of worship and in
transactions.
In other words, it has worn off the robe of power. This research sought to define the limits of
the relationship between the two, power and religion, through caution and good dealing. With
the religious and political personality together, this is required by the work of the playwright
as creative, researcher and criticizing the negative aspects of his society and demonstrated by

This research included (The psychology of the place at Pachelard and its manifestations in
postmodern art) four chapters the first one to expian the folloing : the research's problem
through the folloing requires : What are the psychological manifestations of place in
postmodern art according to the philosophy of Pachelard?
-- The importance of the current research by the fact that the place has formed a depth of
psychological pressure that the artist could not ignore in many of his works of art .
- The current research dealt with psychological impact in its philosophical dimension
-The current research aims to identify the psychological dimension of the place according to
the philosophy of Bashelard.
-The research is determined by the postmodern arts: pop art, surrealism, and earth art for the
period of time between the beginning of postmodernism, the beginning of the second half of
the 20th century, and the present day in Europe and America.
-The second chapter (Theoretical framework) and the following investigations: The first
topic: Bashelard and The psychology of the place, the second topic: Helmia place and the
third topic: the function of the intimate place at Bashelard and its mechanisms.
-While The third chapter touched on the search procedures . And finally The fourth chapter
included the results and conclusions with discussed than the recommendations and proposals s

The playwright is one of the necessary elements in supporting theatrical movement and
according to the type of writing the text and the interactive output of this movement. Here is a
writer specialized in rewriting novels, It is a great task in drafting the text and achieving the
goal that leads to it. Perhaps this study is aimed at reading the theatrical text of the Iraqi writer
and filmmaker (Qasim Hawal), which is distinguished in his text It is based on the fact that
Kassem Hawl is interpreted by the cinematic scene as a complex scene that lacks meaning
because of the chemistry that fills the line between the lines.

Hence, the current research included four chapters, so that the first chapter contains the
methodological framework that is interested in questioning the research as follows
:
. What are the meanings of the image of theatrical stimulated in the texts of Qasim on the play
?.
Then the purpose of the research and the importance of research and the need for it and then
moved the chapter to the definition of terms linguistically and methodically and procedural
definition.
In the second chapter, which contains the theoretical framework, it was divided into two
sections.
1.Simimize the image in the theatrical text
2.The intellectual and artistic references of Qasim Hawal
Then previous studies and indicators that resulted from the theoretical framework. In the
third chapter, which is the separation of procedures, it was based on a research society
consisting of (7) theatrical texts in the samples and analysis, and the researcher chose two
samples, and the method of selection of the intended sample.
In the fourth chapter is the separation of findings, conclusions, recommendations and
proposals, the researcher reached a number of results, the most important.
1.Voices, including dialogue, produce social theater images with signs of semiotics.
2.The image is a mass of signs which is a look of creative activity or read a critical
monetary activity according to the criteria of Susser.
3.The language carrying the image and the image bearing the markings, and the semiotics
of the image emanate from social semiotics.
As for the conclusions, the researcher identified thirteen conclusions, the most important
of which were
1.Alchemy broad science does not include theater alone .
2.Theatrical image has the ability to generate semantics in different forms.
3.Author Kassem Hawal benefited from the cinematic picture in his plays .
. Then came the researcher with a set of recommendations and proposals

The aesthetic and technical dimensions of contemporary world and contemporary ceramics
are a contemporary artistic genre, linked to the techniques of showmaking since the first
attempts. In particular, there is a clear uniqueness in the ceramic experiments of contemporary
American artist Casey Hochhalter, who celebrated contemporary aesthetics and techniques for
the formal structure of color and space. On this basis, the current research consisted of four
chapters. The first chapter covered the problem of research, its importance and the need for it,
which attempted to address many contemporary techniques and methods of applying them to
the ceramic body in the United States of America to highlight the new experiences in general
and the potter's experience Casey in addition to answer some aesthetic questions, which were
the most important: What dimensions aesthetic and technical in contemporary ceramics?
What are the mechanisms of application of the aesthetic and technical dimensions of plant
forms in the Casey Hoekthalar experiment?
The second chapter deals with the "technical dimensions of contemporary ceramic art"
while the third is about "the aesthetic structure of postmodern art in modern ceramics" ), As
well as the indicators that the research ended. While the third chapter includes the research
procedures represented by the research society (44), its model and methodology, and the
mechanisms of analysis of some of the illustrated models of the American potter Casey
Hoekthalar. The fourth chapter, which included the results of the research،
- owned the achievements of the ceramic artist with a distinctive design sense, based on
artistic constructions that go from the natural form through the cultural to the abstract.
-The work of the potter Cassie to draw the attention of the public to the vocabulary and
objects located in the depths of the earth and the ocean and re-display the aesthetics of the
environment in which a person lives without feeling or appreciates the beauty, but continues
to destroy and destroy through pollution and the elimination of natural aesthetic worlds where
the oldest of Human beings are threatened with annihilation by industrial and technological
development.
As well as some of the most important conclusions: the interest of contemporary
American ceramics and natural signs and signals without the visual scenes in the crucible of
the tradition that the products, the spirit of the artistic and aesthetic era without becoming a
naive decorative. This chapter also includes recommendations and proposals, the most
important of which are ceramics techniques between modernity and postmodernism
(comparative study(

The research was divided into four chapters. The first included the methodological
framework of the research. It included a definition of its problem, importance and need. It
aims at: the discovery of the Representations of Collective Memory in the Paintings of the
Baghdad Group of Modern Art, and the second is the theoretical framework. The third chapter
deals with the research procedures. It consisted of the research Society and its Sample. It was
intentionally selected by (15) models representing the paintings of the painters who had the
role Irrigation And the researcher in the establishment of the Baghdad Group for modern art.
The researcher relied on the analytical descriptive method, and the research tool consisted of
the form of content analysis, the validity of the tool, its stability, the statistical means and then
the analysis of the sample. In the paintings of the Baghdad Group of Modern Art, as the
painter has shown it through the form and content. However, the content was the most
prominent and this is due to the fact that the painter is part of that latent pattern, which led to
highlighting the identity of the society by working to reshape the frame of reference for the
Iraqi cultural identity , Chapter four of the conclusions came, including: collective memory
managed in Baghdad, a group fee of modern art painting features and install Iraqi art
authentic identity, as Comprised chapter on the Recommendations and Proposals, Sources and
Supplements.

The present research is concerned with the study of postmodernism and its
applications in the presentations of the Iraqi digital theater. The research is divided into four
chapters. The first chapter is dedicated to determining the problem of research, which is
determined by the following question: Did the postmodern concept apply to the performances
of the Iraqi digital theater?
The first chapter also included the importance of the research, which was included in
(the quest to inaugurate new fields that correspond to the nature of the technological
developments witnessed by the world ..)
It also contained research objectives that focused on the knowledge of the
postmodern concept and its applications on Iraqi digital theater performances.

م.د. نور سعيد جبار & م.د. فاطمة عبد العزيز مابعد احلداثة وتطبيقاتها يف عروض املسرح العراقي الرقمي
جملة القادسية للعلوم اإلنسانية اجمللد الثاني والعشرون: العدد 4/2019م
This chapter included the boundaries of the research that were spatially determined
(the Iraqi plays that used digital technology within the show). The period from which the
presentations were presented from October 22-30, 2013, and objectively (postmodern study
and its applications in Iraqi digital dramas) ).
This chapter also includes the definition of terminology, which is defined as
(postmodern, digital theater).
The second chapter contains the theoretical framework, the previous studies and the
indicators that resulted from the theoretical framework. This chapter included two topics (the
digital theater - the concept - the emergence), the second (digital techniques and concerns in
the Iraqi digital theater).
The third chapter devoted to the research procedures that included defining the
research society in accordance with the temporal and spatial clauses that were included within
the limits of the research. The sample of the research included the presentation of the play
Iraqi Arbaanah. It was chosen in the logical way - to follow the mabahith and to achieve the
research objectives, A sample was analyzed in this chapter.
The fourth chapter, which was obtained as a result of the application of
characteristics on the sample, and the appearance of the results of the levels and types of these
applications, which generally showed the application of samples of the postmodern features
differently. The study showed the employment of postmodern features (contradiction,
decentralization, On the language of the body, openness, involvement of the recipient, ...) The
most important conclusions, which stressed that theatrical play has employed the concepts
and (postmodern) concepts in a way that suits the taste of the recipient, has concluded this
chapter the most important recommendations and suggestions that came from the researcher,
List of most important sources and references.

ing question: What is Happening? And what mechanism and technologies through
which the concept was invested in the performance of contemporary Polish theater through
the experience of Tadosh Kantor theatrical ? . The importance of the research and the need for
it is useful for researchers interested in the field of performance, laboratories and workshops
in the institutes of fine arts and colleges as well as institutions of the private theater. The
purpose of the research is to understand the concept of Happening , to highlight all its items
and techniques, to study the construction of the performance of the actor in contemporary
Polish theater through the cantor experience, and to demonstrate the use of the Happening
concept through its performance configurations. And then the boundaries of time research
spanning the period (1975-1990) and spatial in (Poland), and the subject of (study of the
characteristics of Happening and its functions in the performances of contemporary Polish
theater - the experience of Tadosh Kantor model -), and then concluded the chapter of the
definition and definition of terms.
The second section deals with the study of structural performance of the actor in the
experience of Tadosh Kantor. The chapter concluded with the previous studies and the
indicators that resulted from the theoretical framework.
The third chapter (procedural framework) was devoted to defining the research society and
the research sample. The chapter also included the research method and the research tool. The
chapter concludes by analyzing the play of the Polish director (Tadosh Kantor(.
Chapter four deals with the following :
1- The dominance of plastic formative performance based on description and explanation
of semantics.
2- The rule of the power of the director and his dominion over the final form of
representative performance
3- The process of rotation between the body and objects in the expression produced an
oppressive and chaotic rhythm, and the lack of answers to what has achieved the
concept of non-glory.
The chapter also included conclusions, recommendations and proposals, and concluded with
the list of sources.

he design movement is one of the important factors that combine the works of art in
general and the advertisements in particular electronic journals, and the design of printing
needs a lot of attention and study by researchers, and the importance of access to the main
objectives of the subject students study effectiveness of the movement of design, there are
many questions which we will try to answer through the methodology of research, which
included what we mean by the effectiveness, movement, while the first section contains the
theoretical framework, which distinguished between the two main ideas, where the first
section included movement, attraction and attention (Video clips on the Internet), which were
within the following themes, the concept of movement in design and movement and attract
attention in the design of media, while the second section represent quantitative cognitive
variables in the structure of the design.