Fine Arts

This research is concerned with the study of (the technique of formation between the potters Taha Hanash and Salam Ahmed) and it included in four chapters, the first chapter a statement of the research problem, the importance of the research and the need for it, the aim and limits of the research, and defining the terms contained in it. And a statement of the research problem for the subject (the style of formation between the potters Taha Hanash and Salam Ahmed?), which is a remarkable phenomenon, and the current research aims to identify: (the style of formation between the potters Taha Hanash and Salam Ahmed.) Formation between potters Taha Hanash and Salam Ahmed in the illustrations of ceramic works. Second: Temporal boundaries: (2010-2020) AD. Third: Spatial boundaries: Iraq
While the second chapter included the theoretical framework and previous studies, it consisted of two sections: the first included (the method conceptually). The second topic included (representations of the formation style in contemporary Iraqi ceramics).
As for the third chapter, the research procedures, the research community, and the intentional selection of the research sample amounting to (4) models, then the research tool, the research methodology, and the analysis of the research sample.
The fourth chapter, which was concerned with (results and conclusions), included among the results, including:
1- The contemporary Iraqi potter artist sought to leave the natural contexts in the world of ceramics and its forms, and sought to confirm an aesthetic artistic vision.
2- The innovation and creation of new ceramic formations by the Iraqi potter and the preservation of the general body of formation, and he sets out to a new world

The child’s theater is one of those institutions and means that contribute to building the child’s personality, as the theater is an educational means that directly affects the child educationally, as it contributes in an effective way to building his personality through directing him and spreading religious, moral and educational values in the form of ideas and social, cultural and moral ties and by presenting a sound human model as well as Establishing a systemic system of values that are practically applicable in the behavior of the child, and from this we conclude that the theater carries in its educational image an integrated value system for the child, and in a more special way we find in Al-Husseini Small Theater has religious, moral, aesthetic and educational aspects that fall within a specific aesthetic system, which is the system of the comprehensive value system, and here the problem of the current research is determined in the following question:
What is the value system in Al-Husseini Al-Saghir theatrical performances?

The research dealt with the impact of creative abilities on the drawings of primary school students, and the problem of the current research was determined by the question: Did the students’ drawings contribute to the discovery of the creative concepts referred to by theories of creativity? The aim of the study is to reveal creative concepts in students’ drawings, as for the time limits 2022-2023. The study included a definition of some terms, including impact, creativity, and the primary stage. As for the theoretical framework, it included creative capabilities, in which we discussed the concept of creativity, as it reflects dialogic texts reflected by the painter’s brush. Or through a musical tone that appeals to the soul, and in this way it takes forms through means including: word, color, tone, so that a number of creations emerge with one goal. Creativity is a type of thought, art and literature, and the most important characteristics on which creativity is based, then the components of creativity. As for the research The second section included trends in creativity theories, where creativity was interpreted by the pioneers of creativity theories according to several trends: the first trend was interpretation on psychological foundations, the second trend was interpretation on physiological foundations, the third trend was interpretation on social foundations, and creativity in the theory of (Gulliford), and the third section. It dealt with the characteristics of primary school students’ drawings, and the research touched on the concept of creativity. Creativity is considered one of the important matters for all organizations facing a changing competitive environment. Encouraging and urging creativity has become at the forefront of the goals that many organizations seek to achieve. The research has resulted in several indicators regarding The third chapter includes the research procedures, its sample, the research methodology, sample analysis, and the research tool. The fourth chapter also presents the results, in addition to the conclusions, recommendations, and proposals, as well as the sources and references adopted by the researcher

Research summary: We study in this research: statues of the mother goddess in prehistoric times, between what is the form and content on the one hand, and the impressions of the ancient man about the show of strength between the upper and lower world and their intellectual and figurative relationships between the essence of women and their feminine specificities of the mother goddess as a religious, agricultural and fertile reference on the other, (Mother gods), the search consists of researchers, the first of which bears the name of (Presentation of terminological concepts of what is, the mother god), the second research includes: (Introduction to historical roots to show sculptural forms of prehistoric mother gods Venus, And their communication relationships). The problem of research has been the formal and fundamental questions between gods, mothers, earths and worshippers about how they conceptualize, and their constructive relationships and connotations? The importance of research was also to communicate and address these questionable relationships and their visual and invisible connotations. in order to reveal them by highlighting the relationships between what is the form and content of prehistoric feminist sculptural forms, Through the theoretical framework of research and analysis of its samples according to the methodology of descriptive analysis, and in conclusion, the research incorporates the results. The most important of these are the interrelationships between form and content that embodies the female profession and its birth function related to the reference of divinity, land, worship and agriculture. and religious, social, fertile and reproductive relationships between women's power, land and God, highlighting the formal features and their conceptual relationships with them, and then conclusions, and a list of sources.

The research deals with repetition in the works of the artist Andy Warhol, an analytical study through which the artist seeks to embody the image. Photography and advertising in a manner commensurate with the spirit of the age through its use of technology through silk-screen printing and silk-screen to bring the image and artwork out of its fixed nature, which is embodied through repetition and reproduction again and expressing it with new ideas and it is part of the consumer culture... In the methodological framework focuses Research problem The researcher answers the following questions:
1- Do screens and advertisements have a cultural and aesthetic role in the production and reception of the image? Reproduced in the works of Rahul.
2. Is technology an urgent reference to repetition in Warhol's work? Then the researcher relied on the importance of the research as a study concerned with the cognitive, artistic and aesthetic aspects of the artist Warhol, as well as a new addition to the cognitive and artistic field. As for the limits of the research, it was limited to (1961-1975) and then concluded with terms. The theoretical framework is defined in three sections. The first section was under the title Repetition as a Concept. The second topic was entitled Pop Art Techniques, and the third topic was entitled Repetition in the works of the artist and Warhol. As for the research procedures, the researcher dealt with the research complex and its sample. Then he touched on the research method, then the research tool, then the analysis of samples, then the results, conclusions, recommendations

This research deals with (digital technology and the installation of the scene in the Iraqi theatrical performance), considering that the technological field is one of the most important developments that cast a shadow on the stage of the theatre. It created new horizons for directors, designers, and technicians who quickly sought to change their methods of creation, artistic creativity, and technical embodiment of different portrayals. Aesthetic ideas and their delivery to the recipient easily and effortlessly, and given the importance of the topic, the researcher monitored many related technical and scientific opinions and theories on the subject. (Digital Technology) and it was discussed to indicate its compatibility with the theatrical scene, and the research consisted of the following:
In the first chapter, where (the methodological framework) that includes the problem of research and identification of the most important obstacles (digital technology) and its necessity in constructing the scene in the Iraqi theatrical show, it also includes This chapter defines the temporal, spatial and objective limits of the research, then concludes this chapter by defining the most important terms in the research.
As for the second chapter, where (theoretical framework), it included two chapters, and the first topic was about (the concept of digital technology), and the second topic was about (the mechanisms of using digital technology At the end of the chapter, the researcher came out with the most important indicators of the theoretical framework, including: Digital technology) enables the spectators who sit in the hall to control more in the reception process, just as the technique of the designer's work in the theater with lasers is an art Movement, not inanimate matter, depends on advance scientific planning.
In the third chapter, where (research procedures), the researcher analyzed the play (Discoveries) by its author (Qasim Muhammad) and its director (Ghanim Hameed). C descriptive analytical.
In the fourth chapter, the researcher (discussing the results of the analysis) according to the research objectives, as she found that the Iraqi director and designer can replace a number of devices and computers to They include theatrical scenes that carry many aesthetic connotations and meanings, making it easy for viewers to receive them without any effort. Those working in this field can inject interpretable symbols into any play through this theatrical technology, and the audience can receive them easily and remove ambiguity and confusion. casement that surrounded the theatrical performances before using this technology in making the theatrical scene, and then the researcher reached the conclusions and found that The production of meaning will be easy for the audience if the director and those working on modern technology succeed in using the elements of the presentation in a proper way, just as the Iraqi audience (spectator), It simulates (technical) forms in contrast through their symbols and meanings, and it is one of the tasks entrusted to the director and theatrical designer, and then the researcher confirmed the recommendations and proposals, as arranged The researcher provided research referrals, sources, and references in alphabetical order, in both Arabic and English.

The current research dealt with the tagged: reproduction in modern sculpture to identify a phenomenon in modern sculpture, which is embodied through a rebirth of the artistic heritage, and this resurrection is through selection and selection of the model first, and then increasing it or decreasing it according to what the subsequent artist sees in line with his contemporary vision temporally and spatially, and then studying this phenomenon in the works of the artist (Fabio Vialli), and to reach the results, the researcher divided it into four chapters. subject matter, as well as defining terminology. The second chapter included the theoretical framework of the research, while the third chapter included the research community, which consisted of 10 sculptural achievements, and the research sample included 5 sculptures. As for the fourth chapter, it dealt with reviewing the results of the research and the conclusions, in addition to that, and the researcher reached basic results, including: 1- The artistic work was built on the visions of another work by (100%), and the researcher attributes this to the fact that the process of reproduction necessitates that there be a previous work formulated According to a later work. Among the most important conclusions: 1- The process of reproduction is an intentional conscious process through which the artist re-creates and renews previous achievements. 2- The process of reproduction may be for purposes related to the artist's vision and philosophy in dealing with certain issues.

Digital printing and its outputs are among the important necessities in achieving graphic design according to multiple digital techniques that achieve function and beauty, and it has an effective impact in achieving circulation. The relationship between digital printing and its outputs is a technical diversity in the extent to which printing achieves the possibilities at the level of form, clarity, accuracy, and the multiplicity of materials. The method of presentation are all factors that affect the aesthetics of digital printing and how to employ it on contemporary graphic work. Hence, we began by defining the research problem, which centered on the following question: What is the role of digital printing and its outputs in contemporary graphic design. The first chapter also included the research objective:
1. Exploring digital printing and its outputs in contemporary graphic design..
The limits of the research included in the first chapter were limited to studying the Ithmaar Al-Nakhil Company and the Baghdad Municipality, while the second chapter included the theoretical framework. The first section dealt with (printing design and impact) and (contemporary printing outputs).
The third chapter dealt with the procedures that included the research community, the Nakheel Ithmaar Company and the Baghdad Municipality, and the fourth chapter included the most important results and conclusions.

The Goal of the research entitled ، The effect of direct learning and independent learning in the performance of intermediate stage students in the art education(Babylon Directorate of Education as an example)
The effect of the visual education strategy on academic qualification of secondary school students. (Dhi Qar Education Directorate as a module) is:
1. To know the effect of the visual education strategy on academic qualification of 2nd class of secondary school students ).
To achieve the goal of the research , Null hypothesis is drafted as following :-
1. There are no statistically significant differences at the level of significance (0.05) in academic qualification due to the direct and independent education
- The results of the statistical analysis also showed the presence of statistically significant differences in favor of the independent education as a main strategy and the direct education strategy as second rate , compared with the results related to the application of the regular education method - thus rejecting the null hypothesis and accepting the alternative hypothesis.
- The accompanying analysis of variance (ANCOVA) and Scheffe's equation were used to compare the students' marks.
- Therefore, the researcher recommended:-
1- Urging teachers to rely on the independent education strategy widely in secondary and high schools.
2- To reduce applying direct education strategy methods in case of difficulty of applying the independent education strategy.
3- The use of different modern education strategies in teaching Art Education
4- The educational institution shall concern about the need for the Art Education teacher to be familiar with the strategies of direct and independent education in teaching the Art Education.
The researcher suggested the necessity of conducting similar research on other classes of study to find out
-The effect of education strategy
The research ended Art Education and foreign sources and some appendices

Over the course of many centuries, art has been suffering under the weight of coercive and dominant intellectual authorities, all of which were derived from magical, religious, or philosophical beliefs, represented by the idealistic philosophy that was dominant in that period, so art in it was subject to religious or political authority and was riding on its side. Then We have entered the cusp of modernity and the philosophies and ideas that led to its emergence that were considered a response to idealist philosophy, such as materialism, existentialism, etc., in addition to the scientific data that began to appear and explain many phenomena and cancel many of the previous adoptions. All of this greatly influenced Western thought and what It was followed by a change that affected the wheel of art and displaced it in other directions, such as cubism, surrealism, and abstraction.
Until postmodernism came as a reaction to modernity, especially with regard to culture, identity, history, and language, in addition to its skepticism of certainties and grand narratives, as postmodernism drew from modernist philosophies and ideas and added to them, so these ideas became the ruler of art until our present time, and still are. Contemporary art draws from the intellectual foundations of postmodernism, but with formulations that include the development and progress achieved by thought and science. Based on the above, the researcher sees the possibility of focusing on the following question: How did the authority of postmodernist intellectual institutions influence

The post-pandemic period and the spread of (e-learning) and the great need to create advertising designs for e-learning workshops, as this widespread spread was accompanied by many organizational failures at the technical level of design, thought and performance at the level of most educational institutions, and since organization is the structure on which it depends. Design Here comes the problem posed by the researcher, which is that the advertisement has lost its ability to convey the message clearly. Despite the presence of a huge number of technologies, methods and effects in digital programs that are sufficient to show the design of electronic advertising at the best level, there are operators who do not keep up with the tremendous development in The field of design and advertising spread around the world, and the lack of follow-up by well-known and experienced operators, as the research sheds light on revealing the mistakes that some designers with weak capabilities make in using a work system that does not fully perform its function to conduct electronic advertising and its needs, as the problem of the research lies in the following: Is it Organization is a problem in the design of electronic workshop advertisements, and is the person working in the field of design aware of the working techniques for electronic advertising? This research came in four chapters, as the first chapter dealt with the research problem, which is: Is organization a problem in the design of electronic workshop advertisements, and is the person working in the field of design aware Working techniques for electronic advertising, as well as the importance of research, the goal of the research, and a definition of some of the terms mentioned in the research. The second chapter contained the theoretical framework, and the third chapter included a presentation of the research procedures and sample analysis. The fourth chapter dealt with the results that resulted from the research and conclusions, and the chapter ended with recommendations and proposals that the researcher assumed it, and the researcher concludes with a list of sources included in the research.

Digital designs have emerged as one of the influential trends in new design practices, because of their thought concerned with the mutually efficient relationship between the structural system of the job and its surroundings through the interaction of digital technologies with the design space, to achieve interactive effects in the design environment. Is the design communication language clear and specific to enrich the digital design strategy and the effective mechanism in its rules and characteristics of the contemporary design form?, The process of providing these digital mechanisms within space is one of the most important challenges facing the designer in the decision-making process after a fourth space within the design process and working to provide appropriate formal rules and characteristics for space occupants based on the digital interaction of the designed environment and physical space at the same time and is considered as a key to future design interactive with the user, and determines the goal of the research in and determines the goal of the research in Reveal the role of design rules in digital design production in contemporary interior spaces and the impact of digital design properties in the interior space. The research in general is represented by the available knowledge that crystallized in building a comprehensive and accurate theoretical framework about digital designs, their interaction mechanism and design characteristics.

Digital designs have emerged as one of the influential trends in new design practices, because of their thought concerned with the mutually efficient relationship between the structural system of the job and its surroundings through the interaction of digital technologies with the design space, to achieve interactive effects in the design environment. Is the design communication language clear and specific to enrich the digital design strategy and the effective mechanism in its rules and characteristics of the contemporary design form?, The process of providing these digital mechanisms within space is one of the most important challenges facing the designer in the decision-making process after a fourth space within the design process and working to provide appropriate formal rules and characteristics for space occupants based on the digital interaction of the designed environment and physical space at the same time and is considered as a key to future design interactive with the user, and determines the goal of the research in and determines the goal of the research in Reveal the role of design rules in digital design production in contemporary interior spaces and the impact of digital design properties in the interior space. The research in general is represented by the available knowledge that crystallized in building a comprehensive and accurate theoretical framework about digital designs, their interaction mechanism and design characteristics.

The research entitled (The function of environmental signs in modern American sculpture - the artist Robert Glenn as a model) dealt with the concept of the function of the sign provided by the environment of modern American sculpture, and the documentation of environmental concepts and the extent of that relationship with symbols and cultural content stemming from their intellectual roots in those sculptures, including the symbols they contain. The specificity of the spatial, temporal and cultural framework of sculpture. The environment provides a wide network of visuals that American sculpture calls for compositionally and expressively. This requires deep research into concepts to reveal the specificity of the sign of the American environment and its production in the art of modern sculpture. The research includes four chapters in the interpretation and analysis of the research, as follows: In the first chapter, the methodological framework, the research problem was determined as follows:
1. What is the peculiarity of the American eco-label?
2. How was the environmental label reflected in American sculpture?

The arts reflected an important aspect of human life and expressed his level and conditions in which he lived, expressing his utilitarian needs. With the development of man, he began to give his artistic works an aesthetic touch by using the designs of gypsum inscriptions in Arab mosques, as they are among the fine arts that the ancient man reached at that time. Therefore, the geometric units in the designs of the gypsum inscriptions coincide with the deep level of aesthetic understanding in the art productions throughout history, including those related to the experiences of Islamic art, specifically (in Arab mosques), which constituted a growing cognitive obsession among researchers, interested and connoisseurs to explore the depths of abstract (invisible) thought. Which resulted from the doctrinal system of the true Islamic religion, beauty was expressed in the interior design of Arab mosques, including the designs of gypsum inscriptions, as they showed through their designs their aesthetic specificity in the artistic design creation, and in turn the aesthetic thought expresses the sensual flavor of meditation and imagination, which takes precedence in expression About abstraction, and the interior designer can touch the aspects of this development in the gypsum inscriptions through the changes that occurred to them in this type in designs as a result of the urban development of Arab mosques, which gave freedom to the interior designer to add something of his own imagination, relying mainly on (the craftsman). With the artistic skill he possesses, and in a way that is compatible with the space and size of the internal determinants that make up the interior design of Arab mosques, and because of the importance of this topic, the researcher wanted to formulate the research problem with the following question: What are the aesthetic components of the gypsum relief designs for Arab mosques?

This research is concerned with studying (the aesthetics of style for Behzad’s miniatures in the Shahnameh epic) and it is divided into four chapters. The first chapter came to explain the research problem, which asked (what are the aesthetics of style for Behzad’s miniatures? What are the most prominent topics that Behzad addressed in the Shahnameh epic?) and its importance through ( Studying the concept of style and its uses in the artistic fields) and the aim of the research (to know the aesthetics of style of Behzad’s miniatures in the Shahnameh epic). The second chapter included: aesthetics and cultural miniatures through two sections. The first section dealt with the aesthetics of style in miniature art and its characteristics and features, while the second section concerned itself with studying: schools of miniature art As for the third chapter, the research sample, which numbered (4) artistic works, was intentionally selected, and the fourth chapter ended, which included the results of the research, most notably: The Muslim artist was able to give the viewer a sense of juxtaposition between place and form, but he did not care about the depth of the form and its physical dimensions, and among the most prominent conclusions is : The impact of religious content, especially topics related to mosques and ages, as well as topics related to various religious occasions. The most prominent recommendations are the need to publish a guide that addresses the expressive aesthetic dimensions of Islamic art, especially Islamic miniature art.

The current era has witnessed an increasing growth in the human knowledge and values in all areas of life, and it is certain that these knowledge and values do not take its easy path towards growth, without a conscious, purposeful education that contributes to the formation of a person who is able to improve his life, as well as the formation of the trends and tendencies that the individual acquires across Institute educational and artistic values.
Based on that,the researcher has identified his research problem by the following question: How can Axiologia be represented in the texts of the school theater?.
The researcher used the descriptive approach- an analysis style, as the current research community included (12) theatrical text of contemporary Iraqi writers (Fadel Al-Kaabi, Ammar Saif, Ammar Nima Jaber), and for the purpose of achieving the research goals, the ethics approved the classification of (White-Hiti) developed for the values as appropriate For Arab culture.
The five values that appeared among the most important values are (new experience - knowledge and information - friendship - design - ethics). As for the last five values, (food, individual independence, respect for the great, sacrifice for the country, economy) appeared

The current research is summarized in_ the study of the interpretation of the shape of the bird in the works of_the contemporary Iraqi artist (Alaa Bashir), and to reach the objectives of the research, the researcher divided his research into four chapters. The first chapter included the research problem, which ended with a question posed by the researcher: If the images of animals in general present their statement as intellectual and spiritual notifications, is there a conscious specificity of the artist to establish a system of proportional relationships between the specificity of the intellectual contents and the visual images carried by those works? The research ended with a number of results, including: Birds are considered part of human culture and in a broader sense of social behaviour, customs and practices, including expressive forms, such as art, singing and religion for thousands of years. Addressing the recipient's receptacles from a popular or religious heritage that evokes feelings in him. It is the purpose of art. Also: Alaa Bashir added the crow to the painting to increase the gloomy atmosphere in paintings that gave what the crow bears the characteristic of pessimism in the Iraqi folk heritage to which the artist belongs.

The current research dealt with the concept of the formal shorthand according to Kandinsky and the mechanisms for enriching the communicative discourse in the designs of printed advertisements. The research included within its folds the first chapter guided by the goal of identifying the formal shorthand and its role in enriching the communicative discourse of the design of printed advertising, as well as the importance sought from it and its objective, temporal and spatial limits and some definitions. For the terms mentioned in the title of the research, the second chapter was built on two main sections, including some titles For the secondary axes, including the concept of the formal shorthand in general, followed by the nature of this shorthand according to Kandinsky, the second section dealt with an explanation of the communicative discourse in design, then the formal shorthand and the communicative discourse in the design of print advertising. The third chapter included the methodological procedures for the research, including defining the research community and its sample, then analyzing the researched models

Television programs and series vary with the variety of topics they cover, but they must carry goals intended to educate, educate, entertain, or all of them to attract the recipient to follow what is presented to him, and whatever the form of the program, i.e. the artistic template in which the idea of the program falls (dramatic - non-dramatic) The ideas and information included in its content and content have an effective role in whether or not the work succeeds, and accordingly, these business makers resorted to innovating various methods that are consistent with the era of the digital revolution on the one hand and the taste of the audience on the other, so most of them resorted to popular or hyper-drama to match With digital visual presentation and social networking programs that have a direct impact on the success of these works, through the hyperlinked drama, the spectator must specify what he wants to watch, i.e., for example, one of the work characters and their positions within the structure of the dramatic text or a place where events took place or a specific event without Other events in the same dramatic work
. Here, the types of drama had an effective role in this aspect, and the comedic ones in particular. The interesting feature of comedy works to achieve emotional satisfaction for the audience by seizing the opportunity to present hostile conflicts to society without destroying the social fabric. The opposition may have freedom to speak against social and moral values because it was used The entertaining comedy form and this comedy distinction has been followed since Aristotle. Therefore, in this research, we discuss the study of hyper-drama and the artistic formulation of short-text comedies.
The research was divided into three chapters, which included:
First: The first chapter deals with the methodological framework, which dealt with the methodology of the research, represented by the problem of the research, its goal and its importance, as well as defining the most important terms that were mentioned in the title of the research.

The research includes a study of (types of time in children’s theater texts) and it included four chapters. The first chapter was devoted to explaining the problem of the research, its importance and need for it, the goal and limits of the research, and defining the most important terms contained in it. The goal of the research dealt with (identifying the types of time in children’s theater texts) .
The second chapter was concerned with the theoretical framework, as the theoretical framework included two sections, the first section: types of time, while the second section was time in the child’s perceptions according to age stages. The third chapter included the research procedures, the research population, the research sample, the research tool, the research methodology, and sample analysis. The research (3) is a model, while the fourth chapter included the research results and conclusions, and among the results reached by the researcher:
1- The element of time embodies the damage of the conflict on the recipient in terms of its psychological and biological dimensions, as in the text of the play Don’t Say Like Kaw Kaw.
2- Physical time appears, and its presence is reduced and intensified in the theatrical text presented to the child, as years can be presented within a plot whose time does not exceed more or less than a day, depending on the flow of time. It is identical with reality and gives the illusion of it because reality is cut from it.
Through the results, the researcher also reached a number of conclusions, including:
1- It creates the illusion of time in the theatrical text directed at children through its superior ability to reduce, condense, and recede in order to allow its structure to establish its overall unity.
2-The child’s awareness of the concept of time is linked to the development of his mental perceptions.