Abstract
This study reveals through the investigation in the orations of Holy Continent Imam Ali (pbh)that Antithesis and Collection are two Rhetoric sciences of art are clear in the systematical oration of the Nahj Al-Balagha Book occupying widely range of the orations as they are intervened and adjacent in most texts with each their intersection with other Rhetoric sciences of art are clear in the systematical oration of the Nahj AKL-Balagha Book
Abstract
ﺍﻥ ﺍﻟﻘﻴﻤﺔ ﺍﻷﺴﺎﺴﻴﺔ ﻟﻠﻨﺹ ﻓﻲ ﺨﻁﺏ ﺍﻹﻤﺎﻡ ﻋﻠﻲ )ﻉ( ﻤﺎﺜﻠﺔ ﻓﻲ ﺤﻀﻭﺭ ﺍﻹﺒﺩﺍﻉ ﺍﻟﻨﺼﻲ ﻓﻲ ﺍﻟﻨﺸﺎﻁ ﺍﻟﻔﻜﺭﻱ ﻭﺍﻟﻜﻼﻤﻲ ﻟﻪ ﻓﻲ ﺍﻟﻤﺴﺘﻭﻴﻴﻥ ﺍﻟﺸﻔﻬﻲ ﻭﺍﻟﺘﺤﺭﻴﺭﻱ ﻭﺘﻠﻙ ﻤﻴﺯﺓ ﻨﺎﺩﺭﺓ ﻴﺘﻔﺭﺩ ﺒﻬﺎ ﺍﻷﻤﺎﻡ ﻋﻠﻲ ﺒـﺼﻭﺭﺓ
ﻤﻥ ﺠﻤﻴﻊ ﻜﺘﺎﺏ ﺍﻟﻨﺼﻭﺹ ﺍﻟﻤﺒﺭﺯﻴﻥ ﺫﻟﻙ ﻻﻥ ﺃﻭﻟﺌـﻙ
ﻴﺸﻜل ﻤﺩﺭﺴﺔ ﻤﺘﻤﻴﺯﺓ
ﻤﻠﻤﻭﺴﺔ ﻭﻫﻲ ﻤﺯﻴﺔ ﺘﺠﻌﻠﻪ
ﺍﻟﻜﺘﺎﺏ ﻤﺜﻠﻬﻡ ﻤﺜل ﺍﻟﺭﺴﺎﻤﻴﻥ ﻭﺍﻟﻨﺤﺎﺘﻴﻥ ﺍﻟﺫﻴﻥ ﻴﺼﻨﻌﻭﻥ ﻨﻤﺎﺫﺠﻬﻡ ﺒﻌﺩ ﻁﻭل ﺘﺄﻤـل ﻭﺘﺨﻁـﻴﻁ ﻭﻤﻤﺎﺭﺴـﺔ ﻭﺼﻭﻻ ﺍﻟﻰ ﺍﻟﻤﺤﻁﺔ ﺍﻟﻔﻨﻴﺔ ﺍﻟﻨﻬﺎﺌﻴﺔ ﻋﻠﻰ ﺼﻌﻴﺩ ﺍﻟﻌﻤل ﻭﻟﻜﻥ ﺍﻹﻤﺎﻡ ﻋﻠﻲ ﻜﺎﻥ ﺒﻌﻔﻭﻴﺘﻪ ﺍﻟﺜﻘﺎﻓﻴﺔ ﻴﺒﺎﺸﺭ ﻋﻤﻠﻪ
ﺍﻹﺒﺩﺍﻋﻲ ﺍﻟﻔﻭﺭﻱ ﻓﻴﺄﺘﻲ ﺍﻟﻨﺹ ﺍﻟﻤﺭﺘﺠل ﻤﺜل ﺍﻟﻨﺹ ﺍﻟﻤﻜﺘﻭﺏ ﺁﻴﺔ ﻓﻲ ﺍﻹﺘﻘﺎﻥ ﻭﺍﻟﺭﻭﻋﺔ. ﺍﻥ ﺠﺭﻴﺎﻥ ﺨﻁﺒﻪ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻨﺤﻭ ﺍﻟﺒﺎﻫﺭ ﻓﻲ ﻁﻭﻟﻪ ﻭﻗﺼﺭﻩ ﻫﻭ ﺩﻟﻴل ﻋﻠﻰ ﺍﻟﻔﻌﺎﻟﻴﺔ ﺍﻟﺨﺎﺭﻗـﺔ ﻟﻌﻘـل
ﻤﺒﺩﻉ ﻤﻭﻫﻭﺏ ﻫﻭ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺅﻜﺩ ﻓﻲ ﻋﺎﻟﻡ ﺍﻟﻌﻘﻭل ﻭﻻ ﻴﻤﻜﻥ ﺍﻥ ﺘﺘﻭﻓﺭ ﺘﻠﻙ ﺍﻟﺨﺼﻭﺼﻴﺔ ﻟﻘﻭﺓ ﺍﻟـﻨﺹ ﻓـﻲ ﺍﻟﻤﺨﺎﻁﺒﺔ ﺍﻻﺭﺘﺠﺎﻟﻴﺔ ﻭﻓﻲ ﺍﻟﻜﺘﺎﺒﺔ ﻟﺸﺨﺹ ﺁﺨﺭ ﻏﻴﺭ ﺍﻹﻤﺎﻡ ﻋﻠﻲ ﺍﻟﺫﻱ ﺍﻨﻁﻭﺕ ﺸﺨـﺼﻴﺘﻪ ﻋﻠـﻰ ﻋﻠـﻭﻡ
ﻤﻥ ﺠﻤﻴﻊ ﻜﺘﺎﺏ ﺍﻟﻨﺼﻭﺹ ﺍﻟﻤﺒﺭﺯﻴﻥ ﺫﻟﻙ ﻻﻥ ﺃﻭﻟﺌـﻙ
ﻴﺸﻜل ﻤﺩﺭﺴﺔ ﻤﺘﻤﻴﺯﺓ
ﻤﻠﻤﻭﺴﺔ ﻭﻫﻲ ﻤﺯﻴﺔ ﺘﺠﻌﻠﻪ
ﺍﻟﻜﺘﺎﺏ ﻤﺜﻠﻬﻡ ﻤﺜل ﺍﻟﺭﺴﺎﻤﻴﻥ ﻭﺍﻟﻨﺤﺎﺘﻴﻥ ﺍﻟﺫﻴﻥ ﻴﺼﻨﻌﻭﻥ ﻨﻤﺎﺫﺠﻬﻡ ﺒﻌﺩ ﻁﻭل ﺘﺄﻤـل ﻭﺘﺨﻁـﻴﻁ ﻭﻤﻤﺎﺭﺴـﺔ ﻭﺼﻭﻻ ﺍﻟﻰ ﺍﻟﻤﺤﻁﺔ ﺍﻟﻔﻨﻴﺔ ﺍﻟﻨﻬﺎﺌﻴﺔ ﻋﻠﻰ ﺼﻌﻴﺩ ﺍﻟﻌﻤل ﻭﻟﻜﻥ ﺍﻹﻤﺎﻡ ﻋﻠﻲ ﻜﺎﻥ ﺒﻌﻔﻭﻴﺘﻪ ﺍﻟﺜﻘﺎﻓﻴﺔ ﻴﺒﺎﺸﺭ ﻋﻤﻠﻪ
ﺍﻹﺒﺩﺍﻋﻲ ﺍﻟﻔﻭﺭﻱ ﻓﻴﺄﺘﻲ ﺍﻟﻨﺹ ﺍﻟﻤﺭﺘﺠل ﻤﺜل ﺍﻟﻨﺹ ﺍﻟﻤﻜﺘﻭﺏ ﺁﻴﺔ ﻓﻲ ﺍﻹﺘﻘﺎﻥ ﻭﺍﻟﺭﻭﻋﺔ. ﺍﻥ ﺠﺭﻴﺎﻥ ﺨﻁﺒﻪ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻨﺤﻭ ﺍﻟﺒﺎﻫﺭ ﻓﻲ ﻁﻭﻟﻪ ﻭﻗﺼﺭﻩ ﻫﻭ ﺩﻟﻴل ﻋﻠﻰ ﺍﻟﻔﻌﺎﻟﻴﺔ ﺍﻟﺨﺎﺭﻗـﺔ ﻟﻌﻘـل
ﻤﺒﺩﻉ ﻤﻭﻫﻭﺏ ﻫﻭ ﺍﻟﺴﻴﺩ ﺍﻟﻤﺅﻜﺩ ﻓﻲ ﻋﺎﻟﻡ ﺍﻟﻌﻘﻭل ﻭﻻ ﻴﻤﻜﻥ ﺍﻥ ﺘﺘﻭﻓﺭ ﺘﻠﻙ ﺍﻟﺨﺼﻭﺼﻴﺔ ﻟﻘﻭﺓ ﺍﻟـﻨﺹ ﻓـﻲ ﺍﻟﻤﺨﺎﻁﺒﺔ ﺍﻻﺭﺘﺠﺎﻟﻴﺔ ﻭﻓﻲ ﺍﻟﻜﺘﺎﺒﺔ ﻟﺸﺨﺹ ﺁﺨﺭ ﻏﻴﺭ ﺍﻹﻤﺎﻡ ﻋﻠﻲ ﺍﻟﺫﻱ ﺍﻨﻁﻭﺕ ﺸﺨـﺼﻴﺘﻪ ﻋﻠـﻰ ﻋﻠـﻭﻡ