Journal of Nabu

The research studies the beauties of the reciting which may be resulted by the feminine body in the theatrical performance. It included four sections. The first section dealt with the methodical frame including its problem which focused on the essence of the beautiful characteristics of the feminine reciting body in the theatrical performance, its importance and its hidden aim to recognize the beautiful characteristics of the feminine reciting body in the theatrical performance and its limited tine in 2006-2017 and its location in Germany and the subjective limitation hidden in studying body in the theatrical performance, hence the limitation of the idioms and the definite ions. The second section dealt with theoretical frame including three topics. The first topic focused on the meaning of reciting, while the second topic was concentrating upon studying the reciting theories. The third topic focused on studying the beauties of the feminine reciting body ending with the indicators that occurred in the theoretical frame. The third section dealt with the procedures of the research including its sample named (the night of the moons completeness) and its article besides its system, hence analyzing the sample. The fourth section dealt with results the research and its conclusions and the most important results were:
1. Donating the performance a special sign and characteristic to the feminine reciting body in facing life and emergent circumstances which revealed its ability towards the events.
2. There is a special reciting for the female prevailing her reciting performance due to many factors like revealing secrets complaint, fear, desire and expressive dance towards events and circumstances.
3. The performance showed abilities to treatment and reciting manners and treating human problems by scenography techniques.
The research was ended by footnotes list, hence a list with references and sources.

Abstract
This research (in the study of design treatments in contemporary European ceramic), which is located in four chapters, The first chapter deals with the method framework of the research, which is the problem of the research that dealt with the shedding light on the design treatments in contemporary European ceramics. The first chapter contains the research objective of identifying Design treatments in contemporary European ceramic. The limits of research have been identified in the current study ceramic works that contain a design structure. The second chapter included the theoretical framework which included two studies, previous studies and the most important indicators that resulted from the theoretical framework. The first topic dealt with the artistic design in the arts, the design elements and the design bases. The second topic included contemparary European ceramics .
The third chapter included the research procedures that included the research community and its sample, the research method, the research tool, and the analysis of the five research samples. The fourth chapter contains the results of the research and its conclusions, and the researcher reached a number of results, the most important of which
1- The design treatments in contemporary European ceramics were adopted to modify and reorganize the engineering designs according to strategies that achieve aesthetic and artistic values as in the sample models (1, 3, 4)
2- The European potter adopted the organization of the modular units of the general design by addressing them technically and aesthetically to reach the basic idea associated with the subject as in the sample samples (1, 2, 3, 4, 5).
The research presented a number of conclusions, the most important of which are:
1. The European potter adopted the self-vision in the treatment of ceramic designs according to the nature of the subject.
2. European ceramic designs were not a simulation or imitation of the contemporary art experiences, but rather, they were learned by experimentation and experimentation.
The fourth chapter also included the researcher's recommendations and suggestions as well as the mention of the researcher to prove the sources and supplements and the summary of the research in English.

This research is meant to study (the processing of behavioral cubism and it's influence in the modern Iraqi drawings) and it's composed of four chapters, the first chapter discussed the problem of the research, it's importance, it's goal, and define the terms that came in it. The problem of the research dealt with the huge experimental transformations that shook the western mind in the fields of knowledge and art which headed towards the novelty with the help of the progress in science and technology, which is reflected on the imagery surface and the ways of processing it to invent new art approaching engineering and mental control of the elements that make it, and during the first half of the twentieth century the cubism emerged to form the first modern art that came up with a solutions and new technologies, so this new direction influenced the art and artists including the modern Iraqi plastic artists, so the problem of the research is defined by answering the following question: _ the extent of the influence of the processing of the behavioral cubism in the modern Iraqi drawings? The importance of the research manifested in the studying of experiences and productions of the Iraqi fine art which shows it's connections with the artistic trend that were dominant in Europe. The research has one goal which is defining the behavioral cubism and it's influence on the modern Iraqi art, by studying their works from 1950 till 1980. As for the second chapter (the theoretical framework) it included two parts, the first one was meant to study the artistic and technical method of cubism, the second one was concerned with the fields of cubism in the modern Iraqi art. The third chapter was about the procedure of the study which included selection of the study sample which included 5 models and analyzing it according to descriptive analytical method. The fourth chapter included the results, conclusions, and recommendations of the study. And from the result the researchers have reached: 1-The Iraqi artists have worked on the concept and method of formulating the work of art through the construction of the form of cubism through the inclusion of the engineering elements such as triangles and small squares intersecting with certain lines and overlapping among them as illustrated in the sample samples (2,3,4). 2-The artist's reliance on the color contrast method in the creation of the painting in order to create a visual and spiritual movement that breaks the strength of geometric or survey lines as in sample models (1,2,3) And from the conclusions: the connections between the Cubic style and the Iraqi heritage one of the most important points in the overall output of the artistic movement at this stage, the Iraqi artist such as Hafez Al-Droubi and Jamil Hamoudi and Jawad Salim and others can formulate the artwork in geometric shapes approached to simplify the features or the atmosphere of the painting with the inheritance And Iraqi symbols in shapes, lines and areas of color add to the artistic work distinctive flavor and to be at the end painting of Iraqi icon in a modern style .

The present research deals with (Building a tool to evaluate students' projects in the department of design). It includes four chapters, the first of which is devoted to the methodological framework of research. The second chapter deals with the theoretical framework and previous studies. The theoretical part includes two sections: the first section is concerned with studying the concept of evaluation whereas the second talks about the data (students' projects). The third chapter involves the procedures of the research and its community which is limited to the projects of the department of design students. A sample of (10) projects of art have been adopted. Chapter four comes with the findings and conclusions of the research as well as recommendations and implications for future research work. The results of the research tool include: (1) the aesthetic side scores the first position with the degree of (3) and the frequency of (15) which means (100%). This finding explains the importance of this side of artistic work, (2) the creative side comes in second position with a degree of (2.93) and a frequency of (14) and this means (93.33%).

Associated with the concept of expressive structure in calligraphy need artist to show new aesthetic styles، configurations and linear compositions and the variety of its forms، including some Koranic texts helped her conversations prophet Mohammad، a text inspired by artist and try activating the expressive structure، in terms of morphology and control characters and expand cognitive vision of the artist، so this meant research study how varied expressive structure in the outputs of calligrapher roudhan gorgeous which contained four chapters ، Included the first chapter on the problem of search and its importance، objectives and limits and define terminology. Chapter two addressed to trace the concept of expression and how it relates to the artist and owning the idea and the ability to express، through linear configurations by artist (calligrapher)، adopted on the text reading and spatial organization and chose the appropriate font type and subject. Chapter three represented research procedures and the combined (9) written، chosen from palette (5) samples to represent society، in which it adopted the descriptive according to researcher search tool of analysis form which was built under the guidance of experts. the analysis concluded that a number of results which chapter four which showed the expressive structure، diversity and accept written formal configurations and different additions in design of linear structures and invest some characters of linear arrangement and installation Division، As for the conclusions it represents through gained linear formations with expressive brown aesthetic value depending on the strength of the text and format the picture expressed، as well as excellence calligrapher production with expressive brown paintings gave him a technical privacy has contributed not to uphold the tradition of hereditary out new configurations، and should be noted for the adoption of the most prominent recommendations marked by the adoption of the expressive structure as a trade-off in the evaluation of the written productions in local and international competitions and festivals as a form of a third dimension plus after aesthetic and functional، and here it is necessary to study the proposal and private study expressive structure in the products of Iraqi calligraphers addressed.

The current study, entitled (The manifestation of the Chinese artistic style in the Islamic miniature) is concerned with study the aspects of the Chinese art in painting and its existence in the Islamic miniatures .the Islamic miniature it is that minimized painted picture in a manuscript .we dealt with the problem of the study by using the following question: Did the manifestations of the Chinese artistic style appeared in the Islamic paintings by means of the Islamic miniature in the manuscript? Various types of art affect each other, when many factors participated in trans ferring the artistic effect from Persians and Mongols . Those effect appeared in the Islamic paintings and miniatures, in addition trade and cultures of the Fareast also participated in the appearance of those manifestation, the shortly they were incorporated in the Iraqi and Persian cultures the matter which made them have their own specificity represented in the Islamic miniatures .

The goal of current research to identify the role of community participation in the activation of self-learning for students of middle school in Iraq and study sample consisted of 30 students from the middle school in Babil province of Iraq was designed researcher questionnaire was distributed to the students after they were presented to the faculty of specialists in the Ministry of Education until gaining the final version was distributed to students. Data were analyzed using statistical methods such as arithmetic mean, standard deviation, and the weighted average relative weight is the most important findings of the research are:
1. Through community participation is self-learning effective and suitable for middle school students
2. Self-learning is better than traditional learning in solving the problems of education, such as underachievement.
The study also showed that there are several factors were the cause of the delay in students' curriculum, including: -
1. Triple always a problem in those schools which leads to narrow the time of the student and the teacher in providing course material well-presentation
2. Weakness possibilities of teaching in these schools because of the limited time available .

This research is an attempt to identify the aesthetic features of the Middle Ages in the arts of the Renaissance especially the work of the artist (Giotto) model, where the research contained four chapters, the first chapter included the problem of research and its importance and the need for it. The problem of research was determined to investigate the answer to the following question: The objective of the research was to shed light on the aesthetic features of the Middle Ages and the significant changes in human life (artistic, scientific and intellectual). The limits of the research were determined by a collection of works of art during the period ( 1224 AD-1438 AD), and also fix suction Talaat aesthetically and philosophically. The second chapter included three subjects, the first of which was the aesthetic features of the arts of the Middle Ages, and the most important aesthetic transformations in the Renaissance. The second section included the features of the expression in Italian photography in Pisa (Florence, Spain - Sinaia - Rome), while the third topic included the theme of aesthetic features in the works of artist Giotto Dabondoni, Giotto architectural, and bell tower. As well as the most important indicators of the theoretical framework. The third chapter deals with the procedures that included the research society which is the drawing (drawing) and the sample of the intentional research and reached (5) the models and methodology of the research which is the descriptive approach and the research tool. The fourth chapter includes conclusions, conclusions, suggestions and recommendations.
1. The artistic diversity of Giotto's painting has brought visual excitement through the interconnection of its plastic elements and its attention to lines and colors.
The research ended with the most important sources in Arabic and English.