Al-Academy

The research (The presence of the environment in the works of the potter (Dylan Beck)) is concerned with studying the relationship between the natural environment and man and its reflection in artistic productions. The research is divided into four chapters. The first chapter includes a presentation of the research problem, which is summarized in the question of how the presence of the environment is represented in the ceramic productions of the potter (Dylan Beck). The aim of the research is to identify the presence of the environment in the works of the potter (Dylan Beck). The research is determined by studying the representations of the natural environment in the works of the potter (Dylan Beck) and the treatments adopted in the ceramic productions. The second chapter includes the theoretical framework, which includes three topics. The first is concerned with the concept of the environment, while the second deals with the concept of beauty, and the third topic deals with the autobiography of the potter. The third chapter deals with the research procedures, which consisted of the research community consisting of (40) ceramic works, and the research sample, which included (4) ceramic works that were chosen intentionally. The fourth chapter includes the results and conclusions of the research, and then the sources and references

Sustainability was considered one of the contemporary concepts as a major revolution in the seventies of the twentieth century. Most researchers considered it a concept synonymous with the strategy and sustainability of time and the financial investment of science in a way that helps in the development of societies. It is a multi-level and multi-branch concept that was circulated within the global development sectors, as it was framed by technology, politics, economics and the environment, until Sustainability has become the culture of our time. According to these data, the researcher adopted the concept of sustainability within a societal culture that interacts with heritage and communication in contemporary formation within a research structure consisting of an introduction in which the research problem was presented, founded by the following question: How is the culture of sustainability represented in contemporary Iraqi formation? A study in the continuity of heritage. The importance of the research came as it is a topic that discusses the culture of sustainability in its relationship with the contemporary Iraqi formation. The goal was set by identifying the culture of sustainability in the contemporary global formation. A study of heritage continuity within objective, spatial and temporal boundaries ( 2000-2024 AD ) The introduction was completed by defining the concepts ( culture, sustainability, heritage, and communication ), while the theoretical body came from four sections: the first, the cognitive concept of the culture of sustainability, and the second, the cognitive concept of the concepts of heritage and communication. The third topic represented applications in developing sustainability in art, and the fourth topic represented culture. Sustainability, heritage, and communication in contemporary Iraqi formation. From this, the researcher obtained a number of results.
1- Iraqi plastic arts kept pace with most scientific techniques with multiple approaches such as optimally employing contemporary techniques through scientific techniques.
2- Sustainability has formed a societal culture that the artist has supported through his artistic achievement, establishing an aesthetic and guiding discourse for society.
3- Employing materials in a sustainable artwork is considered creativity, especially if its structure carries the heritage system as an authentic communicative data.
The artist was able to reconcile heritage as an existential cultural system and the possibility of preserving it through art, framing his achievement with a communicative value through which authenticity was effectively achieved, so that the culture of sustainability became a joint in the aesthetic construction of the Iraqi artist

(ZnO+CaO +) was used as a low-temperature glaze opacifier as an alternative to common tetravalent oxides (ZrO2, TiO2, and SnO2). The two compounds were added in various proportions to two types of glazes: lead glaze and alkaline glaze. The compounds were applied to a white kaolin body, and the body and glazes were fired at 1000°C. Formula units were calculated using the relationships between the three oxide groups (RO, R2O - R2O3 - RO2). A criterion was established to select the best opacity for the study samples, which was the highest opacity before the glazes hardened. The samples were then microscopically examined to determine the content of the glazes layers, as well as by XRD. It was found that the cause of the opacity was the non-fusion of the added opaque materials, as well as gas bubbles. Colorimetric analysis was then performed using the LAB system, Reflectivity was measured to show the light reflection rate of opaque glazes, and the results were discussed according to scientific data.

The sciences of Topology consists of the sciences of engineering, physics, and all the sciences of mathematical engineering. In fact this science means the study of the location of an object in relation to other shapes. Absolutely this science is aware of the study of shapes without in terms of their transformation through tides and softness without losing their qualitative properties. Topology is also called the engineering of rubber surface. The rubber sheets on the basis in which these shapes are topologically equivalent as long as the rubber sheet is not torn or fragmented, in addition that the square is equivalent to the circles from topological view point.
In the same way a cube is comparable to a sphere. In fact the cup from which we drink is just like a swimming pool, especially in its spatial and formal spaces that are characterized by continuity and infinity. Therefore, we can say that this study focuses on integration between this science (rubber geometry of shapes and spaces) and the performing arts especially theatrical art

In light of the increasing and unprecedented environmental challenges the world is facing, such as climate change, depletion of Natural Resources, increasing population density and harmful industrial practices, it is imperative to think and search for new solutions that help reduce these problems and provide a better quality and sustainable life, hence the role of green design emerges as a new entrance and an innovative solution, combining environmental sustainability and aesthetic as an essential pillar in the operations of This design approach seeks to transform outdoor spaces into beautiful, healthy and nature-friendly places to achieve environmental sustainability, hence the importance of this research through the use of plant elements with their color, shape and texture characteristics as inputs to the design process to produce innovative and environmentally friendly wall configurations, it does not represent just an aesthetic or artistic orientation, but constitutes an integrated philosophy aimed at achieving a delicate balance between aesthetics and environmental efficiency, therefore green design is an integrated approach linking function, beauty and sustainability, and thus the current research aims to activate the role of design Green Sustainability To achieve the research goal and solve its problem, which is how to take advantage of green design to achieve urban coordination and environmental sustainability, the researcher will follow the descriptive analytical approach.

The environment is the spatial space and vital field in which a person lives, and whose life depends on its natural resources, Therefore, it has become necessary and obligatory to preserve, protect and develop these natural resources through laws, regulations, sound practices and positive behaviors and develop them in a way that achieves sustainable development of the environment, One of the important media means is posters, which play an important role in spreading environmental awareness among individuals and society in general. Hence the research problem came through the following question: What is the role of graphic design in spreading environmental awareness in society?
The aim of the research is to identify the role of graphic posters in spreading environmental awareness and developing positive behavior in society. The descriptive analytical method was used in analyzing the samples that were selected according to the available sampling method, and the research reached the most important results: the posters played an important role in conveying the communication message to the community, The designs of the researched posters were distinguished by the simplicity and ease of design and the depth of meaning and content in the presentation to educate society about the dangers of environmental pollution. The authors concluded that developing well-thought-out plans to raise environmental awareness and protect it through the use of multiple methods is a fundamental step toward achieving a sustainable environment. Community and international organizations play a crucial role in spreading this awareness and promoting environmental conservation practices. Graphic design is also an influential communication tool that contributes to changing the behavior and ideas of communities and their individuals, leading to the protection of lives and ensuring public health. This positively impacts the development of income sources and the improvement of economic, social, and health aspects. Furthermore, the importance of enacting laws and legislation criminalizing environmental abuse and unsound practices is crucial, providing a legal environment that supports sustainability. Finally, adopting clean energy solutions represents a vital path to protecting the environment and achieving sustainable development across all sectors. The research recommends the necessity of enacting laws and legislation that are concerned with various environmental topics and paying attention to graphic design and posters in general because of its importance in delivering communication messages to the public and society and creating sustainable environmental awareness, and the necessity of supporting organizations and associations specialized in protecting the environment and in a way that achieves sustainable development in the environment and society.

The aesthetics of a sustainable theatrical environment have displaced the stereotypical constants in the recipient's intellectual structure and shaped a change in the contemporary recipient's awareness. The theatrical environment was the proposed space for shaping the director's vision of the show's creator and stimulating the recipient's participation. The study sheds light on four chapters (the first - methodological, which includes the research question: Does the theatrical environment have sustainable aesthetics? The research aims to: identify the aesthetics of a sustainable theatrical environment in contemporary Iraqi performances. The research was set in 1999, spatially, to the Department of Art Education, and thematically, to study the aesthetics of a sustainable theatrical environment in contemporary Iraqi performances The second chapter (the theoretical framework) includes two topics, the first: the aesthetics of the theatrical environment, and the second: sustainable Iraqi performances. The researcher reviewed some previous studies and presented indicators of the theoretical framework. The third chapter (research procedures, the research community, and the descriptive analytical research method on the intentional sample model according to the research tools and indicators). The fourth chapter (the research results and their discussion), the most prominent of which are: the multiplicity of spatial foci in the open environment, which supported the visual formation, which contributed to producing an environment with aesthetic value, to achieve the aesthetic effect. The conclusions: the theatrical environment constituted a qualitative addition to the visions of the Iraqi director, and constituted one of the variables witnessed by the path of contemporary theatrical art The researcher made some recommendations, including: adopting a theatrical festival specializing in environmental performances in locations that have a special kind of aesthetics, similar to the countries of the world. The researcher suggested future studies, including: the theatrical environment between text and performance in Iraqi theater (Iraqi models). The research concluded with a list of sources, references, images, and a summary of the research.

The research problem emerges with the question: Next: What are the representations of sustainable design context in calligraphy production? The research aims to reveal these representations within the spatial boundaries of calligraphy production in Iraq, Saudi Arabia, Turkey and Iran. The theoretical framework addressed the topics of context: meaning, concept, aspects of context - commonality and difference, and the design context between repetition, extinction and sustainability. The third chapter included the research procedures using a methodology that adopted the descriptive analytical approach and a community that included (73) productions, from which (14) models were selected as a sample and analyzed. The research reached the following results:
1. We find that calligrapher works rely on a special design context that can be transferred to another calligraphy type while maintaining the same quality after it stabilizes. Attempts appear to renew, develop, and modify it, either implicitly or entirely. These attempts are innovative systems and contexts that achieve contextual sustainability and continuous contemporaneity for the written product.
2. It is possible to find written contexts and products with a character that is aligned with the goal of achieving a specific purpose through the migration of a system operating within a calligraphy type, such as the labyrinthine system in square Kufic script. This system is incorporated and adapted in design to align performance with the requirements of related scripts, such as Thuluth script, each with its own unique characteristics, even if they share a unified context.
The researchers recommend benefiting from the research findings by including it in the curricula in departments related to the field of Arabic calligraphy to enable the student to be creative in calligraphic achievements. The researchers suggested studying representations of the sustainable design context in Islamic decorative art.

The concept has developed on the basis of the environment becoming a major system based on the idea of mutual benefit between design and increasing its quality on the one hand, and improving the relationship with the site environment on the other hand, so it is interested in exploring nature and absorbing its absolute existence, and then addressing it in the design, giving the design within : What are ecosystems in interior design and what are their treatments in the extreme desert environment The aim of the research was to reveal the elements of achieving ecological design and integrating it with the extreme desert environment, and the research included two researches, the first: design simulation of ecological extreme environments (desert) and the second: simulation of nature in sustainable desert resorts the researchers adopted the descriptive approach case study to achieve the study objective and the selection of the research community:
1-the situation was characterized by the effectiveness of responding to calls for a return to the natural system and it was to benefit from it environmentally, including the optimal investment for the kindness of a harmonious design place based on the location surrounding them geographically and historically
2-the case contributed to the effective presence of nature simulation for the technique of dealing with materials and methods of finishing them and in the use of techniques and science in effective ways to produce deep sustainable design.
The most important conclusions
1-that ecology in the designs of the nature system is an integral and important part of life and not just an imaginary addition.
2-the connection of the design of the natural system with scientific theses between metaphor and shorthand from traditional designs leads to the existence of another design orientation that did not exist provided that the connection with the ocean was not severed, which led to a growing sense of belonging and continuity.
Keywords: simulation, ecology ,interior space, extreme environments .

In recent years, the field of artificial intelligence has witnessed tremendous development, intervening in many aspects of life. Artificial intelligence is no longer just a new technology; it has become an effective tool relied upon by designers to achieve innovative and effective designs that meet the needs and aspirations of users and add new dimensions to sustainability and environmental efficiency. Interior design is an art that evokes organization and comfort, manifested by enhancing the performance and aesthetic value of a specific space. When it comes to interior design, as in many disciplines, artificial intelligence has begun to make inroads into this field and is increasingly asserting its presence. Based on the above, the researcher finds himself faced with a question that could embody the current research problem, as follows: "How effective are artificial intelligence and its applications in the field of interior design, and what is its role in promoting the principles of sustainability in the design of interior spaces?" Therefore, the researcher finds it necessary to understand the potential of artificial intelligence and its application in architecture and interior spaces, the reasons for asserting its presence as an advanced technology with a positive impact on interior spaces, and the extent to which it can be employed in the designs of local public institutions. The study aimed to demonstrate the effectiveness of artificial intelligence in interior design and its role in promoting environmental sustainability within interior spaces. To achieve the research objective, the researcher conducted a comprehensive study comprising three chapters. The first addressed the research problem, its importance, and its objective, as well as the boundaries and definitions of the terms used. The second chapter contained the theoretical framework, which in turn included two sections. The first addressed the effectiveness of artificial intelligence and its applications in interior design. The second section addressed the role of artificial intelligence in achieving sustainability in interior spaces. The third chapter concluded with a set of conclusions and several recommendations. The most important conclusions include:
1. Artificial intelligence is an effective tool in developing contemporary interior spaces, as it contributes to improving design processes in terms of speed and accuracy, and the ability to process large amounts of information in a manner that exceeds traditional human capabilities.
2. Artificial intelligence is effective in enhancing interaction between the user and the interior space, through intelligent systems capable of responding to environmental and behavioral changes, leading to more flexible and dynamic designs.
3. Artificial intelligence is an effective tool for achieving sustainability in indoor spaces, not only by reducing environmental impact, but also by improving the quality of life within these environments.

The current research, titled "The Relationship between the Environment and Technical Experimentation in the Works of Artists Hanaa Malallah and Ghassan Ghaib," addresses the problem of the environment and technical experimentation being closely linked, as technical experimentation requires a specific environment to effectively develop and implement tests and experiments. It is worth noting that the environment is not only the place where technical experimentation takes place, but it may also be a primary factor that influences the outcome of the experiments or determines their effectiveness. Through this research, the researcher examined the techniques used, the employment of materials, and their diversity in the artistic production employed by the artists (Hana Malallah and Ghassan Ghaib). The researcher worked to reshape these techniques with different technical and color treatments at the performance and technical levels in a unique and noticeable manner. The research objective is to identify the relationship between the environment and technical experimentation in the works of artists Hanaa Malallah and Ghassan Ghaib. The research includes four chapters. The first chapter addresses the concept of technical experimentation. The second chapter addresses the environment and its relationship to technical experimentation in the formation of artworks. The third chapter addresses technical experimentation in the works of Hanaa Malallah. Chapter Four: Technical Experimentation in the Works of Ghassan Ghaib. Based on these four chapters and to achieve the research objective, a number of results and conclusions were reached, including:
1. Artists Hanaa Malallah and Ghassan Ghaib continue to emphasize the use of the same technique repeatedly and exclusively in displaying most of their works. This is achieved by relying on the material used to demonstrate the technique, or by relying on the display of texture as a fundamental element in display techniques.
The experimental artist develops cognitive (mental) plans that precede the production and completion of his artworks. He addresses all technical variables on the surface of his pictorial works, while leaving room for new developments that emerge during the completion process

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Environmental conditions have long dictated the evolution of art across time and space. Throughout history, humans have engaged with their surroundings in pursuit of various objectives, continually striving to alter nature for both practical and aesthetic purposes. This has given rise to a desire for an art form that embodies simplicity, one that distances itself from industrialized societies and emerges from an environment untouched by modern industry. In such a setting, artistic production becomes inherently connected to its natural surroundings.

In response, artists have developed an artistic movement rooted in nostalgia for nature and a return to a more primal existence—one that resists the social negativities and capitalist ambitions that have increasingly dominated the art world, subjecting it to market forces. This movement serves as a testament to humanity’s intrinsic bond with the land. Given that this art form is a direct product of its environment, it necessitates an alternative approach to traditional exhibition conventions, shifting towards spaces that align with its conceptual and contextual framework.

Thus, this study, titled “The Sustainable Environment for Exhibition Spaces in Land Art,” explores this dynamic. The research is structured into four chapters:
• Chapter One: Methodological Framework, where the researcher presents the central research problem through the key question: What constitutes a sustainable environment for exhibition spaces in Land Art? The chapter also outlines the research’s significance, objectives, scope, and key terminologies.
• Chapter Two: Theoretical Framework, which consists of three main sections:
1. Sustainable Environment in Art: The Production of Environment and the Environment of Production.
2. The Concept of Exhibition and the Diversity of Its Spaces.
3. The Land Art Movement: Essence and Form.
• Chapter Three: Procedural Framework, where the researcher identifies the research population, sample, and methodology, conducting a descriptive-analytical study of selected case studies.
• Chapter Four, which presents the findings and conclusions drawn from the study, along with recommendations and proposals for further exploration of the relationship between environment and Land Art.
The most important findings of the researcher were:
1 – Exhibition spaces emerged as a sustainable environment after the liberation of art from the discipline and limitation of the closed pictorial space in studios and galleries and the trend to the wide open space in the art of the earth to constitute an important space for the construction and display of very large works. As in sample (1)
2 – The sustainable environment of the exhibition spaces varied according to the nature of the nature that was chosen to be the ocean that contains the artwork, we saw the space in the form of the sea surface as in the sample (1). And a large yard as in the sample (2). And the area of a street as in the sample (3).

The current research examines "aesthetic discourse in environmental poster designs" as facts and behaviors that pervade all aspects of life in society. This has been reflected in cultural and social life, characterizing it as discourse. Aesthetic discourse was a fundamental and artistic detail, including its subject matter, the discourse, through stylistic and technical treatments that brought about a transformation unparalleled in previous artistic experiments.
Thus, the research problem arose to question the motivations for discourse and the ways in which it manifests itself through artistic treatments, as well as the extent to which aesthetic discourse engages with the system of intellectual and psychological relationships.
The first chapter included the research objective and limits, which sought to identify aesthetic discourse in environmental poster designs and define terminology.
The second chapter then included the first section and the second section, the theoretical framework. The third chapter addressed the research procedures, represented by the research community and its samples, which amounted to (2) models, the nature of constructing the instrument in its initial and final forms, and the use of appropriate technical means to extract the validity and reliability of the instrument, followed by an analysis of the research sample. The fourth chapter included the research results and conclusions, followed by recommendations and proposals

There is a reciprocal relationship between humans and the natural environment (place), as the environment contributes to shaping human behavior, imprinting his thoughts, identity, physiology, and determining his philosophy, myths, religions, and architecture. At the same time, humans contribute to adding human characteristics to the environmental space. Contemporary art is a powerful expressive medium that reflects the relationship between humans and the natural environment. Although many artists have addressed the themes of the environment and the human connection to it, there is a shortcoming in representing concepts of adaptation to different environmental conditions and studying the psychological space of humans. With the development of societies, contemporary art has gained an increasing role in exploring the deep links between humans and nature. This research examines the role of contemporary art in embodying the human connection to the natural environment, its reflections in human behavior, and the ways humans adapt to living spaces associated with the environment. It also studies the impact of the environment on human behavior and explores how art contributes to enhancing environmental awareness and reshaping human perceptions of their living spaces. The research relied on the descriptive-analytical method to analyze a set of contemporary artworks that addressed the themes of the natural environment and humans. A purposive sample of 23 artworks from different artistic fields and historical periods was analyzed, concerning human behavior within the natural environment and how humans adapt to living spaces affected by the environment. The analysis of the sample revealed forms of the artist's influence by the natural place: primitive humans used the place as a means of psychological reinforcement, capturing fears through cave paintings. In the art of the ancient Egyptians, the depiction of the place was associated with divinity and holiness. In the arts of Mesopotamian civilizations, the place played a role in shaping human thought. In modern art, the natural place became the psychological space for the artist, leaving an emotional impact and evoking the artist's emotional memory. The results showed the ability of contemporary artworks to offer new perspectives on the relationship between humans and nature, as well as the diverse media and techniques employed by artists to depict the influence between humans and the natural environment. The research concluded with several recommendations, including the need to enhance the role of art in curricula as a means of understanding the relationship between humans and the environment, and the importance of focusing on supporting artistic projects that reflect environmental and spatial issues due to their impact on raising societal awareness.

The senses play a pivotal role in artistic creativity, serving as a primary means of receiving impressions and transforming them into complex visual and sensory experiences. This study aims to explore how the senses, particularly the sense of smell, are employed in contemporary arts as an entry point for artistic expression. The study relies on a historical analysis of the role of the senses in art, tracing their evolution across different eras until scents began to be used as an expressive tool in modern artistic practices.
The study discusses artistic practices that have incorporated scents into artworks and how this has contributed to enhancing sensory and aesthetic interaction between the audience and the artwork. It also examines the significance of scents in evoking memories and enhancing emotional engagement in the arts. The study raises key questions about how the senses have been present throughout history, their impact on artistic expression, and the role of smell in contemporary art. The study aims to analyze artistic practices that have utilized the senses—particularly scent—to shape a unique sensory experience.
The significance of the study lies in highlighting the aesthetic and symbolic value of scents and their role in developing contemporary art concepts, opening new horizons for creativity and artistic interaction.

This study explores the relationship between the artist and honeybees as a plastic and aesthetic medium in contemporary arts, focusing on the utilization of bees and their products—such as beeswax, honey, and propolis—in creating artistic works that reflect the aesthetics of nature and carry environmental and cultural dimensions. The study adopts a descriptive-analytical approach to examine the experiences of contemporary artists who have incorporated bees as a creative element, aiming to highlight the relationship between humans and nature while showcasing the potential of employing bee products as sustainable artistic materials that foster innovation. Furthermore, the study discusses the role of bees in visual arts as a symbol of environmental cooperation and artistic creativity, emphasizing their significance in enhancing environmental awareness and using art as a means to address contemporary environmental and social issues. The study is based on the hypothesis that integrating honeybees and their products as an artistic medium contributes to the evolution of artistic practices, enabling artists to adopt new techniques and mediums that produce expressive visual formations, thereby expanding the possibilities of environmental and experimental art. To achieve its objectives, the study relies on a descriptive-analytical methodology, studying the relationship between artists and honeybees in contemporary art, analyzing key materials derived from bee products, and reviewing the experiences of artists who have employed bees and their derivatives as sculptural and artistic tools within their works

The high popularity of cinema was not born out of a vacuum, but rather was achieved by the recipient's deep belief that the film is more than an attempt at entertainment. Cinema is the philosophy of the age, which addresses important issues and presents them through its story framed by a specific logic and driven by an influential emotional structure, which prepares the recipient to care about these issues and absorb them. Climate change is one of the most important topics that cinema has begun to adopt in the recent period and present within narrative structures that increase the recipient's awareness of this imminent danger that affects his life today. Based on this importance of the cinematic treatment of the topic of climate change, the researcher identified the topic of this research, which bore the following title (The Narrative Treatment of The Climate Change Topic in Film). The importance of the research emerges in that it addresses an important issue. And then the goal of the research and the limits of the research were presented. Then the researcher moved to the theoretical framework and concluded it with a set of indicators. As for the third chapter, (research procedures), and the researcher identified a deliberate research sample represented by the film (The Day After Tomorrow 2004). A set of results was reached, followed by conclusions, the most important of which are: 1. The core interest of cinematic intellectual construction is to present stories that encompass human issues and the changes that occur in their lives. Therefore, the topic of climate change has entered the narrative structures of cinematic films for nearly six decades, as climate fiction films have discussed the causes and consequences of this phenomenon. 2. Cinema, due to its unique structure, has tremendous potential to influence its audience, which increases their interest in the issues it raises in its stories. Therefore, cinema has contributed to raising public awareness of climate change by presenting it in its films. 3. The film industry has recently begun to adopt production policies that reduce pollution emitted during the various stages of filmmaking. Finally, the research concluded with a list of references.

This research aims to explore the role of sustainable textile art in promoting environmental sustainability through the recycling of consumed materials and their application in contemporary artistic creations. A descriptive-analytical research method was adopted to investigate recycling techniques and the artistic expression possibilities of sustainable textile art. The purposive sample consisted of contemporary artists (5 Artworks) of those who incorporated recycling into their art. In addition to another purposive sample (4 artworks) done by the first author, the researcher used various techniques for reusing materials in artworks through her artistic experiment. The results indicated that sustainable textile art contributes to raising environmental awareness and provides innovative artistic solutions for utilizing waste materials, supporting the concept of eco-friendly art.

The modern documentary film is no longer confined by conventional norms, whether in terms of production or theory. Its ongoing development has been accompanied by an increasing capacity to both influence and be influenced by reality, evolving toward aesthetic processes that reflect diverse ideas and issues across the spectrum of life topics it documents—achieving the highest possible degree of credibility. In this context, a profound convergence has emerged between environmental subjects and documentary film, driven by the image’s ability to convey reality, as well as by the aesthetic potential and compositional richness that environmental themes inherently possess. These qualities have endowed the documentary image with highly expressive formal and aesthetic capacities, allowing it to effectively portray a range of topics that require thoughtful examination.
Based on this, the research problem is defined as follows: How are environmental issues represented in contemporary documentary film? The significance and objective of the study lie in uncovering and analyzing these representations.
The theoretical framework is divided into three main sections:
1. The Concept of Environment in Documentary Film
2. Environmental Issues in Documentary Film
3. The Aesthetic Form in Environmental Documentaries
The third chapter outlines the research methodology, which involves the purposive selection and analysis of the Arabic-language documentary film "Climate Crisis: The Story of Four Girls Fighting Global Environmental Disasters", produced by the German broadcaster DW. The research concludes with a set of key findings, conclusions, and recommendations.

The relationships and interconnections between adjacent or divergent fields of knowledge have often constituted qualitative additions to human knowledge and contributed to the crystallization of new scientific/humanitarian maps, paths, and scopes that benefit and delight the details of daily life, as well as creating broader and more open cultural climates. The importance of the research lies in its shedding a bright light on the growing potential of artificial intelligence technology and its applications in cinema and television. The aim of this study was to reveal the ways in which artificial intelligence technology is employed to generate aesthetic environments in cinematic and television artworks. The theoretical framework included two chapters: the first: artificial intelligence: the essence and concept, from process to becoming; and the second: artificial intelligence and its operations in generating visual discourse environments. The third chapter included the research methodology and the research sample, as well as sample analysis. The research concluded with the results, conclusions, recommendations, and a list of sources

Contemporary education has placed great emphasis on the learner, who is the foundation of the educational process. Therefore, educational institutions of all kinds have sought to develop the latest strategies, methods, digital tools, and educational programs to keep pace with the demands of the era and its scientific and technological developments. In line with contemporary developments and the latest in digital education technologies, the researcher focused on digital stories, given their tremendous potential to enrich educational situations with stimulating elements and audio and visual effects. This makes the educational process more enjoyable, exciting, and creative, and benefits both teachers and learners alike, making the educational process more interactive and effective. Digital stories are a modern technology designed, produced, and presented via computer. Teachers can use them in the classroom, and they represent a transformation in education, shifting from the usual method of explanation to a focus on advanced learning skills, such as comprehension and innovation. This technology presents information to learners through comprehensive programs rich in colorful graphics, movements, and sound effects to create a polyphonic environment for historical figures in children's theater performances. This study examined how using digital storytelling could improve the ability of art education students, specializing in school theater, to build a polyphonic setting for a historical figure in children's plays. The study employed an experimental method, comparing a control and an experimental group. The sample included 62 students. A skill test was created to evaluate the construction of the polyphonic environment, ensuring its validity and dependability. Two third-year classes from Al-Mustansiriyah University's College of Basic Education, Department of Art Education (morning classes), were randomly selected: one served as the control group (31 students), using traditional methods, and the other was the experimental group (31 students), using the digital storytelling approach. The results revealed substantial differences favoring the experimental group, which used the digital storytelling approach, when contrasted with the control group, which used the traditional method. Based on these findings, the research offered conclusions, suggestions, and recommendations.

Interior design has historically embraced various changes in form and organization to keep pace with and shape the tradition of structures. A simple invention, a new design attempts to express local culture and available cultural influences by presenting an expressive image of that reality and the associated ideas, perceptions, and values. This is to achieve contemporary design through creative communication and authenticity. This research emphasizes the restoration of the relationship with meaning by adopting a number of innovative concepts and approaches, including the received form. The practical research addresses the use of formalisms that enhance local characteristics in the interior design of cafes in the city of Baghdad, based on a historical tradition of embodying traditional formal names in cafes that summarize development processes. It also addresses the newly established cafes that need to keep pace with this historical heritage, reflecting the richness of local culture and heritage. The research is summarized by the following question: "What are the benefits of local formalisms, and the extent to which they incorporate local Baghdadi characteristics in the design of interior spaces of cafes in Baghdad?" The research aims to reveal the leakage of the employment of the local process, the fastest network of local secretariats of contemporary Baghdad cafes from performance, and the aesthetics of knowledge in order to reach the work while highlighting its authenticity, thought, and cultural and local content. The second chapter deals with two topics: the first: formal profitability in designing interior spaces, the second topic: formal profitability in designing interior spaces for cafes, the third chapter has the research procedures and followed the descriptive research in a quick sample analysis, which "the analysis of two models and the web on the use of the research tool extension using an analysis form in addition to the most important statistical means, where the fourth chapter is a group of the most important: the local Baghdad cafes with all their formal characteristics are nothing but an interaction in the name of the Iraqi designer with his local environment and interact with us, that is, adapting to the place and its influence in addition to the social influences and civilizational factors that teach humanity interacting with its existence, the derivation of the cafe to the outside for the formal, so especially those" spaces in addition to being a means to announce its existence. The research ends with a set of references and then a list of Arabic and foreign sources

The history of psychotherapy through art (specifically, visual arts) is considered one of the ancient methods with historical references from the beginnings of visual arts. This connection is evident through the history of arts extending back to the Stone Age in many regions such as Asia, Africa, Spain, and some regions where the first fingerprints of expression were found through visual arts. Modern medicine and modern philosophies have come with various encouragements and prohibitions of drug practices and chemical drugs for treatment and benefit from treatment through art. Expression through various artistic means and tools, including shape, colour, line, and light, as well as the ability to employ different materials such as paper and raw materials with safe handling. Human practices and human interaction with them are linked according to human needs and finding ways to benefit from employing materials from nature and harnessing them to serve him first and add aesthetic pleasure on the other hand. The researcher found it necessary to shed light on this axis and reveal ways to employ art in psychological treatments and.

The current research addresses the role of visual symmetry between contemporary art and methods generated by artificial intelligence in promoting sustainable visual culture. Visual symmetry embodies the convergence in compositional structures between human artistic expression patterns and those generated by intelligent algorithms, which opens new horizons in redesigning the aesthetic and visual awareness of the recipient. The current research seeks to answer the following question: What is the role of visual symmetry between contemporary art and methods generated by artificial intelligence (AI) in promoting sustainable visual culture? The aim of the research was to reveal the role of visual symmetry between contemporary art and methods generated by artificial intelligence (AI) in promoting sustainable visual culture. The chapter concludes by defining the boundaries of the research and defining the terms. The second chapter included four main topics: the first topic: pictorial symmetry; the second topic: sustainable development; the third topic: visual culture and its relationship to sustainable development; and the fourth topic: cultural symmetry between artificial intelligence and art. The chapter concluded with indicators of the theoretical framework.
The third chapter dealt with the research methodology and procedures. The researchers defined their research community as (261) male and female students from Iraqi universities (Baghdad, Babylon, and Al-Mustansiriya), in the art education departments, for the academic year (2024-2025 AD). The research sample was defined as (100) male and female students. A scale consisting of (25) artworks was designed and applied to the research sample. In the fourth chapter, the researchers reviewed the most prominent results of the research, including: There is a clear tendency among students at the universities of Baghdad and Babylon to prefer original paintings, while students at Al-Mustansiriya University showed a convergence in preference between original paintings and those produced by artificial intelligence. This indicates that sustainable visual culture may be linked to environmental or cognitive factors that vary from one university to another, opening the door to deeper analytical studies to explore the determinants of visual taste and interaction with digital arts. The research conclusions were: that students distinguished between "mastery" and "meaning." Despite the technical precision of artificial intelligence, it does not possess the emotional memory or cultural reference of a human artist. This is an indicator of the sustainability of critical taste in the face of technical fascination, the limitations of artificial intelligence in expressing symbolic depth, and the students' appreciation of works that carry value and a message, whether original or digital.

In the face of escalating environmental challenges, such as climate change and the depletion of natural resources, smart technological solutions have emerged as an effective tool for promoting sustainability. The research question is: How can these products transform from entertainment or technological tools into drivers of environmental change? This research aims to explore the impact of smart interactive products on the adoption of environmental behaviors, focusing on their interaction mechanisms with users and their optimal design. The results showed that smart personalization and symbolic feedback promote sustainable behaviors, but challenges such as "cognitive dissonance" and "tech fatigue" reduce their effectiveness. The study also emphasized the importance of integrating cultural and social dimensions into design to increase the acceptance of sustainable solutions, especially in non-urban communities. One of the most prominent conclusions is that true sustainability requires a comprehensive analysis of the product life cycle, not just focusing on the use phase. The local cultural and environmental context is also a crucial factor in the success of smart solutions, especially in communities with strong privacy. The research recommends adopting simple, culturally sensitive designs and enhancing collaboration between designers and environmental experts to achieve comprehensive sustainability

In our current era, there has been a successive leap in global interest in environmental and sustainability issues, embodied by accelerating smart technologies, becoming a reality that has imposed its presence in the face of a large number of challenges, including economic, political, and scientific ones. It has become imperative to adopt green intelligence to enhance environmental awareness through the communication message embodied in displaying the environmental identity in ways that are consistent with these qualitative leaps and developments characterized by their powerful influence on various aspects of life, which include all sciences, including the art of design, to be captive to these variables, which necessitated harnessing them in the advertising content industry. The developments revealed by artificial intelligence included changes in the world of design and advertising content industry, as advertising design for sustainable environments has become more targeted and effective in delivering the communication message by adopting advanced advertising tools supported by artificial intelligence (Adcreativ.AI). The research included the first chapter (the methodological framework) a problem defined by the following question: What are the strategies for applying artificial intelligence in sustainable environment advertising designs? The research objective and importance. The second chapter (the theoretical framework) includes two sections: the first: Strategies for applying artificial intelligence to enhance sustainable environmental advertising, and the second: Designing environmentally friendly advertisements using artificial intelligence applications - enhancing visual identity and communication effectiveness. The third chapter (research procedures) includes an experimental approach using a consensus or comparison method to achieve the research objective, arriving at scientific facts characterized by solidity and accuracy. The most important research findings include:
1. The use of generative artificial intelligence (GAI) to create environmental advertising content has resulted in aesthetic values that contribute to the formation of attractive elements consistent with sustainability standards.
2. The use of artificial intelligence applications has created capabilities capable of transforming traditional digital design to a new level of creativity that may effectively contribute to consolidating and enhancing the visual identity of communication messages.

The Arts in the totality of human achievements are related in productive , social and mental terms, and ancient Greek culture is a set of achievements in the field of material culture of Greek society during the period of its formation, prosperity and decline. The heyday of its classical heritage dates back to the time of Athenian democracy , as ancient civilizations paved the way for world culture, as Greek art can be considered the ancestor of any art that exists today, especially in the history of European civilization, and it had a great influence on the development of the Middle Ages, and therefore the modern world, as the cultural heritage of ancient civilizations: What are the formal elements of architecture and interior design and their reflections in contemporary interior design The aim of the current research is to reveal the formal elements of Cretan-Mycenaean architecture and its references , and what are its structural and formal elements that can be employed in interior design . The current research consists of two researches : the first: the intellectual and historical references of Cretan-Mycenaean architecture: the second research: the Cretan-Mycenaean style in architecture and interior space: and the procedures of his research ,which followed the descriptive approach and reached statistically proven results, and the most important conclusions: 1. It employs decorative facades that correspond to the tradition and geometric patterns that decorated the palace of Knossos, as well as employing short conical columns, which is characteristic of columns in Cretan-Mycenaean architecture.2. The main entrances are designed inspired by the famous Lions Gate in Messina or nature environments, and use natural patterns inspired by flowers, animals, sea creatures or symbols associated with religious rituals

The art of theatre is one of the most important educational and pedagogical means that contribute to the process of instilling and developing the mental, social, environmental, and aesthetic aspects of the recipient. (School theatre) contributes to embodying the issues of environmental and cultural awareness and enhancing artistic and creative awareness among (students) and in enhancing correct ideas in cooperation with the environment in which the student lives. It is possible by integrating environmental art into theatrical works as an educational tool in a fun and influential way for school theatre activities through which (students) can learn the importance of environmental protection principles that support sustainability and enhance environmental awareness and preservation. Here, the researcher identified the research problem in (sustainability and environmental awareness of artistic creativity in school theatre).
In the first chapter (methodological framework), the researcher mentioned the objectives of the research and the importance of school theatre in raising students' environmental awareness through analysing a theatrical performance that facilitates the instillation of educational, educational, aesthetic and environmental values to the recipient (student) in the research sample, in addition to defining the terms, while the second chapter (the theoretical framework) included two topics: the first: (manifestations of school theatre and creative art) and the second topic: (aesthetics of sustainability and environmental awareness of creative theatrical art) reaching the indicators. The third chapter (research procedures) and its community were devoted to studying sustainability and environmental artistic awareness in analysing the sample according to the descriptive analytical method, on employing human experience as a reality that translates ideals to form the play as an integrated model that reflects the diversity of dramatic treatments in school theatre within the results reached by the researcher in the fourth chapter, and the research concluded with a set of recommendations and suggestions, a list of sources and references, and appendices, in addition to translating the summary into English.

The removal of barriers between countries has significantly altered the intellectual structure of the individual and, consequently, the collective. These barriers can only be removed through the presence of ethereal means of communication.
This change has served the interests of thought, which has gradually evolved to possess sufficient awareness to rely on rational judgment to devise mechanisms for adapting to the surrounding environment. This awareness is achieved by processing information obtained through the senses to arrive at realistic and logical conclusions that are appropriate for the era in which we live.
The research problem is summarized in the following question: What are the manifestations of the impact of globalization on the environmental sustainability of contemporary ethnic ceramic art? The first chapter was concerned with globalization, its history and how it works. The second chapter moved to environmental awareness and sustainability, its nature and how it was affected by the radical changes of globalization and its impact on environmental sustainability in its cultural, intellectual and ideological forms. The third chapter focused on the specialty and presented an introduction to contemporary ceramics, the mechanism of its development and the extent to which the Iraqi artistic product was affected by the occurring change. These discussions resulted in five indicators that were a reference for analyzing the samples. The third chapter dealt with four samples that represented the research community and were analyzed using the descriptive analytical method. The most important results of the analysis were that the artist deliberately sheds his identity and self partially and reformulates it in a contemporary style and employs it in forms with different connotations, i.e. representing everyone through the singular in a way that suits the principles of sustainability to preserve the local environment

The environmental implications stage is an important stage in which societies change and develop, providing them with the experiences, skills, and beliefs that play an effective role in achieving intellectual and cognitive values. At the forefront of these tools are theatrical texts that address the environmental theme and the form of culture that can be added to it.
The study consisted of an introduction, which addressed the role of theatre in protecting environmental issues, a cultural act that relies on raising awareness to mitigate the seriousness of these issues. The researcher also defined the problem of her study, represented by the following question: What are the transformations of contemporary theatre in the environment and the functions that touch on sustainable culture? Her goal in answering this question is to identify the role of theatre in environmental issues through a culture of sustainability. The importance of the research also lies in identifying the levels of employment of artistic actions within the realm of theatrical art. The theoretical framework, which consisted of three parts, included the first: the concept of environmental theatre; the second: the concept of culture and environmental awareness; and the third: the intellectual and behavioural dimensions of environmental implications in sustainable theatre culture. The researcher then reviewed the procedures used in the research sample, the play "The Towers and the Wind," written and directed by Theiser Renjevo. To complete the set of results and conclusions that came as a continuation of the researcher’s study, the researcher then identified the recommendations and suggestions related to the study’s results and then concluded her study with the sources that were adopted.

In light of increasing environmental challenges, sustainable marketing has become a strategic necessity for brands. Interactive advertising has emerged as an innovative tool to promote this approach, combining technology and sustainability to effectively engage audiences. This study examines how interactive advertising can be used to promote sustainable practices. Interactive advertising has become an effective tool in modern marketing, combining interactivity and sustainability to enhance customer loyalty. This study highlights how interactive advertising—such as quizzes, augmented reality (AR), shoppable video, and personalized content—can enhance sustainable marketing for brands by fostering a deeper connection with consumers while promoting environmentally friendly and socially responsible practices. The second chapter presents a theoretical and analytical overview of the literature on the topic, including interactive advertising and sustainability: the concept, relationship, and characteristics; the concept of sustainable marketing and its dimensions; and the third chapter includes several conclusions, including that interactive advertising has the potential to transform the traditional marketing model into a sustainable model based on effective engagement. Interactive advertising is not just a marketing tool, but has become an ecosystem. The research also included a list of Arab and foreign sources

Graphic design is considered an effective tool for raising environmental awareness and promoting sustainable practices by utilizing visual elements such as images, colors, and symbols to deliver impactful environmental messages. The world is witnessing a significant shift towards sustainability due to environmental challenges like climate change, pollution, and resource depletion. In this context, graphic design plays a vital role in spreading environmental awareness and promoting sustainable behaviors through visual communication.
This research highlights how graphic design can be used to enhance a culture of sustainability across several areas: 1. Environmental Awareness: Designing infographics and posters that illustrate the impact of daily behaviors on the environment, such as recycling and reducing consumption. 2. Green Marketing: Developing visual identities for sustainable brands, such as logos for organic or recycled products. 3. Education and Behavioral Change: Using illustrations and cartoons in books and educational campaigns to raise awareness among both children and adults.From here, the research problem was formulated as follows: What is the role of graphic design in promoting a culture of sustainability?
The research aims to identify how graphic design can serve as an effective tool in promoting sustainability, whether through advertising campaigns, the visual identity of green organizations, or the design of eco-friendly products. The importance of the research was also presented from both theoretical and practical perspectives.The second chapter was organized into theoretical and analytical sections within the literature review. It covered:
• The concept and relationship between graphic design dsustainability.
• Principles of sustainable graphic design.
• Case studies of campaigns and designs that influenced environmentally conscious behaviors.
The third chapter presented several conclusions, including:
• Graphic design is an effective communication tool, simplifying complex environmental concepts and turning them into visually appealing and easily understandable messages, thereby increasing the spread of sustainability awareness across different social segments.
• Graphic design acts as a catalyst for behavioral change through advertising campaigns (like “Earth Hour”) and visual identities (like “Fairtrade” logos). It helps encourage the public to adopt sustainable practices (such as energy saving or responsible purchasing) through strategies of visual and emotional persuasion.

This research explores the relationship between digital graphic design and environmental sustainability. With the increasing number of current environmental issues, designers are striving to find ways to incorporate sustainable practices into their designs. This study examines how graphic design contributes to promoting sustainability, the resulting impacts, and the challenges faced by designers, including those related to the adoption of sustainable graphic design. From this research, one can derive innovative and sustainable design practices, understand how to integrate them into work processes, and identify methods to reduce the negative environmental impacts of design activities. The study addresses the concept of environmental sustainability and outlines methodologies for the development of sustainability in the field by applying life cycle thinking systems. It also includes an examination of sustainability principles and how graphic design can be transformed to serve this concept in order to achieve successful sustainable design, with a focus on the social, environmental, and economic responsibility of the graphic designer in today’s world